• 한국실내디자인학회논문집
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• 제23권4호
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• pp.83-93
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• 2014

Because the 'image' is the 'reality' in this era, there are the characteristics dematerialized between reality and non-reality in the contemporary architecture. These are promoting individualization, differentiation and multi-layered time with the development of electronic technology. This trend emphasizes the importance of imagines that are not only homogenized, simultaneous but also overlapped, multi-layered, discriminatory. Perspectives and essential characteristics of the architectural skin are changing in terms of the technical and social awareness and that means the skin has features as a complex body. Recently as an imagine creator, the architectural skin make form of media boundaries reflecting the various relationships between the observer and the external environment and also, the interior space become another sensory skin by removing the boundaries of the internal and external. It is important that making an identity of the architecture defined by the media or the imagine as well as the importance of space in architecture. These changes of skin make the third space based on the viewer's imagination and show the potential of new architectural skin with the expansion space by blurring the boundary between reality and illusion. It occurs to the diversity of the architectural skin with the identity. It will more diversified and be recognized immediately and sensibly through the interface attributes in contact with the city directly. In addition, it is more important that the skin become a unified body related with urban, social and cultural context.

• KIEAE Journal
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• 제14권5호
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• pp.39-48
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• 2014

Urban outdoor playground serves as the space to promote the physical, cognitive, social, creative, emotional and linguistic development of children and the education center to stimulate the imagination and curiosity of them. It is also the place to be used as a basic park for urban residents and the local community space for associating with people of various levels. However, this playground as a banal space did not function properly before now. In 21st century, urban playground requires change and its various changes have been attempted. In particular, there is a need for the change into eco-friendly playground to provide children's health and urban healthy environment. Therefore, it requires much effort to construct and vitalize the eco-friendly playground adequate for domestic circumstances in Korea. This study derived the preferred planning items among eco-friendly playground planning elements focused on the people to use it and provided the data for the construction of local friendly, eco-friendly outdoor playground. For this purpose, we visited the playground of the apartment house built in 10 years with more than 300 households and surveyed 200 adults and investigated the residents' utilization and satisfaction on the current playground and the recognition and preference for eco-friendly playground.

• 한국게임학회 논문지
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• 제20권6호
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• pp.89-98
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• 2020

기술적 상상력에 기반을 둔 컴퓨터 시뮬레이션 기술의 발전은 가상과 현실 사이에 놓여 있던 보이지 않는 벽을 무너뜨리고, 이용자가 현실과 가상의 혼재적 상황에 직면하게 만든다. 이러한 기술의 발전은 곧 인간 정체성을 진화시킨다. 게임은, 디지털 총체 예술의 대표적인 형태로 점차 그 영역을 확대해, 나아가 그 역시 현실의 일부로 여겨지는 혼합적 형태로 진화하고 있다. 이것은 곧 게임의 가치를 승격시킬 수 있는 발판이 될 수 있으며, 게임의 진화를 논할 수 있는 계기로 볼 수 있다. MMORPG를 중점으로 한 본 연구에서, 온라인 게임의 다양한 가치와 그 안에서 이루어지는 인간 정체성의 진화에 대하여 논할 것이다.

• 만화애니메이션 연구
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• 통권51호
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• pp.391-411
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• 2018

