• 대한한의학원전학회지
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• 제20권4호
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• pp.187-210
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• 2007

Dunong(鈍翁), Yun-Ji had born by a concubine, and his dream didn't come true for the restraint of his social position, so he tried to train younger men. His writings still remain 4 volumes of "Dunongyeonsocheonjimundap" and "Dunongdongmongmundap(鈍翁童蒙問答)", which may be called its primer. "Dunongyeonsocheonjimundap" is written in question-and-answer form between Chal-Hye-Ja(察慧子) who has a meager knowledge and Sim-Gyeong-Ong(心耕翁) who search for the truth. It is progressed from the law of nature to human's cultivation of the mind so as to reconfirm the recognition of the unity between the heaven and human beings and lead the interpretation and practice of the metaphysical proposition. It is characterized by making use of metrical compositions to induce plain tone of argument. "Dunongdongmongmundap", whereas, uses archaic writings to describe natural science including astronomy to the beginners. Dunong's scholarship is characterized by these: He explained the metaphysical propositions by approaching usual things including oriental medicine practically; He comprised the Confucian concepts intensively to examine the Oriental studies closely; He groped for the outlooks on the world of taking serious view of human being or human body. And his medical thought is characterized by these: He attached importance to the theory of viscera and bowels based on yin-yang and five phase theory; He suggested the concrete yin-yang theory with a viewpoint of qi-blood theory; He considered the concept of 'six' only as mutual rooting of yin and yang and five visceras and six vowels, and denied the traditional six qi concepts; He explained the ghost theories of the metaphysics based on the yin-yang theory to analogize points of sameness between the oriental medicine and the metaphysics; He emphasized restore yang theory. Therefore, we can say that he regarded the human body as small heaven-earth and grafted the abstract propositions into the actuals so as to put the metaphysical propositions in practice.

• 복식
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• 제58권6호
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• pp.69-84
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• 2008

Considering that star reflects the image of current society, analyzing fashion of celebrity is to read ideal type and demands of beauty of the era. Especially the rock music-represents youth culture that last on present day-born in 1960's, and it is considered to a significant decade in pop music history. Thus this research will analysis rock star's fashions in iconological view of E. Panofsky. The aim of this document is Clarifying how the fashion of pop stars appeared and what formed its worth. As a result of analyzing fashions of rock star in 1960's, it is available to find these sameness and difference. The Mods borrowed images of the past, and introduce the elite modernism and shows very urban style. The Folky and the Psychedelic showed post-structuralism propensity against industrial society, in the case of the Folky it induced styles that symbolize labor class to realize social worth. And as an aftereffect of war and repulsion of commercial worth, they embody nature-returning peasant look so that it shows pastoral mood in total. The Psychedelic express somewhat struggling escapism and it generated illusionary images with quests to superego and glorification to psychedelic status. The Folky and the Psychedelic are same in the side of introducing existentialism, this occurred by using ethnic factor. But the Folky showed plain outlook by pop propensity, on the other hand, the Psychedelic showed magnificent outlook such as optical art, pop art, and futurism ought to express merrymaking culture. And common feature of these is introduction of unisex mod which is came after the change of gender role. Thus each star or group has professed special ideology into their culture and it is reflected to acts which is including music and dress style. This affair is analyzed like these two things. The mass of people schemes their identity with inducing special ideology to their culture at the first. And the purpose to archive cultural hegemony in inter-social class at the next.

• KIEAE Journal
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• 제2권4호
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• pp.41-47
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• 2002

East Asian explain the changes of substance happened on earth and those of human life with the conceptual frame of "Gi-ki"(地氣; earth vital energy) and organize them by the system of "Feng-shui(風水) theory. The core of Feng-shui theory is reading the expression of the nature and feeling the Gi-ki from the expression. One of the properties of the earth is that the earth has a magnetic field associated with it- the Geomagnetic field. The geomagnetic field is produced by a combination of the effects of electric currents in the earth's liquid core, the magnetization of crustal rocks, external electric current systems that surround the earth and currents induced in the outer layers of the earth by magnetic field variations. The sameness of logic between Feng-shui and geopathic zones is that both are concerned with the discrimination of site and the energy of places, in other words both disciplines are concerned with how the environment can influence people. In this context the operation of Gj-ki can be related with the effect caused by geomagnetic field on site. In this study Jongmyo(宗廟), one of the representative traditional architecture in Korea is selected because the site selection and building layout follows Feng-shui faithfully according to Taejo silok (太祖實錄, Annals of King Taejo). Observing the landforms surrounding Jongmyo, Jongmyo is apparently located in auspicious places named Gumge Poranhyoeng(金鷄抱卵形, a Feng-shui landscape of golden hen sitting on eggs). The geomagnetic investigation of Jongmyo shows that the geomagnetic values of Toekan(the space near Hyeol) are relatively high and uniform and those of Sangweoldae and Haweoldae are decreased in accordance with the distance. The result shows that there is possibility that Feng-shui has scientific basis related with geomagnetic field. Feng-shui theory can suggest a direction for designing the sustainable building for living with nature.

