• 한국생활과학회지
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• 제24권2호
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• pp.267-284
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• 2015

The purpose of this study is to extract the color chip from the works of Matisse with the exotic tastes, to analyze the characters of adjacent colors, and to suggest the color coordination of artistic character. The research method is based on the literature study which analyzes visual materials. The results are as follows. Considering the colors of Japanese taste, He employs vivid and strong tone in red, yellow, and blue, light tone in pink, purple, and green and deep tone in green, purple, blue and black. His color scheme is very bold and splendid. In his Algerian taste, red is very popular, but an attention should be paid in his development of orange and blue tones. In general, the usage of various tones brings colors into less relief and make the contrast of tones more conspicuous. His Spanish taste, based on red and orange, attracts attentions with strong impressions, but sometimes, dark or adjacent pale tones creates strong, mild and murky atmosphere. The Moroccan taste, based on the development of blue tones which have strong attraction implies the lightness but represents silent and calm. The Rumanian taste, represented in primary colors of red, yellow and blue and achromatic colors is bright and clear. In addition, its light tone in various colors represents peace and romance. The coordination of the exotic colors with the unique adjacent colors created by Matisse is not based on the established color coordination theory, but extracts colors in the aspect of culture borrowing. Therefore, it can double the effects of the color scheme expressed in the existing designs and be used as the global and multi-cultural design sources.

• 미술이론과 현장
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• 제3호
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• pp.155-172
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• 2005

Kim Whan-ki is an unusual instance in Korean modern artists, who payed attention to emotional and expressive effects of colors. The color of Whan-ki's paintings have been recognized as linked with 'blue' in spite that he used colors within the category of 'Colors of Five Directions(五方色)', which are traditional oriental colors composed of red, lue, yellow, white, green and black. Kim Whan-ki unearthed upon similarity of Five Directions Colors to the three(five) primary colors which modern abstract painter like Mondrian layed down. Whan-ki switched the five directions colors to modern ones. Kim Whan-ki's dot painting in which pure and watery color is sucked in ground is modernistic adaptation from ink painting. He packs a dot with sky and earth, moon and stars, forest and tree, birds and flowers, friends at his hometown, wind, sound and so on. Putting tens of thousands of these shapes and colors into a dot is modernistic version from ink painting. In that point there is a possibility to say that 'dark blue' of the dot painting is 'Hyun-saec(玄色)'. Eventually we can make sure that Kim Whan-ki's view of Art originated in oriental philosophy and beauty.

• 감성과학
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• 제14권3호
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• pp.371-384
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• 2011

LED 조명의 색상이 정서자극의 평정과 재인에 어떤 영향을 미치는지를 알아보기 위하여 세 개의 실험을 실시하였다. 실험 1과 2에서는 IAPS 정서사진을 사용하여 각각 Red, Green, Blue, 및 White와 Cyan, Magenta, Yellow, 및 White의 조명색상조건에서 정서평정(정서가, 각성차원) 과제와 재인기억과제를 실시하였다. 실험 3에서는 정서단어를 사용하여 Red, Green, Blue, 및 White 조명색상조건에서 두 과제를 실시하였다. 실험 결과, 정서평정과제에서는 일차 색상(RGB)의 경우, LED조명 색상이 Red일 때는 흥분을, Green일 때는 유쾌 정서를 유발하였고, 이차 색상(CMY)의 경우, Magenta와 Cyan은 Red와 Green과 유사한 패턴의 정서 반응을 유발하였으나 그 강도는 약하였다. 재인기억과제에서는 실험 1과 실험 2의 경우, Green과 Cyan 조명색상조건에서 제시되었던 사진자극들에 대한 반응이 다른 조명색상조건에서 제시되었던 사진자극들에 비해 약간 빠른 경향이 있었으나 유의미한 차이는 아니었다. 하지만 실험 3에서는 Green 조명색상조건에서 제시되었던 정서단어들에 대한 재인기억반응이 유의미하게 빨랐다. 이러한 결과로 Red나 Magenta와 같은 난색들은 불쾌나 흥분과 관련된 감성을 유발하는 반면, Green이나 Cyan과 같은 한색들은 유쾌나 이완과 같은 감성을 유발하는 경향이 있으며, 일차 색상들이 이차 색상들보다 강한 정적 내지 부적 감성을 유발함을 알 수 있다. 특히 실험 3의 재인 기억과제에서 나타난 결과는 시각 자극보다 언어 자극의 기억수행에 Green 색상의 LED 조명이 더 유리함을 시사한다.