본 논문은 질 들뢰즈와 장 보드리야르의 시뮬라크르 개념을 바탕으로 디지털 사진 이미지의 존재론에 관해 살펴보고자 하는 데 그 목적이 있다. 전통적으로 아날로그 사진 이미지는 원본 대상과의 유사성으로 재현의 논리를 따른다. 따라서 아날로그 사진 이미지의 시각적 현실은 주관적 시각에서 조명되고 해석되며 묘사될 수 있지만 해석된 그 현실을 벗어나지는 못한다. 그러나 디지털 사진 이미지는 물질적으로는 존재하지 않고 디지털 알고리즘인 수학적 데이터로 구성된 정보로 존재하게 된다. 이러한 디지털 사진 이미지는 모든 재현에 나타나는 현재성인, 즉 '한때 거기 존재했었음'이라는 피사체의 본질이 이제는 존재하지 않는 것으로 외부의 대상을 지시하거나 재현하지 않는다. 따라서 디지털 이미지는 유사성이 존재하지 않고 더 이상 지표적 지시 능력을 지니지 않는다. 이러한 디지털 사진 이미지는 가상의 영역으로 전환되었다는 것을 의미하는데, 이는 이미 존재하는 것의 재현이 아닌, 아직 존재하지 않는 것의 현시라 할 수 있다. 이러한 디지털 사진 이미지의 비실재성은 현실과 실재 그리고 가상에 대한 이해를 변화시킨다. 이제는 무엇이 실재이고 가상인지 구분하는 것 자체가 무의미하게 되고, 이는 기술의 발달로 디지털 이미지가 발생한 것이 아닌, 기존의 이미지와는 근본적으로 완전히 다른 새로운 이미지라는 것이다. 결국, 오늘날의 디지털 이미지는 존재했으니 대상을 가시화하는 단계를 넘어, 이제는 존재하지 않았던 것들이 가시화되고 있으며, 현실도 가상으로 작동한다는 것이다. 이는 디지털 이미지가 우리 현실을 재현한 것이 아니라 다른 현실을 사실적으로 재현한 것이라 할 수 있다. 즉 대상과 아무런 관련이 없는 이미지 생성을 하는 가상적 재현, 즉 시뮬라크르라 할 수 있다. 가상으로서의 시뮬레이션 된 세계에서 현실은 무한한 가능성을 가질 수 있고 그것은 과거나 현재의 모습이 아닌 고정되지 않고 무한히 변화할 수 있는 아직 현실화되지 않은 무한한 잠재태로서의 가능성을 가진다.

• 만화애니메이션 연구
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• 통권30호
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• pp.59-86
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• 2013

컴퓨터 테크놀로지가 제공하는 '스펙터클'과 '사실성'은 여전히 관객을 유혹시키는 CG 애니메이션만의 강점으로. <토이스토리>의 흥행성공 이후로 픽사(PIXAR)와 드림웍스(DreamWorks)로 대표되는 수많은 극장용 CG 애니메이션이 제작되어 흥행에 성공하였고 지금도 고공행진 중이다. 한국에서도 <파이 스토리, 2006>, <빼꼼의 머그잔 여행, 2007>, <코알라 키드: 영웅의 탄생, 2012> 등 몇몇 작품들이 흥행 성공을 위해 도전장을 던졌지만 그 결과는 실로 참담하기만 했다. 과거엔 '기술력의 부족'을 원인으로 삼기도 했지만, 계속된 흥행적 시행착오를 통한 과정 속에서 창작의 기본이자 애니메이션의 특징인 '서사'와 '상상력의 이미지'가 흥행성의 핵심적 요소임이 분명해졌다. 실제 통계에 의하면, 관객이 애니메이션을 선택할 때 가장 중요하게 생각하는 것으로 '이야기'를 꼽을 정도로 서사가 애니메이션에서 차지하는 비중은 절대적이다. 특히 이야기의 요소가 되는 '인물'과 '상황, 그리고 '아이디어'들이 그 중에서 핵심적인 기능을 한다고 할 수 있다. 본 논문은 국내외로 흥행에 성공한 미국 극장용 CG 애니메이션인 <인크레더블>, <쿵푸팬더>, <슈렉>을 인물, 상황, 이미지를 중심으로 각각의 애니메이션들이 어떤 특징을 가지고 즐거움과 재미를 유발시켰는지 연구하였다. 본 논문의 분석이 국내 작가와 연출자들에게 각 작품만의 고유한 개성과 특징이 잘 드러나며, 상상력과 창의성을 기반으로 친근하면서도 특징적인 작품 개발로 이어지는 참고자료로서 조금이나마 도움이 되길 기대한다.

