• Architectural research
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• 제16권4호
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• pp.175-183
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• 2014

Contemporary architecture tends to deconstruct modern architecture based on rationalization just like reductionism and functionalism and secedes from it. It means change from mechanical to organic and ecological view of the world. According to these changes, consideration of a compositive relationship presented variety and complexity in architecture. Thus, the modern speculation based on rationalism cannot provide an alternative interpretation about complicated architectural phenomena. At this point in time, the purpose of this study is to investigate the possibilities of the fractal as an alternative tool of analysis and design in contemporary architecture. In this study, two major aspects are discussed. First, the fractal concepts just like 'fractal dimension', 'box-counting dimension' and 'fractal rhythm' can be applied to analysis in architecture. Second, the fractal formative principles just like 'scaling', 'superimposition trace', 'distortion' and 'repetition' can be applied to design in architecture. Fractal geometry similar to nature's patterned order can provide endless possibilities for analysis and design in architecture. Therefore further study of fractal geometry should be conducted synthetically from now on.

• 한국영어학회지:영어학
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• 제2권4호
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• pp.575-587
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• 2002

In this paper we discuss the contrastive nature of formalism and functionalism in linguistics. Though the mainstreams of linguistic analysis have been focused on the form and function, they have been challenged from each other's strong points. On the one hand, the formal description has been studied in the tradition of generative grammar. On the other hand, the functional nature has played a crucial role in the framework of language use. It seems undesirable to argue that there is one-sided bias toward any type of linguistic approach. I try to present a balanced view of these two contrastive approaches. We also argue that there should be a cooperative work in developing the mutual growth of linguistic theory.

• 디자인학연구
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• 제13권1호
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• pp.87-100
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• 2000

본 논문은 디자인 사고에 대한 이해를 바탕으로 모던 디자인 현상에 자리하는 디자인 사고를 고찰하고 있다. 디자인이라는 언어를 통해 일상 삶을 변화시키고자 했던 모던 디자인의 기획은 기하학적 조형과 기능에의 집착, 기계의 적극적 수용 등과 같은 구체적 현상으로 발현되었다. 그 이면에는 '효율과 편리에 대한 집착', '환원된 필요를 기능과 대응시키는 전략', '전문가 시스템을 바탕으로 한 부분의 합이 전체라는 믿음', '사적 공간과 공적 공간을 구분하는 것과 같은 이분법적 사고'들이 자리하고 있다. 수공예적인 생산양식에서 기계적 생산양식으로의 이행과 자아에 대한 인식 등이 가능했던 사회 분위기가 이러한 디자인 사고를 가능하게 하였다.

• 한국가구학회지
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• 제12권1호
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• pp.81-89
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• 2001

Scandinavian countries have hold tradition shared historically and culturally in common, brought the weighty traditional thoughts enabled to develop their unique culture. Since 1940s, Scandinavian design could pervade with affectionate forms and practical effectiveness with worldwide popularity. It was brought by creation of new and useful forms for the convenience in life, functionalism but not bounded by fashion of it. This study tried into the meaning of their history of modern furnishings design based on the development background of furnishings design, its trends, designers and their work focused around Sweden, Finland, and Denmark. Scandinavian furnishings is a functional furnishings reconciled to natural material and human life exactly correspond to the taste of the generation unrestricted from the tradition of contemporary and compact design preference or classic favored preference. The practicality and exquisite techniques of Scandinavian furnishings lies within the realm of possibility for studiously love of the world.

• 한국실내디자인학회논문집
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• 제9호
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• pp.30-37
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• 1996

The Modern architecture, generally represented as Functionalism, had brought the important problems of the absence of cultural meaning and of the public alienation. Robert Venturi is one of the major architects who suggested the new theory of Architecture. Postmodernism, for solving these problems . Therefore the purpose of this study is to analyze his design ideas and works especially for four residential projects : Vanna Venturi House, Guild House, Brant Johnson House and Brant House, His design ideas are Complexity and Contradition, Symbolism. Ornamentalism and Pluralithy of meaning . The various historical and traditional elements are refereed as symbolic and ornamental elements. The symbolic and cultural meaning of architecture through their images, memories, and associations concerning historical motifs help communicate with the public . Robert Venturi tries to pursuit Populism in architecture through historical allusion and pop art.

