• 제목/요약/키워드: munsell

검색결과 198건 처리시간 0.033초

인도산 꼭두서니, 매리골드, 석류염재를 이용한 직물의 염색 (Dyeability of Fabrics Using Indian Dyestuffs of Madder, Marigold and Pomegranate)

  • 고유화;유혜자
    • 한국의류학회지
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    • 제38권6호
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    • pp.929-941
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    • 2014
  • Dyeability of Indian natural dyestuffs to fabrics was investigated. Indian dyestuffs are more inexpensive than domestic dyestuffs purchased at oriental medicine stores. We studied the dyeability of madder, marigold, and pomegranate imported from India on cotton, silk, and wool fabrics. Dyebaths of a combination ratio of 80:20, 60:40, 50:50, 40:60 and 20:80 of madder and marigold, fabrics with orange colors were dyed. To evaluate the dyeability of dyed fabrics, K/S values, Munsell color values and CIE L, a, b, ${\Delta}E$ were measured. The dyeability of fabrics dyed in dyebaths of pH 4 and pH 7 were higher than pH 10. The dyeability in pH 4 was better than pH 7. Silk fabrics dyed with madder and marigold showed good dyeability and wool fabrics showed good affinity in madder dyebath and fair affinity in marigold dyebath. Cotton fabrics showed fair affinity in a marigold dyebath of pH 4 and pH 7. Cotton fabrics dyed with a 60:40 ratio of madder and marigold showed 4.76YR of Munsell color value. Silk Fabrics dyed with a 40:60 ratio showed 4.76YR and wool fabrics dyed with 20:80 ratio showed 5.57RY. The ratios produced the closest colors to 5.0YR of orange. This result indicated that marigold had a more powerful effect on cotton fabrics while madder was stronger on wool fabrics. Fading grades of washing colorfastness of wool and silk fabrics dyed in mixed dyebaths were higher than 3.5-4.0 and higher than homogeneous dyebaths. Staining grades of washing colorfastness of all dyed fabrics were between grades 3.5-5.0. Colorfastness to dry-cleaning was high as grades 4.0-5.0 in all of dyed fabrics. Colorfastness to light of dyed fabrics showed a fair grade of 3.5-5.0; in addition, wool fabrics showed lower grades than silk and cotton fabrics.

포도당 환원을 이용한 천연 인디고 염색 (Natural Indigo Dyeing by Using Glucose Reduction)

  • 신윤숙;조아랑;류동일
    • 한국염색가공학회지
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    • 제21권3호
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    • pp.10-18
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    • 2009
  • Dyeing process of the natural indigo powder onto ramie and silk fabrics was investigated by using glucose and calcium hydroxide as a reducing system. Effect of reduction and dyeing conditions such as temperature and time of reduction/dyeing, and concentrations of glucose and calcium hydroxide on the dyeing process were explored. Indigo powder was obtained by drying the conventional niram paste in an oven at $50^{\circ}C$. Color strength of the dyed fabrics was evaluated by K/S value measured at the wavelength of maximum absorption(${\lamda}$max). Munsell color coordinates(H V/C) were used to compare fabric colors of ramie and silk. Ramie fabric showed purple-blue color for all the temperature and time. On the contrary, silk fabric showed wide range of color including brown, brown-green, green at the different temperature. With the increase of K/S value, the coordinate of value(lightness) decreased for both of ramie and silk fabrics. The coordinate of hue(shade) changed drastically with the increase of K/S value for silk fabric, compared with that of ramie fabric which showed nearly constant value at the whole range of K/S value. Optimum concentrations of calcium hydroxide were for 6 g/L for ramie and 4 g/L for silk at $60^{\circ}C$ and 50 min. K/S value increased with the indigo concentration. Maximum K/S value was shown at $10{\sim}12$ g/L of glucose concentration. For both of ramie and silk fabrics, the colorfastness of washing and light was lower than that of rubbing. All the colorfastness values were improved with the increase of color strength.

