• 인터넷정보학회논문지
• /
• 제7권5호
• /
• pp.123-134
• /
• 2006

본 논문에서는 지능형 서비스를 제공하는데 필수적인 상황인식 해석 구조를 제안한다. 제안된 모델은 외부 상황 정보와 내부 상황 정보를 통합한 해석 구조를 가지고 있으며, 상황 정보와 응용 서비스간의 독립성이 유지되도록 설계하였다. 제안된 해석 구조의 검증을 위해서 기존 강의실에 상황인식 개념을 도입한 테스트베드(Ubi-Class)를 구축하고 시나리오를 구성하였으며, 상황 해석에 따라 지능형 서비스가 수행되는지 실험하였다.

• 한국실내디자인학회논문집
• /
• 제20권3호
• /
• pp.152-160
• /
• 2011

Contemporary architecture pursues new method of Interpretation of Non-linear space as digital media appears. As various materials and new methods can be used due to developments in science and expansion of thinking, contemporary architectural color developed extensive possibilities. It means not only the change of drawings, method of architectural product and materials but also the change of value system for architectural space. Thus the purpose of this paper is to suggest interpretation of space applied by color structure, and this point of view was based on the three elements of color perception which are light source, reflector, and observer. According to this categorization, architectural color of exterior color, layer color and interaction color are explained via examples of colors recently used on the contemporary architectures. In summary, contemporary architecture can be explained by Non-construction space interpretation for intrinsic complex meanings. Therefore, it can be explained as moving space, collage, by picturesque space, moving blur color and emptiness of color. This pursues various point of views for space interpretation, therefore it can be developed to the identity of strengthening architectures' design concept.

• 한국언어정보학회지:언어와정보
• /
• 제6권1호
• /
• pp.91-103
• /
• 2002

The temporal structure of events on the discourse level has long been of great interest in both theoretical and computational linguistics. In this paper, we offer a unified approach to the temporal relationships related to a hierarchical discourse structure. We apply the method of pronoun resolution to the interpretation of tense. It is based on an analysis within the framework of the controlled information packaging theory. A unique aspect of our account is that temporal interpretation across discourse segments in global discourse is subject to the same principles as the interpretation of global anaphora, and that there is thus no need to postulate independent principles to account for the discourse behaviour of tense. In this way, we can neatly explain the general view that tense parallels the anaphoric nature of pronouns.

• 인지과학
• /
• 제21권1호
• /
• pp.47-75
• /
• 2010

인과도식에 의한 하향처리 과정과 빈도 자료 해석에 의한 상향처리 과정이 어떻게 작동하는 지를 알아보기 위해, 세 사건들의 빈도 자료를 주고 인과관계를 판단하게 하였다. 중성 사건들을 주고 판단하게 한 실험 1에서는 Or 구조의 정답율이 높았다. 인과도식 정보와 빈도자료를 주고 판단하게 한 실험 2에서는 Or 구조의 정답율이 높았고, 인과도식과 빈도자료가 일치할 때 정답율이 높았다. 정반응 수와 오반응 수를 대상으로 반응에 이르는 인지과정을 이산적인 과정들의 조합으로 가정하는 Multinomial Processing Tree Modeling을 실시하였다. 모델 피팅 결과 사람들이 빈도자료를 이용하여 인과 구조를 판단할 때 기본적으로 작동하는 인과 도식이 Or 구조라는 점을 시사하는 결과를 얻었다.

• 한국실내디자인학회논문집
• /
• 제15권4호
• /
• pp.64-72
• /
• 2006

The purpose of this study is to interpret Korean traditional space as text on the basis of Structuralism. The process of this study is illustrated as follows: At first, this research contains basic concepts and theories of Structuralism and discusses the possibilities of typological approaches in Korean traditional space interpretation. Secondly, As typological structure of traditional space, spacial and visual expressive characteristics in traditional residential space based on traditional thoughts of Koreans formed with inherent consciousness are considered with Hjelmslev's Structuralism and Wonhyo's Whajaeng theory. Finally, This study tries conceptual analysis based on Lacan's Metaphor and Metonymy emerged from unconscious mechanisms about interpretation and induction of the traditional spacial structure for contemporary Application. Structure is a group of elements forming a covariant ensemble. From this point of view, this study validates that texts are understood when methods that bring back to the creative processes and intentions are found by Text Hermeneutics.

• 논리연구
• /
• 제17권3호
• /
• pp.461-484
• /
• 2014

본 논문은 확률의 객관적 해석과 주관적 해석이 가지는 문제점을 진단함으로써 이들을 극복할 수 있는 구성주의 확률해석을 제안한다. 이 확률해석에 의하면 확률의 수학적 구조는 경험적 자료들 사이에 연관성을 부여하는 구성적 이론적 가설을 제공하는 것으로 이해할 수 있다. 구성주의 확률해석을 위한 사례로 우주의 시간적 비대칭성에서의 확률구조를 분석했다. 본 사례의 확률을 구성적으로 해석할 경우 객관적 그리고 주관적으로 확률을 해석하는 문제들을 제거할 수 있다. 또한 구성적 확률해석은 고전적 확률해석이 그 문제점에도 불구하고 왜 표면적으로 신빙성 있는지에 대한 설명도 제공한다.

