• 제목/요약/키워드: open form

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후하악부 절개를 통한 하악골 관절돌기 골절의 치료 후 임상경과에 대한 고찰 (Consideration of Clinical Progress after Open Reduction with Retromandibular Approach in Treatment of Mandibular Condyle Fractures)

  • 김한구;권남호;배태희;김우섭
    • 대한두개안면성형외과학회지
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    • 제9권1호
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    • pp.17-22
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    • 2008
  • Purpose: For several decades, open reduction has been a controversial issue in mandibular condyle fracture. The authors have successfully used the open reduction and internal fixation with retromandibular approach and have found it to be satisfactory for mandibular condyle fracture. Methods: A total of 10 patients with mandibular condyle fracture underwent open surgical treatment using retromandibular approach. The incision for the retromandibular approach was carried below the ear lobe and the facial nerve branches were identified. Dissection was continued until the fracture site was exposed and internal fixation was performed with miniplate following intermaxillary fixation. The average period of joint immobilization was 1 weeks and the arch bars were removed in 3 weeks on average. The preoperative and postoperative panoramic view and three-dimensional computed tomography were compared. During the follow up period, we evaluated the presence of malocclusion, chin deviation, trismus, pain, click sound, facial nerve palsy, hypertrophic scar and skin fistula. Results: According to the radiographic findings, the fractured condyle was reducted satisfactorily in all patients without any symptoms of facial palsy. During the follow up period ranged form 6 to 12 months, all clinical symptoms were improved except in one case with chin deviation and malocclusion. Conclusion: Using open reduction and internal fixation of mandibular condyle fracture with retromandibular approach, all results were satisfactory with good functional outcomes and minimal complication. We concluded that the open surgical treatment should be considered as the first choice for mandibular condyle fracture management.

한국 복식의 미적 가치에 대한 고찰 -조선 복식을 중심으로- (The Aesthetic Values of the Korean Traditional Costume)

  • 김윤희
    • 한국의류학회지
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    • 제21권5호
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    • pp.946-955
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    • 1997
  • The purpose of this study is to present the aesthetic values of the Korean traditional costume for developing 'Korean' fashion design can be accepted in general in the modern times. For this purpose, documentary studies about the aesthetic values of the Korean traditional art and Korean traditional costume were preceded. And the perception of the Korean traditional costume were studied according to Belong's two criteria, body priority/ clothes priority and open/closed. Next, the aesthetic values of the Korean traditional costume were re-defined. The results can be summarized as follows; 1) The aesthetic values of the Korean traditional art are the beauty of nature, the purity, and the pleasantry. As the beauty of nature is the important one, the purity is caused by the love of nature. The pleasantry is as a way of expression. 2) The aesthetic values of the Korean traditional costume through the documentary studies stand for as the beauty of nature, the purity, the beauty of evil's eye, the beauty of symbolism, the beauty of personality, the beauty of tragedy and the beauty of tradition. 3) Korean traditional costume are perceived as clothes priority and open. 4) The aesthetic values of the Korean traditional costume can be re-defined as the beauty of nature, the purity, and the pleasantry. The beauty of nature comes from the 'natural' look, the exposure of the fabric as itself and the organic lines of the Korean traditional costume. The purity comes from the geometrical squared clothing form of Korean traditional costume which doesn't revive the human body form. The Pleasantry is seen the colors and motifs of costumes that have the human's hope and incantation and the exaggeration and distortion of human body form.

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지역주민들의 건강에 영향을 미치는 도시특성요소 분석 -한국의 중소도시를 대상으로 (A Study on the Correlation between City's Built Environment and Residents' Health -A Case study of small and medium-sized cities in korea)

  • 이경환
    • 한국산학기술학회논문지
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    • 제13권7호
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    • pp.3237-3243
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    • 2012
  • 본 연구는 한국의 40개 중소도시를 대상으로 도시의 물리적환경과 주민건강의 상관관계를 분석하는데 목적이 있다. 이를 위해 본 연구에서는 개인의 사회경제적 속성과 함께 도시환경을 토지이용, 도시형태, 시설접근성으로 구분하고 다수준분석을 이용하여 지역주민들의 건강에 영향을 미치는 요인을 분석을 수행하였다. 분석결과 인구밀도가 높을수록 지역주민들의 비만정도가 낮은 것으로 나타났으며 토지이용혼합도가 높을수록 지역주민들의 건강수준이 높고 고혈압 유병률이 낮은 것으로 나타났다. 또한 도로의 연결성이 높고 대중교통접근성이 낮을수록 지역주민들의 비만도가 높아지는 것으로 나타났다. 마지막으로 오픈스페이스에 대한 접근성은 지역주민들의 건강수준(EQ-5D)에 긍정적인 영향을 미치는 것으로 나타났다. 따라서 향후 주민건강 증진을 위한 계획을 수립하는데 있어 토지이용혼합, 대중교통시설 및 오픈스페이스에 대한 접근성 등을 중요한 계획요소로 활용할 필요가 있다.

Kuramata Shiro의 가구디자인에서 나타나는 선의 현상학적 이해 (A Phenomenological understanding of the Lines in Shiro Kuramata's Furniture Design)

  • 서정연
    • 한국가구학회지
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    • 제23권3호
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    • pp.229-241
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    • 2012
  • Kuramata Shiro's design has been evaluated as an unseen type of beauty. He created totally different aesthetics from functional furniture by utilizing glass, acrylic, and expanded steel mesh which usually are inappropriate for making furniture. Kuramata told that his design always starts from zero status. By doing so, he could be free from the existing notion and form of furniture. This means that every function and every form must be based on his own understanding and experiment in order to produce newness. Owing to these efforts, we can regard his design as artworks. Kuramata tried to bring forth formative lines inside contour of furniture rather than to deform only the formal outlines of furniture. These lines are very delicate and sometimes ephemeral. But they establish formal potentiality of phenomenological being of beauty. Also those lines are built from humble industrial material but they open the truth of thing itself and introduce the beauty to field of aletheia. At the same time, transcending limitation of function and use, they leave pure form and temporariness. So, lines become a field of Heideggerian rift which produces embodiment of form. We can appreciate his design through these lines that are relatively thin but vivid enough to follow his original world of art.

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뵐플린의 양식사적 관점에서 르네상스와 바로크 복식의 양식비교 (A Study on the Clothing Styles of Renaissance and Baroque Focused on H. $W\"{o}lfflin's$ Methodology)

  • 장성은
    • 복식
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    • 제57권7호
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    • pp.15-29
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    • 2007
  • H. $W\"{o}lfflin's$ methodology created viewpoint of art history which is an essential factor of art, and proposed formal analysis as an academic methodology specific to art history. H. $W\"{o}lfflin's$ expressed the see-form a as the five pair concepts which are summarized by 'linear-painterly' 'the plane-the deep'. 'closed form-open form', 'multiplicity-unity', 'absolute clarity-relative clarity'. His methodology is not only in the field of art and architecture but also clothing because during the same period have a relative tendency of thought, culture, politics and economics each other. As the result of this study were as follows. Renaissance of 16 century, the style of dress was enormous and dignified by body support outfit, hard puffs, slashes, padding and expansive jewels. It make appearance of man and woman absolute clarity because Classicism styles of aesthetic consciousness is geometrically perfect form and symmetry and restrained harmony, magnificent. Baroque of 17 century, the style of dress was vigorous mobility and subtle balance by abundant and free silhouette, soft collar, magnificent ribbon loop and tassel without body support outfit. It make appearance of man and woman comfortable and natural because Baroque styles of aesthetic consciousness is extraordinary degree of originality and creativity that was evident in the devising of new styled.

협조적 게임이론 관점에서 본 대기업-스타트업 개방형 혁신 성공 요인 분석: 대기업 'G사'와 스타트업 'S사'의 협업 사례를 중심으로 (Analysis of the Success Factors of Open Innovation fromthe Perspective of Cooperative Game Theory: Focusing on the Case of Collaboration Between Korean Large Company 'G' and Startup 'S')

