• 한국콘텐츠학회논문지
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• 제20권11호
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• pp.157-169
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• 2020

21세기에 접어들며 영화예술의 제작환경 및 시스템은 아날로그에서 디지털로 매우 급격히 이행해 갔다. 그러한 과정에서 영상기술의 발전과 변화는 영상미학의 표현적 양식에 지대한 영향을 미쳤다고 볼 수 있다. 그러나 기존 아날로그적 영상미학이 디지털 환경으로 어떻게 이행되었는지에 관한 깊이 있는 논의는 다소 미흡하다고 할 수 있다. 이에 본 연구에서는 아날로그 시대와 디지털 시대를 자유롭게 넘나들며 주목할만한 창작활동을 계속해서 펼치고 있는 이와이 슌지의 최신 극영화 <라스트 레터>를 통해 그가 아날로그 시대에서부터 추구해온 '이와이 미학'이 디지털 시대에 있어서 어떠한 모습으로 드러나고 있는지를 구체적으로 살펴보고 있다. 방법적으로는 이와이 슌지가 어떠한 과정을 거쳐 아날로그에서 디지털 시대로 이행했는지를 살펴보고, 그의 디지털 영상작품 <라스트 레터>를 '빛', '구도', '공간과 시선'이라는 의 세 가지 미학적 관점에서 접근하여 분석 하였다.

• 건축역사연구
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• 제10권3호
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• pp.25-43
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• 2001

The purpose of this study is to investigate the meaning of letter-shaped house plan of the Imchongak in Andong and to Analyze its housing principles. The letter-shaped house plan of the Imchongak lays its root in the traditional Eastern thoughts, showing feature of Taolsm. The Imchongak applied the principles of a good land and a good house, which are originated from the Yonyang theory, Five elements theory, Poongsochiri, housing principles and letter shapes of good fortune. The letter shape of the Imchongak is 用(as below), and 日, 月, and 明 are contained in it. The lette 明means brightening the mind and life of human being by himself. The letter 用 is shaped to express the idea of Cheayong Theory of Confucianism, which refer to everlasting interaction of all thing in the universe. In applying the housing principles, Potaebob was used for the orientation of the house. Samhabbob, Jungeomjungyangbob and Dongsusataecbob were utilized to locate the gate. In addition, Dongsusataecbob was used for the positioning of rooms in most cases. The Imchongak succeeded traditional Eastern thoughts and it realized the concept and philosophical idea of Confucianism as a house. What is importan in the house plan of the Imchongak is that it repesents the ideal of Confucians in Chosun Dyansty that the man, house, nature, and universe are one. It also advocates ideology of Confucianism which emphasizes that a human life can be completed when man live together with the nature and harmonize themselves with it.

• 동의생리병리학회지
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• 제18권1호
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• pp.28-38
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• 2004

The Hun-Min-Jeong-Eum(訓民正音) has been created under the political purpose that is to unite politics and cultures through a philosophical harmony of the confucianism as well as the Buddhism under the periodical circumstance that includes the change of a dynasty and a revolution in culture. The creating work has been greatly affected by the theoretical divination, that is the confucian ideas of North-Song dynasty which has been highly elaborated in those days. The shape of the characters of the Hun-Min-Jeong-Eum(訓民正音) has been influenced by the ancient letters existing at the time (especially Ga-Rim-To 加臨多), it has been throughly readjusted and recreated based on the philosophy. The consonant uses the Three-Pillars(三才)(ㅇ, ㅁ, △) in the style of the five elements and each velar-lingual-labial-dental-guttural sounds (牙舌脣齒喉音) is applicable to five elements also a 'ㅇ' is equivalent to the heaven, a 'ㅁ' to the earth. a '△' to the man. The vowel uses the five elements of ㅗ(water). ㅏ(wood), ㅜ(fire), ㅓ(metal), ㆍ(five-soil), ─(ten-soil) in the style of the Three-Pillars(三才) of ㆍ, ㅡ, ㅣ and the first created letters(初出字), and the secondary created letters(再出字) each can be attached to the eight trigrams(八卦). The consonant has 17 letters and the vowel has 11 letters, therefore the total number of the letters is 28. and those are equivalent to the 28 constellation(二十八宿) of the astronomy. Contrary to the underlying principle that has been applied during the time of the creation of the letters, when the consonant and the vowel are used, the consonant refers to the heaven (天), and the vowel refers to the earth(地). a consonant take a part in making a point on the starting place of the pronounce, a vowel take a part in the keeping the energy to the end.