• 한국염색가공학회지
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• 제22권3호
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• pp.220-228
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• 2010

This study examines the scouring effect of pectinase on ramie fabric and influence of sodium sulfate as an activator for pectinase. The scouring effects were measured by the weight loss and pectin contents. SEM, weight loss, stiffness, moisture regain and dye ability of ramie fabric teated with pectinase/sodium sulfate were also measured. When ramie fabrics were desized with $\alpha$-amylase, the optimum conditions were pH 6.5 at $60^{\circ}C$ for 80 min with 1%(o.w.f) $\alpha$-amylase concentration. When ramie fabrics were scoured with pectinase, the optimum conditions were pH 8.5 at $55^{\circ}C$ for 30 min with 10%(o.w.f) pectinase concentration. Addition of sodium sulfate improved enzyme activity significantly, which increased proportionally with increasing sodium sulfate concentration. When 50 g/l of sodium sulfate was added, the surface became cleaner compared to the enzyme treatment without salt: weight and tensile loss, moisture regain and dyeability of the treated fabrics increased, while pectin contents and stiffness decreased. Therfore, sodium sulfate was effective activator for the pectinase treatment of flax fiber.

• Journal of Plant Biology
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• 제12권1호
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• pp.22-30
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• 1969

To investigate the effects of internal radiation of various intensityon the test crop(flax), seeds of four levels of activity($15.5{\times}10-4 $\mu$c/grain, 9.0{\times}10-2$\mu$c/grain, 2.2{\times}100$\mu$c/grain and 3.8{\times}10-1$\mu$c/grain)$ which had been obtained by immersing them into various concentrations of P-32 original solution (total activity: 90 mc, To: 3/21) for 24 hours at room temperature, were germinated, transplanted later into pots, and the rate of germination and the successive growth were observed, and the inorganic conents of the plant top were analyzed. The results are as follows: 1. At the early stage of germination, the plants manifested themselves both inhibitory and promotive effects at higher and lower activity levels respectively, compared those of the control. These difference of growth on account of different levels of activity appeared, however, to be gradually narrowed in the course of time after germination, except at the highest activity. 2. Two weeks after transplanting, the plants of the lowest activity showed more vigorous growth than those of control. The plants belonging to the other activity levels on the other hand, tended to be less growing, the higher the activity. However, this growth gap between treatments seemed to be progressively closed one month after transplanting. 3. Most of the leaves and stems of the plants belonging to the highest activity level ($3.8{\times}101$\mu$c/grain$) were withered during the early stage of growth, and this damage did not recover. 4. Practically no difference of growth was observed among treatments(excluding that of highest activity) one and half months after transplanting. 5. The fluorescence tended to be mroe delayed than the control, as the activity decreased. 6. There was a tendency that the number of pods harvested were larger in the plants treated with P-32 than that of the control. 7. The proportion of fiber in the plants at harvest appeared to be larger at lower activity and smaller at higher P-32 concentration than that of control. 8. As for the inorganic contents of the plant top harvested the floowing tendency was observed: (1) Nitrogen content was highest at the highest activity level at which the poorest growth ensued. (2) There was no clear difference of phosphorus content among treatments. (3) The contents of potassium and magnesium were higher than control at the medium levels of activity. (4) Calcium content of all treated blocks was found to be more than that of control.

• 한국식품영양학회지
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• 제23권4호
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• pp.516-525
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• 2010

