• 말소리와 음성과학
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• 제4권2호
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• pp.61-70
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• 2012

The current study observes the durational interaction of tautosyllabic consonants and vowels in the word-initial position of English and Korean child-directed speech (CDS). The effect of phonological laryngeal contrasts in stops on the following vowel duration, and the effect of the intrinsic vowel duration on the release duration of preceding stops in addition to the acoustic realization of the contrastive segments are explored in different prosodic contexts - phrase-initial/medial, focal accented/non-focused - in a marked speech style of CDS. A trade-off relationship between Voice Onset Time (VOT), as consonant release duration, and voicing phonation time, as vowel duration, reported from adult-to-adult speech, and patterns of durational variability are investigated in CDS of two languages with different linguistic rhythms, under systematically controlled prosodic contexts. Speech data were collected from four native English mothers and four native Korean mothers who were talking to their one-word staged infants. In addition to the acoustic measurements, the transformed delta measure is employed as a variability index of individual tokens. Results confirm the durational correlation between prevocalic consonants and following vowels. The interaction is revealed in a compensatory pattern such as longer VOTs followed by shorter vowel durations in both languages. An asymmetry is found in CV interaction in that the effect of consonant on vowel duration is greater than the VOT differences induced by the vowel. Prosodic effects are found such that the acoustic difference is enhanced between the contrastive segments under focal accent, supporting the paradigmatic strengthening effect. Positional variation, however, does not show any systematic effects on the variations of the measured acoustic quantities. Overall vowel duration and syllable duration are longer in English tokens but involve less variability across the prosodic variations. The constancy of syllable duration, therefore, is not found to be more strongly sustained in Korean CDS. The stylistic variation is discussed in relation to the listener under linguistic development in CDS.

• 한국운동역학회지
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• 제15권4호
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• pp.43-53
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• 2005

This study is to define how the difference of athletic change influence on the last regrasp after somersault in Belle movement of parallel bars. For his study, the following conclusion was produced by analysis of athletic change by means of three dimensional visual image in three athlete of nation. 1. As the picture of S1, there are total used time(2.01 sec), S3(2.17 sec) and S2(2.19 sec). In case of a short needed time, it is difficult for them to perform the remaining movement of the vertical elevating flight easily and comfortably, it is judged as performing the small movement with restrict swing. 2 In the change of body center sped by each event, it is calculated as $-89.1^{\circ}$ the narrowest in S1, $-81.96^{\circ}$ the widest and then $86.34^{\circ}$ in S3. In E3 event, average compound speed is 4.07m/s, S2 showed the fastest speed of 4.14m/s whereas S1 the narrowest angle of 3.95m/s. 3. A shoulder joint and coxa are the period of mention in E3. In E4 which was pointed out the longest vertical distance, S2 that is indicated the highest vertical height as the period of detach in parallel bars. showed -3.91m. This is regarded as a preparatory movement for dynamic performance after using effectively elastic movement of shoulder joint and coxa while easily going up with turning back movement. In the 5th phrase, long airborne time and vertical change position is showed as the start while regrasping securely air flight movement from high position. 4. In E5, a long flight time and a long vertical displacement were shown as the regrasp after somersault efficiently in high position with stability from the point of the highest peak of the center of the body. Especially, S2 is marked as a little bit long position, while S1 is reversely indicated as performing somersault and unstable motion in a low position. 5. In E3, at the point of the largest extension of the shoulder joint and hip joint the shoulder joint is largely marked in $182^{\circ}$ and the hip point $182^{\circ}$ in S2. The shoulder joint is marked at the smallest angle in $177^{\circ}$ and the hip point $176^{\circ}$ in S1. And S1 is being judged by its performance of the less self - confident motion with lessening a breath of swing. S2 makes the most use of flexion and extension of the shoulder joint and the hip joint effectively. It was performed greatly with swinging and dropping the rotary movement and the rotary inertia naturally. 6. In E6, as the point of regrasp of the upper arm in parallel bars it is recognized by the that of components of vertical and horizontal velocity stably. During this study, the insufficient thing and the study on the parallel bars at a real game later are more activated than now. If it is really used as the basic materials by means of Belle Picked Study of Super E level after Bell movement, you may perceive the technique movement previously and perform without difficulty. Especially, such technique as crucifix is quite advantageous for oriental people thanks to small body shape condition. In conclusion we will nicely prepare for our suitable environment to gradually lessen trials and errors by analyzing and studying kinematically this movement.