  • 김진영;박재홍;손영우
    • 벤처창업연구
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    • 제19권2호
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    • pp.159-179
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    • 2024
  • 본 연구는 대기업과 스타트업의 협업 사례를 기반으로 개방형 혁신의 성공을 위해서는 상호 협력과 신뢰 관계 형성이 중요하다는 점을 협조적 게임이론 관점에서 제시하고, 어떻게 이를 구현할 수 있을지에 대한 시사점을 제공한다. 정보의 비대칭성, 그리고 대기업과 스타트업의 조직문화와 의사결정구조의 차이로 인해 일반적인 개방형 혁신에서는 참가자들 간의 비협조적 게임 형태로 협업이 진행될 가능성이 높으며, 이는 혁신의 정도가 낮아지는 개방형 혁신의 역설(the open innovation paradox) 현상으로 귀결된다. 이에 따라 본 연구는 "어떻게 하면 개방형 혁신을 협조적 게임 형태의 성공적인 협업으로 진행할 수 있을 것인가?"라는 연구문제에 기반하여 대기업 'G사'와 스타트업 'S사'와의 정보비대칭 상황에서 협업에 대한 사례연구를 수행하였다. 연구 결과, 성공적인 개방형 혁신을 위해서는 (1) 대기업-스타트업 간 조직문제를 해결하기 위해 양사 이해관계가 일치하는 명확한 목표 수립이 필요하다는 점, (2) 신뢰성 문제 해결을 위해서는 스타트업의 질적성장을 위한 인력파견 등의 지원이 중요하다는 점, (3) 이익배분 문제를 해결하기 위해서는 전략적 투자와 신사업 공동 추진으로 연결되는 유기적 협업이 중요하다는 점을 확인하였다. 본 연구는 개방형 혁신 성공 요인에 대한 논의를 참가자들 간의 조직 문화와 의사결정구조를 고려한 상호작용과 전략적 판단의 중요성으로 확장하는데 기여하고, 협조적 게임이론 관점에서 개방형 혁신의 성공 조건을 실증적으로 확인하였다는 점에서 그 의의를 찾을 수 있다.

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1990년 이후 한국 개신교회의 예배유형에 따른 예배공간특성 - 전통예배공간과 현대예배공간을 중심으로 - (The Characteristics of Worship Space of Worship type in Korea Protestant Church Since 1990 - Focus on the Traditional Worship Space and the Contemporary Worship Space -)

  • 김기현;이규백
    • 한국실내디자인학회논문집
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    • 제18권5호
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    • pp.175-182
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    • 2009
  • Korea Protestant slower growth and social church's changes in the environment of the traditional worship center for the sermon to a variety of changes was required, because of this period reflects the availability of a new type of worship was to appear. These changes in the type of worship in the form of the worship space, and space configuration is affecting many more. This study was the type of church korea today, the type is classified as a traditional worship and contemporary worship, and to characterize the category by a change in the type of church worship space in the configuration that affects cases throughout the analysis was to investigate, study follows. Traditional worship the center of the altar, the altar placed platform form, a vertical elevation of the platform sheet form, the installation of the cross, place the side of the choir seats, church chair type attribute appears tradition and in part compressed pulpit appears symbolism. Contemporary worship to the exclusion of the symbolic elements of the platform open, flat sheet form and the platform was the preferred form of minor elevations of the flat, multi-purpose space used for worship to sermon platform placed around the altar of the adjustable type, the choir seats placed in scheelite, preferred form of scheelite was an individual chair. However, the characteristics of traditional and contemporary worship space features a mix of worship space, quite a lot of cases that have been found. Integrated and consistent element of the worship space, the worship of the discrepancy in the form of systematic theological depth analysis did not come true without lust about contemporary culture is changing rapidly to accommodate sprawl is judged. Therefore, the characteristics of the type of worship and prayer to understand the changes in the church building is a prerequisite to be a very important aspect.

현대 헤어스타일에 나타난 키치미의 상징성 연구 (The Study of Kitsch Aesthetic Symbol Represented in Modern Hair Style)

  • 박길순;이수인
    • 한국생활과학회지
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    • 제9권3호
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    • pp.371-382
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    • 2000
  • Fashion, a means of communication, is the symbol conveying the social information and the individual identity. The opulence of material and the development of civilization make the sign of fashion variable and individual; especially, The importance of hair style among the today's sign of fashion, as a determinant element in judging each person's look is emphasized. Kitsch, based on the variety and the individuality is the manner of art in diverse hobbies. In addition, it enlarges the sphere of modern an, creates new open aesthetic world. Therefore, we need to understand the symbol of Kitsch aestetic represented in hair style, which is meaningful. The method of this study is quality analysis by means of semiology, aesthetics, Fashion artical, magazine, atc. To support this statement, we will study the form, a primary symbol, and the ideology, a secondly one in $\ulcorner$Mythologies$\lrcorner$ of Roland Bartes(1972). Then by means of the form and the ideology, we will try to recognize the myth, an essential symbol. The result of this study is following like these three points. First, the Kitsch patterns of representation in hair style use the accumulation by an excessive ornamentation; the inappropriateness by the lack of form, the disagreement, the unbalance, and the nonfunctional form; and finally, the amusement by the reconstruction, the exotic, and the satire. The above three is true to the Barthes's primary symbol-the form. Second, the anti-traditionality(including the lack of form, the disagreement, and the unbalance), the homesickness(including the reconstruction and the exotic), and the eclecticism(including the parody and the mixed imitation) are created as the ideology of the liberal artistic notion, different from the past outlooks on aesthetic. This is true to the Barthes's secondly symbol-the ideology. Third, the form and the ideology enable us to express our own thoughts and to recover the humanity, which is the primary purpose of Kitsch aesthetic. The Kitsch hair style, as we witness, does lead the varied and liberal aesthetic world, create its accessible value, and place the art of hair style in a higher status.

