• 제목/요약/키워드: natural dyeing materials

검색결과 111건 처리시간 0.023초

현대 생활한복 형성의 배경과 방향 (Background and Future of Casual Korean Clothes. The purpose of this study is to present the method for the settlement of c)

  • 안명숙;김은정;양숙향
    • 복식
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    • 제39권
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    • pp.91-98
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    • 1998
  • This paper is to study the development background of casual Korean clothes through the consideration of the style change of traditional clothes. The purpose of this study is to present the method for the settlement of casual Koran clothes as everyday clothes and to present the direction which casual Koran clothes follow in the future. The development. The development backgrounds of casual Korean clothes are as followings. 1) the self-awakening for the importance of national culture. 2) practical aspects 3) the change of life style accompanied with economic growth 4) the development of mass media Casual Korean clothes in the future should be studied and developed in following aspects. 1) practical aspects by developing design for easy activity 2) environmental aspects by natural dyeing which is harmless to human body and the nature 3) emotional aspects by regarding traditional beauty as importance 4) color sense aspects according to scarcity of as form change of the Korean clothes 5) production aspects by mass production of ready-made clothes not order clothes 6) diplomatic aspects as folk costume which is corresponding with international trend 7) scientific aspects by developing many patterns according to various bodies 8) economic aspects by low price through the mass cultivation of natural materials 9) fashionable aspects by subdividing traditional clothes to ceremonial clothes, everyday clothes, working clothes.

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Effects of Clothing Material Dyed with Astringent Persimmon Extract upon Exercise-Induced Thermal Strain and Sensory Responses in a Warm Environment

  • Park, Shin-Jung;Shin, Hye-Sun;Chung, Hee-Chung
    • International Journal of Human Ecology
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    • 제16권2호
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    • pp.1-9
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    • 2015
  • This study investigated the effects of persimmon-dyed clothing materials upon thermophysiological responses and subjective comfort sensations during exercise and rest in a warm environment. Six healthy, untrained women participated in two separate testing sessions, with cotton materials dyed with astringent persimmon extract (DC) and undyed cotton materials (UDC). The physical characteristics associated with heat and moisture transfer were improved in DC; also, stiffness, anti-drapery stiffness and crispness in the primary hand values were higher in DC. The experimental protocol consisted of a 10-min rest, 15-min exercise on a treadmill (at ${7km{\cdot}h^{-1}}$) and 25-min recovery at $28{\pm}0.2^{\circ}C$ and $50{\pm}3%\;RH$. The results were as follows: When wearing DC rather than UDC, mean body temperature, heart rate, heat storage and body mass loss were significantly lower during the whole experimental period. Clothing microclimate temperature showed different profiles between the two clothing materials, being lower with DC than UDC during the first half of exercise and the second half of recovery. Clothing microclimate humidity was significantly lower with DC than UDC during the whole experimental period. When wearing UDC, subjects felt significantly warmer and less comfortable during exercise, and sensed greater humidity during exercise and recovery. These results suggest that eco-friendly clothing materials dyed with astringent persimmon extract can reduce exercise-induced heat load and improve subjective sensations when exercising and resting in a warm environment, due to greater heat dissipation from the body to the outside environment compared with undyed clothing materials.

산호의 보석학적 특성 및 감별 방법 (A Study on Gemmological Characters and Identificational Methods of Coral)

  • 김경진
    • 한국콘텐츠학회논문지
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    • 제5권6호
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    • pp.146-151
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    • 2005
  • 산호는 아름다운 적색의 귀한 유기질 보석으로, 오래전부터 우리나라를 비롯한 아시아에서 선호되어온 전통적인 장신구에 많이 애용되었다. 천연산호와 모조산호에 대한 보석학적 특징을 비교 연구하여 보석으로 사용되는 산호를 감별할 수 있는 기초적인 자료를 만드는 것이 중요하다. 천연산호와 모조산호를 감별하기 위하여 산호의 색, 광택, 투명도, 조흔색, 굴절률, 경도, 염산 반응, 형광 반응, 비중, 편광 현미경 관찰, 전자 현미경 관찰, 화학 분석 및 X선 회절 분석 등의 감별 방법을 실시하였다. 그 결과, 천연 산호의 주성분은 $CaCO_3$이고, 방해석 결정구조를 가지고 있으며 모조 산호들은 탄산염 또는 기타 물질에 색소를 넣어 제조하였음을 알 수 있었다. 그리고 천연 산호와 모조 산호는 X선 회절 분석에 의하여도 구별 되지만 비중, 굴절율, 염산 반응 등과 같은 몇몇 간단한 일반적인 실험을 통해서도 서로 비교되어 감정이 가능하다. 천연산호는 모조 산호에 비해 경도가 높아서 광택이 더 뛰어나다. 파괴검사인 조흔색 확인 작업으로 활용한다.

