• 동남아시아연구
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• 제20권2호
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• pp.1-29
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• 2010

In 1835, quickly after the Cambodian king Ang Chan died, Vietnamese emperor Minh Mang started to proceed his ambition to grab the territory of Cambodia. As the first step, he stationed big forces led by Truong Minh Giang in Phnom Phen, and appointed the Ang Chan's second daughter, Mei, as the successor of her father but with the humble title of Chan Lap Quan Chu, or the Prefecture sovereign of Cambodia. This article discusses the ways how the Vietnamese leaders manipulated the status of the Cambodian queen with each step of protection, assimilation, and finally a rupture. The author seeks for Vietnamese own theory of annexation in the process. In doing so, the author claims that Vietnamese tough policy of annexation was closely interwoven with the unequal relationship between the Vietnamese emperors and the Cambodian queen, i. e. men and woman. The first chapter discusses how and why the second daughter was chosen, and what in reality the status of the queen was under the protection of Vietnamese general Truong Minh Giang. Second chapter shows how much Mei was bullied by the Vietnamese. She was kidnapped to Vietnam, and was even regarded by the Cambodian people that she became the 'lover' or the 'concubine' of the general Truong Minh Giang. Third chapter deals with Vietnam's retreat forced by the Cambodian resistance together with the Thai intervention, and discusses how much Vietnam tried to maintain its authority over Cambodia through the queen Mei. Cambodia, in the 19th century, was a experimental place for the 'mission of civilization' from the side of Vietnam. Mei was a main character in this period from the beginning to the end. The conclusion of this article stresses that the desire of Vietnam ('civilized') to assimilate Cambodia ('barbarious') was strengthened by the psychology of the male master (Vietnam) to domesticate the female subject (Cambodia). The relationship between Vietnam and Cambodia was not only political but also gender oriented. In this epic, the existence of the queen Mei should be regarded as an important key to understanding of the Vietnamese theory for the annexation of Cambodia.

• 농업과학연구
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• 제2권1호
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• pp.187-197
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• 1975

1. 다수성(多收性)이고 당함량(糖含量)이 높아 원료생산비(原料生産費) 저렴한 양조용(釀造用) 포도품종(品種)을 선발(選拔)하기 위하여 33품종(品種)을 공시(供試)하였다. 2. 구라파에서 육성(育成)한 대부분(大部分)의 양조용품종(釀造用品種)은 원산지(原産地)에서 보다 현저하게 당함량(糖含量)이 낮았다. 양조전용품종(釀造全用品種)은 당함량(糖含量)이 모두 17% 미만이었다. 3. 과방중(果房重)이 큰 품종은 Dattier(Ga), Golden Queen, Muscat Bailey A, Danored 등(等) 4품종(品種)이었다. 4. Juice율(率)은 60~90%의 범위로써 Himrod Seedless. Delaware(Ga), Fredonia가 가장 높았다. 5. 양조용품종(釀造用品種)은 생식용(生食用)에 비(比)하여 과방중(果房中) 종자(種子) 및 과경율(果梗率)이 높아 과육율(果肉率)이 떨어졌다. 6. 가장 수량(收量)이 높은 품종(品種)은 Muscat Baiely A이었고 다음이 Danored, Golden Queen이었다. 7. Juice 생산량(生産量)이 가장 높은것은 Campbell Early, Danored, Muscat Bailey A 및 Golden Queen이었다. 8. 포도주원료생산비(原料生産費)로 보아 양조용(釀造用)으로 유망한 품종(品種)은 적주용(赤酒用)은 Muscat Bailey A, Alden, Steuben, Danored, Campbell Early, S-1000 및 S-13053 등(等)이고 백주용(白酒用)은 Dattier de St-Vallier(Ga), Golden Queen 및 S-9110(Ga)등(等)이었다.

• 생명과학회지
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• 제9권4호
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• pp.395-407
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• 1999

