• 한국콘텐츠학회논문지
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• 제16권2호
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• pp.558-565
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• 2016

최근 3D 프린팅 기술은 의료에 여러 방향으로 접목되고 있다. 이에 본 연구에서는 의료영상의 표준인 DICOM 영상을 이용하여 만든 3차원 영상을, 3D 프린팅으로 출력하여 그 형상표면의 정밀성을 검토하고자 하였다. 실험은 동물 뼈를 피사체로 의료영상을 획득하였으며, 3D 프린팅 출력을 위해 STL 파일로 변환하는 과정을 거친 후 피사체 형상을 출력하였다. 최종적으로 원본 동물 뼈 와 3D 프린팅에서 얻은 3차원 형상을 3D Scanner로 획득한 후 3차원 모델링을 서로 병합(Merge)하고 그 차이를 비교하였다. 결과분석은 시각적 형상비교, 모델링의 Scale 값에 대한 색상(Color)비교, 수치적 형상비교를 하였다. 형상표면은 시각적으로는 구분이 어려웠으며, 수치적 형상비교는 X, Y, Z 좌표가 있는 임의의 4곳에서 측정된 값으로 비교하였다. 병합된 모델링의 형상표면은 원본 피사체(동물 뼈)에 비해 평균 -0.49 mm 만큼 3D프린팅으로 출력된 형상에서 작게 나타났다. 하지만 모든 형상 표면이 균일하게 작아지진 않았으며, 실험에서는 그 차이가 -0.83 mm 내에 있었다.

• 한국조경학회지
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• 제45권6호
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• pp.171-184
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• 2017

설계가는 차원 높은 설계철학과 언어를 구사하기 위해 지식 축척과 통찰력 배양을 통해 사고의 폭과 깊이를 추구한다. 본 연구는 조경설계에서 설계가의 '기억'을 기반으로 한 개념 형상화 유형 특성을 구명하고자 하였다. 연구결과는 다음과 같다. 첫째, 설계 아이디어는 설계가의 언어와 이미지 기억을 바탕으로 발상을 시작하여 대표적 의사소통 수단인 언어적 관점과 시각적 관점으로 형상 유형이 구성된다. 둘째, 조경설계의 언어적 개념 형상화는 2가지로 구성된다. '설계주제로서 제목의 상징적 언어'는 하나의 '구(句)'일 수 있으며, 위계를 두어 주(主)와 부(副)의 균형을 갖추어야 한다. '개념적 시나리오의 서술적 형상'은 서술적으로 개념을 표현하여 독자가 설계된 경관을 가상으로 경험하는 글이다. 셋째, 조경설계의 시각적 개념 형상화는 3가지로 구성된다. '다이어그램의 시각적 단순 형상'은 단순한 그래픽으로 상징물, 주석과 이미지, 키워드를 사용하여 쉽게 형상화된다. '개념스케치와 핵심 아이디어의 형상'은 초기 개념단계에서 물리적 요소와 공간에 대한 형태 속성 및 공간관계와 같은 아이디어의 핵심을 파악하는데 유용하다. '이미지 조합으로 새로운 형상을 창조하는 콜라주와 몽타주'는 새로운 시각을 제공하는 재료와 이미지의 모음으로 경관 현상을 기록하여 아이디어를 압축적으로 묘사하는 도구이다.

• 한국디지털건축인테리어학회논문집
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• 제8권2호
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• pp.5-12
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• 2008

Since the past, an attempt of figuration which is for movement, time and force has existed constantly. A process of representative from expressed on the movement, time and force creates events, and the process through the events expresses the idea of a simulacre. Furthermore, Architectural works for potentiality to give a demonstration are in common with hybrid characteristics, and have lasting creation of flux architecture. Ignoring the gravity of the floating figuration, so it appears unrealistic hyperphysical virtual space that easily could make the life of creation. For this reason, the form generation based on the digital design method is expressed the important method. In conclusion, actualizing the virtual is the suitable way for 'devenir architecture' based upon the Deleuze Guattari's idea of 'simulacre' and creating the from generation on the contemporary digital architecture design in a similar way.

• 한국정밀공학회:학술대회논문집
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• 한국정밀공학회 2005년도 춘계학술대회 논문집
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• pp.1551-1554
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• 2005

The Titanium has many superior characteristics Which are specific strength, heat resistance, corrosion resistance, organism compatibility, non-magnetic and etc. and their quantity are abundant. this study performed turning operation of Ti-6Al-4V alloy using the TiAlN Coate Tool which treated PVD (Physical Vapor Deposition). Experimental works are also executed to measure cutting force, chip figuration and surface roughness for different cutting conditions. As a result of study. Tool wear was serious at over 100m/min of cutting speed and cutting condition was excellent at 1.0mm of cutting depth.

• 한국기계가공학회지
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• 제3권4호
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• pp.81-87
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• 2004

The titanium has many superior characteristics such as specific strength, heat resistance, corrosion resistance, organism compatibility, non-magnetic and etc. and their quantity are abundant. This study performed turning operation of Ti-6Al-4V alloy using the TiAlN coated tool which was treated with PVD. Experimental works were also executed to measure cutting force, chip figuration and surface roughness for different cutting conditions. As a result of study, tool wear was serious at the condition over 100m/min of cutting speed. The excellent cutting condition of cutting depth was at 1.0mm.

• 한국공작기계학회:학술대회논문집
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• 한국공작기계학회 2004년도 추계학술대회 논문집
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• pp.451-456
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• 2004

The Titanium has many superior characteristics Which are specific strength, heat resistance, corrosion resistance, organism compatibility, non-magnetic and etc. and their quantity are abundant this study performed turning operation of Ti-6Al-4V alloy using the TiAlN Coate Tool which treated PVD (Physical Vapor Deposition). Experimental works are also executed to measure cutting force, chip figuration and surface roughness for different cutting conditions. As a result of study. Tool wear was serious at over 100m/min of cutting speed and cutting condition was excellent at 1.0mm of cutting depth.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2004년도 추계학술대회 논문집
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• pp.527-532
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• 2004

As well as the vibration comfort in passenger coaches largely affects passengers, it is one of the most important factors that passengers would betray their dissatisfactions among various elements, such as noise, lighting, couches, seat-arrangement, ventilation, temperature, odor, cleanliness, etc., consisting of comfort in passenger coaches. The wheel-tread figuration in the dynamic behavior of trainsets significantly affects the vibration comfort such as the running safety and the running stability. In this study, therefore, I will examine the dynamic characteristic in passenger coaches in accordance with the variation of wheel-tread figuration during the high-speed traveling with the target of trainsets (KT23 bogie), which are operated as the passenger coache in Korea, and any variation that will exert baneful influence on the vibration comfort accordingly.

• 영어영문학
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• 제56권1호
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• pp.79-101
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• 2010

In "The Animal That Therefore I Am (More to Follow)," Derrida notices that he is being watched by his cat. He becomes ashamed of being naked in front of his cat. The sense of shame is a response to being reduced to the level of an animal. He is ashamed of being as naked as an animal. His next move is, therefore, to cover his nakedness from the gaze of his cat. By contrast, he realizes, the animal is not self-conscious of being naked and so does not shield its nudity. In a truer sense, then, the cat is not naked. