• 한국사회복지학
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• 제61권4호
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• pp.109-136
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• 2009

본 연구는 한국에서 사회복지분야의 새로운 자원제공자로서 부상하고 있는 기업 사회공헌의 주체적 파트너로서 사회복지사들의 사회공헌활동 개념에 대한 인식유형을 파악하기 위해 수행되었다. Q 방법론을 통해 사회복지사들의 사회공헌활동에 대한 주관적 인식은 '공생적 파트너십 유형', '사회적 당위유형', '전략적 실리추구 유형' 등 세 가지로 도출되었다. 이 유형들은 기업 사회공헌활동에 대한 고전적 관점, 사회-경제적 관점, 현대적 관점, 자선적 관점들을 절충적으로 반영하고 있다. 본 연구의 결과는 우리의 사회복지 실천현장에서 모호하게 이해되었던 기업 사회공헌활동의 개념적 인식들을 체계적으로 밝히고 유형화함으로써 관련 이론, 실천, 교육 등 제반 영역 내에서, 그리고 각 영역들 간의 논의와 소통, 협력의 폭을 확장시킬 수 있는 기초자료로 활용될 수 있을 것이다.

• 영어어문교육
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• 제12권4호
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• pp.235-251
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• 2006

This study aims to analyze what Saul Bellow wants to define "Love" in his recent work, More Die of Heartbreak. As a humanist, Saul Bellow is concerned about materialism in Post-modern age through his works. Today there are so many people that are hurt by the failure of love or experience heartbreak. We need to sense invisible danger all around us. We can find Bellovian love in More Die of Heartbreak. Bellow suggests that there should be "true love" between people, especially between men and women. But Kenneth Trachtenberg and Benn Crader have selfish and materialistic love. Kenneth had only a sensual desire for Treckie who is his daughter's mother. He cannot persuade Treckie to marry him. Benn, a middle-aged widower, peremptorily marries Matilda Layamon who is much younger than he. Unfortunately, the marriage brings him neither peace nor love. Benn recognizes his wrong conception of love through the death of Mrs. Bedell and Villitzer, and breaking off a marriage with Matilda. He decides to go to Antarctica. This is not an escape. This is his determination to save himself. At the North Pole he sets out to recover his gift of vision and redeem his fall from grace. He will desert his materialistic and absurd self. After the expedition, he will experience rebirth as an authentic human being who has acceptable eyes. Kenneth and Benn learn to conceive of love as one of man's strongest inner energies, for it is through love that you can penetrate to the essence of human being. In this study I try to define Bellovian love. In More Die of Heartbreak, love is a spiritual power that may even transfigure man.

• 복식
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• 제54권7호
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• pp.151-164
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• 2004

This Studies on 20th century fashion was carried out according to the classification of the times as made up Belle Epoque, New Look, Big Look, and Body-Consciousness. Aside from research in literatures, research into 20th fashion also include the analysis of photo had been taken from various collection. The enlargement beauty of costume had been place under the aesthetic category and, by interpreting the analogies of presented in aesthetic consciousness. the true nature of the voluminous enlargement in costume had been traced. To conclude, this study finds there are between the aesthetic characteristic differences in the aesthetic consciousness of the costumes in history and the present-day fashion. The aesthetic consciousness of the voluminous enlargement of the present-day was found to have the following characteristic ; (1) History-oriented tradition (2) Metaphorica autonomous (3) Freedom of breaking with restriction (4) Dismantling the irregularity (5) Hedonistic play instinct (6) Psychological compensation (7) Sexual sensuality (8) Ideal of the times (9) Aesthetic ornament (10) Feeling of satisfaction through self-enlargement. From list above. metaphorical sensuality, aesthetic ornament and the feeling of satisfaction driven by Self-Enlargement are the same characteristics found in the aesthetics consciousness of the voluminous enlargement of the costume In history in that they are the aesthetic consciousness above time and space. It is metaphorical sensuality which transform woman's body in to distorted images as influenced by both capitalism and materialism in the last 20 years. These are represented by the sadomasochistic and fetish images as the woman's metaphorical voluminous enlargement is apparently becoming more positive, radical and obscene especially in terms of expression.

