• Journal of Hospice and Palliative Care
• /
• 제24권2호
• /
• pp.69-73
• /
• 2021

Dealing with existential concerns experienced by patients is an important part of palliative care. Interventions that use the life review method to encourage patients to reminisce about their lives can help them find new positive meanings, promote ego integrity, and reduce emotional suffering. Not everyone has positive memories when they look back on the past, however. This poses a limit on the effectiveness of the life review method for healthcare providers working in palliative care contexts. In this study, we discuss the limits of life review and suggest imagery rescripting as a new modality constituting a psychotherapeutic approach to deal with negative memories safely and effectively.

• 디지털융복합연구
• /
• 제17권3호
• /
• pp.313-321
• /
• 2019

본 연구는 성인여성을 대상으로 자기존중기억 내용의 주제를 알아보기 위해 수행되었다. 자기존중기억(self-esteem memory)이란 자기에 대해 현저하게 긍정적으로 또는 부정적으로 생각했던 사건에 대한 기억을 말하는데, 성취에 관한 내용과 관계에 관한 내용으로 대별될 수 있다. 연구 참가자는 청년기 여성(M=21.56) 18명, 중년기 여성(M=54.13) 15명, 노년기 여성(M=74.35) 20명으로 총 53명의 성인여성이었으며, 긍/부정적 자기존중기억을 각 4가지씩 총 8가지를 회상, 구술하도록하여 그 내용을 주제별로 분류하고 살펴보았다. 분석 결과, 성인여성은 긍정적인 자기존중기억과 부정적인 자기존중기억 모두 성취보다는 사회적 관계에 관한 내용에 초점이 맞추어져 있었으며 그러한 경향은 청년의 긍정적 기억에서 또 중년의 부정적 기억에서 발견되었다. 이는 개인이 강조되는 서양문화와 비교해 집단주의적 성격이 중시되는 우리 문화 특성과 공동체적 특질이 두드러진 여성의 특성을 반영한다고 할 수 있다. 추후에 자기존중기억의 주제에 대한 성차 및 생애 주기별 차이에 대한 연구가 필요하다.

• 비교문화연구
• /
• 제46권
• /
• pp.199-225
• /
• 2017

칠레 작가 아리엘 도르프만의 "죽음과 소녀"(1990)는 피노체트 독재체제가 종식된 직후 수립된 아일윈의 과도기적 민주정부가 안고 있는 첨예한 과거청산의 문제를 직접적으로 다루고 있다. 본고는 작품 속 등장인물들의 대화에 나타난 개인 기억의 대립과 갈등 양상을 분석하는데 중점을 두었다. 예컨대 지난 정권에서 성고문을 받은 파울리나의 트라우마적 기억이 그녀의 일상에 미치는 영향과 그녀의 개인 기억이 집단 기억과 맺는 관계를 살펴보았다. 그리고 성고문 의사 로베르토의 진술을 통해 지배 기억의 담론을 들여다보고, 조사위원회 위원으로 임명된 변호사 헤라르도가 사건의 진실을 파헤치면서 두 사람 간의 기억 갈등을 어떻게 조정하는가를 알아봤다. 이런 과정을 통해 피해자와 가해자의 기억투쟁 속에 개입하려는 국가 기억의 문제점을 파악하고 기억의 탈영토화 개념이 이를 극복할 대안이 될 수 있는가를 모색하고자 했다. 궁극적으로 과도기적 정의 실현의 핵심은 진실한 후회이며, 그것이 아래로부터의 기억이 사회적 기억으로 이행되는 과정의 선결 조건임을 탐색하였다.