• 한국실내디자인학회논문집
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• 제19권1호
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• pp.148-157
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• 2010

The purpose of this study is to identify characteristic of Swedish modern furniture design through design works made by 8 prominent Swedish furniture designers during the 20th century. The study was completed through literature reviews and searching for web-sites of Swedish distinguished furniture companies. 8 furniture designers, eg. Erik Gunnar Asprund, Carl Malmsten, Josef Frank, John Kandell, Mats Theselius, Bruno Mathsson, $\AA$ke Axelsson and Yngve Extr$\ddot{o}$m were selected to identify the characteristics of Swedish modern furniture design. The results are as follows: 1) they pursuit simple and functional design beyond time. 2) they pursuit functionalism modified with Swedish traditional craftsmanship. 3) natural wood is considered as the most beloved material for the furniture together with other natural materials such as hemp, leather and cane. 5) easy maintenance and durability of the furniture are considered as important factors to make it last long. 6) ecological concept is fulfilled to meet environmental legislation.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.171-175
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• 2005

The Principle of space composition in modern architecture is thought about functionalism that based on function and program but the present age attempt that escapes form of former space composition. The present age brings fast development than former ages, so we need the space which has correct flexibility on New Age for escaping in existing structural formality. Specially, the space that boundary of existing plate, column and wall is crumbled as becoming possible technological support with social backgrounds. What this study saying is the analysis about the relation between the concept of topology and the consecutive space composition. Therefore, there is the purpose understanding a characteristic of continuity of the plate through the topological concept and understanding the roll in interior space.

• 대한건축학회논문집:계획계
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• 제35권11호
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• pp.79-88
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• 2019

The goal of this paper is to explore the relationship between modern architecture and interior decoration through the study of decoration and ornament. It is noteworthy that modern architecture and interior decoration occurred at about the same time. Our analysis shows that the two are closely related to each other. That is to say, modern architecture tried to eliminate ornaments (and decorations), symbols and meanings from the built environments and to embody efficiency and rationality instead. However, in the interior of the building designed and completed by the architect, the user began to decorate his world through decoration or to refer such work to the new expert 'interior decorator'. In a word, the latter took charge of the role deserted by modern architecture.

• 건축역사연구
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• 제12권2호
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• pp.41-59
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• 2003

Hugo $H\"{a}ring$(1882-1952) belonged to that special generation of architects born in the 1880s which became responsible for the establishment of Modern Movement in the 1920s as W. Gropius, Mies van der Rohe and Le Corbusier, etc. Although he have been overlooked by many historian, He was a key figure of the Modern architecture and as the main theorist for Organic stream in German architecture. He is well-known for his theory of 'Neues Bauen(New Building)', the organic functionalism that is epitomized as the design process from the inside outwards, starting with the life-processes of dwelling. So he argued that the builder must become aware of the life process his building is to serve, and he should not impose a form but try to find the form. These concepts are expressed well in his key-words, the 'Organwerk(organ-work)' and 'Leistungsform(form as achievement)'s. $H\"{a}ring's$ theory can be found in the short early essay, 'Wege zur Form(approaches to form)' of 1925. But His concept of 'function' is based on the speciality and individual identity that concerned him from the start, not purely pragmatic aspects. After 1940s his theory moved increasingly in this direction. He defined this as the transition from 'Organwerk' to 'Gesetaltwerk', from mere anatomy to essence, being, personality, life. It suggest that Hugo Haring's idea of Gestalt is a dimension of mystical or symbolic meaning. This paper Is about the way in which this theoretical transition can be parallel with contemporary philosophers as E. Cassirer's philosophy of symbolic forms and M. Heldegger's phenomenology. And the key example of this viewpoint is (1921-1926) near Lubuk in Germany, with its 'cowshed' of pear shaped plan devised around the requirements and rituals of farm. This study presents the symbolic conception of Hugo $H\"{a}ring's$ theory can propose the ability of a symbolic intuition as a view that re-integrate technical thinking with knowledge of other kinds beyond the immediate material.

• 한국과 국제사회
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• 제2권1호
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• pp.93-112
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• 2018

북한의 거듭된 핵실험과 미사일 도발로 인해 한반도의 긴장이 고조되고 있다. 북한 핵에 대한 확실한 핵우산과 북핵의 완전한 폐기를 위해 전술핵 재배치 등 모든 옵션의 가능성을 제한하지 말아야 한다. 스포츠교류로서 2018 평창동계올림픽은 기능주의 입장에서 한반도 통일의 길에 하나의 의미 있는 이벤트라고 할 수 있다. 그러나 신기능주의 입장에서 현재의 북한 핵 위기는 한미동맹의 강화 위에서 풀어가는 것이 가장 올바르고 분명하며 강한 안보를 통해 북한 도발을 응징해야 한다. 지금은 국제사회와 함께 봉쇄와 압박에 매진할 때이다. 유엔의 제재와 미국 등 여러 국가들의 독자제재에도 불구하고 북한의 계속되고 있는 핵실험과 미사일 도발은 북한에 대한 더욱 강한 압박이 필요하게 만들고 있다. 미국과 중국의 역할과 협력도 더욱 강조되고 있다. 오바마정부의 '전략적 인내정책' 보다 적극적인 트럼프의 한반도 정책을 확실한 한미동맹을 통해 우리는 잘 대응하고 활용하여 북한의 비핵화와 민주평화통일을 이루어 내야 한다.