• 한국의류학회지
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• 제33권1호
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• pp.115-126
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• 2009

This study is about the iconological analysis on woman and clothes of Richard Avedon's and Cindy Sherman's constructed photographies which have questioned about life and existence of woman and present new visions about woman in comtemporary society and culture. The woman in R. Avedon's disguises herself with clothes, while the woman in C. Sherman's changes herself depending on the circumstances. R. Avedon reveals the inside of woman and ego with his gaze. The woman in his photography is reborn as another-self and communicates with the viewer through her eyes. C. Sherman has cast doubts with a woman's point of view in the way of making herself as an object in her works. C. Sherman has presented a new way of thinking about woman's body and ego. The viewer gives feminity and identity to the woman in C. Sherman's photography who has kept asking a question about woman-herself. The identity of woman in the photography has been changed depending on what she is wearing, what she is doing and where she is. Like this, the clothes which she puts on becomes another-self and also expresses life and dignity of the woman.

• 대한인간공학회지
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• 제36권4호
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• pp.343-353
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• 2017

Objective: This study aims to evaluate the efficiency of two representative subway map design types, namely a diagram type and a geographical type using physiological metrics, performance metrics, and self-reported metrics, which are representative usability metrics. Background: Subway maps need to be designed in order for users to quickly search and recognize subway line information. Although most cities' subway maps currently use the diagram type designed by Henry Beck, New York City's subway map has recently been changed to the subway map type combined with the geographical type designed by Michael Hertz. However, not many studies on its efficiency are found, and the studies that are available mainly depend on questionnaire surveys or take on a subjective behavioral study type based on experts' experiences. In this regard, evaluation through a more objective method is needed. Method: This study employed usability metrics as a method to evaluate the efficiency of information search targeting the diagram type and geographical type subway maps used mostly as subway maps. To this end, physiological metrics obtained through eye tracking, task completion time, representative metric of task performance, and subjective evaluation metrics were used for the suitability evaluation of subway map designs. Results: In the result of gaze movement distance analysis, no significant difference was shown in the two design types in terms of a process finding a departure station from the starting point and a process finding a transfer station between the departure station and arrival station (destination). However, the gaze movement distance in the process finding the arrival station at the departure station was significantly shorter in the geographical type, rather than in the diagram type. The analysis of task completion time showed a result similar to the gaze movement distance analysis result. Task completion time was significantly shorter in the geographical type, rather than in the diagram type, which is in the process finding the arrival station at the departure station. In other information search processes, no significant difference was shown. As a result of subjective evaluation metrics analysis, no significant difference was revealed in the two design types. Conclusion: An analysis on the two representative subway map design types was carried out via the adoption of usability metrics. As a result, although no significant difference was shown in some information search processes, it was revealed that information search was easier in the geographical type overall. Also, it was found that usability metrics can be effectively used to evaluate the design types of subway maps. Application: The study results can be used to set design direction to offer ease in information search on subway lines. The study also can be used as a method to evaluate a subway map's design type.

• 미술이론과 현장
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• 제5호
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• pp.7-24
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• 2007