• 비교문화연구
• /
• 제37권
• /
• pp.31-49
• /
• 2014

Peking has peculiar features as capital city, and has gone through various transformations, with its name changed from Peking to Peiping to Peking. Even when it did not serve as a capital city, it still played an unrivaled role in cultural aspects. Laoshe, a great writer of 'Peking flavour' literature, is famous for works full of cultural charms of Peking. In his works, which show the manners, norms, art, culture and optimistic life style of Peking, Peking culture is described as an extension of cultural traditions of Qiren. In addition, his critical view of reality is also expressed in the works. Linhaiyin's literary works show ordinary hutongs she experienced in the 1920s in Chengnan, the southern part of Peking, and the quiet and simple life of warm-hearted people living there. Her vague memories of Peking, along with her nostalgia for the city, let her describe the city with recreated happy memories of it instead of the harsh critical view. Her works express the city in her recreated memory full of hope, with her dark memories of the city being glossed over. As seen above, Laoshe realistically described the tragic and difficult life of low class people in hutongs of Peking as well as lower middle class people of the city. Meanwhile, in ChengnanJiushi, Linhaiyin expresses the daily routine and ordinary life of people in Peking from the perspective of middle class people. In addition, she showed the sympathetic view of middle class citizens towards their low-class neighbors. In Peking Menghualu, Wangdewei mentioned that the 'castle of memory' which old Peking people in Taiwan tried to establish fills an important gap for the continuity of Peking cultural history and cultural imagination. This indicates that the 'Peking castle of memories,' which Linhaiyin, a Taiwanese writer well known for 'Peking flavour,' has established plays a big role in filling part of such gap. ChengnanJiushi, Wuyigong's film based on Linhaiyin's novel of the same title, also describes the daily sceneries and culture of the southern Peking in the 1920s, which both Taiwanese and Chinese people miss, through sophisticated images with 'profound yearning tinted with calm sadness', accomplishing an artistic achievement different from that of the novel.

• 기록학연구
• /
• 제66호
• /
• pp.37-67
• /
• 2020

최근 산업유산은 도시재생 바람을 타고 문화시설로 변형되며 관심을 받고 있다. 이러한 관심은 주로 외관에 집중되어 있으며 설명 역시 거대서사로 축약된 경우가 많으며, 장소성은 충분히 전승되지 못하고 있다. 산업유산이 가진 장소성은 역사적 기억 뿐 아니라 개인의 기억을 포함하고 있다. 정체성의 근원이 될 수 있는 장소성이 보존되고 활용되기 위해서는 장소기억이 수집되어 관리되어야 한다. 본 연구는 이를 위해 개인의 생애서사를 중심으로 장소기억을 수집하는 방안을 제시하였다. 안동역과 청주연초제조창 수집사례를 이용하여 생애서사를 사건으로 분해하였으며, 이를 장소기억으로 재해석하는 과정을 통해 산업유산 장소 아카이빙 실행을 제안하였다. 이러한 방법론은 기존의 방법론을 보완할 수 있다는데 의미를 가진다.

• 한국농촌건축학회논문집
• /
• 제14권2호
• /
• pp.11-18
• /
• 2012

Carlos Jimenez's 'House and Studio' was self-designed to fully function as both a home and workplace. Since its establishment in 1983, the installation has been continuously updated for almost 30 years solely under the guidance of the owner's life occurrences and routine needs. The additions and alterations succeeding the building's erection were executed to incorporate small yet symbolic fragments of the resident's memories and life episodes. The particularity of the 'House and Studio' can be compared with other residential remodeling and expansion projects in regards to certain key aspects. These means of comparison include, but are not limited to, building strictly under the direction of a master plan of development vs. allowing natural adaptations that comply with the resident's needs, rapid development vs. gradual advancement, the ornamenting by exposing showy features vs. the enhancing by addition of modest natural components, sustainability vs. sustenance, systematic room divisions vs. ambiguous spatial organization, possession as a materialized asset vs. preservation as a recollection of memories, and finally the recognition as one example of signature architecture vs. the witnessing of a maturing animated shelter. The given propositions can be further explained with the comprehension of Erich Fromm's theory of the 'Having' mode and 'Being' mode, two mechanisms that categorize the essence of human life. The 'Having' mode is described by the human greed for wealth, power, and influence, whereas the 'Being' mode is comprised of compassion, joy, and productivity. Fromm's thesis applies to the general sense of human life, but the ideas can be narrowed to accommodate the architectural standpoint. In architecture, the 'Having' mode can be translated to be the conspicuous form-oriented and self-contained object. The 'Being' mode, on the other hand, is transposed as the more natural form, incorporating the needs of the owner before commercialization. The growth of Jimenez's 'House and Studio' can be perceived as an architectural suggestion to the overcoming of human indifference caused by fixation on the 'Having' mode.