• 동국한의학연구소논문집
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• 제4권
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• pp.109-140
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• 1995

As we considered in the main subjects, investigations on the theory of 'Doctrine on five elements' motion and six kinds of natural factors(運氣學說)' through 'Wang Bing's Commentary(王氷 注本)' of 'The seven great chapters in The Yellow Emperor's Internal Classic Su Wen' ("黃帝內經素問 七篇大論") are as follows. (1) In The seven great chapters("七篇大論")' Wang Bing supplement theory and in the academic aspects as a interpreter, judging from 'forget(亡)' character. expressed in the 'The missing chapters("素問遺篇")', 'Bonbyung-ron("本病論")' and 'Jabeob-ron(刺法論)', 'The seven great chapters("七篇大論")' must be supplementary work by Wang Bing. Besides, he quoted such forty books as medical books, taoist books, confucianist books, miscellaneous books, etc in the commentary and the contents quoted in the 'Su Wen(素問)' and 'Ling Shu("靈樞")' scripture nearly occupy in the book. As a method of interpreting scripiure as scripture, he edited the order of 'Internal Classic("內經")' ascended from the ancient time and when he compensated for commentary, with exhaustive scholarly mind and by observing the natural phenomena practically and writing the pathology and the methods of treatment. We knew that the book is combined with the study of 'Doctrine on five elements motion and six kinds of natural factors(運氣學說)' (2) When we compare, analyze the similar phrase of 'The seven great chapters in The Yellow Emperor's Internal Classic Su Wen'("黃帝內經素問ㆍ七篇大論") through 'Wang Bing's Commentary(王氷 注本)', he tells abouts organized 'five elements(五行)' and 'heaven's regularly movement(天道運行)' rather than 'Emyangengsangdae-ron("陰陽應象大論")' in 'The seven great chapters("七篇大論")'. Also the 'Ohanunhangdae-ron("五運行大論")' because the repeated sentences with 'Emyangengsangdae-ron("陰陽應象大論")' is long they are omitted. And in the 'Youkmijidae-ron("六微旨大論")', 'Cheonjin ideology(天眞四象)' based on the 'Sanggocheonjin- ron("上古天眞論")', 'Sagijosindae-ron("四氣調神大論")' is written and in the 'Gigoupyondae-ron("氣交變大論")', the syndrome and symptom are explained in detail rather than 'Janggibeobsi-ron("藏氣法時論")', 'Okgijinjang-ron ("玉機眞藏論")' and in the 'Osangieongdae-ron("五常政大論")', the concept of 'five element(五行)' of the 'Gemgwejineon-ron("金櫃眞言論")' is expanded to 'the five elements' motion concept(五運槪念)' and in the 'Youkwonjeonggidae-ron("六元正紀大論")', explanations of 'The five elements' motion and six kinds of natural factors(運氣)' function are mentioned mainly and instead systematic pathology is not revealed rather than 'Emyangengsangdae-ron("陰陽應象大論")'. And in the 'Jijinyodae-ron("至眞要大論")', explanations of the change of atmosphere which correspond to treatment principle by 'The three Yin and Yang(三陰三陽)' as a progressed concepts are revealed. Therefore there are much similarity between the phrase of 'Emyangengsangdae-ron("陰陽應象大論")' and 'chapters of addition(補缺之篇)'. Generally, the doctrine which 'The seven great chapters("七篇大論")' are added by Wang Bing(王氷) is supported because there are more profound concepts rather than the other chapter in 'The seven great chapters("七篇大論")'. (3) When we study Wang Bing's(王氷) 'Pattern on five elements motion and six kinds of natural factors(運氣格局)' in 'The seven great chapter("七篇大論")', in the 'Cheonwongi-dae-ron("天元紀大論")', With 'Cheonjin ideology(天眞思想)' and the concepts of 