• 한국육종학회지
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• 제42권2호
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• pp.188-194
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• 2010

시클라멘의 꽃 및 꽃눈의 색, 잎의 모양과 무늬 등의 질적 형질에 대한 유전 분석을 위하여 이들의 특성이 다른 계통을 교잡한 후, $F_1$, $F_2$ 및 여교잡 세대에서 분리비를 조사하였다. 화색은 $F_1$이 양친의 중간색을 나타냈고, $F_2$는 자방친 화색: 중간 색($F_1$과 동일): 화분친 화색이 1: 2 : 1로 분리되어 한 쌍의 대립유전자가 불완전우성으로 유전하는 것으로 나타났다. 꽃눈 색은 흰색 ${\times}$ 빨간색 계통의 조합에서 $F_1$이 빨간색으로 나타났고, $F_2$에서 빨간색 3: 흰색 1로 분리되어 한 쌍의 대립유전자가 우성으로 작용하는 것으로 밝혀졌다. 모인 꽃잎 형태는 흐트러진 꽃잎 형태에 대하여 완전우성으로 유전하는 것으로 나타났다. 잎 형질에 있어서는 넓은 은색 무늬 잎이 선형 무늬 잎에 대하여, 그리고 피침형 잎 끝이 타원형 잎 끝에 대하여 각각 우성으로 작용하는 한 쌍의 대립유전자가 관여하는 것으로 나타났다. 이와 같이 시클라멘의 질적형질의 발현에는 한 쌍의 대립 유전자가 작용하며 꽃의 색은 불완전우성으로, 꽃눈의 색, 잎의 형태 및 무늬는 완전우성으로 유전되는 것으로 밝혀졌다.

• Plant Resources
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• 제8권3호
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• pp.235-243
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• 2005

The purpose of this research is to establish basic database on Cornus kousa by way of investigation, analysis and comparison of characteristics of leaf and flower, then fostering good cultivar on each morphological characteristics - leaf length, leaf width, petiole length, left lateral vein, right lateral vein. Leaf length and leaf width in Mt. Jiri shows big tendency which is 83.5 mm, 52.4 mm each in comparison with the whole mean of 72.5 mm, 41.2 mm, whereas populations of Suwon and Mt. Halla has leaf length of 66.0 mm, 65.7 mm - 9.8%, 10.4% lower value in comparison with seven mean population; leaf width is 38.4 mm, 35.3 mm - 7.3%, 16.7% lower than whole mean and shows lowest tendency among seven selected populations. Long width of flower and short width of flower in Boeun shows big tendency which is 99.9mm, 96.5 mm each in comparison with the whole mean of 76.0 mm, 73.6 mm, whereas populations of Mt. Halla has 50.1 mm, 48.2 mm which shows lowest tendency. On petal length, petal width and length of flower petiole, Boeun populations have bigger and Mt. Halla shows little tendency. The measurement result of flower colors on each population by using Spectrum Color Mater shows followings: populations of Mt. Duckyoo and Mt. Halla shows lower lightness than any other populations, but wholly shows higher lightness which is refers brightness in seven selected populations. Thus it shows peculiarities of white flower color.

• 원예과학기술지
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• 제30권5호
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• pp.613-616
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• 2012

The new Cymbidium variety 'Pink Glory' (Palace Court 'Jacky' ${\times}$ Lucky Rainbow 'Saint Rapine') was developed at the National Institute of Horticultural & Herbal Science, Rural Development Administration in 2006. A cross was made in 1995 between C. Palace Court 'Jacky' with a medium sized bright pink colored flowers, and C. Lucky Rainbow 'Saint Rapine' with pink colored flowers. In 1999, one line was selected based on the flower color, leaf shape, flower stalk, and vigorous growth. Evaluation and selection trials were conducted from 2000 to 2004. 'Pink Glory' has a light pink sepal (RHS, RPN66D), red lip (R52B) and a leaf length of 87.5 cm. The average number of flowers on each peduncle was 20.5 and the flower diameter was 8.6 cm. The general impression of petals and sepals showed some incurved and some spreading. 'Pink Glory' has a vigorous growth character and a rounded flower shape. It has an adequate peduncle height (66.5 cm) compared to leaf length (87.5 cm) and starts to bloom in late January under optimal cultural conditions.

