• 한국가구학회지
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• 제24권3호
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• pp.263-272
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• 2013

This study is the content of the environment-friendly is the tendency of one of postmodernism. Rather than end up post-modernism in the past, such trend has affected many in the design of modern furniture. Appeal to emotion in order to achieve an intimate relationship with the user, especially in the new material, you are the fulfillment of desire more than a simple function. In addition, designers of modern Many or even looking from the re-interpretation of the design past the motif of the design such as the time that post-modernism has arrived. Users who are using the furniture, because there is a tendency to features In addition to the primary that it has, you have to Want the meaning of one another, and to Serve by generating story distance from him this some. In this study, to target households that still is very important in modern design, and a historic of postmodernism the concept with a different meaning functional, the figurative to break free from meaning one-dimensional with the furniture I was analyzed on the basis of the flow.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.162-163
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• 2005

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.10-20
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• 2007

The materials on the development of modern architecture in Korea are being collected and organized in a systemic fashion. However, this is not the case with the materials relative to interior design. They are gradually disappearing or being lost. In particular, no serious attempt has yet been made to determine the characteristics and historic value of the interior design of the modern bank buildings. The purpose of this study is to trace the disappearing legacy of the interior design of modern bank buildings by learning the inner space arrangements of these buildings and the characteristics of modern interior design in order to determine the historic significance of modern commercial interior design. Banks of relatively large scale were selected for the purpose of this study. They consisted of: Chosun Bank(1911) and its Andong, Wonsan and Cheongjin branches; Chosun Shiksan Banks and its Busan, Daegu and Pyongyang branches; the Busan branch of the 18 Bank; Dongil Bank, Chosun Savings Bank(1935) and their branches. The study focused on the space arrangements and design characteristics of these banks. Although they aimed at modernization in designingtheir interior spaces, the modern bank buildings were not representative of any particular style of interior design. While western style designs were prevalent, eclectic designs incorporating many different styles existed. The characteristics of the interior design of banks of the time included installation of such decorations and use of high quality construction materials for interior and exterior expressing the wealth as to create an aura of credibility for the banks, while the floor arrangements were relatively stereotyped and simplified.

• 한국가구학회지
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• 제28권4호
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• pp.314-325
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• 2017

Hans Wegner, one of the legendary designers who led the 20th century Nordic modern design, is a representative furniture designer of Danish Modern. His beautiful proportions, elaborate structure, lightweight and simple chairs show the essence of Danish modernism for mass production. Designed and built over 500 chairs, he demonstrated the essence of chair design through a fully structured prototype. He shows his passion and craftsmanship as a designer through over 1000 designs. In addition, chair design shows the value of timeless design and is loved by modern times. Therefore, this study aims to study the characteristics of chair design by Hans Wegner and to help furniture design education by analyzing design, structure, function and material.

• 한국농촌건축학회논문집
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• 제7권1호
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• pp.51-60
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• 2005

In Korea, there still exist a number of modern architectural structures which were built from 1876 - when Korea first opened its port to foreign trade - to the early 1960s. Modern architectures have been rather neglected from the study of Korean architecture history partly because of its short period and negative attitude toward them that they are remains of the Japanese colonial period. However, interest in modern structures is recently increasing, and researches and studies are actively going on. This dissertation is a study on brick laying techniques and design characteristics of Modern brick structure churches in Jeonbuk-province. The results demonstrate that modern brick structure churches in Jeonbuk-province have become small and simple with time and that their structures and designs are closely related.