• Nuclear Engineering and Technology
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• 제44권3호
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• pp.225-236
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• 2012

The Fukushima-Daiichi accident shook the world, as a well-known plant design, the General Electric BWR Mark I, was heavily damaged in the tsunami, which followed the Great Japanese Earthquake of 11 March 2011. Plant safety functions were lost and, as both AC and DC failed, manoeuvrability of the plants at the site virtually came to a full stop. The traditional system of Emergency Operating Procedures (EOPs) and Severe Accident Management Guidelines (SAMG) failed to protect core and containment, and severe core damage resulted, followed by devastating hydrogen explosions and, finally, considerable radioactive releases. The root cause may not only have been that the design against tsunamis was incorrect, but that the defence against accidents in most power plants is based on traditional assumptions, such as Large Break LOCA as the limiting event, whereas there is no engineered design against severe accidents in most plants. Accidents beyond the licensed design basis have hardly been considered in the various designs, and if they were included, they often were not classified for their safety role, as most system safety classifications considered only design basis accidents. It is, hence, time to again consider the Design Basis Accident, and ask ourselves whether the time has not come to consider engineered safety functions to mitigate core damage accidents. Associated is a proper classification of those systems that do the job. Also associated are safety criteria, which so far are only related to 'public health and safety'; in reality, nuclear accidents cause few casualties, but create immense economical and societal effects-for which there are no criteria to be met. Severe accidents create an environment far surpassing the imagination of those who developed EOPs and SAMG, most of which was developed after Three Mile Island - an accident where all was still in place, except the insight in the event was lost. It requires fundamental changes in our present safety approach and safety thinking and, hence, also in our EOPs and SAMG, in order to prevent future 'Fukushimas'.

• 한국실내디자인학회논문집
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• 제12호
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• pp.40-49
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• 1997

What's the direction of INTERIOR ARCHITECTURAL DESIGN in 21 Century High Tech\ulcorner The purpose of this research is to show not only practical use of Computer Graphic(CG) as simple tool function, but offering conversation with computer and other ways of method. When we consider poor CG market, investment on the research of VR(Virtual Reality) is the most urgent. The investment on VR will solve various problems. Firstly. It will solve the problems drived from Interior design process by making spatial images like reality. Secondly, It will solve high wages and financial difficulties caused by raise cost funds. Thirdly, It prevents in a road from foreign company that will bring enormous program, caused by opening the domestic market. Also, It help interior designer check in advance the problems in constructure through showing him a supposed imagination including the system and location of equipments. But it is reality that even ordinary American can't offer VR(Virtual Reality) System. We should have noted that it is normal to spend 10 billion won for such presentation as Model House in the large corporation. We must acknowledge that it is such a waist of money nationally. Therefore, investment on CG & VR System is essential in order to save cost more effective presentation & interior design. We will see great result within a year. As we can see, there is huge area we have make develop. One of them is specific technical plan on VR System and study of flow chart. We close with simple methodological way to use VR System and will study Computer System. Which is fitting to CG that we have to solve the link of hardware and software on VR System\ulcorner We know from the cases in other countries that continuous research on this subject has great value for Interior Architectural Design and its effective use. When we try hard not only for methodological use but practical use, the purpose of CG and VR System will be a factor to contribute on this subject for better Interior design & presentation.

• 건축역사연구
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• 제12권4호
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• pp.49-62
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• 2003