• 디지털융복합연구
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• 제18권5호
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• pp.205-220
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• 2020

본 연구는 오랜기간 동안 연구돼 온 현실공간에서의 과시소비행동과 이미지 및 영상 기반의 SNS인 인스타그램에서의 과시소비행동 간에 차이를 비교하여, 변화된 과시소비에 대한 시사점을 제공하고자 수행되었다. 인스타그램을 적극적으로 이용하는 만 20세~59세의 218명을 대상으로 온라인 설문조사를 실시하여, 기술통계분석, 로지스틱회귀분석, 선형회귀분석을 통해 분석하였다. 그 결과 인스타그램에서의 과시소비행동과 현실공간에서의 과시소비행동의 소비품목, 지출액 그리고 행동에 미치는 영향요인에는 일부 차이가 있는 것으로 나타났다. 과시소비행동 이후, 인스타그램에서든 현실공간에서든 소비자들은 긍정적 감정이 소비자행복에 정적으로 유의한 영향을 미치고 있었다. 현실공간에 국한되어 있던 과시소비행동을 인스타그램이라는 새로운 환경적 요소를 반영하여 그 변화를 탐구한 점과 과시소비행동이 소비자 감정 및 행복에 미치는 영향을 살펴보았다는 점에서 본 연구는 과시소비행동의 연구범위를 확대했다는 점에 의의가 있다.

• 한국의류학회지
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• 제29권1호
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• pp.167-176
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• 2005

The purpose of this study were to examine the relationship with respect to internet addiction and internet shopping addiction among internet fashion shoppers, and to find if internet addiction had mediating effects on internet shopping addictive buying. 550 females and males who had purchased fashion goods were used for the survey. For data analysis, descriptive statistics and Amos 5.0 were used. As the results, approximately $32.7\%\;and\;3.82\%$ of subjects were revealed as light internet addictive shoppers and heavy internet addictive shoppers. Also, $14.0\%$ of the internet shoppers in this study were found to have internet shopping addictive tendencies. Psychological factors such as self-esteem, impulsiveness, materialism, and compensatory buying were directly related to internet shopping addiction as well as to internet addiction. Internet-related factors such as flow, skill and usage time also were directly related to internet addiction, but not to internet shopping addictive buying. That is, internet addiction had a mediator effect between psychological factors and internet shopping addictive buying. Also, internet shopping variables such as buying frequency and shopping mall visit frequency were related to internet shopping addiction. Finally, internet addiction was directly related to internet shopping addiction. Based on these results, fashion marketing strategies and implications regarding internet shopping addiction were suggested.

• 대한가정학회지
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• 제40권5호
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• pp.119-132
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• 2002

The purposes of this study were 1) to classify female consumers on VALS, 2) to identify the differences of psychological characteristics and demographics among the classified groups, and 3) to investigate the apparel benefits, buying behavior, shopping practices and psychological characteristics of each groups. For the study, a sample of 340 female consumers participated in this survey research. The data was analyzed utilizing descriptive statistics, factor analysis, cluster analysis, $\chi^2$-test, one-way ANOVA and Duncan test. Seven dimensions of values were identified by factor analysis: Consumption-oriented, Achievement-oriented , Diligence/sincerity-oriented, Pessimistic value tendencious, conservative/conventional value oriented, Dignity-oriented and Socialite-oriented. Based on these dimensions female consumers classified into three clusters: inner values-directed group, passive/inactive group, and achievement-oriented group. Achievement-oriented group showed the highest scores in optimum stimulation level and materialism, and tended to be younger and be employed than the other two groups. Both inner values-directed group and achievement-oriented group showed higher scores in self-expression/individuality and quality out of five apparel benefit than passive/inactive group. Innovative communicators, fashion innovators and fashion opinion leaders were mostly in the achievement-oriented group, while fashion followers and fashion indifferents were mostly in the passive/inactive group. It was revealed that achievement-oriented group had a larger number of fashionable clothing items and experienced more activities in vogue. Also, there were significant group differences in shopping practice, such as average monthly allowance, number of annual purchase clothing items.

• 복식
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• 제62권4호
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• pp.195-206
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• 2012

Today, people are obsessed with fashion, makeup, hair care, weight control, and plastic surgery. In order to be satisfied with their appearance and attract attention, they invest so much time and money. The core values of many people are influenced heavily by materialism and appearance. Belly dancing is effective not only in just weight loss, but it also improves the health and corrects body postures like pelvis correction, and it also gives the dancers the pleasure of dancing to exotic music. A growing number of women in their 40s or older and senior citizens have become maniacs of belly dancing. The studies suggest that the participation in belly dancing helps increase life satisfaction and self-respect of the middle aged who often suffer from depression. Belly dancing has a strong effect in the life style of the middle-aged women. The costume and accessories necessary for belly dancing class help the participants) focus on the dance. These costumes and accessories reflect the desire of the wearer to be recognized in society. It is well shown in belly dancing that "fashion and beauty related services and products are used as an indicator to tell social status and position of the wearer as external elements like clothes, accessories, and physical appearance and have a highly important effect on interactions among people in society as a means of expressing oneself". In this respect, this study aims to examine middle-aged women's involvement in fashion and beauty depending on their participation in belly dancing.

