• 복식
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• 제23권
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• pp.79-97
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• 1994

The purpose of this study is to survey of Korean costume cultural assets in overseas museum collections. Cultural Assets represent the cultural heritage. Also costume is one of cultural assets. In 1980's the Korean government and scholars surveyed Korean cultural assets. One of their finding was that Korean objects exists some countries. Unesco delared that cultural assets illegally taken a way to foreign countries should be returned to their nations. However, few objects had been returned to korea. Today museum professional designing their exhibited and collections try to both enlighten experts and instruct and please amateur enthusiasts. Exhibitions are one of the most effective means of stimulating interest in cultural objects and ideas : they reflect prevailing cultural , intellectural and political trends. The 1893 Chicageo Exposition was the first international exhibition in which Korea has ever taken part. Overseas museum held many Asian exhibitions however Korean exhibitions have been held much less frequently than those of most other Asian countries. (China, and Japan). Some of Korean art Collection have historical and artistic valuable , most overseas museum' collection are of low value and non-informative . Several museums in United States that have Korean costume : some of these museums have highly valuable historical and contextural objects. It is my hope that the information in this paper will be of use for those interested in learning more about Korean culture.

• 한국기록관리학회지
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• 제16권3호
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• pp.31-67
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• 2016

최근 다양한 형태의 디지털 기록물들이 증가하면서 이를 기술하고 접근을 제공하는 방식에도 변화가 요구되는 실정이다. 미국, 호주, 영국 등 해외의 문화유산기관에서는 방대한 양의 기록을 한 눈에 브라우징 할 수 있도록 해주는 인터랙티브 시각화를 도입하여 기록물에 접근하는 방식을 다양화하고 있다. 본 연구에서는 인터랙티브 시각화 기법을 기록물에 적용하기 위해 인터랙티브 시각화의 필요성을 조명하고 해외 문화유산기관의 인터랙티브 시각화 사례를 분석하였다. 사례분석을 통해 도출한 공통된 시각화 요소 및 기법을 적용하여 국가기록원의 기록물을 다양한 방식으로 시각화하였다.

• 헤리티지:역사와 과학
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• 제39권
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• pp.131-163
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• 2006

최근 우리 문화유산에 대한 관심과 그 연구는 종래의 관련연구자 뿐만 아니라 일반인의 참여가 높으며 그 범위도 국내에 한정치 않고, 국외 한국문화재에 대한 환수와 그 활용에 이어지고 있는 상황이다. 따라서 국외 소재 한국문화재 모두가 환수대상이라는 종래의 개념 이외에 다각적이고 적극적인 활용방안을 모색할 단계로 보고 이를 위해서는 유출경위 등 체계적인 현지조사를 통한 명확한 현황파악이 선생될 필요가 있다는 것이 이 논문의 출발이자 기본요지이다. 또한 국외소재 한국문화재를 좀 더 확장하여 유연하게 바라볼 수 있는 우리의 인식 전환 역시 필요한 시점이다. 이런 견지에서 한국문화재는 원래 생산국인 우리의 고유한 문화유산일 뿐만 아니라 인류가 공동으로 보호하고 활용할 인류의 보편적 가치(Outstanding universal value)가 있는 세계유산이라는 접근을 통해 그 활용의 폭도 넓혀질 수 있을 것이다. 이런 견해에 입각하여 미국 보스톤박물관 등 3개국의 대표적인 주요소장처의 한국문화재에 대하여 그 가치와 성격, 그리고 유출배경의 유형을 살펴 정리하였다. 본 논문은 위와 같은 인식의 바탕에서 향후에도 국외 한국문화재의 현지조사를 통해 유출배경의 명확성을 확보함으로써 학문적 연구는 물론 환수대상 혹은 홍보대상 들을 구분하여 정책기초 자료로 응용될 수 있도록 국외소재문화재 자료를 규명하자는 데 그 뜻이 있다.

