• Title/Summary/Keyword: proof-error

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A Correlation Analysis between Land Surface Temperature and NDVI in Kunsan City using Landsat 7 TM/ETM+ Satellite Images (Landsat 7 TM/ETM+ 위성영상을 이용한 군산지역 지표 온도와 NDVI에 대한 상관분석)

  • Lee, Hong-Ro;Kim, Hyung-Moo
    • Journal of the Korean Association of Geographic Information Studies
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    • v.8 no.2
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    • pp.31-43
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    • 2005
  • Four time points of the fractional area data during the 15 years of the highest group of land surface temperature and the lowest group of NDVl of the Kunsan city Chollabuk_do, Korea located beneath the Yellow sea coast, are observed and analyzed their correlations for the intention to detect the changes of urban land cover. As long as the effective contributions of satellite images in the continuous monitoring of the wide area for wide range of time period, Landsat-5 TM and Landsat-7 ETM+ artificial satellite images, acquisited over the Kunsan city area, are surveyed by the compared calibration after quantization and classification of the deviations between TM and ETM+ images substituted approved error correction thresholds such as gains and biases or offsets. This experiment and research applied Landsat-5 TM and Landsat-7 ETM+ artificial satellite images in change detection of urban land cover in urbanized Kunsan city, then detected strong and proportional correlation relationship between the highest group of land surface temperature and the lowest group of NDVI which exceeded R=(+)0.9478, so the proposed Correlation Analysis Model between the highest group of land surface temperature and the lowest group of NDVI will be able to give proof an effective suitability to the land city change detection monitoring.

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The beauty of form in Oriental painting from a realistic point of view (동양회화에 있어서 형상관점의 심미)

  • Jeong Jin-Ryong
    • Journal of Science of Art and Design
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    • v.6
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    • pp.119-139
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    • 2004
  • The intention of the research is to look into the form reflecting the spiritual image due to Oriental aesthetic from a realistic point of view. In this regard, I will pay attention to examining the process from figurative perspectives, in which painting image by subject acquires the beauty of form. Of the main subjection this paper, figure is an image itself appearing in painting. At this point, I will attempt to show how the meaning and value of image have been interpreted and judged on the aesthetic standard in Oriental painting in particular. For this process, I generalize the conception of the image as 'figure' and through this I will reconsider the standard of understanding and the value of perception regarding painting images on the method which are more applicable to the expressions of Oriental painting. The reason why I try to find out the true nature of images in Oriental painting from a figurative viewpoint is to convert a conventional sense of value which recognizes the images of Oriental painting only as results of idealism, into more practical field. If the true nature of Oriental painting is fixed and restricted to natures of idealism, any productive development and any changes in form for future couldn't be expected at all. In fact, what the ideological and aesthetic values of art suggest is clearly a proof of real art form. However, it is not a hard thing to prospect that only a superficial idealism will be ceaselessly produced, while the practical study about aesthetic values, meaningful results of painting expressions, is totally ignored, if ideology itself is used as criteria to judge the identity of it or if only the idealistic aesthetic values are emphasized while any clue to show a real existence of oriental paintings is not certain. Actually, nobody can deny the fact that interests about real natures regarding art expressions have been relatively ignored while armed with mental ideology for esthetic view of oriental painting in traditionalism Therefore, it is clear that 'spiritual status' itself can generate any form. Traditionally, in the Orient, the standard of judging a real value of things, which put a focus on a spiritual view of value rather than on a materialistic view of it, has been vaguely positioned the identity of images in painting As a result, the aesthetic convention has finally committed to an error that for images of oriental painting, ideological criteria like so called spiritualism are applied as a judging way, and esthetic meanings and values of real painting are considered as strategic results and spiritual intentions.

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Estimating the Determinants of foreign direct investment of korea : A Panel Data Model Approach (페널 데이터모형을 적용한 한국의 해외 직접투자 결정요인 추정에 관한 연구)

  • Kim, Hee-Cheul;Shin, Hyun-Dae
    • Journal of the Korea Society of Computer and Information
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    • v.13 no.4
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    • pp.231-240
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    • 2008
  • In respect complication, group and period, the foreign direct investment of korea is composed of various factors. This paper studies focus on estimating the determinants of foreign direct investment of korea. The region of analysis consist of 7 groups, that is, Asia, Europe, Central and South America, Oceania, Africa, Middle East. Analyzing period be formed over a 67 point(2002. 6${\sim}$2007. 12). In this paper dependent variable setting up an amount of foreign direct investment, explanatory(independent) variables composed of gross domestic product, a balance of current accounts, the foreign exchange rate, employment to population ratio, an average of the rate of operation(the manufacturing industry), consumer price index, the amount of export, wages(a service industry). For an actual proof analysis, LIMDEP 8.0 software, analysis model is random effect in TWECR The result of estimating the determinants of foreign direct investment of korea provides empirical evidences of significance positive relationships between employment to population ratio and wages(a service industry). However this study provides empirical evidences of significance negative relationships between the foreign exchange rate, censurer price index and the amount of export. The explanatory variables, that is, an average of the rate of operation(the manufacturing industry), gross domestic product and a balance of current accounts, are non-significance variables.

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