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서민복식문화에 관한 연구(II) -경북 금오산 주변지역의 민속조사 결과를 중심으로- (A Study of Folk Costume Culture (II) -Field Research Around the Mt. Kumo Area-)

  • 홍나영;이은주;임재영
    • 한국의류학회지
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    • 제19권1호
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    • pp.71-79
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    • 1995
  • Journal of the Korean Society of Clothing and Textiles Vol. 19, No. 1 (199i) p. 71~79 The authors study on the traditional textile production and the formal dress through the field research concerning the folk attitude toward dress style around the Mt. Kumo area. In this area, people produced and wove hemp, cotton, and silk except ramie. Because of poor production of raw materials, they produced textiles only for self-sufficiency. Every household dealt with dyeing on a small scale. In the past, people dyed cloth natually using plants as material. Natural dyeing, however, gradually changed into chemical one since the Japanese rule. The formal dresses, which people wore on particular occasions such as the hundredth day after child's brith, the first birthday, and traditional holidays, were very meager due to poor living standards. People could not see the formal dresses with full decoration. Bride and bridegroom were the village.owned wedding dresses, and if they could not afford to, they simply put cloth on to remember the occasion. People around the Mt. Kumo area, however, provided fully-decorated shroud and ritual robes to the level of other better-off areas. It seemed to be the result of influence of deep-rooted Confucianism in Gyungbuk province. This Phenomenon could be found in the folk dress style in other regions as well as the Mt. Kumo area in Gyungbuk province.

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Ecotoxicological Evaluation of Sewage Sludge Using Bioluminescent Marine Bacteria and Rotifer

  • Park, Gyung-Soo;Chung, Chang-Soo;Lee, Sang-Hee;Hong, Gi-Hoon;Kirn, Suk-Hyun;Park, Soung-Yun;Yoon, Seong-Jin;Lee!, Seung-Min
    • Ocean Science Journal
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    • 제40권2호
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    • pp.91-100
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    • 2005
  • Bioassay using the marine bacteria, Vibrio fischeri and rotifer, Brachionus plicatilis, and chemical analyses were conducted to assess the toxicity of the various sewage sludges, one of the major ocean dumped materials in the Yellow Sea of Korea. Sludge elutriates extracted by filtered seawater were used to estimate the ecotoxicity of the sludge. Chemical characterization included the analyses of organic contents, heavy metals, and persistent organic pollutants in sludge. Bacterial bioluminescent inhibition (15 min), rotifer mortality (24 hr) and rotifer population growth inhibition (48 hr) assay were conducted to estimate the sludge toxicity. EC50 15 min (inhibition concentration of bioluminescence after 15 minutes exposed) values by Microtox(R) bioassay clearly revealed different toxicity levels depending on the sludge sources. Highest toxicity for the bacteria was found with the sludge extract from dyeing waste and followed by industrial waste, livestock waste, and leather processing waste. Clear toxic effects on the bacteria were not found in the sludge extract from filtration bed sludge and rural sewage sludge. Consistent with Microtox(R) results, rotifer neonate mortality and population growth inhibition test also showed highest toxicity in dyeing waste and low in filtration bed and rural sewage sludge. High concentrations of persistent organic pollutants (POPs) and heavy metals were measured in the samples from the industrial wastes, leather processing plant waste sludge, and urban sewage sludge. However, there was no significant correlation between pollutant concentration levels and the toxicity values of the sludge. This suggests that the ecotoxicity in addition to the chemical analyses of various sludge samples must be estimated before release of potential harmful waste in the natural environment as part of an ecological risk assessment.