• 복식
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• 제65권6호
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• pp.112-132
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• 2015

Banya was a concubine slave of Shindon(辛旽) who was a powerful monk in late Goryeo Dynasty, as well as the mother of King Woo(禑王), a successor of King Gongmin(恭愍王). This study was undertaken to investigate the sources of costume for Banya. The study focused on the features of Buddhist service costume, street wear, and daywear for common women's costume during the prime age of the Buddhist culture. The study looked into Buddhist paintings, old documents, advanced research, and relics. There are three characteristics of historically investigated Buddhist service costume for Banya: Dallyeongpo(團領袍), long Jeogori made with black Ra(羅), and Jeogori with a long scarf. Skirt, under Jeogori, under skirt, Cho, Ra(羅), Neung (綾), Dan(緞), patterned ramie(紋紵), and Tapja(塔子) were included in all Buddhist service costume. And, street wear consisted of Women's Dapho(婦人搭忽), long Jeogori, skirt, underwear and black Ra beil(蒙首). Daywear consisted of Banbi(半臂), long Jeogori, and skirt, underwear made with cheap fabric, Ju(綢), ramie, and imported cotton. Plumper hair, silver comb and Biyeo, lining of light pink-colored thin silk(小紅薄絹), bronze openworked ornament that fixed the outerwear's opening, bronze needle case, Sutra box and heated gemstone could be matched for the Buddhist service costume. Bronze and heated gemstone could be used for ornaments of street wear and daywear. The investigation of ornaments was carried on by referring to presentation of overseas collections. Considering the limitation of the study on Goryeo costume due to the lack of research material, future studies including much more relics in oversea collections needs to be undertaken.

• 한국의류학회지
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• 제32권10호
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• pp.1487-1496
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• 2008

The purpose of this study is to provide guidance to plan bag design with an analysis of design properties of bags of famous overseas brands in a pret-a-porter fashion collection. For this purpose, the pret-a-porter fashion collection from 2001 S/S to 2005 F/W is divided into the following sectors: brands, years, and seasons, focusing on the design elements. The reference for the actual study was 773 pictures of bags that were collected of Chanel, Louis Vuitton, Gucci, Christian Dior, Prada, Fendi and Etro collections. The results of this study are as follows. With regard to the character of the bag design classified by brand, the design property was embossed with all design elements. Therefore, we can use design elements to express design property, like bag design of famous overseas brands. With regard to the changes of bag design year by year, it was changed with almost all of the design elements. Therefore, it is noted that bag design do well to reflect the fashion trends of the year with almost all design elements. With regard to design properties of seasonal bags, bag design properties which are popular in the S/S season are circle form, small size, lively colors and so on. On the other hand, bag design properties which are popular in the F/W season are common form, large size, quiet colors and so on. Therefore, it is noted that bag design do well to reflect the seasonal trends.

• 한국의류산업학회지
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• 제9권2호
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• pp.157-166
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• 2007

The purpose of this study is to provide guidance to plan clothing design with an analysis of design property of famous overseas brands. For this purpose, the prt-a-porter fashion collection from 2001 S/S to 2005 F/W is divided into the following sectors: brands, years, and seasons, focusing on the design elements, with regards to the design property of clothing. The reference for the actual study was 1055 pictures of clothing that were collected of collections of famous overseas brand. The results of this study are as follows. With regard to the character of the clothing design classified by brand, the design property was embossed with all design elements. Therefore, we can use design elements to express design property, like clothing design of famous overseas brands. With regard to the changes of clothing design year by year, it was changed with almost all of the design elements. Therefore, it is noted that clothing design do well to reflect the fashion trends of the year with almost all design elements. With regard to design properties of seasonal clothing, clothing design properties which are popular in the S/S season are slim silhouette, see-thru material, brilliant material, abstraction pattern, and so on. On the other hand, clothing design properties which are popular in the F/W season are wide silhouette, hard material, complex material, complex pattern, inorganic decoration and so on. Therefore, it is noted that clothing design do well to reflect the seasonal trends.

• 한국의상디자인학회지
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• 제14권4호
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• pp.99-111
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• 2012

This study intends to explore the collaborative expression in the modern fashion design by analyzing the collaboration of motifs symbolizing Korean cultural identity. As for the data research, in order to examine the expressional objects of collaboration in the collections of the fashion designers from Korea and overseas who have applied the Korean culture among their collections posted on the Internet sites, www.firstview.com, and www.style.com from 2005 to 2012 were collected for analysis. 923 pictures used in the analysis sheet. As for the research method, the content analysis method was used. In the modern fashion design, the collaborative expression in the motifs symbolizing Korean cultural identity are limited to tangible expression, intangible expression, integrated expression. The results of this study were as follows. First, in the tangible expression, traditional tangible assets are used in the shapes, items, colors, materials, patterns and details to symbolize uniquely Korean image. The intangible expression, the applicability for Korean intangible assets include the master's (intangible cultural assets) and the craftsmanship of the modern designers being collaborated onto the contemporary customs to express the Korean traditional culture in a realistic or an abstract trend. The hybride expression, it is to represent Korean thoughts and values using the tangible elements. Second, The expressivity of collaboration of each year mostly shows integrated expression, intangible expression and tangible expression were shown respectively. The trend of seasonal collaboration expressivity was muchly the integrated expression in most seasons, and intangible expression and tangible expression followed respectively. It is recognizable that the expressivity of collaboration of each designer was; integrated expression was muchly shown in Lie Sang Bong and Lee Young Hee's works, Duri Jung showed much of intangible expression, and much tangible expressivity was shown in Carolina Herrera.