Vesely explains, the main source of our confusion and nihilism comes most probably from the ambiguous relationship between modem architecture, technology and aesthetics. Also, to overcome such crucial problems, many theorists recently emphasize to take part in cultural civilization and to preserve creative genes of great culture that is based on our interpretation of 'ethical and mythical nucleus of mankind,' rather than in technical modernization that constitutes a sort of subtle destruction of mytho-ethical nucleus of a society. They for architecture also strongly stress on a mythopoetic imagination and an ontological construction of building, which could make a form symbolic and mythical rather than mathematical and aesthetic representation. On this point, 'myth' becomes a vital idea for constructing and construing architectural form and space. And it is also one of the essential concepts to understand both the motive power of cultural continuation of place and the meaning of architecture. Nevertheless, its meaning and the citation of word in architectural essay are still obscure. It might be because the original concept of myth not only has been lain in the matter of philosophical contemplation. Thus, the intention of the research is focused on lightening the meaning of myth in architectural term. Especially, it is, first, concentrated on interpreting philosopher Ernst Cassirer's reflections which were written in order to emphasize the importance of 'mythical consciousness' for the world's cultural civilization. And, the second, it will continue to interpret the myth as a sign within the semiotic concept of Charles Sanders Peirce, and further to emphasis the significance of mythic signs for the continuance of artistic and cultural idea including architecture. The contents of the paper is not that of architectural planning and design methodology, rather architectural philosophy and epistemology. Nevertheless, in regard to architecture, the research will, against today's un-discriminated use of symbolic motifs and instrumental representation of form, suggest a concrete architectural and aesthetic theory of myth and sign, especially of the relationship between the idea of semiology and the function of cultural continuity.

• 복식
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• 제60권6호
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• pp.89-100
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• 2010

This study is intended to analyze current status of costume in the cultural industry and explore feasibility of integrating costume as important cultural contents in the digital era. Among the websites for contents as the cultural archetypes, some have strong foundations while others don't. First, as for various archetypal characters restored based on the Korean history, most of their clothes focus on shapes and colors but lack details. They should be produced in 3D to provide back views or textile patterns to users. To ease understanding of the history of costume, user-friendly services such as launch of a pop-up window when users click on specific contents in question should be available for detailed information. At least there should be a link to other related sites where users can conveniently find more details. Second, some sites have too much data under one subject, increasing complexity and undermining orderliness. As a result, it takes long time to identify the site map. In this case, it is required to rearrange the contents with Quick View by subject and related links for in-depth study. Third, each subject is important to develop the archetypes for a variety of purposes. Creation of design derived from them or their commercialization can be an example but these activities should not restrict imagination of users or degrade the value of the archetypes. Last, it is needed to adopt validation system to detect the needs for a regular update (renewal) and to fix errors. We found many servers whose operation is not stable in general. When these technical issues are addressed for stable operation, users will rely on the sites to utilize them for their purpose of developing the cultural archetypes. In conclusion, advancement of www.culturecontent.com is essential. Based on efficient management and operation of the system, the quality of contents would be increased and multi-faceted advertising campaigns focusing on needs should be launched, to promote application of the contents. This is the recommendation for the future of the cultural archetype industry in Korea.

• 한국융합학회논문지
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• 제9권2호
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• pp.313-322
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• 2018

최근 사회 현상으로 부각되고 있는 키덜트 문화를 유형별로 큐티즘 키덜트, 판타즘 키덜트, 메모리즘 키덜트 3가지로 분류하고 각각의 특징을 분석한 후 독창적이고 창의적인 네일아트 융합 디자인을 제시함으로써 네일아트의 디자인 영역을 확대하고자 하는데 목적이 있다. 이를 위해 학위논문, 전문서적, 인터넷 자료 등을 조사하여 키덜트 유형별 특징과 디자인 사례를 분석하였고, 분석한 내용을 기초로 키덜트 유형별 특징을 활용하여 독창적이고 창의적인 네일아트 융합 디자인 작품을 제작하였다. 연구결과 큐티즘 키덜트는 귀여움, 화려함, 캐릭터 차용, 판타즘 키덜트는 상상의 가치, 판타지, 메모리즘 키덜트는 추억 회상, 캐릭터 차용으로 특징이 분석되었다. 이러한 키덜트 유형별 특징을 네일아트 디자인 6 작품을 제작하였으며, 이를 통해 문화현상을 기초로 한 네일아트 디자인의 독창성과 다양한 표현성을 확인할 수 있었다.