The subject is connected with a structure named "The Symbolic" to Lacan, but he denied that the subject is explained simply as a fruit of language and "Other". From his point of view, passing through Subject, De-formation and Crack over it is designated as foundation of generation and creation rather than our destined defect. It should not be understood that subject of "The Real" is a concept of the subject free itself from restraint of "The Symbolic". However, this does not mean he asserts "Subject" is something incapable of being controlled by the unknown power. The problem is that this autonomous existence meets inside of it with something "more than one's own self" by "circulating around itself" like a permanent star. This is the indication of a "stranger in the middle of my privacy", or "extimit$\'{e}$", a coined-word by Lacan. Perhaps "Subject" is nothing more than the name of distance of object which is "too hot" to come close, and of this circulating movement. It's because of this object that the real subject stands against generalization and the subject can't be restored to any place in symbolic order-even though it is empty. The part which is told from Lacan's structural theory, that is to say, an importance to Lacan is that his Subject theory is not suggested or denied as a manual structure. On the contrary, it is a study of the relationship between the settled symbol that included in "real subject which is a unconscious one" and the symbolic subject hold- that is a metaphysical subject in general meaning. In Lacan's enlarged concept of subject beyond symbolic reality, it is noticeable that it gives justifiability to the union of a medium of different nature in artistic expression. We can recognize that the unconscious world is a living space which enables it to be a "condition of human being", not something dark under the surface of water through Magritte's(Rene Magritte, 1898~1967) surrealistic works. In other words, Magritte's art secures a core dimension of human nature through a mysterious gap of conscious and settled space. Magritte's drawings often evokes strange and unsettling feelings in people who view his paintings. This is because routine objects are found in "unsuitable" places from which we usually find them in our everyday lives. "Reality" in Magritte's paintings makes it aware that it is a strained field of concealment and disclosure basically between truths, and we can learn that his behavior to overturn to paint in-visible things is finally an effort to restore the "real subject" to the viewer's reality. In other words, such reversion arouses a nostalgic desire for the objects existing in their original appearance as they are - natural condition that our gaze had not been distorted yet by anamorphic stains. - and the state when we are conscious of them normally. Such desire offers an opportunity for us to get out of mental depression rather than operates to us as an abnormal crack. It's a successive process of effort to search for lost subject and Paradise Lost facing up to reality of subject human that is to be a subject of world and life are ousted from their place by structure and authority of culture.

• 성인간호학회지
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• 제28권6호
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• pp.701-708
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• 2016

Purpose: This study investigated Korean women in between age 30 to 60 who were obese or overweight in order to explore their self-perception based on lifetime phase. Methods: Focus group interviews were performed four times with six to eight participants in each group (a total of 27). Data were analyzed using inductive thematic analysis. Results: The data analysis from the interviews revealed recurring common themes: heavy heart, heavy body, resigned acceptance of their own condition, and compromise. The study also found that each age group had different concerns: concerning others' gaze on their obese appearances (30s), realizing their aging obese appearances (40s), recognizing red flags of their health with obesity (50s), and becoming ambivalent about their obese appearances (60s). Overall, their perceptions of being overweight were negative and stressful. Women in their 30s and 40s were more interested in their appearances, and thus were more obsessive about weight gain. In contrast, women in their 50s and 60s were more accepting of their physical appearances, and thus were more concerned about living healthy than losing weight. Conclusion: These results may be useful to consider when developing tailored weight-control programs for obese and overweight Korean women. Additionally, strategic approaches for successful and effective programs targeting healthy weight should be based on better understanding about women's self-perceptions and motivations.

• 한국초등과학교육학회지:초등과학교육
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• 제36권4호
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• pp.428-438
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• 2017

The purpose of this study is to analyze the visual attention of elementary school students according to the editorial design of the 2007 2009 revised elementary science textbook 'Structure and function of our body'. For this purpose, eye movements were collected while elementary school students were watching real textbooks wearing mobile eye tracker. The BeGaze 3.7 program of SMI company was used analyzing eye movements. Twenty-six elementary school students participated voluntarily in mobile tracking research. Elementary students learned the contents of textbook related to 'digestive organ' and 'respiratory organ' by using double reading learning strategy. The results of this study are as follows. First, as a result of pre- and post-knowledge tests, there was no statistically significant difference in learning effect between 2007 revised and 2009 revised textbook editing design. Second, elementary school students tended to give more visual attention to text than textbook illustrations. Third, the selective attention and persistent attention of elementary students showed a very strong positive correlation (.940), but the selective attention and self-control showed a strong positive correlation (.499). Fourth, students with high level of attention and low level showed high visual occupancy in text than in illustrations. Fifth, elementary school students preferred the 2009 revised science textbook to the 2007 revised.