Elemental analysis of caries-affected root dentin and artificially demineralized dentin

  • Sung, Young-Hye;Son, Ho-Hyun;Yi, Keewook;Chang, Juhea
    • Restorative Dentistry and Endodontics
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    • 제41권4호
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    • pp.255-261
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    • 2016
  • Objectives: This study aimed to analyze the mineral composition of naturally- and artificially-produced caries-affected root dentin and to determine the elemental incorporation of resin-modified glass ionomer (RMGI) into the demineralized dentin. Materials and Methods: Box-formed cavities were prepared on buccal and lingual root surfaces of sound human premolars (n = 15). One cavity was exposed to a microbial caries model using a strain of Streptococcus mutans. The other cavity was subjected to a chemical model under pH cycling. Premolars and molars with root surface caries were used as a natural caries model (n = 15). Outer caries lesion was removed using a carbide bur and a hand excavator under a dyeing technique and restored with RMGI (FujiII LC, GC Corp.). The weight percentages of calcium (Ca), phosphate (P), and strontium (Sr) and the widths of demineralized dentin were determined by electron probe microanalysis and compared among the groups using ANOVA and Tukey test (p < 0.05). Results: There was a pattern of demineralization in all models, as visualized with scanning electron microscopy. Artificial models induced greater losses of Ca and P and larger widths of demineralized dentin than did a natural caries model (p < 0.05). Sr was diffused into the demineralized dentin layer from RMGI. Conclusions: Both microbial and chemical caries models produced similar patterns of mineral composition on the caries-affected dentin. However, the artificial lesions had a relatively larger extent of demineralization than did the natural lesions. RMGI was incorporated into the superficial layer of the caries-affected dentin.

인도네시아 바틱의 전승과 활용 (Tradition and Transformation of Batik in Indonesia)

  • 김순영
    • 한국의류학회지
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    • 제37권5호
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    • pp.676-690
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    • 2013
  • This study explored the historical meaning and the present practices of Indonesian batik. Relevant literature was reviewed first; subsequently, interviews and observations were conducted to achieve the purpose of the study. Historically, batik was an integral part of the Javanese court art as well as a representation of each regional culture. Batik also became an important means to reveal a national identity in postcolonial Indonesia in the 1950s. There exist two types of traditional and modern type batik in present Indonesia. The traditional batik refers to batik tulis, batik cap, and the combination of tulis and cap. The modern batik is comprised of a batik print as well as the combination of the print and the traditional batik. The traditional batik was practiced at the small-sized village batik workshops and in the government batik research center. A few batik workshops often co-operate with modern screen print factories; however, the use natural dyes for the dyeing of batik cloth is rarely found. Batik was used for varied objects made from fabric materials that include clothing, small fashion items, living supplies and furniture, as well as fine art such as paintings and wooden crafts.

종이 의상에 관한 연구 - 수제지를 중심으로 - (A Study on the Paper Clothing -on the basis of handmade paper-)

  • 이주실;김정혜
    • 복식
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    • 제44권
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    • pp.181-199
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    • 1999
  • The industry of modern clothing has deviated from the overflow of commercialism and the standardization and nowadays is going toward pursuing art, creativity, and high added value. This trend brings the return of the natural materials from the synthetic textiles and increases the value of old and handmade fabrics. Finally, the handmade-paper, which is a natural material, comes to be reconsidered as a new material for the clothing. Therefore, as the natural materials and the manufacture of handmade clothing are rising again, the qualitative improvement and globalization of clothing industry should be first realized through the developments of creative and various clothing materials and new expressing techniques. The above investigation and study have been synthesized and analyzed as follows: First, through the study on the origin of the paper clothing, its historical background and the process of its development, we've learned these two facts following : the paper clothing of the East in the past mostly had practiced meanings. On the other hand, in the West it had meanings which were raised the artist's emotions and beauty-consciousness to the artistic level by the various kinds of expressing methods. Second, handmade-paper was manufactured by the embedding method, which mixed mulberry pulp, gauze, corn, hair, sisal, silk and so on. It was found that handmade-paper had the affluent and proper texture as the clothing material and was be able to control the clarity through the variation of thickness. It was also confirmed that the creative and original texture with hand-worked molding beauty was obtained by the use of handmade-paper. Third, when the handmade-paper is used, the molding beauty of plane, relievo, and solid can be freely pursued, and various and effective molding conformation can be constructed by the effect of superposition and repetition. Also, because the maximum discretion from the various optional manufacturing methods is allowed, the molding beauty can be maximized when the clothes are manufactured with handmade-paper. Fourth, the gauze with strong drape was combined to overcome the stiffness and the tearing of the paper. As a result, the durability and the wearability of the paper were strengthened and thus the thus the applications as the clothing material were enlarged. In conclusion, in order to enhance the value, creativity, practicality, and artistic sense of the design for modern clothing, the clothes made of handmade-paper should be more studied. Moreover, for the generalization of paper clothes, the studies on the development of practical paper with paper with water resistance, post-treatment after dyeing, flexibility, and durability should be done. I really hope that this study will be the motive to provoke the possibility of handmade-paper as new clothing material in not only practical sense but also artistic sense.