• 한국자원식물학회지
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• 제23권6호
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• pp.541-549
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• 2010

The present study researched morphological characteristics and analyzed the genetic diversity by using RAPD in Calanthe species, native plant in Jeju, Korea. Twenty-six samples were selected by flower color, and 19 horticultural traits were investigated to study morphological characteristics. The C. discolor had the smallest leaf, the length and width of dorsal sepal, lateral sepal, petal, central lip, lateral lip, and flower stalk length were shortest and/or smallest except the spur and ovary length in Calanthe species, but those of Calanthe discolor for. sieboldii (Dence.) Ohwi (Calanthe discolor for. sieboldii) were the largest and/or biggest, and those of variants were the intermediate between C. discolor and C. discolor for. sieboldii, but spur length was the longest in C. discolor, the shortest in C. discolor for. sieboldii, and intermediate in the variants. Ovary length in C. discolor was shortest and C. discolor for. sieboldii and variants were similar with each other. The flower colors of C. discolor were brownish red, the value of CIE Lab was between 40 and 50. The flower color of C. discolor for. sieboldii was yellowish; the value of CIE Lab was between 110 and 130. And variants had various colors between 50 and 70 in the value of CIE Lab. After analyzing multiple band patterns of PCR products, 154 bands were selected as polymorphic RAPD markers. The analysis of Genetic distance of Calanthe species using RAPD showed that C. discolor and C. discolor for. sieboldii are more distant from each other than variants, and demonstrated the fact that genetic position of variants is between the other two species.

• 한국한의학연구원논문집
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• 제12권1호
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• pp.39-48
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• 2006

The Following is a list of specific external and internal morphology of Rheum palmatum L. and R. undulatum L. in Rhei Rhizoma. 1. For the original plants of Rhei Rhizoma in the literatures. 18 plants are reported. 2. The external characteristics of original plant : R. palmatum has a large palmate leaf, its petiole of radical leaf has a simple bristle and its flower is purple and pink color. Whereas R. undulatum has a medium ovate leaf, its petiole of radical leaf is purphish, its stem leaf surrounds a half of stem and its flower is yellowish white color. 3. The character of herbal states : a. diameter and size-- R. palmaum is bigger and heavier than R. undulatum. b. in section--R. palmatum is dark brown color, R. undulatum is bright brown color Fibrovascular bundle is arranged in circle shape in R. patmatum. R. undulatum shows a distingushed wheel shape. 4. The internal characteristics : R. palmatum has a large intercellular space of cork layer, its cambium is clear and a xylem medullary ray is comparatively tight, Whereas R. undulatum has a tight intercettular space of cork layer., its cambium is a few clear and xylem medullary ray is verty tight. As these results, additional study is required to distinguish herbs and their effect among many kinds of same genus-degree of relatedness.

• 복식
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• 제57권2호
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• pp.143-154
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• 2007

This study's purpose is how express gender image according to sex in editorial fashion photography. This study's objectives are the women's magazine Vogue, Harper's Bazaar and man's magazine GQ, Esquire published 2000-2005 within the country. The photography was classified with established a standard based on the precede studies. The photo is classified Gender image according to dress and its ornaments, model character and atmosphere by Sex Expression of femininity woman has exposure of body parts and emphasizing thin eyebrows and red lips, soft and mild image, modest and static pose. Man expressed femininity used ladylike color and pattern, erotic exposure of body and long hair style. Commonly emphasizing red lips, natural background of flower plant, S-line. For expression of masculinity man and woman are used masculinity item, short hair-style and thick eyebrows. And also emphasize square like chin and shoulder. Specially, woman used direct silhouette to conceal soft body curved line. The expressions of androgynous woman and man are colorful dress and make-up. Woman emphasized male face to show and man expressed soft image through hull of abundant material of fur. All two sex selected method that conceal body curved line and face to express sexless. Hiding characteristics of body and face make indistinct of sex. The gender is affected by atmosphere such as model and illumination background as much as clothes because of the editorial fashion photography.

• 복식문화연구
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• 제14권2호
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• pp.206-219
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• 2006

The purpose of this study was to design the ideal student uniform for improving the university image which is related to ideal PR (Public Relations). The results of this study were as follows: Firstly, as for the matter of UIP(University Identity Program), the uniform must transfer the university image. Using the UIP symbol color, the uniform is harmonious with university environment, and should be properly expressed visual image of the university. Secondly, the symbol which expressed the tradition and the spirit of the university was the very important factor to transfer its unique university identity and image of the university in the uniform design. The symbol which comes from the character or textile prints of the university symbolic flower or animals should transfer the consistent and unique design of university identity. Thirdly, the uniform has to be designed considering of the fashion trend as well as the essential factors for the uniform, considering such as functional, beautiful, symbolic aspects. In designing the uniform, fashion trend should be considered to combine the students and the uniform users to be one. As mentioned above, the uniform design which is suggested on this study should be helpful for the improvement of the university status and the reinforcement of the university PR.