'Owang(旺)'${\cdot}$'Sang(相)'${\cdot}$'Sa(死)'${\cdot}$'Su(囚)'${\cdot}$'Hu(休)' and 'Cheonbu(天符)'${\cdot}$'Sehwoi(歲會)' are measured time-spacially to the concept of 'Three Sum(三合)' the concept of 'Taeulcheonbu(太乙天符)' is explained. In the 'Ounhangdae-ron("五運行大論")', 'The calender Signs five Sum(天干五合)' is compared to the concepts of 'couples(夫婦)', 'weak-strong(柔强)' and in the 'Youkmijidae-ron("六微旨大論")', 'the relationship of obedience and disobedience(順逆關係)' which conform to the 'energy status(氣位)' change and 'monarch-minister(君相)' position is mentioned. In the 'Gikyobyeondae-ron("氣交變大論")', the concept of 'Sang-duk(相得)', 'Pyungsang(平常)' is emphasized but concrete measurement is mentioned. In the 'Osangieongdae-ron("五常政大論")', the detailed explanation with twenty three 'systemic of the five elements' motion(五運體系)' form and 'rountine-contrary treatment(正治. 反治)' with 'chill-fever-warm-cold(寒${\cdot}$熱${\cdot}$溫${\cdot}$凉)' are mentioned according to the 'analyse and differentiate pathological conditions in accordance with the eight principal syndromes(八綱辨證)'. In the 'Youkwonjeonggidae-ron("六元正紀大論")', Wang Bing of doesn't mention the concepts of 'Jungwun(中運)' that is seen in the original classic. In the new corrective edition, as the concepts of 'Jungwun, Dongcheonbu, Dongsehae and Taeulcheonbu(中運, 同天符, 同歲會, 太乙天符)' is appeared, Wang Bing seems to only use the concepts of 'Daewun, Juwun, and Gaekwun(大運, 主運, 客運)'. In the 'Jijinyodaeron("至眞要大論")', Wang Bing added detailed commentary to pathology and treatment doctrine by explaining the numerous appearances of 'Sebo, sufficiency, deficiency(歲步, 有餘, 不足)' and in the relation of 'victory-defeat(勝復)', he argued clearly that it is not mechanical estimation. (4) When we observe the Wang Bing's originality on the study of 'the theory of Doctrine on five elements' motion and six kinds of natural factors(運氣學說)', he emphasized 'The idea of Jeongindogi and Health preserving(全眞導氣${\cdot}$養生思想)' by adding 'Wang Bing's Commentary(王氷 注本)' of 'The seven great chapters("七篇大論")' and explained clearly 'The theory of Doctrine on five elements' motion and six kinds of natural factors(運氣學說)' and simpled and expanded the meaning of 'man, as a microcosm, is connected with the macrocosm(天人相應)' and with 'Atmosphere theory(大氣論)' also explained the meaning of 'rising and falling mechanism(升降氣機)'. In the sentence of 'By examining the pathology, take care of your health(審察病機 無失氣宜)'. he explained the meaning of pathology of 'heart-kidney-water-fire(心腎水火)' and suggested the doctrine and management of prescription. In the estimation and treatment, by suggesting 'asthenia and sthenia(虛實)' two method's estimation, 'contrary treatment(反治)' and treatment principals of 'falling heart fire tonifyng kidney water(降心火益腎水)', 'two class of chill and fever(寒熱二綱)' were demonstrated. There are 'inside and outside in the illness and so inner and outer in the treatment(病有中外 治有表囊)'. This sentence suggests concertedly. 'two class of superfies and interior(表囊二綱)' conforming to the position of disease. Therefore Wang Bing as an excellent theorist and introduced 'Cheoniin ideology(天眞思想)' as a clinician and realized the medical science. With these accomplishes mainly written in 'The theory of Doctrine on five elements' motion and six kinds of natural factors(運氣學說)' of 'The seven great chapters("七篇大論")', he interpreted the ancient medical scriptures and expanded the meaning of scriptures and conclusively contributed to the development of the study 'Korean Oriental Medicine(韓醫學)'.