• 한국안광학회지
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• 제19권4호
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• pp.513-518
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• 2014

목적: 전산화 신경인지기능 검사(CNT)에 속해있는 단어-색채검사를 이용하여 렌즈의 색상과 시감투과율에 의해 나타나는 색상왜곡을 알아본다. 방법: 안질환과 색각이상이 없는 평균나이 $21.97{\pm}1.58$세의 32명을 대상자로 선정하였다. 빛의 삼원색에 해당하는 red, green, blue에 pink를 추가하여 총 4가지 색상의 렌즈를 사용하였으며, 색상왜곡으로 인한 인지변화를 측정하기 위해 CNT 중 단어-색채검사를 사용하였다. 결과: 4가지 렌즈색상 중 green, blue, pink에서는 반응시간이 통계적으로 유의하게 증가하지 않았으나, red에서는 통계적으로 유의하게 반응시간이 증가하였다. Red 중 시감투과율 46% 이하에서 반응시간이 통계적으로 유의하게 증가하기 시작하였다. 결론: 46% 이하의 시감투과율을 가지는 red 렌즈는 사물을 보는데 색상왜곡의 원인으로 작용하여 안전문제를 일으킬 수 있으므로 렌즈색상으로 선택 시 주의를 기울여야 한다. 단어-색채검사가 색상인지와 관련되는 추후 연구에 폭넓게 활용될 수 있다는 것을 제안한다.

• 조명전기설비학회논문지
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• 제14권2호
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• pp.1-7
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• 2000

본 연구에서는 230명의 대학생올 대상으로 색채의 이미지에 대한 조사를 실시하여 색채 자체가 가지고 있는 이미지를 분명히 하고자 한다. 연구결과, 대학생의 색선호는 파랑, 흰색에 대한 선호정도가 높으며, 혐오색에 있어서는 개인차가 크다는 것을 알았다. 그리고 봄은 노랑, 여름은 파랑, 겨울은 흰색올 계절색으로 생각하고 있으나, 가을의 이미지색은 선택익 폭이 넓었다. 흰색-회색一검정의 무채색은 각각 고유의 이미지를 가지고 있으며, 검정은 공정적 이미지가 나타났다. 그리고 유채색의 경우에는 12개의 색상 중 빨강, 노량, 파랑, 연두만이 고유의 이미지를 가지고 있는 것으로 나타냈다. 특히, 빨강은 기존연구와 같은 이미지들 가지고 있으며, 노링은 일부 유사한 경향을 나타내었으나, 파랑온 기존의 연구결과와 상반된 이미지를 가지고 있는 것으로 나타났다. 한편, 광원색의 1차색(빨강, 녹색, 파랑) 에 포함되는 녹색은 고유의 이미지를 나타내지 않았다.

• 복식문화연구
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• 제25권4호
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• pp.509-518
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• 2017

As the international competitive landscape deepens, the need to understand foreign cultures and establish effective strategies is increasing. At the beginning of the 20th century, Cartier actively developed exotic designs to secure international competitiveness; theses designs have also been used as design prototypes for Cartier in modern times. The purpose of this study is to analyze the color characteristics and types of exotic designs in the early 20th century, which was a turning point in Cartier's design. After studying the literature, a total of 248 exotic designs were presented in Cartier catalogs. This study also selected overseas monographs from the early 20th century, and their design types were classified and color analysis was performed based on the Natural Color System(NCS). Cartier's exotic designs cover wide range of styles, such as Chinese, Japanese, Persian, Indian and Egyptian styles. Multicolor, primary colors, and contrast are all strongly expressed. 97% of designs contained multiple colors, with at least two colors and maximum of six colors. The most frequently used colors are red, green, and blue, which means that only 9% of the designs do not contain the three colors, showing a high preference for theses three colors. In addition, color combinations of red and green, red and blue, or all three colors are used to show high contrast and utilize complementary colors, or near complementary colors, for coloration. This study is meaningful in that it analyzes the color characteristics of Cartier's exotic designs and translates them into practical data for establishing the color strategies of companies in the global market.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2007년도 7th International Meeting on Information Display 제7권2호
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• pp.1399-1402
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• 2007