• Molecules and Cells
• /
• 제42권7호
• /
• pp.512-522
• /
• 2019

Chromosomes located in the nucleus form discrete units of genetic material composed of DNA and protein complexes. The genetic information is encoded in linear DNA sequences, but its interpretation requires an understanding of three-dimensional (3D) structure of the chromosome, in which distant DNA sequences can be juxtaposed by highly condensed chromatin packing in the space of nucleus to precisely control gene expression. Recent technological innovations in exploring higher-order chromatin structure have uncovered organizational principles of the 3D genome and its various biological implications. Very recently, it has been reported that large-scale genomic variations may disrupt higher-order chromatin organization and as a consequence, greatly contribute to disease-specific gene regulation for a range of human diseases. Here, we review recent developments in studying the effect of structural variation in gene regulation, and the detection and the interpretation of structural variations in the context of 3D chromatin structure.

• 한국철도학회:학술대회논문집
• /
• 한국철도학회 2007년도 추계학술대회 논문집
• /
• pp.462-467
• /
• 2007

From the research which it sees verification of the whole interpretation and local interpretation of the durability steel deck bridge a static test and it produces the test body which it sells with character and it executes smallness pul lek detailed interpretation it leads and the appropriate characteristic of smallness pul lek detailed interpretation and to sleep a nominal stress price and it compares it judges it does. The stress quality from each structure region which it follows in load stock location it analyzes and from the hazard which evaluates, the objective region the length rib and the bottom grater weld zone, the length rib and width rib connection department and the width rib with the father it divided. It investigated the stress distribution of the test body from these objective location, FEM interpretation it led and the conduct against each structure state tax it analyzed. General conduct the load stock location the floor plate is located in the center with interpretation price together symmetry characteristic to seem, it cannot be like that it cannot there is one actual test price. Like this reason the length rib and width rib connection actually production even production characteristic security it is a day when it is impossible with the curvature junction department which it blows, it follows in examination body deferment condition and form feed with the fact that it is visible a big difference even with error of some it becomes. Consequently for a data and the research which are more accurate it is judged with the fact that the effort which is prudent will be necessary.

• 조형예술학연구
• /
• 제1권
• /
• pp.125-164
• /
• 1999

The Grid, a lattice structure adapted in paintings, is one of thesimplest plastic structures based on the intersection of horizontal and perpendicular lines. Though mankind has, from the pre-history to the present day, put it to good use in everyday life as a traditional practice or a magical, esoteric, religious emblem in the case of the teciform of primitve art, it was in the paintings of Piet Mondrian that the Grid showed its modern, artistic transformation. As we suggest in the title, before I state the Grid as a plastic construction of modern painting, this dissertation inquires the Grid structure that extends over paintings through the ages as a painterly conept, especially focused on their formation and deconstruction. To begin with, my dissertation investigates, as a historical background, a general idea of the geometrical structure and phases of its transition in art, prior to dealing with the Grids as plastic strures in modern painting. the core of my study on formal Grids is permeated through the third chapter. The first chapter concentrates on, firstly, difining the notion of the Grid and geometrical structure, secondly, searching for a historical backgrounb with whict the so- called modern Grid-paintings come in, inquiring into the formation of the illusion-Grid as aresult of discovering the linear perpective and the situation of the conflict and reconciliaton between reality and illusion. Based on these considerations, the second cecond chapter will examine the various sitations of formation and adaptation of the paintery Grids in the Literalism-Grid, as we have already seen in the chapter one. And the cardinal third chapter devotes itself to the process of the formation of the so-called Object-Grid and Literal-Grid in the Literalism or Minimalism as its logical extension of the Painterly Grid. With it we can get to an interpretation and understanding of the meaning and qualites of Grid dwelt in Modernism thst transformed the structure of Painterly Grid originally as a plane concept to the third dimentionl structure. And then, the fourth chapter, we try to draw a new meaning andre-interpretation of the Formal-Grid as a representatuinnal structure appeared in the post-modernist paintings, going with its deconstructional situation. Therefore, we can, in our study on Grids, see the various points of view in the interpretation of them as illusion-structure, as plane-structure, and as cubic-structure; its concept differs form times, oscillating between its formation and deconstruction. The Grid, as we have seen in my dissertation, contains various problems and significations in art that deserve to investigate throughly, including some important plastic problem such as space and plane, and, in the case of do-grid, time. We may expect new concepts of it that will have difference meanings. 1 hope my study makes some contributions to understanding the coordination of the abstruse modern and contemporary art.

• 한국실내디자인학회논문집
• /
• 제16권4호
• /
• pp.31-38
• /
• 2007

This study is interested in how philological interpretation of a space text were patterned so as to give the text structural cohesion. A similar philological motivation incorporates some of the notions of generative grammar. Interpretation is the process of recovering the cultural meanings expressed in discourse by analysing the linguistic structures in the light of their interactional and wider social contexts. Viewed in this light, the process of this study is illustrated as follows: At first, this research contains basic concepts of signification of text and context, and theories of spacial text and context of typological structure in terms of Ricoeur's structural Hermeneutics. Secondly, it concretize a logic that traditional space context is inserted in organized attribute like emotion, spirit, nature as character of contemporary space text through typological structure. Finally, from aspect of designation theory among interpretive semantics, it shows that korean contemporary space design is incorporated with typological structure of korean traditional palace spacial context homologically through the case study of I-Hotel space design. Through this process, this study suggest that positivistic interpretation methodology by designation of text is logical thinking of Korean traditional space design.