The queens of Korean native bumblebee species, Bombus ignitus were collected from the field in the spring of 1997 and reared under the various temperatures as 15$^{\circ}C$$\pm$1$^{\circ}C$, 2$0^{\circ}C$$\pm$1$^{\circ}C$, $25^{\circ}C$ $\pm$1$^{\circ}C$, 3$0^{\circ}C$$\pm$1$^{\circ}C$, 60%$\pm$5% of relative humidity and 14L : 10D, to investigate their ecological characteristics, as comparing with control(29$^{\circ}C$$\pm$1$^{\circ}C$, 60%$\pm$5% of relative humidity and red light). As a result, eggs were laid by foundation queen at 15$^{\circ}C$, but they didn't hatched out while at 2$0^{\circ}C$ eggs were laid by them and they hatched out. When a foundation queen laid eggs at $25^{\circ}C$ and they all were hatched out and normally grown. Finally they were developed to the normal colony. B. ignitus worker survived for 77days at 2$0^{\circ}C$, about 69days at $25^{\circ}C$, about 68days at 3$0^{\circ}C$ and about 63days at 29$^{\circ}C$(control). The first brood workers emerged in 25-27days from the egg which a foundation queen laid. At the various temperatures, the captive queens stand to lay eggs in about 18days at 15$^{\circ}C$, 15days at 2$0^{\circ}C$, 11days at $25^{\circ}C$, 11days at 3$0^{\circ}C$ and 4days in control. The first worker and the first drone from the egg cell of the collected queens appeared in about 27days and 72days at 2$0^{\circ}C$, 26days and 88days in $25^{\circ}C$, 24days and 65days at 3$0^{\circ}C$, 25days and 71days in control, respectively. In colony foundation, 33% of the collected queen at 2$0^{\circ}C$ and $25^{\circ}C$, 100% of the disposed queen at 3$0^{\circ}C$ and in control, and 67% of them at 3$0^{\circ}C$ and in control both produced new queens in 66days and 88days, respectively. The life span of the colony founded covered fro about 3 months at $25^{\circ}C$, 3$0^{\circ}C$ and in control. At lower temperatures, the life span of queen is shorter; 2 months at 15$^{\circ}C$ and 3 months at 2$0^{\circ}C$, respectively. A colony which normally developed, varied in size with rearing temperatures; about 20heads at 2$0^{\circ}C$, 482heads at $25^{\circ}C$, 330heads at 3$0^{\circ}C$ and 452heads in control. A foundation queen monthly oviposited 1.5egg cells at 15$^{\circ}C$, 3.0egg cells at 2 $0^{\circ}C$, 21.7egg cells at $25^{\circ}C$, 42.3egg cells at 3$0^{\circ}C$ and 47.0egg cells in control. As a colony developed in June and July, egg cells as well as daily average cells increased in number, as compared to those in May and August. Also, in June and July, interval(days) of egg laying is shorter than in May and August. Number of nectar pots during the colony development varied with rearing temperatures; 31pots at $25^{\circ}C$, 39pots at 3$0^{\circ}C$, 23pots in control. The emergence of new queen showed a distinctively different two patterns; early emerging type and late emerging type. Workers are rapidly increased from early in July to early in August at $25^{\circ}C$, but at 3$0^{\circ}C$ and in control, emergence of workers are remarkably increased from the middle of June and last until July. No new queen emerged at 15$^{\circ}C$, 2$0^{\circ}C$ and $25^{\circ}C$. New queens at 3$0^{\circ}C$ and in control emerged between late in June and early in July. Thus emergence of new queen was temperature dependent.

• 복식
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• 제7권
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• pp.5-19
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• 1983

Sacredotal robe(法服) means full court dress. We can't know about the shape of sacredotal robe before Dae-Han Empire(大韓帝國) since there are no remains of it. The study of sacredotal robe for queen have also been made centering around the socredotal robe granted from Ming(明) dynasty and the system of Juck-Eui(翟衣) in Dae-Han Empire. In this thesis I tried to study about the sacredotal robe for queen from King Gong-Min(恭愍王) of Koryeo(高麗) dynasty to the close the Cho-Sun(朝鮮) dynasty by investigating the Literature of Cho-sun Dynasty Chronicles(朝鮮王朝實錄), Ga Rae Do Gam Eui Gue(嘉禮都監儀軌), Sang Bang Jung Rae(尙方定例), Gook Hon Jung Rae(國婚定例), Sok-Orae Eui-Bo(續五禮儀補), and Dae Myung Whe Jeon(大明會典). The first documents on sacredotal robe for queen is regarded as that in the period of King Gong Min., which says that Chil Whee Gu Bong Gwan and Juck Eui of the 9th grade had been given from Ming dynasty. The sacredotal robe for queen in Chosun had been granted from Ming dynasty since the 3th years of King Tae-Jo(太祖) to the 3th years of King In-Jo(仁祖). They were Ju Chui Chil Juck Gwan, red Dae Sam(大衫), Bae Ja(褙子) embroidered with. pheasants on blue silk, and ivory flat baton (笏), which belonged to the court dress for the first class of court lady. When Qing(淸) dynasty succeeded to Ming dynasty, Cho-sun adopted the system of luck Eui which had it's origin in the system of Ming, denying to comply with Chung. But as a matter of fact, the system of sacredotal robe for queen actually used was one which were different from the dress system of Ming and converted into our national ways. In the latter period. of Cho-sun, the system of Bae Ja or Juck Eui were used together until the period of King Young Jo(英祖), and the system of Juck Eui which was written in Gook Hon Jung Rae was continually used from King Young Jo to the close of Cho-sun. It was composed of Juck Eui, Beol Eui(別衣), Nae Eui(內衣), Pe Sool(蔽膝), Dae Dae(大帶), HaPi, Sang(裳), Ok Dae(玉帶), Pae Ok(佩玉), Gue(圭), Mal(襪), Suk, and Myun sa(面紗), The headdress was used in our own ways, not complying with Juck Gwan(翟冠). The color of Juck Eui was red for queen, deep blue for the consort of the crown prince. The color of Juck Eui in DaHan Empire was deep blue, different from that of Juck Eui in Cho-sun. Bo(補) for queen wus embroidered with dragon with five claws and the one for the consort of crown prince with dragon with four claws. The back length of Juck Eui was longer than front about 28cm (1尺), and the front opening was straight down. 51 motifs of a brace of pheasants which were similiar to Bong(鳳) were embroidered on Juck Eui for queen. But we can't find out whether there 31 or 51 on Juck Eui for the consort of the crown prince. The system shows independant aspects, because there are Bo, Myun Sa, Sang, Ha Pi, Beol Eui, and Nae Eui which were not found in the system of Ming. As mentioned above, I have studied on the sacredotal robe for queen. But we can't guess the detail of sacredotal robe for queen, because there are no remains at all. Therefore I expect more study on this.