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개방형협업 참여자 기여도와 네트워크 특성과의 관계에 대한 연구 : 깃허브 오픈소스 프로젝트를 중심으로 (Identifying the Network Characteristics of Contributors That Affect Performance in Open Collaboration : Focusing on the GitHub Open Source)

  • 백현미;오세환
    • 한국전자거래학회지
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    • 제20권1호
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    • pp.23-43
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    • 2015
  • 발전된 정보통신기술은 개방형협업을 위한 오픈 플랫폼 역할을 수행함으로써 개인간 상호협력을 용이하게 한다. 본 연구에서는 사회연결망이론을 바탕으로 개방형협업의 대표적 형태로 주목받고 있는 오픈소스 프로젝트의 상호협력 네트워크를 살펴보고자 한다. 특히 상호협력 네트워크 내에서의 개방형협업 기여도가 높은 참여자의 네트워크 중심구조를 분석해보고자 한다. 이를 위해 대표적인 오픈소스 프로젝트 플랫폼인 깃허브(GitHub)의 782개 리파지토리의 8,101명의 개발자를 대상으로 782개의 협업 네트워크를 도출함으로써, 협업에 있어 기여도가 높은 개발자의 연결 근접 매개 중심성 특성을 분석하였다. 분석 결과, 연결 매개 근접 중심성이 높은 개발자의 커밋수가 많아지는 것으로 나타났으며, 이중에서도 매개중심성에 의해 그 관계를 가장 잘 설명할 수 있는 것으로 나타났다. 또한 네트워크 사이즈가 클수록, 허브가 존재할수록 개발자의 매개중심성과 커밋수 간의 관련성이 더욱 커지는 것으로 나타났다. 본 연구는 향후 개방형협업의 성공적인 운영을 위한 시사점을 제시해줄 것으로 기대된다.

민관협업을 통한 "열린 혁신"에 대한 사례 연구: 공기업을 중심으로 (A Case Study on Open Innovation through Public-Private Collaboration: Focused on Public Enterprises)

  • 이향수;이성훈
    • 디지털융복합연구
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    • 제16권9호
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    • pp.73-79
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    • 2018
  • 본 연구에서는 문재인 정부가 추진하고 있는 "열린 혁신"에 대한 개념 및 내용들을 살펴보고, 특정 공기업에서 추진하였던 "열린 혁신"의 사례를 분석하였다. 연구대상이 된 공기업에 대한 사례를 통해 정부의 "열린 혁신"을 추진하는데 있어서의 시사점을 밝혀내고자 하였다. 연구대상이 된 공기업의 경우 행정안전부의 "열린 혁신" 평가에서 공기업 중 협업을 통한 "열린 혁신"을 훌륭하게 수행했다는 평가를 받은 기관이다. 본 연구에서는 해당 공기업 및 인근공공기관, 지역농민들을 대상으로 심층인터뷰를 진행하여 협업을 통한 "열린 혁신"의 성공요인을 분석하였다. 우선 협업 주체들 간에 협조를 구하기 위해 공감대를 형성하기 위해 목표를 공유하는 것이 중요하였다. 서로가 서로에게 이득이 되는 관계라는 것을 인식하고 공동의 목표를 향해서 움직인다라는 공감대가 매우 중요하다. 또한 협업에 참여하는 주체들에게 지속적으로 협업이나 혁신 작업에 참여하도록 하는 유인체계가 매우 중요함을 알 수 있었다. 따라서 협업을 독려할 수 있도록 공공 기관 등에서는 협업행위에 대한 인사가점이나 경제적 보상 등의 유인시스템을 구축할 필요가 있다.