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검정팥 종피 추출물에 의한 천연염색 (Natural Dyeing with Aqueous Black Bean Seed Coat extract)

  • 차해숙;배도규;정양숙
    • 한국염색가공학회:학술대회논문집
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    • 한국염색가공학회 2012년도 제46차 학술발표회
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    • pp.42-42
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    • 2012
  • 팥에 함유되어있는 색소와 관련된 연구 중에서는, 검정팥의 색소성분을 분리하여 delphinidin-3-glucoside(D-3-G)로 보고한 Sasanuma의 연구와 검정팥 껍질속에 포함된 안토시아닌의 함량을 평가한 Yoshida의 연구 결과 등이 있다. 본 연구에서는 검정팥 종피에서 색소를 추출하여, 적정 염색조건을 설정하였으며, 매염제별 색상변화 및 견뢰도를 측정하는 과정을 통해 염색 특성을 파악하여 새로운 천연염재로서의 활용 가능성을 진단하였을 뿐만 아니라 응용 연구를 위한 기초자료의 확보에 주안점을 두었다. pH에 따른 염색성에서는 견직물의 경우 pH 4에서 가장 염착량이 많았고, 면직물의 경우에는 주어진 범위내에서는 pH가 높을수록 염착량이 많았다. 염색온도와 시간에 따른 염색성은, 견직물의 경우, 염색온도 $80^{\circ}C$에서는 시간이 경과할수록 K/S 값이 크게 나타났으며, 면직물의 경우도 견직물과 비슷한 결과로 온도가 높아질수록 염색시간이 경과될수록 K/S 값이 크게 나타났다. 견직물에 대한 매염제 종류별 표면색의 변화에서는 Fe 매염포만 $YR{\rightarrow}Y$ 로 변화되었을 뿐 다른 매염제에서는 매염 후에도 색상 변화는 크지 않았다. 매염처리 전 견직물의 일광 견뢰도는 무매염이 4~6등급, Al 처리포는 4~5등급, Cu와 Sn은 3~4등급으로 나타났고 Fe는 2~3등급으로 가장 낮게 나타났으며, 세탁견뢰도에서는 무매염 2등급, 매염제 처리의 경우 2~3등급으로 나타났다. 무매염 면직물의 일광견뢰도는 1~2 등급, Fe 매염은 2~3등급, Cu 2등급 Al과 Sn은 1~2등급으로 매염처리에 의해 전혀 개선되지 않았으며, 세탁견뢰도의 경우 Cu매염이 4등급으로 양호하게 나타났으며 무매염, Al, Sn과 Fe는 3등급으로 나타났다.

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수경재배 분야의 국내 특허 정보 분석 (Analysis of Domestic Patent Information on Hydroponics Field)

  • 유성오;배종향;박윤점;조자용;장홍기;허북구
    • 생물환경조절학회지
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    • 제16권1호
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    • pp.13-20
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    • 2007
  • 수경 재배 관련 기술개발 및 수경재배의 효율화를 위한 기초 자료 수집 측면에서 온라인 특허 검색 유료사이트(http://www2.wips.co.kr)를 이용해 1983년부터 2006년 1월까지의 수경재배와 관련된 국 내 특허출원정보를 분석하였다. 수경재배에 관련된 특허출원은 59건이 검색되었다. 특허의 내용은 수경재배 장치에 관한 것 19건(32.2%), 수경재배 자재에 관한 것 13건(22.0%), 양액의 조성에 관한 것이 11건(18.6%), 수경에 의한 재배방법에 관한 것 9건(15.3%), 수경재배배지에 관한 것 7건(11.9%) 순으로 많았다. 특정의 작물을 대상으로 한 양액의 조성 및 수경에 의한 재배방법의 대상 작물로는 토마토가 5건, 감자가 4건으로 많았다. 특허 출원시기는 전체적으로 2000년 이전에 출원된 것이 33건(55.9%)을 차지하였으며, 2000년 이전에는 양액조성과 자재와 관련된 것이 상대적으로 많았고, 2000년 이후에는 수경 재배방법과 배지에 관한 것이 상대적으로 많았다.