• 한국언어정보학회:학술대회논문집
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• 한국언어정보학회 1994년도 The Proceedings of the 1994 Kyoto Conference
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• pp.143-152
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• 1994

• 디지털융복합연구
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• 제18권5호
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• pp.455-463
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• 2020

본 연구자는 선행 연구를 통해 태초부터 전개된 인류의 예술에 내포된 죽음의 미학의 전개 과정을 정리한 바 있다. 본 연구는 해당 연구를 심화시킨 후속 연구로, 알렉산더 맥퀸의 패션 작품에 담긴 죽음의 미학적 의미를 연구하였는데, 먼저 죽음의 미학적 특성을 분류하고, 이를 근거로 알렉산더 맥퀸의 의상 작품에서의 죽음의 미학적 특성을 분석 정리하였다. 본 연구의 결과는 다음과 같다. 첫째, 죽음의 미학적 표현은 죽음의 재현성, 상징성, 및 종교성의 세 가지로 나뉜다. 재현성 표현은 실질적 대상 재현과 상상의 대상 재현을 포함하며. 상징적 표현은 외면적 표현과 내면적 표현 두 가지를 포함한다. 둘째, 알렉산더 맥퀸의 작품에서 죽음의 재현성은 주로 가상의 무대 장면과 복장을 통해 구현하였다. 셋째, 죽음의 상징성은 육체적인 죽음과 직결된 해골, 혈액 등뿐만 아니라 죽음에 따른 다양한 정서와 심리상태도 보여준다. 넷째, 죽음의 종교성은 알렉산더 맥퀸의 작품에서 십자가 등의 모티브로 종교적 내용을 재현한 것으로 표현한 것을 알 수 있었다.

• 고려인삼학회:학술대회논문집
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• 고려인삼학회 1984년도 학술대회지
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• pp.89-95
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• 1984

Hydrocortisone과 ginseng 그리고 hydrocortisone과 ginseng의 혼합물이 phytohaemagglutinin (PHA-P)으로 유도한 모세혈관 림파구 변형에 미치는 영향을 검토하기 위하여 정상인 4명을 대상으로 연구하였다. 인삼의 농도를 0.16${\mu}g$/ml에서 1.60${\mu}g$/ml까지 증가시킴에 따라 PHA-P의 림파구 변형에 상관성이 있는 억제현상을 보였으며, hydrocortisone 500${\mu}g$/ml과 ginseng 0.8${\mu}/g$/ml을 동시 투여하였을 경우 각각 단일 물질 투여시 보다 상당한 PHA-P 변형의 억제효과를 나타냈다. 이는 인삼이 in vitro상에서 steroid와 유사한 효과를 갖고 있음을 시사해 주며, 면역에 hydrocortisone과 더불어 상당한 효과를 가지고 있다는 것을 보여주고 있다. in vivo상에서 6명의 정상인을 대상으로 PHA-P 변형에 대하여 인삼의 효과를 연구한 결과 4주에 이르러 상당한 억제효과가 관찰되었다.

