• 한국실내디자인학회논문집
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• 제13호
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• pp.130-138
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• 1997

This study is to present the visual phenomenon of natural light in the interior space. The continuously changing natural light define the visual phenomenon of the architectural space. First, the objective of this study was finding the importance of the visual phenomena which were generated from correlating natural right with the interior space. And the second was to categorize the factors of the visual phenomenon which can be useful factors for modern interior design practice. As a result of this study, two visual phenomena were classified. First; territorial phenomenon: dividing, partitioning, and sectioning by natural light, Second; phenomena by the inflow methods of natural light; a) by direct inflow; transparency, expansion, and floating, b) by filtering fixtures; the architectural structure, color, and the transluscent material, c) by dramatic spacial present of natural light, d) by the sense of direction of naturel light; continuity, and transformatiov. Found and classified each factor is not presented by itself, rather compounded forms. Because of the limited analysis of modern buildings, these found visual factors can not represent all phenomena. But if we practice these finding factors to design present interior space, it is sure of being very valuable factors to re-introduce the overlooked natural light into interior space.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.37-45
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• 2011

This thesis sets out to study the immanent mechanism of architecture which had classified as external spaces in general. As human controls a space, it controls or manages human's behavior, too. This study is depended on the humanities to analyze a various operation of power in the architectural space. It makes a comparative study of a space-power in a dwelling space through a discourse of Michel Foucault and Jacques Lacan, in particular everyday's microscopic scope. According to analytical results, the space-power of dwelling falls under the influence of a spacial arrangement and subject's desire. It has shown a noticeable characteristics in aspects production & consumption, using behavior, and use value. As it is seen through the aspects of production & consumption, owns of the space-power in a dwelling could not be its subject. We have also understood about a physicalistic furniture at the using behavior, it has a special power unconsciously to control a human's action and lifestyle. And then in the aspects of use value, the centric theme is a television. It lies on the core of space-power in dwelling, because is profoundly related to an innate respect of a dwelling value. In conclusion, so this study has the important meaning in the side to offer some interpretative possibility about the architectural space-power through a microscopic structure.

• 대한공간정보학회지
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• 제12권2호
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• pp.73-77
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• 2004

대도시의 도심 정체나 대중교통 장려책과 같은 요소로 인해 대중교통에 대한 관심과 이용도가 증가하고 있다. 그러나 노선의 설계나 배분에 관한 연구가 미흡하고 적절한 정량적인 방법론이 구축되어 있지 않기 때문에 설계, 운영에 어려움을 겪고 있다. 노선의 공급과잉이나 공급부족으로 인해 접근성이 지역간에 편중되어 나타나며, 도시 각 구역의 정류장은 다른 지역으로 이동하는 시간과 비용, 심적 부담에 있어 큰 편차를 보이고 있다. 한편, Space Syntax 이론은 도시공간이나 건축공간의 접근성을 공간의 기하학적인 연결구조에 기반하여 정량적으로 산출하는데 사용되는 이론이다. 본 연구는 Space Syntax 이론을 대중교통 문제에 효과적으로 적용하기 위해 알고리즘을 수정하였으며, GIS를 이용하여 간략한 가상의 네트워크를 구축한 후 이를 적용하는 과정을 예시하였다.

• 건축역사연구
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• 제8권1호
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• pp.63-80
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• 1999

Poet, Yi-sang, born in 1910, originally studied architecture in Kyeong Sung High Technical School. He also experienced an architectural practice in Chosun Chongdokbu (the Government office of Japanese empire in Korea) during 4 years. After resigned the post of architectural engineer in 1933, he became a man of letters. Until his death in 1937, he published the writings hard to understand, which remind us of the works of western avant-garde. Because of the peculiarity and difficulty of his poem and novels, he becomes the object of studies by many critics and historians of literature. And he is estimated as the representative of Korean modernism. This study tries to related Yi-sang's early poems to architectural discourse for the search of 'modernity' of Korean modern architecture. His early poems, which is published in from 1931 to 1933, are worthy of notice because they contained a acute shock derived from radically changed spacial structure, the absolute emptiness of the individual happened in the 1930's Seoul. They also show a different attitude from the writings of Park Dongjin and Park Kilryong, the architects contemporary with Yi-Sang. Compared with their writings, Yi sang's early poems had an insight into the totality of modern culture like western avant-gardes. Therefore Yi-sang's early poems can give us a good base to understand the characteristics of 'modernity' of Korean architecture.

