• Title/Summary/Keyword: image analogy

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A Plan on the Applicability of Concept & Symbolism in the Interior Design - SuWon BukBu Community Church Remodeling design - (개념과 상징성을 적용한 공간계획 - 수원 북부 교회 리모델링계획 -)

  • Song, Choon-Eui
    • Proceedings of the Korean Institute of Interior Design Conference
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    • 2005.10a
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    • pp.207-208
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    • 2005
  • This plan is to express a Image and Symbol in the Church Architecture by analogy and metaphor. The Church was spiritual sympathy of the god and a human being. So, symbolic image is important in church architecture at present. These symbolize express to wishful message, persecution, miracle and Noah's Ark. In this project, meaning is transmitted to through with analogy.

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The Characteristics of Imagery Thinking in the Processes of Science-Gifted Students' Generating Analogy (과학영재의 비유 만들기 과정에서 나타난 심상적 사고의 특성)

  • Yang, Chan-Ho;Park, Won;Kim, You-Jung;Choi, Gil-Soon;Noh, Tae-Hee
    • Journal of the Korean Chemical Society
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    • v.55 no.5
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    • pp.846-856
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    • 2011
  • In this study, we analyzed the characteristics of imagery thinking in the processes of generating analogy of seventh grade science-gifted students in terms of the information-processing of imagery. The analyses of the results revealed that science-gifted students' information-processing of imagery in the processes of generating analogy consisted of image generation, image operation, and image representation. The types of imagery used by science-gifted students were classified into perception imagery, memory imagery, and imagination imagery, and there were some differences in the patterns of information-processing of imagery. In the bases of these results, we suggested the information-processing model of imagery by the types of imagery used in generating analogy. The results of this study may provide useful implication to develop effective methods for a strategy of generating analogy emphasizing the interaction between analogy thinking and imagery thinking which promotes imagery thinking of science-gifted students.

A Study on the Utilization of Interior Lanscape Plant through the Investigation of Image -Focused on the Tall Trees- (이미지 조사를 통한 자생수종 활용에 관한 연구 -상층목을 중심으로-)

  • 조현진;방광자;이남현;이영현
    • Journal of the Korean Institute of Landscape Architecture
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    • v.25 no.3
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    • pp.210-221
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    • 1997
  • This study was conducted to investigte the visual preference and response between introduced and native trees for utilization of the south native trees in interior space. 1. The intensity of illumination was below 500lux at 24 buildings of interior spaces surveyed. Generally the temperature was 24~$26^{\circ}C$, and humidity was 60~70%. 2. Total number of introduced tree species were 9 familiar, 16 genus, 18 species, especially palm genus were the largest tree among them at these surveyed interior spaces, but native trees were only 2 species. The introduced tree of 2 to 3m in height was 46 percent, and the case of 1.2 to 2m was 42 percent. 3. The mean of visual preference was the highest at Rhapis excelsa and howeia belmoreana, and followed with Neolitsea sericea, Daphniphllum macropodum, Listsea japonicum. In the mean of visual preference for selected tree groups, native tree was not different as compared with introduced tree. 4. Visual image factor of the native and introduced trees at interior spaces was classified by individual factor and emotional factor. These 2 factors were shown 66.5% total variance. The native tree was strongly recognized on individual factor, as , and introduced tree was also strongly recognized on emotional factor. 5. In the analysis of visual preference and image, a difference between the selected groups of the introduced and native trees were not shown significant, and the introduced trees were similar to the native trees on the visual image. This result was as follow There was an analogy between Cinnamomum camphora, Ligustrum japonicum and Ficus retusa, Ficus benjamina. There is an analogy between Castanopsis cuspidata var. sieboldii, Cinnamomum japonicum and Ficus retusa, Ficus benjamina. There was an analogy between Elaeocarpus sylvestris var. ellipticus, Fatsia japonica and Rhapis excelsa, Howeia belmoreana. There was an analogy between Neolitsea sericea, Daphniphyllum macropo여, Listsea japonica and Rhapis excelsa, Howeia belmoreana. There was an analogy between Elaeocarpus sylvestris var. ellipticus, Fatsia japonica and Dracaena fragranse, Ficus elastica, Monstera deliciosa.

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A Study on The Analogy Analysis Of The Space (공간에 나타난 유추적 표현에 관한 연구)

  • 이진민;이지현
    • Korean Institute of Interior Design Journal
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    • no.39
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    • pp.28-36
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    • 2003
  • The yardstick of value has transformed into personal and sensitive one after it went through an Industrial society. The space in the society of sensitivity is defined by a semiotic character rather than as a physical object aimed at satisfying basic desire. Through this character, space makes a meaning and comes to exist an exchanging productive place. Environmental transformation is demanding further ample sensitive expression. In connection with the above, this thesis aims to identify the characteristics of sensitive and human-centered approach and systematize the analogy analysis which is applied to the interior space, classified by elements by introducing the concept of analogic inference in the field of rhetoric and through a diverse genres. As an approach, this thesis is entitled the analogic inference of the field of rhetoric to various art genres, and as a analogic interpretation genre, this thesis Is subdivided it into the fields of literature, image, fashion, flower art, and visual design, and study the analysis of analogic inference as a means of materializing storied space through the connection literature with design.