아마인의 유용성분에 대해서 알아보고 가열과정을 통한 성분변화 및 다른 종유작물과 유지의 물리화학적 성분과 비교, 평가하였다. 조지방은 37~43%, 탄수화물은 30~35%, 조단백질은 18~23%, 조회분은 3~4% 그리고 수분 함량은 0.2~6.8%의 함량을 나타내었다. 식이섬유 함량은 생아마인보다 가열 처리한 볶음 아마인에서 SDF의 함량이 증가한 것을 알 수 있었다. 하지만 상대적으로 IDF의 함량도 감소하기 때문에 TDF의 함량은 큰 차이를 보이지 않았다. 그리고 총 식이섬유 함량은 28~31%로 높은 함량을 보였다. 또한 아마인의 주요 유용성분을 살펴본 결과, 비타민은 ${\gamma}$-tocopherol(E), 아미노산은 agrginine, aspartic acid, glutamic acid가 높은 함량을 보였다. 이들은 생아마인보다 볶음 아마인에서 낮은 함량을 나타내었다. 아마인의 무기물 함량을 분석한 결과, 칼슘, 칼륨, 마그네슘, 인이 주요 구성성분이었다. 물리화학적인 특징으로 요오드가, 비누화가, 산가를 분석하였으며, 브라운 아마인유는 각각 204.1 g/100 g, 193.6 mg/g, 1.59 mg/g을 나타내었으며, 골드 아마인유는 각각 203.0 g/100 g, 189.9 mg/g, 2.35 mg/g으로 조사되었다. 아마인유의 지방산 함량에서는 전체적인 구성 비율을 볼 때 ${\alpha}$-linolenic acid(ALA, C18:3n-3)가 약 55.5~56.1% 로 가장 높은 함량을 차지하였다. 그리고 브라운보다는 골드 아마인유의 ${\alpha}$-linolenic acid의 함량이 약간 높았다. 높은 ${\alpha}$-linolenic acid 함량은 아마인유가 오메가-3 지방산이 강화된 식품 개발에 좋은 자원이 될 것으로 사료된다. 또한 다가 불포화지방산 함량이 약 71%로 함유되어 있으며, ${\alpha}$-linolenic acid 등 필수지방산의 함량이 높아 식품의 영양학적인 의의가 크며, 양질의 식용유로 사용 가능할 것이다.

• 복식문화연구
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• 제15권6호
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• pp.1053-1062
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• 2007

This study purposed to restructure representative traditional patterns formatively, manufacture actual cultural products with traditional dyeing technique using persimmon, and commercialize the results of the research. Traditionally in Korea, the dying of natural fiber such as cotton, flax and silk with persimmon was called Galmul dyeing, and clothes made through Galmul dyeing were called Galot. Galot was very useful because it is strong, does not pick up dirt easily, dries easily, and is cool in summer. In addition, cloth dyed with persimmon becomes stiff, so it does not need to be starched or ironed after washing. Moreover, it does not transmit heat under direct rays and is highly air-permeable, so it is cool and useful for standing the heat. In this study, we used traditional persimmon dyeing technique, printing traditional patterns fit for contemporary people's aesthetic sense not through dip-dying but through printing. When persimmon dyeing is used in expressing patterns, it produces not only visual effect but also embossing effect due to the characteristic of persimmon that makes printed patterns stiff, so we can obtain unique texture distinguished from other printing methods. We chose seven motive patterns, which were lotus pattern symbolizing eternal life, peony pattern symbolizing wealth and rank and prosperity, character Su(壽) pattern widely used as a symbol of health, bird and cloud pattern in the Goryeo Dynasty, Sahapyeoeuisohwa(四合如意小花) pattern printed on brocade in the Goryeo Dynasty, lattice pattern, cloth pattern on wall paintings from the Period of the Three Kingdoms. From each pattern chosen as a motive was extracted unit patterns and the original pattern was restored using Adobe Illustrator. Restored patterns were restructured to be applied to cultural products fit for contemporary formative sense. Fabrics used in dyeing were cotton, linen, ramie, silk, and polyester. Although the same persimmon dyeing was applied, we produced different feelings of patterns using various fabrics and in some cases gold and silver powder was added for the effect of gloss in addition to the embossing of patterns. Using printed fabrics we manufactured tea pads, place mats, cushions, wrapping cloth for gifts, wallet, lampshades.

• Journal of Dairy Science and Biotechnology
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• 제35권2호
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• pp.93-97
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• 2017

Linum usitatissimum L. (flaxseed) is emerging as an important functional food ingredient because of its rich contents, namely, ${\alpha}$-linolenic acid (ALA, omega-3 fatty acid), lignans, and fiber, which are potentially beneficial for human health. Furthermore, flax or flaxseed oil has also been incorporated as a functional food ingredient into various foods such as milk, dairy products, and meat products. Flaxseed is known to possess antimicrobial activity in vitro and in vivo, but its growth-stimulating effect on lactic acid bacteria is not clear. Hence, the objective of this study was to determine whether crude flaxseed extract stimulated the growth kefir-isolated lactic acid bacteria in vitro. The result of this study showed that Lactobacillus kefiranofaciens DN1, Lactobacillus brevis KCTC3102, Lactobacillus bulgaricus KCTC3635, and Lactobacillus plantarum KCTC3105 treated with $100{\mu}L$ of crude flaxseed extract showed significantly higher growth than the control treated with $100{\mu}L$ of water (p<0.05). Based on the results of this study, crude flaxseed extract could be used as a growth stimulator for lactic acid bacteria in various food applications, including production of milk and dairy products.