• Strategy21
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• 통권31호
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• pp.85-119
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• 2013

This paper asks whether the Republic of Korea (ROK) Navy should continue to focus on building ocean-going naval ships when it faces the threats of North Korean provocations in littoral areas. My position is that the ROK Navy should keep pursuing ocean-going capabilities. I provide explanations why it should do so from the perspectives of three important dimensions: capability, doctrine, and organizational identity. First, I argue that the distinction between a littoral navy and an ocean-going navy is an unnecessary dichotomy. It may lead to inefficiency in national security. The military posture should be designed in a way that it can address all external threats to national security regardless of whether they are from North Korea or not. Such capability is the one that the ROK Navy has tried to acquire with the 'Blue Water Navy' initiative since the 1990s. Second, also from the perspective of lately developed military doctrines that emphasize jointness and precision strike capability, ocean-going capabilities such as the mobile task fleet program have become a must, not an option, given today's security situations on and around the Korean peninsula. Lastly, I draw attention to the fact that the 'Blue Water Navy (BWN)' initiative meant more than just capability to the ROK navy. The BWN represents the ROK navy's organizational identity that the navy has defined since the 1980s as it emphasized promoting national interest and international standing as part of its organizational essence. Furthermore, the phrase 'blue water navy' took on symbolic meanings to the people that are associated with South Korean-ness including sovereignty, national pride, standing in the world and hopes for the future. Since 1990s, many scholars and experts have made the case for the necessity of improving South Korea's naval capability based on different rationales. They emphasized the protection of Sea Lines of Communication (SLOCs), the economic value of the sea, the potential danger associated with territorial disputes over islands, and increasing naval power of neighboring countries since the end of the Cold War. This paper adds to this debate by trying to explain the matter with different factors including naval doctrines and organizational identity. Particularly, this paper constitutes a unique endeavor in that it incorporating constructivist elements (that is, identity politics) in explaining a national security matter.

• Strategy21
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• 통권38호
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• pp.287-320
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• 2015

On October 27, 2015, USS Lassen(DDG82), a 9,200 ton class Aegis destroyer of the United States Navy, began its operations within 12 nautical miles of Subi Reef, one of the seven artificial islands that China has built and claimed sovereignty over. The maneuver was joined by anti-submarine patrol airplanes such as P-8A and P-3. The White House press secretary mentioned that the President of the United States approved the operation. In response, China announced that it warned the US Navy ship about the 'illegal violation' by sending two destroyers(PLAN Lanzhou and Taizhou). This event represents a close call case where tension between the United States and China in the South China Sea might have been elevated to a conflict between the two navies. Moreover, considering that this happened only one month after Chinese president Xi's state visit to the United States, the event shows that the positions of the two countries have become starkly different to the extent that they are so hard to be reconciled. The United States' position is different from those of Vietnam and the Philippines. Countries like Vietnam and the Philippines have been directly involved in disputes with regard to sovereignty claims across the waters in the South China sea. As for the United States, being a third party in the disputes, it still cannot be a by-stander watching the whole waters in the region fall under the influence of China. Accordingly, the United States maintains that all countries bear the rights of innocent passage and military operations in the Exclusive Economic Zones(EEZ) as stipulated by the United Nations Convention on the Law of the Sea(UNCLOS). In contrast, China claims that, historically, the South China sea has been part of China's territorial waters, and that foreign countries are not allowed to conduct military operations within the waters. It strongly accuses that such military operations are illegal. Against this background, this paper tracks the different positions of the United States and China on the issues regarding the South China sea. It also carefully looks at the possibility that, in the process of dealing with the issues, the two countries may get into an armed conflict as the phrase 'Thucydides Trap' predicts.