We have demonstrated efficient white WOLEDs by using three emissive materials for primary colors (red, green, and blue). The characteristics of WOLEDs showed the maximum luminance of $37600\;cd/m^2$ at 13V, the maximum luminous efficiency of 20.6 cd/A, and the $CIE_{xy}$ coordinates of (x = 0.33, y = 0.33) at 10V.

• 동의생리병리학회지
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• 제18권2호
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• pp.371-375
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• 2004

The eyes can register color oscillations and that colors have an effect on the psyche. Human is constantly surrounded by an immense range of vibrations to which he must react and respound. And the skin can be compared to an antenna which amplifies information received from the outside and then passes it on to the inside. Therefore the art of many medicines make use of the skin as a medium of treatment. Peter mandel discovered centers, or zones, on the human body, which represent or correspond to the three primary colors(red, blue and yellow). And he came across to the four temperaments(or humors) and their respective colors, which consist of the primary colors with the addition of green.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2002년도 International Meeting on Information Display
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• pp.701-705
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• 2002

In order to realize full color display, two approaches were used. The first method is the patterning of red, green, and blue emitters using a selective deposition. Another approach is based on a white-emitting diode, from which the three primary colors could be obtained by micro-patterned color filters. White-light-emitting organic light emitting devices (OLEDs) are attracting much attention recently due to potential applications such as backlights in liquid crystal displays (LCDs) or other illumination purposes. In order for the white OLEDs to be used as backlights in LCDs, the light emission should be bright and have Commission Internationale d'Eclairage (CIE) chromaticity coordinates of (0.33, 0.33). For obtaining white emission from OLEDs, different colors should be mixed with proper balances even though there are a few different methods for mixing colors. In this study, we will report a white organic electroluminescent device based on an incomplete energy transfer. In which the blue and green emission come from the same layer via incomplete energy transfer.

• ALGAE
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• 제37권2호
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• pp.163-174
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• 2022

Light-emitting-diodes (LEDs) are a lighting source useful for the precise evaluation of light quality effect on biological systems. Despite the importance of light spectra on the regeneration of land plant protoplasts ("naked cells"), this factor has not been tested yet on protoplasts from multicellular algae. This study reports on the effects of pure primary colors (red, blue, and green), dichromatic (red plus blue, RB, 1 : 2) and white LEDs on protoplast regeneration from male and female Undaria pinnatifida gametophytes. We also evaluated the effect of different light spectra on pigment composition (chlorophyll a, chlorophyll c, and fucoxanthine), and the light intensities under the best condition on the regeneration process. In the early stages, blue or RB LEDs increased the percentage of dividing female protoplasts, whereas red, blue, and RB LEDs enhanced that of dividing male protoplasts. In the later stages, RB LEDs showed a positive effect only on the percentage of multiple rhizoid-like protrusions (male gametophyte). They also increased the final area of both regenerated gametophytes. The LEDs did not affect pigment composition in female gametophytes. In male gametophytes, in contrast, they reduced chlorophyll c, while blue, RB, and green LEDs decreased fucoxanthin. Under RB LEDs, the optimal light intensity was 80 µmol photons m^-2 s^-1 for female gametophytes and 40 to 60 µmol photons m^-2 s^-1 for male gametophytes. Our results suggest that dichromatic LED illumination (red-blue) improves regeneration of U. pinnatifida gametophyte-isolated protoplasts. Thus, dichromatic LEDs might a suitable light source for enhancing protoplast regeneration in brown seaweeds.