• Journal of the Korean Home Economics Association
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• v.30 no.2
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• pp.87-95
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• 1992

This study attempts to fix an appropriate quantity of space evaluation, focusing on important furniture room visual environment elements. The major results of the study can be summarized as follows; 1. The degree of satisfaction in the living room is affected by an evaluational factor among factors of space evaluation. 2. In the space estimation for the furniture, the wall furniture is important in the living room because the arragement and occupying proportion of the wall furniture varies widely. 3. In the living room of the APT siza for the common people an appropriate quantity of furniture is classified into 3 types of the occuppying proportion. As the floor occupancy proportion supporting furniture is 13~19%, wall furniture is 10~16% and total furniture which combined both the supporting furniture and the wall furniture is 23~34%. Second, the proportion occupying the wall is 6~9% for the supporing furniture, 9~20% for the wall furniture, and 21~31% for the total furniture. Finaly the proportion occupying the space is 6~9% for the supporting furniture, 9~20% for the wall furniture, and 21~31% for the total furniture. Finaly the proportion occupying the space is 6~9% for the supporting, 6~10% for the wall furniture, and 11~16% for the total furniture.

• Journal of the Korea Furniture Society
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• v.23 no.2
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• pp.122-129
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• 2012

This article was intended as fundamental materials to recognize the current status of furniture hard ware in Korean market and to fix the identity of Korean furniture, by investigating and comparing the furniture hard ware used in the Joseon era and in modern times by type, function, shape and material. The analysis of furniture hard ware of the Joseon era and modern times from the view of functional aspects was oriented to the hard ware necessary to open and close the door & drawer on one side, and to that being attached to the main body of furniture not to scratch the wood by another wood on the other side, and from this the following conclusion was drawn. First of all, "Gwangdoojung" - a kind of spike- and metal decoration on the edge of the furniture disappeared, while the function-oriented hard wares have been diversified in modern times, from the perspective of the change of kinds. Second, the functional aspect of the furniture hard ware was emphasized in modern times than the Joseon era. In other words, the hard wares of the Joseon era came into view due to their strong appeal to decoration, whereas those of modern times were mostly hidden or moderated, keeping the function substantially. Third, the hard wares from the Joseon era were shown in concrete and detailed shape motivated by natural objects and furthermore even gloriously, but the modern hard wares are simple & basic geometry, from a formative point of view. Fourth, the material aspects present that the Joseon era's hard ware was mainly cast iron, whereas that of modern times shows the diversification from metal to even plastic. Finally, the recent trend in naming of the hard wares is the words of foreign origin. This resulted from that the foreign names of hard wares are valid also after import process in Korean market, so the domestic development of hard ware as the essential factor for the furniture design is urgently necessary to establish the identity of Korean modern furniture.

• Journal of the Society of Disaster Information
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• v.10 no.1
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• pp.84-90
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• 2014

During earthquake, the safety control plane at home is very important to prepare the turnover and falling accident of furniture as a disaster measures. But a lot of people might not have knowledge and education on the safety control plane at home such as the fixing of furniture. Therefore, in this study, the test application of iPhone was developed to enlighten and educate them using the smart phone. Through this application, residents, furniture store employees, moving service workers, builders and etc. will be able to understand the safety control plane at home.

• Journal of the Korea Furniture Society
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• v.22 no.3
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• pp.151-159
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• 2011

This study is to suggest versatile chair designs that are organically shaped to take individual orientation. This study intends to provide design method to ensure the face of the chair that contacts the body of its user is transformed flexibly to support the body. The movement of human body is not just a behavior but the ways and tools that reflexively express against external stimuli that are sensed and identified by the person. The versatile chair whose users' sitting position is fixed is made by covering the lump form with a piece of cloth ensuring that the content is firmly fixed and by placing the beads-woven wood fabric according to the shape. And then, it is covered with the external cover. The proposed versatile chair designs assume specific forms as follows: First, it is a versatile chair whose user's sitting position can fix. The organically-shaped form that can accept varying postures is made as a mass, which changes into different shapes when human body touches the form so that users can lie down or sit. Due to such transformation, body posture is determined and individual differences in shape changing are all acceptable. Second, it is a versatile chair that reflects the user's position in a fixed chair, where a cloth-wrapper feature is applied to the form a sifit wrapped postures so that a variety of body postures can be accepted. Finally, a versatile chair that reflects the user's position by changing the shape of is covered with forms so that it will be transformed and used in accordance with situations and chair shapes and reflect multiple shapes including round or square ones.