• Journal of Astronomy and Space Sciences
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• 제26권4호
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• pp.621-634
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• 2009

조선 초기의 보천가(步天歌)와 천문류초(天文類抄)에 대해 연구하였다. 이 연구에서는, 다음과 같은 근거로부터 이 보천가(步天歌)의 가결(歌訣)이 A.D. 1161년에 중국에서 출간된 통지(通志)에 실려 있는 보천가(步天歌)에 큰 영향을 받았음을 알았다. 두 보천가(步天歌)의 별자리들은 서술 순서가 같고, 태미원(太微垣)의 가결(歌訣)의 첫 구철이 일곱 글자가 아니라 다섯 글자로 되어 있으며, 특히 별자리들에 대한 은하수의 위치를 기술한 천하기몰(天河起沒)은 통지(通志)의 저자인 정초(鄭樵)가 특별히 작성하여 보충한 것인데 그것이 조선 보천가(步天歌)에 들어 있다는 점이 그 근거들이다. 통지(通志)는 A.D. 1364년에 고려에 들어왔으므로, 조선 초기의 보천가(步天歌)는 그 후에야 성립 될 수 있다. 조선 초기의 보천가(步天歌)는, 중국의 보천가(步天歌)들과 비교할 때, 그 가결(歌訣)에 별자리들의 색깔이 유난히 강조되어 있다. 이것은 석신(石申), 감덕(甘德), 무함(巫咸)으로부터 기원한 별자리를 색깔로 구분하려는 의도이다. 조선 초기에 출간된 보천가(步天歌)와 천상열차분야지도(天象列次分野之圖)의 성도(星圖)들은 별자리들의 이름, 별개수, 모양 등이 일치한다. 이 사설은 조선 보천가(步天歌)의 성도(星圖)가 천상열차분야지도(天象列次分野之圖)의 모본(母本)이나 천상열차분야지도(天象列次分野之圖) 자체에서 기원했음을 뜻한다. 천상열차분야지도(天象列次分野之圖)의 모본(母本)은 A.D. 1392년에 발견되어 A.D. 1396년에 비석에 새겨졌기 때문에, 보천가(步天歌)의 성립시기의 상한은 1392년이 된다. 천문류초(天文類抄)는 보천가(步天歌)에 중국의 점성술 문헌의 내용을 덧붙인 책이다. 이 책의 성립 시기는 그 저자인 이순지(李純之)의 생애 등을 근거로 A.D. 1440-1450년으로 추론되었다. 더군다나, 보천가(步天歌)는 A.D. 1430년에 관상감의 천문학자를 뽑는 취재(取才) 시험의 과목으로 선정되었다. 이러한 사설들로부터, 이 연구에서는 조선의 보천가(步天歌)가, 송(宋)의 선진 체제를 받아들임으로써 조선 왕조의 문화적 정치적 기초를 다지기 위해, A.D. 1392년에서 A.D. 1430 사이에 출간되었을 것으로 추론하였다.

• 미술자료
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• 제104권
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• pp.10-39
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• 2023