• 한국경제지리학회지
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• 제12권4호
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• pp.645-664
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• 2009

이 글은 2010년 균특회계의 광특 지역회계로의 전환과 지역개발계정의 포괄보조금화 및 기초생활권 발전계획의 도입에 즈음하여 상주시와 서천군의 사례를 통하여 기초생활권 단위(시군)에서 국고보조금, 균특회계, 자체사업별로 어떤 사업이 실시되고 있고, 개선과제는 무엇인지를 살펴보았다. 장기적으로 지역개발사업의 지역적 통합(territorial integration)을 위해서는 차별성이 모호한 국고보조금과 균특회계가 통합될 필요가 있으며, 아울러 현행 7개군 24개 사업으로 되어 있는 포괄보조금 방식이 다원적 농촌개발의 개념에 걸맞게 기능적으로 재분류되어야 한다는 것이 이 글의 주요 주장이다.

• 대한한의학원전학회지
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• 제32권2호
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• pp.135-146
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• 2019

Objectives : This study examines the grounds on which Wulao(五勞) Liuji(六極) Qishang(七傷) which are categories of Xulao(虛勞) are differentiated, along with standards by which each category is further classified. Methods : Based on "Zhubingyuanhoulun(諸病源候論)", the first text to sort the different types and symptoms of Wulao(五勞) Liuji(六極) Qishang(七傷), each classification and its symptoms were analyzed. Texts which were written relatively close in time to "Zhubingyuanhoulun" were referenced in the process. Results & Conclusions : The differentiation of Wulao(五勞) Liuji(六極) Qishang(七傷) is based on the cause of illness. Wulao(五勞) is caused by mental activity which fatigues the Five Zang, Liuji(六極) is caused by exterior pathogens that damage the Five Body Elements, and Qishang(七傷) is caused by emotional factors as well as damaging practices. In close examination, Wulao(五勞) was further classified according to the different layers of mental activity, described in terms of taxation illness of the damaged Zang. Liuji(六極) is damage of the Five Body Elements by exterior pathogens, which was put into the spacial structure of nature and explained in six. Qishang(七傷) refers to the collective of representative symptoms and representative causes of Xulao.

• 한국실내디자인학회논문집
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• 제40호
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• pp.34-41
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• 2003

A purpose of this study is to comprehend a concept of 'Open Space', realization of a deconstruction, presented in his works, based on a deconstruction and surrealism Coop Himmelblau's philosophical contemplation and to look into how this concept is interpreted in spaces. A concept of 'Open Space' is functioned as not a singular meaning but a multiple meaning accompanied with other formative ingredient and contemplation, scientific paradigm and a realation with a surroundings. The concept of 'Open Space' in their architentural space is applied. First, the space openness that represents to the extreme a concept 'Open Space', as a 3D designing ways that demolishes a structure and outgrows an ex siting thinking pattern, represents multiple grade spaces and an anti-gravity space. In a material, using glass and iron provides a spacial transparency and through this, visibly liberal sense that an interior and exterior is felt as an unification. Second, an non-expressive box pattern repulses to a spatial rank nature, outgrowing an uniform geometrical system, through demolishing a geometrical system, an edge and fold pattern. This is, as an anti-gravity, dynamic a typical structure, outgrowing an orthogonal system, interpreted as a composite meaning without division in spatial area. Third, the collage is used to represent a complexity and pluralism in representing 'Open space'. The collage that forms a image through combining a fragmentary elements into being a space change, composite constitution and spatial amusement. Thus, It is worthwhile to study how the collage that forms a diverse shape will be developed making what impact as an age and surroundings changed. As we contemplate in former part, Coop Himmelblou has deployed 'deconstruction beyond deconstruction' realm as just their midterm concept in their works like the words 'The architecture must climb', the deconstructive architect. A studying for their works reflecting the 'Open Space' concept based on deconstruction must be lasted and this enables us to comprehend space concept containing an architecture and interior design.