• 원예과학기술지
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• 제18권2호
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• pp.103-106
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• 2000

RAPD 방법을 이용하여 국내자생 자란과 일본자생 자란의 유전적 다형성을 연구하였다. PCR 결과 156개의 재현성을 보이는 band를 얻었으며 그 중 58개가 다형성을 보였고 98개는 단일성을 나타냈다. 유연관계 분석 결과 자란은 세가지의 그룹으로 분류되었다. 첫 번째 그룹은 국내 A(자생일반종), B(목포산 자생 반엽종), C(자생 반엽종) 그리고 일본품종 D와 E(일본자생 일반종)가 속한다. 국내 무늬종 B와 C의 유사도 0.806, 일본품종 D와 E는 0.778로 매우 높게 나타났다. 두 번째 그룹은 일본품종 G(일본자생 왜성종)만이 분류되었다. 그리고 세 번째 그룹은 일본자생 무늬종인 F와 H(일본자생 무늬종)가 포함되었다.

• 디자인융복합연구
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• 제14권5호
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• pp.31-45
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• 2015

근래 들어, 인터랙티브한 매체의 활성화로 인해, 사용자의 인풋과 인터랙션을 타이포그래피에 직접적으로 반영하는 인터랙티브 타이포그래피가 발전하고 있다. 기존의 고정(fixed) 되어 있던 매체에서의 타이포그래피 디자인과 달리, 유동적으로 변화하는 인터랙티브 타이포그래피는 인터랙티브 시스템(Interactive system)을 바탕으로, 다양한 디자인 결과물을 즉각적으로 양산해 낸다. 이 연구에서는 기초 연구를 통해 작품을 구현했다. 기초 연구 단계에서는 문헌 연구를 통해, 인터랙티브 타이포그래피에 대해 고찰해 보면서, 함수의 개념을 빌려 인터랙티브 시스템을 이해하고자 했다. 작품 구현 단계에서는 플래시 액션스크립 (Flash action script)을 이용해 인터랙티브 타이포그래피 작품 '인터랙티브 프로럴 타입(Interactive Floral Type)'을 디자인하고 구현했고, 사용자의 마우스와 키보드의 인풋에 따라 타입의 크기, 색상, 레이아웃, 모션이 변화함으로써, 타이포그래피의 기본 조형 요소인 '개별 글자'가 '꽃'의 모양으로 실시간 변화하는 실험적 타이포그래피 작품을 구현했다.

• 한국의류산업학회지
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• 제9권6호
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• pp.613-625
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• 2007

Globalizing the Japanese fashion successfully, Hanae Mori's work awoke the western fashion world's nostalgia towards the East. Analyzing the aesthetic characteristics of Hanae Mori's clothes what kinds of aesthetic characteristic that her work had and what kinds of influences that she made in the modern fashion would provide substantial contribution of the world's modern fashion. This study provided forms and remarkable features of Japanese traditional custom, revealed Hanae Mori's life and her philosophies of fashion, and defined Hanae Mori's aesthetic characteristics by analyzing her work from 1970's until the retirement, July 2004. Methods of this study are completed by documentary records of Hanae Mori, research papers and fashion magazines that are published domestically and internationally, and collected materials from internet. The results of analysis are epitomized as below. Hanae Mori was the first Japanese fashion designer who expressed the characteristics of traditional Japanese custom with modernity sprit. In the 60's and 70's, especially in the U.S. and European fashion market, she inspired western fashion designers by her original sprit of art: combining Japanese tradition which showed distinctive color and spirit of nature and the western beauty. Hanae Mori created new dress molding from the Kimono's unstructured feature. Her layered look dressing, oblique adjustment and Obi, and others all enabled Mori to express Japanese image into modern fashion. Additionally, in terms of traditional Japanese image being acknowledged world-widely, she played a major contribution in world fashion by suggesting a new vision and raised several sensations in fashion artistry and modeling. Amongst her various patterns, Hanae Mori had butterfly patterns in most of her works, which was her representative symbol. This spoke for her strong will and senses of duty that wanting to inform beauty of Japanese women who were reflected in modern and graceful butterfly patterns. Flowers were another element that symbolized Mori. Using various flower motifs that bloomed in every different four seasons, she connected two images into her fashion; beauty of the nature and enlightening image of vibrating life. The aesthetic characteristics of Hanae Mori's clothes were defined as five: Japonism, naturalism, feminism, eroticism, and modernism. Japonism which is the spirit of Japanese, Mori used the concept to connect the East and the West. Naturalism represented harmony of the nature and the human. Feminism highlighted Eastern women's beauty. Eroticism emitted feminine attraction. Modernism represented simplicity and sophistication. Such aesthetic character illustrated Mori's original emotion that was based on Japanese spirit and she combined it with values of the East and the West. From the analysis of Mori's aesthetic characteristics, it is clearly recognizable her feministic beauty is emanated by her original emotion and sensibility.