• Journal of the Ergonomics Society of Korea
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• v.19 no.3
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• pp.51-60
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• 2000

Non-verbal sound feedback, called earcon, has been used for portable digital electronic products to give appropriate information for the selected function. This study evaluated usability based on user cognition time, error rate, and subjective satisfaction using 20 male and female subjects. The study compared five major user functions from a portable digital electronic product with currently available earcons and the same functions from the product with the new earcons (suggested by this study) which considered user cognitive characteristics, such as loudness, pitch, melody, and length. For subjective evaluation, the study assessed various earcons by subjective impression of sounds using the seven-point rating scales. Major statistical results indicated that the new earcons significantly reduced user error rates and generally improved user performance functions, such as 'play, off, stop, fast forward, and rewind.'

• Journal of the Ergonomics Society of Korea
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• v.27 no.3
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• pp.61-69
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• 2008

The purpose of this study was to examine the effects of sensibility and compatibility from function sounds of mobile phones. For this purpose, the present study extracted sensibility adjectives and carried out sensibility evaluation to identify the sensibility factors in the function sounds of mobile phones. And 65 sound sources out of six categories were investigated for 27 subjects. The result showed that two dominant sensibility factors were the duration and the melody pattern of the sound sources. The compatibilities of opening and closing sounds were evaluated lowly with short duration and quick tempo. Especially, the most of the subjects preferred more attractive and longer opening sounds than other function sounds. Another finding was that the short sounds with melodies were preferred for cancellations and alerts, unliked the commonly used sound sources in industry and other traditional electronic products.

• The Research Journal of the Costume Culture
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• v.11 no.6
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• pp.879-888
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• 2003

Song is a significant message with organic combination of relics and melody. As such, songs could be an important way to deliver messages in the relics and melodies. Among the several kinds of songs ‘popular song’ is the most common and has the strongest effect on the public. On this purpose, total 700 songs published from 1995 to 2001 popular songs have been researched after extracting 100 songs chronologically in regards of broadcasting times, popularity rankings and records of yearly awards during its production year. These selected popular songs have been collected and studied before sampling the expression of the costume included in the relics. Clothes, hair styling, make-up, shoes & purses, accessaries and body figure, etc. are covered In this study. As the recent symbolism embedded in the relics of popular songs is closely related with our generation background, public preference & dislike and the change of modem costume, it shows the symbolism of costumes evidently again.

• Korean Institute of Interior Design Journal
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• no.39
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• pp.45-53
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• 2003

The purpose of this study is to grasp how B la Bartok's 'Music for Strings, Percussion and Celesta' was expressed in 'Stretto House' of Steven Holl. In conclusion, it is found that phenonenological temporality was expressed through the following equation: (equation omitted). More specifically, it is clarified that the stretto of the musical piece was expressed in the spatial overlapping of the house; the inversion, in the form change of the plan and section of the guest house; the symmetrical proportion and Golden Section, in the same proportion of the house section; the melody of theme, in the shape of the roof. This shows the possibility of approach to the substance of interior and architectural design through music.

• Proceedings of the Korea Information Processing Society Conference
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• 2004.11a
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• pp.97-100
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• 2004

유사 멜로디 검색은 질의 멜로디와 유사한 멜로디들을 음악 데이터베이스로부터 찾는 연산이다. 본 논문에서는 유사 멜로디 검색을 기반으로 하는 표절 감지 시스템 개발에 관하여 논의한다. 먼저, 정합 및 이동 변환을 지원하는 새로운 유사 모델을 제안한다. 또한, 각 멜로디의 특징들을 인덱싱 하는 방법과 인덱스를 기반으로 표절 감지를 처리하는 방법을 제시한다. 제안된 표절 감지 시스템을 이용하여 작곡가는 자신의 멜로디와 유사한 멜로디를 가지는 곡들을 음악 데이터베이스에서 효과적으로 검색할 수 있다. 실험을 통한 성능 평가를 통하여 제안된 기법의 우수성을 규명한다. 실험 결과에 의하면, 제안된 기법은 순차 검색을 기반으로 하는 방법과 비교하여 약 31배까지의 성능 개선 효과를 보였다.

• Proceedings of the Korean Information Science Society Conference
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• 2012.06c
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• pp.310-311
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• 2012

이 논문에서는 피아노 건반을 연주하거나 악보 위의 음을 누르는 방식의 새로운 멜로디 패스워드 인증기법을 제안한다. 등록단계에서 사용자는 피아노 건반을 치거나, 악보 위를 터치하는 방법을 통해 사용자의 멜로디를 생성하여 이를 암호로 설정한다. 인증단계에서는 등록한 멜로디를 다시 생성하면 암호가 해제된다. 이 기법은 암호공간의 확대를 통하여 안전성을 강화하고, 피아노를 연주하는 재미를 유발하여 인증방법의 친화성을 향상시킬 수 있다.

• Proceedings of the Korea Information Processing Society Conference
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• 2020.11a
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• pp.1084-1086
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• 2020

동영상 공유 플랫폼의 발전으로 다양한 영상들이 업로드 되고 있는데, 영상에 사용된 음악의 저작권 행사를 위해서는 음악 검색 알고리즘의 역할이 매우 중요하다. 그러나, 커버곡과 같이 원곡을 변형하여 사용한 경우에는 단순한 음악 검색 알고리즘으로는 이러한 상황을 탐지하기가 쉽지 않다. 음악의 높낮이나 빠르기 등이 바뀌어도 검색 성능이 유지되어야 하지만, 현재까지 연구된 알고리즘들은 이러한 변화에 취약하기 때문이다. 이에 본 연구에서는 멜로디 라인의 변곡점을 활용한 커버곡 검색 알고리즘을 제안한다. 본 알고리즘은 멜로디 라인을 중심으로 하여 높낮이 변화에도 높은 성능을 유지하고, 변곡점을 이용하기 때문에 빠르기 변화에 강하고 사용되는 메모리 양은 적다는 장점이 있다.