• 헤리티지:역사와 과학
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• 제52권4호
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• pp.170-183
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• 2019

제섬(製纖)이란 원료에서 섬유를 갈라내거나 뽑아내는 일로 식물의 섬유질을 추출하는 과정을 일컫는다. 용어의 정의에서 알 수 있듯이 제섬은 식물 재료에 행해지는 1차 재료 가공 기술로 인피 섬유가 발달한 식물에 행해진다. 대표적인 인피식물로는 모시풀(苧麻), 삼(大麻), 아마(亞麻), 닥나무(楮) 등이 있는데 그 중 삼은 재배의 역사가 길고 분포 지역도 광범위하여 인류의 생활과 문화의 재료로서 매우 보편적이고 일반화된 식물이다. 본 연구는 『오주연문장전산고』에 기술되어 있으나 현재 국내에서 전승되고 있지 않은 자연건조쇄경식 제섬 기술을 재현 실험하여 기술의 이행 가능성과 특징을 살펴보고자 하였다. 문헌에 기록된 방식으로 인피를 채취하고 실험한 결과, 실제로 삼 섬유를 얻을 수 있었다. 삼 줄기에서 속대와 껍질을 분리하기 위한 요인은 변색으로 확인할 수 있는 건조의 정도였으며, 완전히 누렇게 변색된 면적에 한해서 속대와 껍질을 분리할 수 있었다. 일조량과 기온은 건조를 보다 가속시키는 조건이었다. 다만 오랜 시간 동안 노출되기만 한다면 일조량과 기온에 상관없이 인피를 채취하기에 적합한 상태가 되는 것으로 확인되었다. 도리깨질의 물리적 힘을 이용하는 자연건조쇄경식은 함경도 육진 지역 제섬 기술의 핵심 공정으로 여겨진다. 삼의 껍질과 속대는 두드릴수록 분리되었고, 인피는 가늘게 쪼개지며 외피는 벗겨져 실로 채취하기에 적합한 상태가 되었다. 물리적인 힘을 가하여 섬유를 채취하는 방식은 섬유에 잔털이 피는 현상을 유발하는 탓에 인피섬유직물인 삼베나 모시제작에서는 일반적으로 지양되었다. 그러나 함경도 육진의 제섬법은 이 원리를 역이용하여 섬세한 직물을 만드는 방식에 적용시킨 것으로 보인다. 이러한 방식은 현재 우리나라 안동 지역에서 확인되는 증열식 피마 제섬법과는 구분되며, 삼을 방적하여 직물을 제작하는 서양의 사례와 유사함을 알 수 있었다.

• 감성과학
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• 제24권1호
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• pp.105-114
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• 2021

본 연구는 한국의 대학에 재학하고 있는 한국인 여대생과 중국인 여대생을 대상으로 캐주얼 셔츠 소재의 주관적인 감각과 선호도의 차이를 파악하고자 수행되었다. 춘추용 캐주얼 셔츠의 소재로 시판되는 소재 중에서 섬유조성이 상이한 7가지 종류의 흰색 셔츠 직물을 선정하였다. 캐주얼 셔츠 소재에 대한 주관적 감각 및 촉감 선호도의 평가자는 한국인 여대생과 중국인 여대생으로 40명이었다. 참가자들은 7종 소재를 관찰하고 나서 주관적인 감각과 촉감 선호도에 대한 평가를 설문지를 사용하여 작성하였다. 캐주얼 셔츠 소재의 주관적 감각을 요인분석한 결과, 평활감, 경량감, 유연감, 신축감의 4개 요인으로 분류되었다. 주관적 감각 요인은 소재의 섬유조성별 국적에 따라 부분적으로 유의한 차이를 보였다. 한국인 여대생은 중국인 여대생 보다 면 100% 소재를 더 가볍다고 평가하였고, 폴리에스터 50%/모달 50% 소재와 P100 소재를 더 신축성이 있다고 평가하였으나, 중국인 여대생은 폴리에스터 50%/면 45%/스판덱스 5% 소재를 더 가볍다고 평가하였다. 캐주얼 셔츠 소재의 섬유조성별 촉감 선호도는 국적에 따라 유의한 차이를 보였다. 한국인 여대생은 중국인 여대생에 비해 면 80%/폴리에스터 20% 소재, 폴리에스터 50%/면 45%/스판덱스 5% 소재, 아마 100% 소재를 더 선호하였다. 한편, 캐주얼 셔츠 소재의 주관적 감각 요인이 촉감 선호도에 미치는 영향은 국적에 따른 차이를 보였다. 한국 여대생의 경우, 평활감과 유연감이 캐주얼 셔츠 소재의 촉감 선호도에 긍정적 영향을 미치는 반면, 중국인 여대생은 평활감, 유연감, 신축감이 촉감 선호도에 긍정적 영향을 미치는 것을 알 수 있었다. 이처럼 캐주얼 셔츠 소재에 대한 주관적 감각 및 촉감 선호도는 한국인 여대생과 중국인 여대생간의 차이를 보였다. 따라서 여대생을 대상으로 캐주얼 셔츠 소재 기획시 이러한 감성의 차이를 반영하는 것이 필요하다.

