• 제목/요약/키워드: polychromy

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19세기 프랑스 성당 건축의 다색채 장식에 관한 연구 (A Study on Architectural Polychromy applied to the 19th century Church Architecture in France)

  • 강상훈
    • 한국실내디자인학회논문집
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    • 제16권4호
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    • pp.99-109
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    • 2007
  • In the 19th century, a series of study by Hittorff, Semper, Ruskin, and others on architectural polychromy in various perspectives appeared. This presumed that the architectural polychromy could become an essential part of architectural composition and contribute to create new architectural style, if not, at least new architectural and cultural context of the 19th century, the period when it is considered that the stylistic evolution in architecture is absent. In the course of the stylistic development of church architecture of the 19th century in France, the architectural polychromy, grounded in a theory of representation, played a critical role as one of the main sources to create new architectural vision. The church architecture during the Second Empire in France was particularly susceptible to be influenced by this inevitable phenomenon, which signified an epistemological mutation in architectural perception beyond optical and perspective effect in the history of architecture. Here the study attempts to recognize the aesthetic value of the architectural polychromy in the 19th century, and investigate its application, as not just an aspect of architectural embellishment but an indispensable portion of architectural vocabulary, on the church architecture in France throughout the 19th century, then to define its role in creating new architectural environment.

르 코르뷔지에의 색채사용에 있어서 뻬삭 프로젝트의 의미 -퓨리즘 시기를 중심으로- (The importance of Pessac project for Le Corbusier's polychromy -During the period of Purism-)

  • 신문기
    • 한국산학기술학회논문지
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    • 제19권11호
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    • pp.583-593
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    • 2018
  • 퓨리즘 시기의 르 코르뷔지에는 백색을 주로 사용하는 건축가로 알려져 있다. 그러나 이 시기에 실제 그는 다채색을 많이 사용하였고, 이렇게 다채색을 많이 사용한 것에 비해서는 그의 다채색 사용의 원리들이 그다지 잘 정리되어 있지 않다. 이 원리들을 밝히기 위하여, 우리는 건축물의 외부에 다채색을 드러내어 많이 사용한 뻬삭 프로젝트의 분석을 통해 그가 어떤 방법으로 다채색을 사용하였는지 그리고 그 의도와 원칙이 무엇인지 알고자 하였다. 또한 이 분석과정에서 뻬삭 프로젝트가 그의 건축언어를 정립하기 위한 실험실이었을 뿐만 아니라 동시에 다채색 사용의 방법을 구축하기 위한 실험실이었는지도 알아보고자 하였다. 그 결과로 우리는 그가 백색을 바탕으로 다채색을 이용하여 공간을 변화시키고 또한 물체를 분류한 것을 확인할 수 있었다. 그리고 그는 우리의 감성과 연계되고 경험이나 습관에서 기인하는 심리생리학적인 경험을 바탕으로 색상을 선정하여 현장이 가지고 있는 건축공간과 형태 상의 여러 문제점을 보완하기 위하여 고안해낸 색체를 활용한 위장술, 착시, 선물 상자 기법, 볼륨의 해체방법, 등 다양한 방법들을 활용하였고 이러한 방법들은 뻬삭 이후의 프로젝트들에도 응용된 것을 확인할 수 있었으며, 다채색은 결국 그의 건축언어를 보다 강조하기 위한 수단으로 사용한 것을 알 수 있었다.

빌라 사보아의 재료 패턴 및 색채 사용 연구 (A Study on the Usage of the Color and the Pattern of Materials in Villa Savoye)

  • 김소희
    • 한국실내디자인학회논문집
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    • 제17권5호
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    • pp.133-140
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    • 2008
  • This study is purposed to understand the usage of the color and the material pattern in detail and to apply for interior architecture. Many documents have prescribed the color and the pattern at random. While the usage of the color and the materials was ignored rather than architectural form, the importance of the color and the materials stands out in modern interior space. The villa, the weekend home of the Savoye family, was built between 1928 and 1931. Particularly, the villa Savoye was focused for this study. Le Corbusier viewed case pieces for storage and wall partition for division as architecture, and he units furniture and architecture by developing partition that could be painted either the wall color to become part of the wall or in contrasting colors to stand out as wall partition. He loved white and lie believed in using it for interiors, but noted that it should also be balanced with a wall related polychromy. Color became an integral part of white structure of the villa savoye that was raised on stilt with an exterior wall at the base painted green as a visual connection with the lawn. Color was used architecturally in the interior as well, with white walls interrupted by planes of pink, blue and red ocher and it gives the space an unexpected playfulness with tile color of the finishing materials. the various usage of the color and material patterns constitute an element of great architectural richness. They have a unique principle based on emotional order and make the man move to another space and experience the spacial connection.

Incremental Technique과 Composite Resin을 이용한 손상된 전치부 수복: Case Reports (Restoration of Damaged Anterior Teeth with Incremental Technique and Composite Resin: Case Reports)

  • 김효준
    • 대한심미치과학회지
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    • 제9권1호
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    • pp.48-57
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    • 2000
  • Direct bonded restoration with composite resin is one of the few areas which the achievement and result are available in chair side. Especially free-hand bonding technique and incremental technique give us challengeable opportunity for restoring severely damaged anterior teeth. If clinicians have keen sense of observation to evaluate polychromatic characteristics of natural teeth, hue, chroma, value, translucency, opacity and correlate the observation result with various kinds of composite resins, they will have privilege to share joy from restoring damaged anterior teeth in chair side immediately.

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