• 한국해안·해양공학회논문집
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• 제31권6호
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• pp.356-367
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• 2019

본 연구는 olaFlow 모델에 의한 혼상류수치해석법을 적용하여 저천단구조물에 의한 불규칙파랑의 변동특성을 수치적으로 검토한다. 목표스펙트럼에 의한 불규칙파형과 측정된 불규칙파형과의 비교 및 이로부터 산정된 두 주파수스펙트럼의 비교로부터 olaFlow의 타당성을 검증하고, 2차원저천단구조물에 의한 불규칙파의 주파수스펙트럼의 변동, 파전달율, H_rms의 공간분포, 평균유속과 평균난류운동에너지의 공간분포 등을 수치적으로 검토한다. 이로부터 LCS 외해측의 전면에서 시계방향의 해빈류와 반시계방향의 순환류셀이 형성되고, 내해측의 정수면 근방에서 항내로 향하는 강한 일방향흐름이 발생되는 등의 중요한 결과를 얻을 수 있었다.

• 한국경제지리학회지
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• 제2권1_2호
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• pp.27-45
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• 1999

최근 제조업의 수도권의 집중, 서울에서 경기지역으로 분산과 경기직역의 성장, 수도권질서 첨단산업으로의 구조재편과 중소기업의 집적, 그리고 농촌지역에서의 대기업 분공장 입지 등의 현상에 대해 우리나라 경제발전의 역사과정의 맥락에서 구조적 접근을 통해 살펴보았다. 그 결과 자본의 국제적 이동과정질서 신국제분업과 경제성장은 한국의 공간구조를 불균등하게 조직하였고, 그리고 지속적인 경제성장에 따른 자본축적은 지가상승, 임금상승 그리고 노동재생산기반의 지리적 차이와 산업의 공간분업을 발생시켰다. 이러한 변화된 요인에 의해서 오늘날 제조업 입지변화를 설명할 수 있다. 따라서 향후 지식기반과 관련된 사회문화적 구조와 지가와 관련된 토지이용구조의 입지요인들이 더욱 구조적으로 연구가 진행되어야 할 것이다.

• 한국산학기술학회논문지
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• 제16권10호
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• pp.6917-6924
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• 2015

인간의 시각구조는 시야각과 가시거리에 의해 형성된다. 그러나 시지각에 기반한 대다수의 공간구조분석이론은 시야각을 반영하고 있지 않거나 평면적인 시야각만을 고려하고 있다. 일부 반영하는 이론들도 시야각에 포함된 부분과 제외된 부분을 이분법적으로 분리시킨 이론으로서 인간의 보편적 주시특성이 배제되어 있다. 본 연구는 아이트래킹 실험을 통하여 시야각의 한계를 실증적으로 파악하고 시야각별 주시확률을 도출하여, 이를 3차원 가시성 분석이론에 적용하였다. 그리고 시야각체 제한이 가능한 공간 시지각 분석어플리케이션을 제작하고 여기에 시야각별 Multiple frustum culling의 개념을 적용하여 그 가능성을 파악하였다. 주시특성 파악은 33명을 대상으로 이동형 아이트래커를 이용하여 임의의 공간에 대한 3분간의 보행과정을 측정한 데이터를 수집하였으며, 각도별로 주시고정 빈도 확률을 분석하여 데이터를 마련하였다.