• 문화기술의 융합
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• 제9권5호
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• pp.867-874
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• 2023

최근 급격한 기후변화로 인해 꿀벌의 생태계에 많은 문제가 발생하고 있다. 꿀벌의 개체 수 감소, 개화기의 변화로 인한 양봉 농가의 채밀에 막대한 영향을 주고 있다. 벌통안의 벌집을 육안으로 지속적 관찰이 불가능하기 때문에, 벌집안의 상태에 대하여 대부분 경험에 의한 지식에 의존하고 있는 실정이다. 따라서 IoT 기술을 접목한 스마트양봉에 대한 관심이 집중되고 있다. 특히, 양봉에서 가장 중요한 부분 중에 하나인 분봉과 관련하여, 여왕벌의 사운드로 분봉시기를 알 수 있다는 것을 경험적으로 알고는 있지만, 이를 체계적으로 데이터로 분석하는 방법은 전무한 현실이다. 단순하게 여왕벌의 사운드를 녹음해서 분석하면 될 수 있을 것 이라고 생각할 수 있지만, 벌통 주변의 다양한 소음 문제, 지속적으로 녹음이 불가능하다는 문제 등 여러가지 문제점을 해결하지 못하고 있다. 본 논문은 여왕벌사운드를 실시간 클라우드 시스템에 기록하여 사운드 패턴을 분석할 수 있는 시스템 개발에 대한 연구이다. 실시간으로 입력되는 벌통의 아날로그 사운드를 다채널로 입력받아 디지털로 변환한 후 여왕벌 사운드 주파수 대역에서 지속적으로 출력되는 사운드 패턴을 발견하게 되었다. 클라우드 시스템 접속하면 벌통 주변의 사운드와 벌통 내부의 온/습도, 무게, 내부 이동량 데이터 등을 모니터링 할 수 있도록 했다. 본 논문에서 개발된 시스템으로 여왕벌의 사운드패턴을 분석하고 벌통 내부의 상황을 알 수 있게 되었다, 이를 통해 꿀벌의 분봉 시기를 예측하거나 분봉 시기를 조절할 수 있는 정보를 제공할 수 있을 것이다.

• 영어영문학
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• 제55권6호
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• pp.937-959
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• 2009

The Queen of the Air, John Ruskin-s highly elliptical publication of 1869, elaborates a complex mythology as a way of responding to the prevalence of scientific thinking, widespread environmental degradation, the pernicious effects of political economy, and mechanistic labor. Benjamin-s desire to rescue human experience from prevailing scientific conceptions is reminiscent of Ruskin-s fear that the peculiar power that shapes the unities of the natural world is simultaneously being "beaten down by the philosophers into a metal or evolved by them into a gas" and obscured by the dreams and theories of philosophers and theologians. As a critic remarks, in Benjamin-s-and, we would add, Ruskin-s-view, "what the modern era lacked was a basis for continuity which would prevent experience from disintegrating into a desultory and meaningless series of events." Despite its frenetic hyper-associativity, then, The Queen of the Air contains a key element that Benjamin believes is necessary for "redemption": the desire for a new form of consciousness that recognizes links to the past and thus to the longings and dreams of our forebears. Thus, although Ruskin most immediately influences Proust, who in turn influences Benjamin, Benjamin-s thought is far more Ruskinian than critics have heretofore observed. Just as Benjamin helps us make sense of the ways in which The Queen of the Air is caught in the grip of the shocking associativity of modern life, so Ruskin assists us in discerning similar impulses in Benjamin-s attraction to a form of archaic consciousness that can, by altering the modern form of perception, reenchant the present.

• 한국의류산업학회지
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• 제16권1호
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• pp.55-65
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• 2014

This study analyzes music visualization characteristics in modern fashion based on Wassily Kandinsky's music visualization theory. Alexander McQueen's 2014 Spring Ready-to-wear Collection (as inspired by Mondrian's paintings) was selected as the research subject. First, an analysis of Mondrian's paintings based on Wassily Kandinsky's theory shows that music visualization characteristics can be categorized into spatiality, mobility, and duality. Second, McQueen applied Mondrian's paintings to the overall design, structured the model's shape in the painting, or created patterns using colors and lines that introduced them in clothes; symbolic forms were also introduced as part of or a decorative factor of the clothes. Third, spatiality refers to the creation of a feeling of space through emptiness or fill using lines, colors, and shape. Musical atmosphere such as dissonance were expressed in clothing through the application of color contrast, lines and silhouette dynamics, and symbolic format and patterns by Mondrian. Fourth, mobility generally refers to motion caused by a certain stimulus. Mondrian expressed vibration, internal resonance, sound level in music that emphasized color irregularity, primary color contrast, and rough brush touches as well as free and organic patterns. McQueen expressed this with primary color contrast using different materials, rough touch based on texture, and pattern repetition through transformation. Fifth, duality generally refers to the artistic effect caused by overlap. Mondrian created a resemblance of dissonance and music through line and color as expressed through the duality of clothing design components based on the artistic sense of the designer.