• 비교문화연구
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• 제36권
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• pp.37-59
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• 2014

William Wordsworth's "The Thorn" revolves around the following questions: Who is Martha? Why does she go to the mountain top and repeat her doleful cry? To these questions, it gives us two different kinds of answers; one derives from the villagers, and the other from the narrator. This essay attempts to examine how the answers exemplify two different critical approaches to the problem of community, using Jacques Lacan's account of sexual difference in his seminar on Encore as a guiding thread of analysis. The important thing to retain here is that sexual difference in Lacan's seminar on Encore does not so much indicate biological determinations as two distinct forms of relating to the other which are intimately bound up with the question of how a community is constructed and maintained. The first form, called "masculine," suggests that it is a radical exception to a community that makes possible the community as a field of totality or sameness; the second form, called "feminine," shows that each of the subjects cannot be regarded as a member of a closed community which is guaranteed by the exceptionality, but as an exception that is radically singular. This in turn leads us to consider the possibility that the masculine form has to do with the villagers' effort to distinguish themselves from Martha and the feminine form with the way in which the narrator confronts and represents her. In the course of his formulation of sexuation graph, Lacan stresses that the masculine side must be supplemented by the feminine side, which allows us to elaborate on why, concerning Martha, the narrator does not just keep the completely different position from the villagers'. This is to say that the villagers' representation of Martha as an exception to the community should be supplemented by the narrator's attempt to tell Martha's story as the villagers do and at the same time to capture something of her enigmatic unrepresentability. Bearing in mind Charles Shepherdson's elaboration of traumatic memory, this essay also tries to clarify how the narrator preserves and even transmits something of Martha's truth that is embodied in her uncontrollable and unassimilable cry.

• 철학연구
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• 제144권
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• pp.33-50
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• 2017

유가는 중국의 주류 문화를 대표한다. 그런데 유가의 집단과 개인의 관계에 관한 연구와 제도 규범에 대한 연구는 그 내용이 충분할 뿐만 아니라, 역사 또한 오래되었다. 유가사상 가운데에는 풍부한 관리 관념을 함축하고 있는데, 이것은 우리들이 전통문화를 제대로 인식하고 지역 색채를 갖춘 관리학을 수립하는 데에 중요한 자산이 된다. 맹자와 순자는 모두 공자의 학문을 계승하였지만, 차별적인 두 가지의 유학 경로를 이루게 된다. 이 둘은 같으면서도 다르고, 다르면서도 같은 점을 지니고 있다. 맹자와 순자는 교묘하게 자신들의 한계를 피해 나간다. 이 글은 맹자와 순자사상을 연구의 범위로 하고, 총5개의 부분으로 논의를 진행한다. 제1절에서는 문제를 제기하고, 제2절에서는 외연적 요소로부터 맹자와 순자의 관리사유의 생성배경을 검토하며, 제3절에서는 내재적인 논리로써 기본적인 가설을 살펴본다. 그리고 제4절에서는 논리구조를 분석하고, 제5절에서는 앞의 논의를 총체적으로 매듭지으면서 맹자와 순자의 관리사유의 진전과정과 상대적인 한계를 제시하고자 한다. 우리는 전통적인 공자의 생각을 '관리'의 관점에서 재검토하여 유가사상의 변치 않는 의의를 드러내보이고자 한다.