• 디자인학연구
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• 제11권
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• pp.1-9
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• 1995

스칸디나비아의 디자인은 디자인 역사에서 독특한 위치를 차지하고 있다. 특히 스웨덴은 스칸디나비아 국가들 중 가장 먼저 그들만의 고유한 20세기 디자인운동과 양식을 발전시킨 나라였다. '스웨디쉬 모던(Swedigh Modern)', '스웨디쉬 그레이스(Swedish Grace)'등의 개념으로 특징지어지는 스웨덴의 디자인은 20세기 초 독립에서 시작된 기능주의 운동을 받아들여 보다 우아하고 따뜻한 인간미 넘치는 디자인 양식을 만들어 내었다. 휴머니즘과 함께 단순성, 아름다움, 민주주의 적 이상이 조화된 이 양식은 국제적으로도 큰 성공을 거두어 유럽뿐 아니라 미국의 디자인 발전에도 큰 영향을 미쳤다. 본 연구에서는 스웨덴 디자인이 발전되어온 과정과 스웨덴의 디자인 교육, 기업체에서의 디자인 등을 통해 스웨덴 디자인의 특성이 과연 무엇이고 그것은 또 어디에서 비롯되는 것인지에 대해 살펴보고자 한다.

• 디자인학연구
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• 제12권4호
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• pp.139-147
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• 1999

일반적으로 근대 디자인의 역사는 19세기 중반 영국에서 시작된 것으로 이해되고 있다. 이 시기의 유럽은 프랑스 혁명과 한업혁명을 거치면서 성장한 부르주와 계층이 역사의 전면에 부상하며 과거 봉건적 전퉁사회와는 전혀 다른 근대사회를 성립해가고 있었다 새롭게 사회의 주역으로 부상한 부르주아 계층은 그들만의 고유한 새로운 미학을 확립하고자 했고 이러한 과정에서 근대 디자인이 탄생하게 되었다. 본 연구에서는 지난 150여 년간의 디자인의 역사를 근대 프로젝트로서의 디자인 혹은 모던 디자인 프로젝트라는 관점에서 파악하고자 한다. 초기 근대 디자인 이념의 형성과정에서부터 최근의 탈근대 논의에 이르기까지의 디자인 역사를 모던 디자인 프로젝트의 형성과 변질, 그리고 이에 대한 비판과 재평가라는 맥락에서 이해하고자 하는 것은 이ㅓ한 논의가 현재 진행중인 탈근대로의 급격한 전환과정을 이해하고 미래에 대한 전망을 갖게 하는데 도움이 되기 때문이다.

• 디자인학연구
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• 제18권2호
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• pp.335-344
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• 2005

본 논문은 모던디자인 역사 서술의 구체적인 내용과 한계를 밝히는데 그 목적이 있다. 모던디자인 역사 서술의 전통은 다양한 개별적 디자인 현상들을 억압하거나 왜곡시키면서 지나친 일반화를 추구하였다. 뿐만 아니라 헤게모니를 장악한 제한된 디자인들을 단선적 흐름으로 서술하였으며, 일부 영웅적 인물 중심의 역사를 보편적인 것으로 만들었다. 이러한 전통이 일반화되면서 우리는 '디자인'이라는 자극에 '모던디자인'을 떠올리게 되었고 ‘모던디자인’이라는 자극에 일부 제국주의 국가의 영웅들과 그들의 무용담을 떠올려야 했다. 이러한 맥락에서 논문은 역사를 바라보는 주체적인 시각의 필요성과 그것을 바탕으로 한 다양한 디자인 역사들의 존재가능성과 필요성을 환기시키고 있다

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 가을학술발표대회 디자인학 연구
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• pp.102-103
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• 2002

• 한국가구학회지
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• 제24권3호
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• pp.286-292
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• 2013

Space given at home, furniture is an important condition to determine its size. As a method for satisfying outer and functional human needs, ever changing, shaped form has also been developed. Modern people tend to decorate the beautiful living space to the needs of the beauty and space of living. In order to satisfy these requirements, the development of furniture to suit the taste of modern people is required. In this study, we add together the design and contemporary design of traditional Korean and use of raw wood can feel the natural and applied to furniture retro design. It is possible to have a motif characteristic of Hanok traditional to suggest a design where you can feel the sensitivity with retro in the direction of the current design change is large and diverse, and in harmony with the living space of modern it is an object that you study the production lighting and storage furniture with the complexity of the traditional and modern.