• 영미문화
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• 제10권2호
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• pp.29-48
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• 2010

This paper is a kind of interdisciplinary studies which connect a Western film criticism with a criticism of minority literature in America. My purpose in this paper is to put on the table such a sensitive issue as racial representation and representativeness in Clint Eastwood's revisionist Western, Unforgiven. We admit generally that Western films have contributed to the white American myth-making of how the West was won. Yet, since the mid-1960s, a growing number of revisionist Westerns were produced so as to raise a question about the conventional way of looking at what happened in the American West. In order to analyze the problem inherent in the way of seeing, I pay attention to how the director Eastwood (re)presents a character named W. W. Beauchamp in the film. Presumably, what the character Beauchamp misses in the West can be overlapped with what ordinary film viewers miss in the genre of Westerns. Given this, interrogating both what Beauchamp sees and what he misses within the movie, I attempt to disclose how much of the West has been unseen from his biased viewpoint. By doing so, I argue why it is important to focus on some passing scenes that touch on the irony of a Native American train passenger, the gaze of the mute Native American housewife, the abrupt disappearance of Asian American men, the lynching of African-American ex-cowboy, and the self-determination of the saloon prostitutes. Then I hope that, conservative and mainstream though the director is, his way of revising the Western is not quite far from my minority-conscious critical position.

• 대한유전성대사질환학회지
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• 제11권1호
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• pp.88-98
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• 2011

Lesch-Nyhan syndrome is a X-linked recessive disorder caused by a deficiency of the enzyme hypoxanthine-guanidine phosphoribosyltransferase (HPRT), enzyme to recycle purines. Case history: born induced vaginal delivery at 40 weeks complicated by premature membrane ruputure, body weight 2.820 gm. He showed failure to thrive showing severe protein aversion like milk products and pink daper. Developmental delay revealing rolling over at 10.5 month, followed by regression. Seizure at 2 months, His poor oral feeding was lifelong problem. Weak crying, spastic, choreoathetoid movement. Self mutilating behavior noted and diagnosed at age 3 years. No family history of consanguinity and neurological disorders. Method: Laboratory test, physical exam, imaging study and molecular. Clinical follow up Treat ment with allopurinol. Result: uric acid 10.5 mg/dL (N 3.5-7.9), APRT 151.1uM/ min/ml pro(25.7-101), HPRT 7.6 (N 233.5-701) and c.151C>T hemizygote (p,Arg51X). Abdominal sonogram showed staghorn calculi in both kidneys, brain MRI brain atrophy. Clinical follow up showed, seizure at 2 mo, developmental delay (head control and, rolling over at at 11mo, pointing body part at 2 yr 7 mo, eye hand coordination at 2 y 11mo,creeping at 3 y 7 mo, speaking words at 6 y 6 mo ),and developmental regression at 3 yr of age. Sleeping problem including insomnia and severe constipation. Self mutilating behavior (lip bite) started at 2.5 yr, neurologic sx including intermittent upward gaze accompanied by swallowing difficulty at 3 y 7 mo grand mal seizure at 4.5 yr and spastic extremity and trunchal hypotonia and choleoathetoid movement and ataxia at 6.5 yr. Scoliosis with severe spasticity at 9 yr 9 mo. Acute life threatening episode with irregular breathing at 9 yr and 9 mo, Emaciation and nephrolithiasis and recurrent pneumonia. Died suddenly at 10 yr 3 mo. Conclusion: life long feeding problem, chronic gut motility dysfunction, sleeping difficulty and progressing neurologic deterioration and nephrolithiasis despite normal serum uric acid maintence by allopurinol treatment.

• 문화기술의 융합
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• 제9권1호
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• pp.663-668
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• 2023