• 디지털융복합연구
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• 제17권10호
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• pp.127-139
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• 2019

본 연구의 목적은 소비자정보로서의 유튜브 1인 미디어에 대한 대학생들의 인상적인 경험을 긍정적, 부정적 측면에서 탐색하고, 유용한 소비자정로보서의 1인 미디어의 개선점을 모색하는 것이다. 대학생 44명을 연구대상으로 선정하고 소비 맥락에서의 유튜브 이용 경험에 관한 자료를 결정적 사건기법을 적용하여 수집 및 분석하였다. 연구 결과, 1인 미디어에 대한 긍정적 반응으로는 'C2C 정보력 강화', '소비자 중심적 사용성', '매력적인 정보 크리에이터', '공감대와 동류의식 형성', '신선하고 유희적인 정보'가 도출되었고, 부정적 반응으로는 '유해정보의 확산', '정보 크리에이터에 대한 불신', '과도한 광고와 충동구매 유발', '미디어 중독', '상대적 박탈감'이 도출되었다. 대학생들은 1인 미디어 개선을 위해 '법 정책적 규제 도입', '미디어 리터러시 강화', '소비자 지향적 UI 개선'이 요구된다고 제안하였다. 본 연구는 1인 미디어에 대한 소비자의 인식과 경험을 이해하는 기초자료로 활용될 수 있으며, 소비자 지향적인 1인 미디어의 방향을 제언한다는 점에서 의의를 가진다.

• 한국융합학회논문지
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• 제13권4호
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• pp.1-6
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• 2022

웹 크롤링 데이터를 이용한 실시간 시스템은 원격지의 데이터와 동일한 데이터베이스의 데이터를 사용자에게 제공해야 하며, 이를 위해서 웹 크롤러는 원격지 데이터의 변경 여부를 확인하기 위해 원격 서버에 반복적인 HTTP(HyperText Transfer Protocol) 요청을 수행해야 한다. 이 과정은 크롤링 서버와 원격 서버의 네트워크 부하를 일으키며 과도한 트래픽 발생 등의 문제의 원인이 된다. 이러한 문제점을 해결하기 위해 본 논문에서는 사용자 이벤트를 기반으로 크롤링 서버의 데이터와 다중 원격지 데이터와의 동일성을 유지하는 신뢰성을 확보함과 동시에 네트워크의 과부하를 줄일 수 있는 실시간 웹 크롤링 기법을 제안한다. 제안된 방법은 단위 데이터와 목록 데이터를 요청하는 이벤트를 기반으로 크롤링 프로세스를 수행한다. 실험 결과, 제안된 방법은 기존 웹 크롤러에서의 네크워크 트래픽 과부하를 줄이면서 데이터의 신뢰성을 확보할 수 있음을 확인하였다. 향후에는 이벤트 기반 크롤링과 시간 기반 크롤링에 대한 융합에 대한 연구가 필요하다.

• 한국컴퓨터정보학회논문지
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• 제27권11호
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• pp.89-98
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• 2022

본 연구는 확장된 기술수용모델을 기반으로 <생의 찬미 메타버스>의 사용자 경험을 정량적으로 분석했다. 인지된 유용성 및 인지된 이용용이성의 경우, 일부 세부 요인만이 만족도에 유의미한 영향을 미친 반면, <생의 찬미 메타버스>의 만족도는 몰입도, 지속적 행동 이용 의도의 변인과 상관관계를 가졌다. <생의 찬미 메타버스>가 <생의 찬미 특별전>을 디지털 기술로 정교하게 재매개해서 전시물, 전시 동선, 상호작용 방식의 동일성을 관람객에게 제공했지만, 메타버스 전시가 <생의 찬미 특별전>과 동일한 가치를 획득하지 못했다. 결론적으로 <생의 찬미 메타버스>가 <생의 찬미 특별전>을 대체하기에는 한계를 갖고 있지만, 미술관 접근성이 낮은 관람객에게 학습적 유용성을 제공할 수 있다는 잠재력은 내재해 있다.