충청남도 보령에 위치한 성주사(聖住寺)는 낭혜화상(朗慧和尙) 무염(無染, 800~888)이 창건한 사찰이다. 무염은 중국 유학을 마치고 귀국한 후 잠시 수도 경주에 머물다 김인문(金仁問, 629~694)의 후손들이 관리하던 사찰에 주석하였다. 이곳에서 무염은 불타고 남은 사찰을 중수하여, 847년에 선종사찰 성주사로 개창하였다. 이후 성주사는 사세가 번창하였고, 사역 내 여러 전각이 들어서며 대규모 가람의 모습을 갖추었다. 지역 내 성주사의 영향력은 「숭암산성주사사적(崇巖山聖住寺事蹟)」에서 살펴볼 수 있다. 「숭암산성주사사적」을 보면 성주사에 건립된 불전은 모두 73간으로 전한다. 이 중에서 주목되는 기록은 '전단림구간(栴檀林九間)'이다. 전단림구간은 '전단으로 지어진 건물이 9간' 혹은 '전단을 보관한 곳이 9간'이라는 의미가 될 수 있다. 해석의 차이는 있지만, 성주사에 전단이 많았음을 알 수 있다. 이 시기 전단은 유향목재(有香木材)로 동남아시아 자바나 수마트라에서 생산되었다. 장보고 사후, 서남해안일대를 장악한 군소 해상세력이 동남아시아 전단을 대량으로 입수하여 성주사에 시주한 것으로 보인다. 문성왕대 김양(金陽, 808~857)은 무열왕계인 자신의 입지를 강화하기 위해 지역 내 명망이 높았던 무염의 성주사를 후원하여 왕실과 성주산문을 잇는 가교 역할을 하였다. 원성왕계 왕실에서는 성주사를 지방 거점사찰로 삼아 반왕실적인 기운이 남아있는 지역에서 왕실의 권위를 회복하고자 하였다. 무염은 사찰을 수호하고, 민심을 교화하고, 나아가 지역의 안정을 도모하기 위해 철불을 조성한 것으로 추정된다. 성주사 문도가 2,000여 명에 달할 정도로 사세가 확장되었다는 점에서, 성주산문의 중심사찰인 성주사에 봉안된 철불은 지역의 민심을 결집하는 하나의 존상(尊像)으로 인식되었을 것이다. 성주사 철불은 모두 2구로 확인되며, 현재 전하는 철불편과 대좌의 크기로 볼 때 각각 금당과 삼천불전에 봉안된 것으로 보인다. 금당에 봉안된 철불1은 2m가 넘는 대형 철불이고, 삼천불전에 봉안된 철불2는 1m가 넘는 중형 철불로 판단된다. 「숭암산성주사사적」을 보면 '개창선법당오층중각(改創選法堂五層重閣)'이라는 기록이 전하는데, 이를 통해 성주사 개창시 철불1과 같은 대형 불상을 봉안하기 위해 중층식 금당이 건립되었음을 알 수 있다. 또한 철불1은 「성주사비(聖住寺碑)」와 손가락편의 모양을 통해 시무외여원인(施無畏與願印)을 결한 불상으로 추정된다. 성주산문은 동시기의 실상사(實相寺), 보림사(寶林寺), 삼화사(三和寺)와 같이 노사나불(盧舍那佛)을 주존불로 조성하였을 가능성이 높다. 무염이 초년에 화엄을 수학하였고 귀국 후 왕실의 후원을 받았다는 점에서, 신라하대 왕실을 중심으로 한 화엄종의 복고적인 경향이 선종사찰 성주사에도 반영된 것으로 생각된다.

• 미술자료
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• 제97권
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• pp.14-54
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• 2020