장원의 분광분포 추정에 기반한 유색 디지털 영상의 색복원 (Color recovery of a chromatic digital image based on estimation of spectral distribution of illumination)

  • 이철희;이응주
    • 한국멀티미디어학회논문지
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    • 제4권2호
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    • pp.97-107
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    • 2001
  • 본 논문은 유색 디지털 영상을 위한 새로운 광원 추정 방법을 제안한다. 제안된 광원 추정 방법은 두 단계로 나누어진다. 첫째,유색 영상의 분광 반사율이 먼저 복원된다 이때 복원되는 표면 분광 분포는 수정된 그레이 월드 가정을 적용한 영상의 최대 휘도 영역에 제한된다 다음, 선택된 최대 휘도 영역에 대해 주성분 분석을 통하여 영상의 표면 분광 반사율을 얻는다. 둘째, 표면 분광 반사율을 구한 후 유색 영상의 최대 휘도 영역에 대한 반사광의 분광 분포를 구한다 즉 최대 휘도 영역에 해당하는 화소와, 먼셀 표색계와 대표 광원의 곱으로 만든 반사광의 분광 분포 사이에 색차 비교를 하여 최대 휘도 영역의 화소와 색차가 가장 적은 반사광의 분광 분포를 찾는다. 최종적으로 최대 휘도 영역의 반사광을 해당하는 표면 분광 반사율으로 나누어 줌으로써 영상에 포함된 유색 광원을 추정한다. 제안된 광원 추정 방법을 평가하기 위하여 인공 유색 영상과 다양한 유색 조명 아래에서 디지털 카메라로 촬영한 실영상에 대하여 광원 추정을 실험하였다. 결과 제안된 광원 추정 방법이 인공영상과 실 영상, 모두에 대하여 광원의 분광 분포의 추정에 효과적임을 확인하였다.

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한국 전통색채와 디지털 전사 날염 색채 비교연구 -한국전통표준색명의 적색계를 중심으로- (Comparative Study on Colors Between Korean Traditional Color and Digital Transfer Textile Printing -Focusing on The Red-Series of Korean Traditional Standard colors-)

  • 박서린;김종준
    • 패션비즈니스
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    • 제20권1호
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    • pp.98-114
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    • 2016
  • This research study was performed to compare between Korean traditional color and digital transfer textile printing. This would help to find the new direction to apply Korean traditional colors to modern textile industry. The objective of this study is to digitalize Korean traditional colors to be applied to modern textiles, based on research studies by previous researchers, on the actualization of Korean traditional colors for textiles. The study focused on 21 red colors among others. Digital color palette of graphic program was printed on 6 different polyester textiles by using digital transfer textile printing. Different things to be supplemented were found by comparing the results with the colors of Korean traditional standard color names. After measuring the colors, Munsell color system and CIE $L^*a^*b^*$ value were measured then comparative study was performed on the measured values using 3D graphs. Measured colors of Munsell varied by color but in overall, chroma became low while brightness became high. Color characteristic of warm colors got weakened by turning into cold colors as brightness got high but yellow and red got low due to the characteristics of CIE $L^*a^*b^*$ value. This study has limitations with color analysis of digital transfer textile printing due to standardization of textiles and standardization of traditional colors however it can support to actualize the colors for the design using traditional color names by visualizing the color change of digital transfer textile printing in the future.

비사실적 렌더링 (NPR)을 위한 컬러기반 점묘화 기법 (Color-based Stippling for Non-Photorealistic Rendering)

  • 장석;홍현기
    • 한국정보과학회논문지:시스템및이론
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    • 제33권1_2호
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    • pp.128-136
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    • 2006
  • 점묘화(stippling)는 펜과 잉크를 이용한 수많은 점들로 대상을 표현하는 예술 기법이다. 기존 비사실적 렌더링(Non-Photorealistic Rendering; NPR)에서 점묘화 연구들은 단색의 점들을 사용하여 그레이 영상이나 표면의 재질 등을 표현하였다. 본 논문에서는 2차원 영상의 컬러 정보를 해석하여 다양한 컬러의 점들로 표현하는 새로운 점묘화 기법이 제안된다. 제안된 방법은 입력 영상의 HSV 모델로부터 해석된 정보를 이용하여 컬러 가중치 함수(weight function)를 정의한다. 그리고 정의된 컬러 가중치 함수를 통해 점의 적절한 개수와 크기를 자동으로 계산한다 제안된 방법은 컬러 가중치가 적용된 펜로즈(Penrose) 샘플링을 사용하여 점을 분포하기 위해 소요되는 처리시간을 크게 단축하였다. 그리고 먼셀(Munsell)의 색상모델에 기반한 컬러 지터링(jittering)으로 실제 컬러 점묘화에 가까운 표현을 구현하였다 제안된 컬러 점묘화 기법은 처리속도가 매우 빠르고 다양한 컬러 점들로 영상을 표현하므로 애니메이션, 디지털 아트, 컴퓨터 그래픽 도구 등에 다양하게 활용될 수 있다.