• International Journal of Advanced Culture Technology
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• v.12 no.3
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• pp.206-212
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• 2024

This study presents five selection rules for training algorithms to extract audio sources from noise. The five rules are Dynamics, Roots, Tonal Balance, Tonal-Noisy Balance, and Stereo Width, and the suitability of each rule for sound extraction was determined by spectrogram analysis using various types of sample sources, such as environmental sounds, musical instruments, human voice, as well as white, brown, and pink noise with sine waves. The training area of the algorithm includes both melody and beat, and with these rules, the algorithm is able to analyze which specific audio sources are contained in the given noise and extract them. The results of this study are expected to improve the accuracy of the algorithm in audio source extraction and enable automated sound clip selection, which will provide a new methodology for sound processing and audio source generation using noise.

• Sijohaknonchong
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• v.43
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• pp.5-39
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• 2015

Shijo (Korean poetic form) is a representative literature genre of a short poem among the literary works of Korea in the late Chosen Dynasty. The format of Sijo is Normal-Shijo in the form of 3 verses, 6 sections and 12 sound, and the lyrics of one Normal-Shijo has within or without 45 words. But Saseol-sijo, a type of Sijo, there is a work that has more than 100 letters due to the number of lyrics were a lot increased. Among those Saseol-sijo there is a work with 'solemn and elegant feeling' borrowing some verses even from Chinese poem, using a lot of Chinese vocabulary, but there are a lot of works with 'salacious and explicit contents'. Literary work, Shijo, is used for lyrics of vocal music as Gagok (a genre of Korean vocal music for mixed female and male voices) and Sijochang, however, there are many cases that the same Sijo poem is used as lyrics of Gagok and Shijo. But those music that use Saseol-sijo as lyrics among Gagok, the vocal music, are mainly songs with 'solemn feeling' rather than 'salacious work'. This study looked into the reason why the Saseol-sijo with 'salacious and explicit contents' are hard to be used as lyrics in Gagok, confirming the fact that most music singing Saseol-sijo among Gagok that are being handed down till now use lyrics with 'solemn and elegant feeling'. The most important thing among those reasons seems to be irregularly increasing lyrics, and in accordance with accompaniment. Gagok accompanys a number of instruments the fixed melody recorded and delivered in score. So it's almost impossible to play unless it depends on the steadily made song melody and accompaniment melody according to the chosen lyrics in advanced. Also, appreciation of literary works is usually made privately through a private reading activity, but Gagok is conducted through public performance in an open space for many people. Especially, it would have been hard to sing a salacious and explicit song gathered together with men and women of different social status in social system and custom of the late of Chosen Dynasty. This study confirmed the fact that folksy and popular character that was praised for literary characteristic of Saseol-sijo can't be easily found from Saseol-sijo that was called Gagok.

• (The) Research of the performance art and culture
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• no.36
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• pp.75-102
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• 2018

Manjungpan Chunhyangga is established by Manjung Kim Sohee. She selectively chose and arranged the songs by Jung Jungryeol, Song Mangap, Jung Eungmin, Kim Yeonsoo, Park Dongsil, and Jung Kwangsil. Kim Sohee once stated that while a major section of Chunhyangga is based on the songs by Jung Jungryeol, Song Mangap, Jung Eungmin, and Kim Yeonsoo, the whole part of Okjungga is derived from Park Dongsil. However, there is not much material that will provide enough information with regard to what musical characteristics Park Dongsilje Chunhyangga possessed. Under the circumstances, the voice of Park Dongsilje, left by Kim Sohee, triggers curiosity on Park Dongsilje Chunhyangga. It can also be construed that there must be a good reason for choosing Park Dongsilje for Okjungga, unlike other parts. Therefore, this paper attempted to find out what the unique features of Par Dongsilje are and what the reasons behind Kim Sohee's musical choice were through comparison and analysis of Kim Sohee's musical features in Okjungga. The following are the results. Firstly, Okjungga is a created verse by its nature and it does not possess specific features to a school. Therefore, the reason for choosing Park Dongsilje could have been based on musical reason rather than verse. Secondly, the lyrics of Park Dongsilje Okjungga is closer to that of Song Mangap rather than that of Jung Jungryeolje. It can be argued that it falls between the two of them. Thirdly, the tone and melody of Park Dongsilje Okjungga falls in the middle section of Dongpyenje and Supyenje. Fourthly, the analysis of Jinyangjo rhythm out of the whole Manjungpan Chunhyangga shows that there are slight differences among Song Mangapje, Jung Jungryeolje, and Jung Eungminje. Park Dongsilje is very unique in the sense that it does not use utbutim in gyemyeonjo part in Manjungpan Chunhyangga. Park Dongsilje Okjungga is a song to which the tone, melody, and sigimsae of Supyeonje is added to lyric butimsae of Dongpyeonje. It can be seemed as simple and less sophisticated because, with its simple lyric butimsae, it shows a less complicated tone utilization rather than Jung Jungryeol. With lighter decoration of music, feelings can be conveyed more directly. That is probably why Kim Sohee commented on Park Dongsilje Chunhyangga that it is the most mournful song for Chunhyang and it is the song that moves anyone who listens to the song. Consequently, Kim Sohee accepted Park Dongsilje Okjungga and she created different feelings to Manjungpan Chunhyangga which has repeatedly displayed the color of Jung Jungryeol. Combining the lyric addition of Dongpyeon style and the melody of Supyeon style can crated a different language.