용주사 <삼세불회도>에 대한 연구는 연대 추정과 양식 분석, 작가 비정, 문헌 해석의 네 가지 핵심 사항이 실증적인 근거와 일관된 논리 아래 모두 일치되도록 정합적으로 설명해야 한다. 그러나 최근의 용주사 <삼세불회도> 연구에서 제기된 19세기 후반 화승 제작설과 1790년에 제작된 원본을 1920년대에 일반화가가 서양화법으로 개채한 것이라는 소론은 실증성과 논리성이 결여되어 성립되기 어렵다. 현존 <삼세불회도>의 축원문(祝願文)은 세자(世子) 책봉을 받지 않은 원자(元子)만 있던 시기였음에도 불구하고 당시의 관습대로 의례적인 삼전(三殿) 축원문을 썼다가 이를 주사로 지우고 다시 "주상전하수만세(主上殿下壽萬歲), 자궁저하수만세(慈宮邸下壽萬歲), 왕비전하수만세(王妃殿下壽萬歲), 세자저하수만세(世子邸下壽萬歲)"라는 특별한 내용과 예외적인 순서로 개서(改書)했는데, 이는 조선후기 불화의 축원문 형식과 내용을 광범위하게 조사하고 정조대 왕실의 전례(典禮)를 면밀히 분석해 볼 때, 현존하는 <삼세불회도>가 1790년의 창건 당시에 그려졌던 원본 진작임을 말해주는 가장 확실한 객관적 근거라고 할 수 있다. 삼세불회도의 형식(形式)과 도상(圖像), 양식(樣式), 미감(美感), 화격(畫格) 등을 18~19세기 불화나 궁중화원 양식과 다각도로 비교분석해 보면 용주사 <삼세불회도>는 1790년경 전후에만 나타나는 특징이 많이 보이기 때문에 축원문(祝願文)에 대한 분석 결과와 일치한다. 특히 18세기 전반까지만 해도 종교적 위상에 따라 존상의 크기가 결정되고 화면 구성도 근하원상(近下遠上)의 고식(古式) 원근법에 따라 관념적, 평면적 조형 위주로 이루어져 왔으나 이 <삼세불회도>는 투시법적 원근법의 논리에 따라 구축된 입체적 공간 속에 존상들을 매우 체계적으로 배치한 뒤 서양화(西洋畫)의 음영식(陰影式) 명암법(明暗法)을 적극적으로 구사하며 흰색 하이라이트와 그림자까지 표현함으로써, 마치 삼세불회(三世佛會)의 장엄한 세계가 눈앞에 실제로 펼쳐져 있는 것 같은 느낌을 준다. 이 투시법적 원근법의 내적 질서와 음영식 명암법의 외적 착시는 골육합체(骨肉合體)처럼 내적으로 긴밀히 연결되어 있는 것이기 때문에 흰색 하이라이트만 떼어내서 후대에 개채된 것이라고 볼 수 있는 것이 결코 아니다. 더구나 이 <삼세불회도> 같은 고도의 서양화법과 높은 화격(畫格)의 창의적 융합은 조선후기 회화사상 김홍도와 이명기, 김득신 같은 정조대의 궁중화원만이 이룩할 수 있는 고도의 양식이자 화격이다. 용주사 주지 등운(等雲)이 창건 이래 용주사에 전해져온 기록을 토대로 『용주사사적(龍珠寺事蹟)』을 정리하며 김홍도가 <삼세불회도>를 그렸다고 기록한 것은 이것이 당시의 역사(歷史)이자 실상이었기 때문이다. 조정의 공식 기록인 『일성록(日省錄)』과 『수원부지령등록(水原府旨令謄錄)』에는 김홍도와 이명기, 김득신이 감동(監董)했다고 기록되어 있지만, 이는 의례 화승(畫僧)들이 그려왔던 불화를 관원 신분의 화원에게 그리도록 하는 것이 엄격한 관직 체제나 운영상 부당한 것이기 때문에 정치적 부담을 피하기 위해 명분상 감동으로 발령한 뒤 실제로는 불화를 직접 그리도록 했던 데서 나타난 결과였다. 영정조대의 어진(御眞) 도사 과정에서 감동으로 불러들인 문인화가 조영석(趙榮祏)과 강세황(姜世晃)에게 국왕이 직접 그릴 것을 요구했던 사례에서 볼 수 있듯이, '감동(監董)'과 '집필(執筆)'은 경우에 따라 경계를 넘나들 수 있는 개념으로서 '감동'이 '집필'을 완전히 배제하는 것은 아니며 겸할 수도 있는 것이다. 그런 점에서 『용주사사적』의 기록은 『일성록』이나 『수원부지령등록』은 물론 황덕순의 「닫집 원문」 기록과도 모순되는 것이 아니라, 행간의 의미를 찾아 복합적으로 읽으면 각각의 맥락과 필요에 따라 동일한 내용의 표리를 다르게 기록해 놓은 것임을 알 수 있다. 이렇게 해석할 때 우리는 용주사 <삼세불회도>의 연대 추정과 양식 분석, 작가 비정, 문헌 해석의 네 가지 핵심 사항을 모두 실증적인 근거와 일관된 논리 아래 정합적으로 설명할 수 있을 것이다.