• 복식문화연구
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• 제3권2호
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• pp.241-260
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• 1995

The Maori's traditional clothing materials, basic forms of dress, and the pattern and technique of tatoo were examined in the present study in order to deepen the appreciation of the cultural heritage of the Maori. The research method employed was the analysis of written materials. And a fild-trip was also made for the study. The study was limitted to the traditional culture of body adornment of the Maori including the clothing which is preserved and practicing by them at the present day, and the origin and the process of the historical development of those are not included in the scope of the present study. Followings are the results of the study: (1) By far the most widely used fiber for Maori clothing is abtained from what is commonly called New Zealand Flax. The fiber of kiekie(Freycinetia baueriana) and cabbage trees(Cordyline spp.) may also be used. The strong, long-lasting fiber of toi(cordyline indivisa) is used for a prestige warrior's cloak. Flat strips of ti kauka(Cordyline australi) are also used as thatch on rain cloaks. (2) Regardless of technique used, Maori weaving is always worked horizontally from left to right. Traditionally the work was suspended between two upright turuturu or weaving sticks. As the work progressed a second pair of uprights was used to keep the work off the ground. These uprights were moved forward as required. Because the weaver sat on the ground, the working edge was kept at a height that was comfortable to reach. No weaving tools are used, the wefts(aho) being manipulated by the fingers. The two main Maori weaving techniques are whatu aho patahi(single-pair twining) and whatu aho rua(double-pair twining). (3) The Maori wore two basic garments - a waist met and a cloak. The cloth of commoners were of plain manufacture, while those of people of rank were superior, sometimes being decorated with feather or dyed tags and decorated borders. Children ran more-or-less naked until puberty, being dressed only for special events. Some working dress consisted of nothing more than belts with leaves thrust under them. Chiefs and commoners usually went barefoot, using rough sandals on journeys over rough country (4) The adornment of men and women of rank was an important matter of tribal concern as it was in chiefly persons that prestige of the group was centred, The durable items of Maori persons adornment were either worn or carried. Ornaments of various kinds were draped about the neck or suspended from pierced earlobes. Combs decorated the head. Personal decorations not only enhanced the appearance of men and women, but many had protective magical function. The most evident personal ornament was the hei-tiki made of jade or other material. Maori weapons were treasured by their owners. They served on bottle and were also personal regalia. A man of rank was not fully dressed without a weapon in hand. Also weapons were essential to effective oratory. (5) No man or woman of rank went without some tattoo adornment except in extremely rare instances when a person was too sacred to have any blood shed. The untattooed were marked as beeing commoners of no social standing. This indelible mark of rank was begun, with appropriate rite and ritual, at puberty. And tattoo marked the person as being of a marriageable age. Maori tattoo was unlike most traditional tattoo in that its main line were 'engraved' on the face with deep cuts made by miniature bone chisels. The fill-in areas were not tattooed with cuts but with the multiple pricks of small bone 'combs' that only lightly penetrated the skin surface. The instrument of tattoo consisted of small pots of pumice or wood into which was placed a wetted black pigment made from burnt kauri gum, burnt vegetable caterpillars or other sooty materials. A bird bone chisel or comb set at right angles on a short wooden handle was dipped into the gigment, that a rod or stick was used to tap head of this miniature adze, causing penetration of the skin surface. Black pigment lodged under the skin took on a bluish tinge. A full made facial tattoo consisted of major spirals with smaller spirals on each side of the nose and sweeping curved lines radiating out from between the brows over the forehead and from the nose to the chin. The major patterns were cut deep, while the secondary koru patterns were lightly pricked into the skin.