• 가정과삶의질연구
• /
• 제22권1호
• /
• pp.11-25
• /
• 2004

This study was conducted to explore the impacts of involvement in the Vietnam War on the self-esteem of the veterans in their later lives. In this study, 14 Korean male Vietnam War veterans from 55 to 63 years old were asked about the impacts of their war experiences on their self-esteem. From the analysis of the in-depth interviews the following conclusions were drawn: First, the veterans perceived that their self-esteem improved with both internal and external impacts of their activities in Vietnam. The internal aspects that improved the veterans' self-esteem were recalling their positive memories of Vietnam War, such as being on duty at a war front for the sake of our country, doing volunteer work for the villagers, and becoming a masculine heroic figure in the family legend. The external aspects were positive attitudes and responses toward their war activities from their family, friends, and neighbors. Second, they also felt persistently frustrated with their recurring memories of involvement in killing human beings, experiences of negative family and social responses, and the side effects of herbicidal cyanide they suffer. In this article, the following suggestions were made. First, standardized images and good-will episodes of the Vietnam War need to be provided by the government, in order to improve public images on the veterans. Second, intensive adjustment programs for the families of older veterans in special needs should be developed in collaboration with various veterans' societies and family counseling institutions, so that the spouses and children can be relieved from tension-laden contacts with the veterans and prevent violent incidents.

• 영어영문학
• /
• 제59권4호
• /
• pp.545-567
• /
• 2013

Keeping in mind the hybridity and plurality of Southern Literature, this paper discusses the traits of Southern literature in Jayne Ann Phillips's first novel, Machine Dream. The novel's frequent use of memory and oral reconstruction of a family history accompanied by the feeling of loss in the process of depicting the South's past typically signifies "The Southern" which reminds us of the works of William Faulkner, Katherine Ann Porter, and Eudora Welty. Nevertheless, Phillips's South is more fragmented and her narrative is more evasive and varied than any of her Southern predecessors. The South of the twentieth century from the period of Depression until 1972 is reconstructed differently depending on memories and desires of the four members of Hampson family in this novel, either as a place of nostalgia or as the place of trauma or as the place to survive only in memory. The oxymoronic title of the novel, "machine dreams" signifies that dream and memory of the South cannot remain independent in its epistemological entity but exist as a mixture of materiality of every day life in the modern South. The hybridity of this dream and of the South is what defines itself as Southern. Yet Phillips retains feeling of loss and lament enough to create a modern Southern novel rooted in Southern Literature. Thus, the title itself works an antinomic signifier of both the presence and absence of the dream of the South and of Southern Literature.

• 미국학
• /
• 제41권1호
• /
• pp.179-202
• /
• 2018

This study approaches the novel from psychodynamic perspectives, where the narrative is woven into the strands of traumatic memories and past. Deriving from Julia Kristeva's discussion on melancholia, this paper discreetly examines Hata as a melancholic, who is unaware of what he has lost and even that he has lost. Racially abject but in defiance of his separation from 'the mother,' Hata introjects loss as his own subjectivity. The insoluble void causes him to wander through the bravado of belongingness, which he eventually transforms into Sublimation. This paper reads that Hata finally faces his own black sun, deviating from his earlier gesture life; thus, the novel becomes a successful case study of the melancholic. However, female bodies are at stake, subsumed under Hata's sexual perversion. The novel renders trauma behind the fragmented narrative of an Asian American man at the expense of consuming morbid 'feminine' bodies physically and psychologically.

• 한국보건간호학회지
• /
• 제33권1호
• /
• pp.109-122
• /
• 2019

Purpose: The purpose of this study was to understand the meaning of the driving force of life experienced by the elderly and the realistic structure of their experience. Methods: The research question was "What is the essential meaning of the driving force experienced by the elderly?". Data were collected from individual in-depth interviews between March, 2017 and May, 2017 and analyzed using Van Manen's hermeneutic phenomenological methodology to identify the essential themes of their experience. Results: Through the analysis process, 22 themes and 14 essential themes were derived. The 14 essential themes of the driving force of the life of elderly were as follows: 'Memories from the past', 'Poverty to escape', 'Hand down family's heritage', 'A body bound by marriage', 'A body necessary for old age', 'A dignified body even if they grow older', 'A body that does not want to fall', 'A fruit of my life', 'Mature real love', 'Unchanging fraternity', 'Extended family', 'An old friend with whom share my heart', 'Satisfied with the situation', and 'Expanding the breadth of life'. Conclusion: Nursing programs that assess the driving force of life supporting the elderly and supports the driving force of such a life should be developed.