• 미술이론과 현장
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• 제9호
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• pp.33-57
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• 2010

Focused on the performance of interactivity in the appreciation of media art, this study is associated with the continually changed art texts and a participator's physical reactions to savor the art. Digital works of art emphasizing interactivity usually decentralize and disperse the responsibility and the central role for creating and producing the art works. Proper procedure of the work is generated by actions such as clicking the mouse, controlling the joy stick or actual movement of anticipators' bodies. The art works are influenced by participators' interactivity, which makes the leading roles and the responsibility for creating art scattered and divided. These features are similar with those of the 'Rhizome' which Gilles Deleuze(1925~1995) and Felix Guattari(1930~1992) have discussed. In their argument, 'Rhizome' is an interval or being 'between', which keeps changing. 'Rhizome' is a state in which the individual and the work of art never reach the conclusion, only a phenomenon of eternally altering. Like 'Rhizome', this sort of art work has the decentralized system, opens for several directions, and activates the system which is changeable as linked items increased or decreased. These works stimulate the individual to perform and act while appreciating the art piece. In terms of processing and preceeding, interactivity is the important equipment and catalyzer. Through these procedures, the pieces can be the 'floating work of art' combined and condensed with the whole participators' reactions. The 'floating work of art' is neither the expression of an individual nor that of one particular group. Multidimensional influence of the web is the web which is constantly reorganizing and producing in its connective state. This connective state is activated by interactivity. The Rhizomatic system embodies the floating work of art process. Due to each individual perceiving art in individualistic terms, there is no dominating powers or central points. I regard this art works possessing above traits as the work of art with Rhizomatic system. The work of art with the Rhizomatic system is embodied through interactivity and because physical action activates the process of appreciation, a participator can actually experience and practice the philosophy. Ultimately the Rhizomatic speculation occurs during the interactivity of appreciating the Rhizomatic art pieces. The Rhizomatic system penetrates into the intuitive area beyond our recognition and thoughts, as we are engaged in the connective process. With the methods and manners of interactive art, we can possibly reconsider the system as a tool in which the participator is directly able to link experience and theory to the philosophies of Deleuze and Guattari.

• 한국초등과학교육학회지:초등과학교육
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• 제41권1호
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• pp.1-13
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• 2022

본 연구는 들뢰즈(Deleuze)의 되기 이론을 바탕으로 초등 예비교사들의 '줄기의 생김새와 하는 일' 탐구에서 나타난 과학교사 되기를 탐색하는 데 목적이 있다. 연구 대상은 초등 예비교사 30명을 대상으로 하였으며 이들은 약 한 달간 교과서 활동과 교사로서 해결해야 할 심화 활동을 진행하였다. 이러한 활동의 결과를 바탕으로 작성된 반성적 탐구일지의 내용을 들뢰즈의 차이생성 메커니즘 과정에 따라 어느 단계까지 도달했는지 분석한 결과, 탈주 단계와 탈영토화 단계까지 도달하여 앞으로 과학을 가르치는데 필요한 탐구에 대한 다양한 노하우를 구축한 내용이 가장 높은 빈도를 보였다. 그러나 탈주를 통한 탈영토화 이전 단계에 머물러 있는 내용도 60% 이상인 것으로 분석되었다. 탈주를 통한 탈영토화에 도달하게 만든 리좀(Rhizome)적 사유를 분석한 결과에서는 6가지 유형이 모두 나타나 탈영토화에 도달하는 데 작용한 것으로 분석되었다. 따라서 초등 예비교사들이 탐구에서 홈 패인 공간을 극복하는 단계적 과정을 거쳐 재영토화에 도달하도록 하기 위해서는 교과서 탐구 과정을 따라서 해보는 것에 거치지 않은 도전적 탐구 환경을 제공하는 것이 필요하다.