• 한국문헌정보학회지
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• 제58권1호
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• pp.199-224
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• 2024

해외 소장 한국 고지도는 자료의 물리적 접근이 어려운 점과 고지도의 추상성 등으로 인해 연구하는데 제약이 있다. 따라서 서지사항이나 기술요소에 좀 더 자세하고 전문적인 특성이 반영되어 이를 통해 고지도 연구에 도움이 되는 정보가 제공되어야 한다. 본 연구는 한국고지도의 계통을 연구할 때 필요한 고지도의 요소를 해주신본 계통의 고지도를 바탕으로 분석하여 고지도 기술요소로 도출하였다. 그리고 이렇게 도출된 총 8개 영역의 56개 고지도 기술요소를 바탕으로 국내에 잘 알려지지 않은 해외 소재 주요 고지도인 프랑스국립도서관 소장 「영연도」에 적용한 후, 고지도 연구의 접근성과 활용성에 도움이 되는 고지도 기술요소 최종안을 제안하였다.

• 한국도서관정보학회지
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• 제50권4호
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• pp.339-358
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• 2019

본 연구의 목적은 광의의 측면에서 지식정보제공이라는 공동의 임무를 수행하는 도서관, 기록관, 박물관간의 협력 플랫폼 구축에 관한 연구의 동향을 토픽 모델링을 통하여 파악하기 위한 것이다. 연구의 목적을 달성하기 위하여 Scopus로부터 이들 세 기관을 동시에 다루는 논문 637편의 서지정보를 수집하였다. 수집된 서지정보 중에서 초록을 대상으로 NetMiner V.4를 통하여 총 5,218개의 단어를 추출한 후 토픽모델링 분석하였으며, 그 결과는 다음과 같다. 첫째, tf-idf의 가중치에 따른 단어출현 빈도를 분석한 결과 '보존(Preservation)'이 가장 높게 나타났으며, 둘째, LDA(Latent Dirichlet Allocation) 알고리즘을 통한 토픽모델링 분석결과 13개의 주제 영역이 도출되었다. 셋째, 13개의 주제 영역을 네트워크로 표현한 결과 '리포지터리 구축(Repository Construction)'을 중심으로 기관간의 협력, 정보자원 보존을 위한 환경 구축, 정부차원에서의 제도와 정책 발굴, 정보자원의 생애주기, 정보자원의 전시, 정보자원의 검색 등이 서로 밀접한 관련성을 가진 것으로 나타났다. 넷째, 13개의 주제 영역의 연도별 동향을 살펴보면, 1998년 이전의 연구는 제도와 정책 발굴, 정보자원의 검색, 정보자원의 생애주기 등과 같이 특정 주제에 한정된 반면, 그 이후의 연구는 보다 다양한 주제를 다룬 것으로 분석되었다.

• 패션비즈니스
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• 제17권6호
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• pp.158-175
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• 2013

The purpose of this study is to provide basic information to Korean fashion designers who wish to advance to the overseas collection. This is done through analyzing the design characteristics of Japanese young fashion designers, Tsumori Chisato, Commuun, and Limi Feu, who have successfully launched their designs into the Paris collection and became global fashion brands. Collections of each brand were analyzed by the overall fashion style and design elements. For the overall fashion style, Tsumori Chisato used a romantic style using details with various ornaments, whereas Commuun shows minimal style with a simple silhouette. Limi Feu expressed avant-garde style with experimental patterns. Moreover, these brands expressed different style to other brands by applying Japanese traditional clothes, patterns, and Japanese techniques in modern view point. In terms of design elements, these three brands used the H-line silhouette. Tsumori Chisato used loose fit; Commuun, slim line; and Limi Feu, boxy silhouette. In the case of colors, materials, patterns and details, Tsumori Chisato showed mix & match with various colors, materials, patterns and details. Commuun used mono tone with black & white using only one or two materials. Limi Feu usually used the color black with cotton. According to the style of the brand and region of the collection, the main characteristics of the design and the application of Japanese traditional elements can be different.