아이섀도우 메이크업(Eye-shadow Makeup)의 컬러 배색에 관한 연구 - 켄드라 스탠튼(Kendra Stanton)의 "내추럴(Daytime to Night)", "스페셜(Special Occasion)", "할러데이(Holiday Accents)", "시즌(Seasonal Looks)", "캐릭터(Animated Characters)" 메이크업 경우를 중심으로 - (A Study on the Color Coordination of Eye-shadow Makeup - Focused on Works of Kendra Stanton in Makeup of 'Daytime to Night', 'Special Occasion', 'Holiday Accents', 'Seasonal Looks' and 'Animated Characters' -)

  • 지현숙;김은실
    • 한국의류산업학회지
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    • 제18권4호
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    • pp.509-519
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    • 2016
  • The purpose of this study is to present important guidelines for effective eye-shadow color coordination according to T.P.O. such as 'Day time to Night', 'Special Occasions', 'Holiday Accents', 'Seasonal Looks' and 'Animated Characters'. The method is as follows; This study examined the 100 works of her published in the?500 EYE MAKEUP DESIGNS?. For this research analysis, three specialists selected a total of 100 photo-works through 3 rounds of evaluation. This study analysis was conducted based on the colors and tones of eye-shadows identified under Munsell's basic color chart. The study findings are as follows; First, 'Day time to Night' was found to have similarity coloration most frequently, presenting a more stable look in the Natural makeup. Second, 'Special Occasions' showed similarity, accent, and complex colorations mainly. Third, 'Holiday Accents' showed diverse types of colorations such as accent, complex, similarity and contrast. Forth, 'Seasonal Looks' was found to use a variety of colorations including similarity, contrast, accent, gradation and complex. Fifth, 'Animated Characters' showed contrast coloration the most for dramatic effect along with accent and complex colorations to give a unique and symbolic look. The color scheme database(DB) obtained in this study will be present important guidelines for future in eye-shadow makeup design.

한국 성인 남성의 피부색 분류와 선호색에 대한 연구 (Clustering of Skin Colors on Korean Adult Males and Their Preference Colors)

  • 김구자
    • 한국의류학회지
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    • 제27권11호
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    • pp.1338-1349
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    • 2003
  • The color of apparels has the close interdependency on the skin colors of the wearers. This study was carried out to group the skin colors of Korean males into several similar skin colors and to analyze their preference colors. The skin colors were measured quantitatively and classified into several clusters that has similar hue, value and chroma with Munsell color system that is internationally used to communicate the colors. Sample size was 420 Korean males. With color spectrometer, JX-777, 4 points of the body were measured. All subjects had been shown with 40 color chips and answered their preference colors. Data were analysed by K-means Cluster analysis, Duncan test, Frequency and Chi square test using SPSS WIN 10 statistical package. Findings were as follows: 1. The skin colors of Korean males were mixed with skin colors of YR, R, and Y. 2. 420 subjects who have YR color were clustered in 3 kinds of skin color groups. 3. The average face color of total subjects was 4.81YR 5.91/4.97 in Munsell color system, 60.74 in L value, 13.71 in a value, 24.54 in b value. 136 observations out of 420 subjects were composed of Type 1: 4.50YR 6.35/4.87 and 192 observations were composed of Type 2: 4.62YR 5.86/5.12 and 92 observations were composed of Type 3: 5.67YR 5.37/4.79. 4. The average skin color of total 420 subjects was 6.26YR 6.07/4.41 and 62.33 in L value, 10.64 in a value, 23.48 in b value. The average skin color of Type 1 was 6.27YR 6.44/4.27 and of Type 2 was 6.15YR 5.91/4.49 and of Type 3 was 6.49YR 5.84/4.43 respectively. 5. 3 groups showed that the most preference color of sport$.$casual was 2.5Y 8/16 and 7.5PB 4/16 and the most preference color to their skins was 7.5PB 4/16 and 7.5YR 7/16.