Creative Design Thinking with Analogy of Verbal/Visual Information (언어/시각정보의 유추에 의한 창조적 디자인 사고)

  • 우흥룡
    • Proceedings of the Korea Society of Design Studies Conference
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    • 1999.10a
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    • pp.14-15
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    • 1999
  • 디자인은 일반적으로 목적지향의 창의적인 문제해결 과정으로 볼 수 있으며, 그 결과로 구체적인 대상이 세상에 존재하게 되는 것이다. 즉 무형적인 컨셉트를 가시적인 대상으로 전환시키는 산업 디자인분야에서 시각심상의 표현을 통한 조형성과 창의성은 디자이너의 중요한 소양중의 하나가 된다. (중략)

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I.A New Family of Orthogonl Transforms: Derivation based on the Parametric Sinusoidal Matrix (I. 새로운 직교 변환군 : 매개변수형 삼각함수 행렬에 의한 유도)

  • Park, Tae-Young
    • Journal of the Korean Institute of Telematics and Electronics
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    • v.24 no.1
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    • pp.159-166
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    • 1987
  • A new family of sinusoidal orthogoal trnasform is introduced. For a derivation, a parametric sinusoidal matrix whose transform might be implemented by a suitable FFT algorithm is modeled basically on the analogy of well-known sinusoidal transform such as DCT,SCT, etc., and its orthogonality condition is calculated. The parameters satisfying orthogonality condition are determined, in a sense, by particular solution after trial and error. However more than then transform matrices not yet known are obtained. It is also shown that these transforms can be computed by a DFT. of an image.

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Study on Characteristics of the Development Process of Fashion Design Thinking through the Lexicon (어휘를 통한 패션 디자인 발상 전개 과정의 특성 연구)

  • Kim, Yoon Kyoung
    • Journal of the Korean Society of Costume
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    • v.64 no.2
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    • pp.113-125
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    • 2014
  • Creative thinking requires an ability to draw ideas on the given topic in a given time period with concentration. For this, the development process of design concept on the topic was collected through experiments and interviews targeting 10 fashion education experts and 10 clothing majors. After the analysis, the results are as follows: First of all, divergent thinking was done to find as many ideas and possibilities as possible at the step of expanding the topic by analogy. This showed characteristics of spreading thoughts through the spread of lexicon to professional field knowledge of learned, individual's cultural background, other art fields. Second, abstracted and designed words that are expanded and listed by the topic analogy were specified the topic gradually through the free combination method between lexicons. The sentences made by the combination of lexicons were interpreted through the serial listing method, in which the connection between sentences had the meaning of orderly cause and effect form, and the parallel listing method that treated information at once. Third, the few characteristics of the procedure that visualizing into the specific design are as follows. Firstly, the method to transform image that lexicon has into the one appropriate to the topic, the case that reflects external characteristics of selected designed word, and the case which reflects as the extrinsic expression of personal immanent and tactic desires. This study has its means to propose methods and directions to help create more creative and systematic ideas by analyzing the characteristics that appeared during the process of thinking language-oriented design.

Constructing Content Producing Group with Creativity under Media Convergence Environments (미디어 융합 환경 하에서 창의적인 콘텐츠 생산그룹의 구성에 관한 연구)

  • Kim, Joong-Gyoo;Lee, Chang-Hoon;Jang, Young-Cheol
    • Journal of Digital Convergence
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    • v.7 no.3
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    • pp.137-146
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    • 2009
  • This paper aims to propose a framework of content creating group with creativity under new convergence environments. The framework is built based on content concept hierarchy(deep/surface) relating with the creativity of group members. The diversity of group members(potential creativity) decrease and change into creative abilities in one unified view at each content concept hierarchy in time. To do this, three methods of building a creative group(interaction-base, direction-base, hybrid) are proposed. Cooperating processes and operators are designed to promote creative abilities in the content producing group. These cooperations are considering new media convergence industry's job road map(IPTV) and fundamental content attributes(semantic, narrative, discourse). In the framework, creative content is produced with the help of member's cultural openness, media richness and synchronicity, hierachical adaptability on dissimilarity. Deep level creativity of cognitive semiotics on moving image content is composed of psychological, transformational, situational creating abilities in the structure of group members. Designing analogy, metaphor, symbol operators help members to traverse deep structure of content concept hierarchy. Our framework has strong points to relate fundamental content deep structure with structure of content producing group and to induce creativity on cognitive structure of human being.

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Image Segmentation Using Mathematical Morphology (수리형태학을 이용한 영상 분할)

  • Cho Sun-gil;Kang Hyunchul
    • The Journal of Korean Institute of Communications and Information Sciences
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    • v.30 no.11C
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    • pp.1076-1082
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    • 2005
  • Recently, there have been much efforts in the image segmentation using morphological approach. Among them, the watershed algorithm is one of powerful tools which can take advantages of both of the conventional edge-based segmentation and region-based segmentation. The concept of watershed is based on topographic analogy. But, its high sensitivity to noise yields a very large number of resulting segmented regions which leads to oversegmentation. So we suggest the restricted waterfall algorithm which reduce the oversegmentation by eliminate not only local minima but also local maxima. As a result, the restricted waterfall algorithm has a good segmented image than the other methods, and has a better binary image than the histogram thresholding method.