• 한국콘텐츠학회논문지
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• 제11권2호
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• pp.259-267
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• 2011

독일은 19세기 후반기에 통일을 이루었지만 급격한 도시화와 물질주의 속에서 많은 혼란을 겪으며, 정신적인 혁명을 통해 독일적인 문화를 찾고자 하는 움직임이 지식인층을 중심으로 퍼져나갔다. 현실 속에서 발생하는 분노, 슬픔, 억압 등의 심리적 상태를 본능적인 감성에 충실하며, 그대로 표현하게 됨으로써 자연스럽게 형태가 왜곡되거나 과장되며, 강렬하고 어둡고 내성적인 분위기의 낭만주의적 전통을 잇게 되었다. 파시즘의 나치에 의해 '퇴폐미술'로 낙인찍히며 막을 내렸던 표현주의 미술이 20세기 말에 다시 독일을 중심으로 일어났다는 사실은 주목할 만한 일이다. 비록 신표현주의자들이 다양한 오브제와 매체를 적극적으로 사용하기는 하지만, 그들은 인간 내면세계를 표출하고자 과거 표현주의자들이 즐겨 썼던 인물, 신화, 상징을 거친 붓 터치와 풍부한 색채 등으로 다시 화면에 등장시키며 독일의 문화와 사회에 대한 희망을 은유적으로 표현하고 있다. 따라서 신표현주의의 근원이라고 할 수 있는 표현주의에 대해 살펴보며 이들이 독일 전통 낭만주의와 어떠한 맥락에서 일치하며 현대 미디어콘텐츠로 계승 발전 되었는지를 논하고자 하였다.

• 복식
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• 제52권3호
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• pp.171-187
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• 2002

The purpose of this study is to grasp the meanings of retro-fashion, to research the design characteristics and background on the birth of repro-fashion. It can help to confirm the importance of aesthetic marketing which is based on human feelings, the roles and cultural and industrial meanings. Reto-fashion Is one of the mediums between the expression of Post-modern fashion and emotional sympath of human beings as consumer and fashion creators. So this inspiration is the way of fashion creativities. The backgrounds of appearance repro-fashion are reflection about materialism and technique and 20th century, the sense of instability and finding new ideas from the past. The characteristics of retro-fashion designs are as follows : First, the styles have been come from 50's. 60's, 70's, and 80\`s. It means that the styles not just expressed to return to the past simply but an expression the emotional state for missing the past. Second, the colors and materials are various also as like styles. Third, the decorations of repro-fashion are more crafts by human. The roles of retro-fashion are for creation of high valued product in fashion design, expression of individuality with disharmonized coordination and application as a fusion style. The cultural and industrial meaning of repro-fashion are endowment of aesthetic marketing using human feeling in fashion marketing area and pursuing of the Renaissance of fashion culture and industry. Therefore it is needed that design critics and analysis going side by culture and industry condition for fashion study with human feelings in 21th century.

• 한국의상디자인학회지
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• 제17권2호
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• pp.11-25
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• 2015

This study analyzed features in contemporary men's collection to provide data for characteristics of kitsch in men's collection. The research method was to see background of the concept of kitsch through the domestic and international publications, the Internet, paper. Five designers' collections that have characteristics of kitsch were selected. The range of collection is from the 2000 S/S to 2011 F/W in Men's collection. The results are as follows: kitsch characteristics could be classified by amusements, inappropriateness, satire. First, exaggerative amusements in men's collection appeared exaggerated form, large size, which is ridiculous at the same time. Infantile amusements represents the image of a pure concentric matching accessories such as toys to the children express. sensual amusements reveals the sexual instincts and desires and people can feel satisfaction through sensual amusements. Second, inappropriateness is characteristic of kitsch to escape from normal life. Clothing does not fit the body and destroyed the design or design of this feature appears. It looks clumsy and strange. Inappropriateness characteristic in men's collection can be divided into inadequate performance and sexual inappropriateness. Third, satire can be divided into resistant satire, imitative satire, and popular satire. Resistance satire with anti-social tendencies through their clothing is achieved by expressing their needs. It was affected by sub-culture like Hippie or Punk. Imitative satire is to imitate other culture, customs and race. It is to resolve complaints through the consumption of things in disparities of wealth and materialism in the society. Popular satire is to express emotions that are free using materials that can recycling like can, bottle or paper.