• 한국철학논집
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• 제29호
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• pp.33-54
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• 2010

이 논문에서는 퇴계학파가 형성되고 전개되는 과정에 있어서 중요한 인물인 우담(愚潭) 정시한(丁時翰)(1625-1707)이 퇴계(退溪)(1501-1570)의 사상을 어떻게 이해하였는가 하는 문제에 대하여, 『사칠변증(四七辨證)』에 나타난 우담의 관점과 견해를 중심으로 살펴보았다. 우담(愚潭)은 17세기의 일원론(一元論)과 이원론(二元論)이 양립하는 시대를 살았다고 할 수 있는데, 퇴계의 사상에 대한 우담의 이해를 요약해보면 다음과 같다. 첫째, 우담은 기본적으로 퇴계를 주자의 정통으로 보면서, 이기(理氣)에 대한 변론(이기지변(理氣之辨))과 성정(性情)의 근원(성정지원(性情之原))에 대한 퇴계의 진지(眞知)·실득(實得)을 따르고 실천하려고 하였다. 둘째, 우담은 옛날과 지금 사람들의 학문(學問)이 어긋난 이유는 다만 '이(理)'자(字)를 알기 어렵기 때문이라고 하면서, "발(發)하는 것은 기(氣)이고, 발(發)하는 까닭은 이(理)이다"라는 율곡(栗谷)의 주장을 비판하고, 이치(理)의 궁극적 실재성·운동성(작용성)·근원성(주재성)과 이치(理)의 체용(體用)을 주장하는 퇴계의 견해를 따르지만, "이기(理氣)가 묘합(妙合)한 가운데, 이(理)는 항상 주(主)가 되고 기(氣)는 항상 보(輔)가 된다"(이주기보(理主氣輔))고 하면서 퇴계의 학설을 더욱 발전시켰다고 할 수 있다. 셋째, 우담은 같음(동(同)) 가운데서도 다름(이(異))을 볼 수 있고 다름(이(異)) 가운데서도 같음(동(同))을 볼 수 있으며, 분석(분개(分開))할 때는 분석하고 종합(혼륜(渾淪))할 때는 종합하면서도 이를 입체적(통간(通看))으로 이해할 수 있어야 한다는 퇴계의 정신을 따르면서, 율곡의 학설을 비판하고 퇴계의 호발설(互發說)을 옹호하였다. 이렇게 볼 때 우담은 퇴계의 이기(理氣)와 심성(心性)에 관한 견해를 깊고 바르게 이해하고, 보다 구체적으로 설명하면서, 퇴계의 정신에 따라서 실천하며 살려고 노력하였다고 할 수 있다.

• 복식
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• 제18권
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• pp.291-306
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• 1992

From the mid-1980s '91s, remarkable Ethnicism and Primitivism in the Europe fashion trend could be represented as an exotic taste longing for secenery and emotion of non-europe area in the West. These phenomenon could be found out in connection with Acculturation, which means when two different cultures or more were contacted they were identified or merged in process of diffusion and change of them. This point of view was the culture anthropologic one that make a comparison and analysis of sameness and difference between cultures. The purpose of this study was to illuminate exotic taste represented in costume in the cluture-anthroplogic aspect, to compare with beauty of costume that each culture of costume and the meaning of the times due to those differences. an aspect of the exotic taste and character in the western costume that was inspected by dividing into 'Primitivism', 'Oriental element' and 'the element of a national costume in the East European bloc ' were as follows; First, Primitivism had something in common with what was pursued in the trend of Modern Art, through the late 19th century to the early 20th century. In fashion fettered by technique, the creation expressed in a free was and showed simple beauty of costume. At the same time, pure emotion expression, creative power and witty strong expression give the cognition of transcendency breaking the routine and the cognition of complexity of an included conception. Those are garments showing not only the primitive thought and mysticism but a fancy, an abstraction, and a life. Colors and accessaries which described nature and matched simple costume composition to the expression of various material or patterns transmitted the image of the primitive strongly. Second, "Drental element" which had an effect on western custome historically in a long time had outstanding luxurios adornmental beauty of custome. Extending from the Arab stated India, China, Korea, Japan, each national costume with a gay national culture became one of motif. Various ornamental factors expressed on Trapez Line, Sime Line and Drape, or Raied style, which did not restrict the body. Those were not only functional Easy Look, but were also satisfying human's ornamental desire. Third, national factors in the East European bloc are theme that begins to be embossed in the late 80's. In view of a political change and cultural situation with a double character of Europe and Orient, it was estimated that national factors have great importance in fashion. Item concerned with new concern appeared at Autumn & Winter collection. It shows elegant and graceful beauty of costume by adding a fur or jewel to simple form. These national factors in the East European bloc are simple form, but shows the difference in more cubic formation than form expressed in Primitivism or Oriental factors Exotic taste appeared form 80's to 91's, is thought to create an forgotten romantic emotion and traditional fashion