현대 전투에 있어서 적의 위치나 시설 등의 정보를 수집하는 것은 매우 필수적이다. 이를 위해 멀티콥터 등의 무인기의 개발이 활발하게 이루어져 왔으며 무인기에 장착되는 임무장비 또한 다양하게 개발되었다. 좌표지향 알고리즘이란, 임무장비가 원하는 좌표나 위치에 시선을 고정할 수 있도록 시선각을 계산하는 알고리즘을 의미한다. 비행데이터와 GPS 데이터를 수집하여, 좌표지향 알고리즘에 대하여 Matlab을 이용하여 시뮬레이션을 진행하였다. 좌표 데이터만을 이용한 시뮬레이션에서는 Pan축 각도는 평균 약 0.42°가 Tilt축은 0.003°~0.43° 상대적으로 넓은 오차와 평균적으론 약 0.15°의 오차가 나타났다. 이를 NE 방향의 거리로 환산한 결과는 N방향 오차거리는 평균 약 2.23m E방향 오차 거리는 평균 약 -1.22m의 결과를 나타났다. 실제 비행데이터를 적용한 시뮬레이션에서는 약 19m@CEP의 결과가 나타났다. 따라서 EOTS의 주 임무인 감시 및 정보수집에 있어 좌표지향 알고리즘의 자체적인 오차에 대하여 연구를 진행하였고 정량적 목표였던 500m에 30m@CEP를 만족하는 것을 확인하였고, 원하는 좌표를 지향할 수 있다는 것을 보였다.

• 한국철학논집
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• 제52호
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• pp.341-364
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• 2017

이 논문은 동아시아적 사유를 통해, 소통적, 관계적, 자율적, 대안적인 각도에서 판에 박힌 공동체 이념을 성찰하려는 것이다. 공동체란 이 세상의 주체인 내가 타자를 만나 서로 공통된 목적을 달성하려는 집단적인 형태의 공간이다. 그 공간은 국가, 사회, 민족일 수 있겠지만, 지역 문제, 생태, 환경을 다루거나 동호회와 같은, 사람의 몸과 마음이 바라는 바에 따라 달라질 수 있다. 어느 면에서 공동체는, 제도적인 측면의 국가나 이념적이고 상상적인 민족 공동체와 달리, 개체적인 인간 삶에 주안점을 둔다. 그것은 정해진 제도에 따라 인위적이거나 일률적인 시스템이 작동하는 공간이 아니라, 사람의 몸과 마음이 사랑하고 욕망하는 영토를 마련해주는 곳이어야 한다. 그런 공동체에서는, 참여자의 자율적 생명의 기운이 세상에서 관계적으로 역동하고, 거기에 설사 지도자가 있더라도 '무위'의 정치만 있어서 개개인의 의지가 현실화 될 수 있어야 한다. 이렇듯 사람이 본성대로 살 수 있으며 그 취향을 펴는데 장애가 없는 공동체를 희구한다면, 이는 동아시아 사유에서 그 이념을 어렵지 않게 찾을 수 있으며, 그런 공동체 이념은 우리 시대에 대안적 성격을 지니고도 남을 것이다. 이 논문은 이 같은 점에 유의하여 공동체의 의미를 접근한다.

• 한국콘텐츠학회논문지
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• 제12권2호
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• pp.116-126
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• 2012

영화작가로서 이창동은 장르적 자장 안에서 영화를 만들고 있는 한국영화계의 대다수 감독들과 구별된다. 그동안 그의 영화는 관객과의 소통을 위해 느와르, 멜로 등의 장르를 차용해왔지만 최근작 <시>에 이르러서는 장르적 외피를 벗어던진 것처럼 보인다. <초록물고기>부터 <시>에 이르기까지 일관되게 남은 것은 관객의 참여를 요하는 깊은 심도와 시간의 연속을 암시하는 길게 찍은 숏들의 몽타주, 현실성을 강조한 연기 등 리얼리즘적 표현방식이다. 또한 이창동의 영화들은 환영적 동일시를 깨는 방식으로 관객들에게 성찰의 자리를 돌려준다는 측면에서 장르영화의 카운터 시네마로 파악할 수 있다. 이창동의 영화에서 볼 수 있는 '낯설게 하기'는 핸드헬드, 판타지, 미장아빔, 응시 되돌려 보내기 등의 영화적 장치로 구현된다. 이 장치들은 텍스트의 재현양식을 폭로함으로써 관객들이 역사적, 정치적 컨텍스트를 성찰하게 한다. 본 연구에서는 <시>,<오아시스>,<밀양> 등의 분석을 통해 이창동의 영화 만들기 행위는 결국 보이지 않는 '실재'를 상징화함으로써 '윤리를 창조하는 반복충동'이라고 주장할 것이다.