국내.외 놀이치료 시설의 사례분석을 통한 사용 색채 특성에 관한 연구 (A Study on Used Colors Characteristic of Case Study for Children Play Therapy Center)

  • 최진희
    • 한국실내디자인학회논문집
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    • 제20권4호
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    • pp.29-36
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    • 2011
  • This study aims to be the useful resources for selecting play therapy facility in the future by analysis of used colors in the play therapy facility as the subsequent studies of the thesis of KIID in 2010, titled 'Study on the planning factors of case study for children's play therapy center'. As research method of this study, the overall understanding about play therapy facility was improved through theoretical considerations, and it was about the Moon-Spencer's theory of color harmony which will be used for the framework of case study. In Section 3, the field trips at 6 facilities were conducted as the case research and the data research through website was conducted for case study. Moon-Spencer's theory of color harmony used the Munsell's color Order System, so after measuring CMYK value of the picture for the case research through photo shop, the color, brightness and saturation were measured through Munsell Conversion program. The following three kinds of features were drawn by research of the harmony and disharmony of used colors for the cases after substituting the theory of color harmony through the measured color. brightness, and saturation. First. series Y and YR were used mainly for warm image as the concept of play therapy room. Second, the various colors were used for comfortable image like home. But the various patterns were used by mixing for the therapy room F, so it gives confusing impression. Third, series YR and achromatic color as the color of wood were used unavoidably for using materials of manufactured goods.

쪽과 청대의 염색성에 관한 연구 (An Experimental Study on the Dyeability of Indigo and Indigo Pulberata Levis)

  • 신영준
    • 한국의상디자인학회지
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    • 제12권4호
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    • pp.149-157
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    • 2010
  • After observing various changed colors by some dyeing conditions in case of the Indio and Indigo Pulberata Levis, we had below result. 1. Best reduction temperature for Indigo was $50^{\circ}C$, and the reduction temperature had an effect on level dyeing and dye-uptake. For the Indigo Pulberata Levis, best reduction temperature was $60^{\circ}C$, and best reduction time for Indigo was 20 minutes, for the Indigo Pulberata Levis was 30~40 minutes. 2. Both Indigo and Indigo Pulberata Levis showed high K/S without using alkali, but it was almost not possible to be dyed without reduction agent. The best amount of potassium carbonate concentration and soldium hydrosulfite concentration was $2{\sim}3g/{\ell}$ and $2g/{\ell}$ each for dyeing. 3. The best dyeing temperature for Indigo was $30^{\circ}C$ and $60^{\circ}C$ for Indigo Pulberata Levis. 4. In case of Indigo, K/S increased slightly at $5g/{\ell}$ concentration. Thus, $5g/{\ell}$ is efficient amount. However, it needed $50g/{\ell}$ to increase K/S for Indigo Pulberata Levis. It tells that we need a lot of Indigo Pulberata Levis for dyeing dark color. 5. Indigo dyed cotton looked more greener than silk. Since silk absorbs lots of red color, it looked strong red color. However, Indigo Pulberata Levis looked greenish on both cotton and silk. 6. Since the hue's range of Munsell's value was PB for both Indigo and Indigo Puberata Levis, we are able to know that red color's indirubin is contained as well as blue color's indigo.

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식품(食品)의 색도변화(色度變化) 측정법(測定法) (Physical Measurement of Color Changes in Foods)

  • 조성환
    • 한국식품영양과학회지
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    • 제13권1호
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    • pp.1-8
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    • 1984
  • 식품이 가지고 있는 고유한 색깔은 소비자의 기호성 또는 영양학적 가치의 지표가 될 수 있으며 가공 및 저장처리조건에 따른 식품의 중요한 인자로 작용 할 수 있다. 따라서, 본 실험에서는 식물성 식품재료의 품종, 성숙도, 성장조건(온도, 수분. 제조공정 별)에 따른 Surface color change를 color & color difference meter와 Munsell disc 색도계(色度計)로 X, Y, Z값을 측정하고 공식에 의하여 Y(one of variation in luminous reflectance), x, y(chromaticity)를 구하여 이로부터 작성한 색도좌표상에서 식품의 색상(hue) 및 강도(chroma)를 산출하여 식품의 색도 변화를 검토하였다. 이와 같이 color & color difference meter와 같은 reflectometer를 이용하여 얻은 data를 중심으로 각각의 chromaticity diagram을 작성, 식품의 저장 및 가공처리별 색도변화를 측정하여 이것을 토대로 식품 품질의 특성을 판정할 수 있는 좋은 기초자료를 얻을 수 있었다.

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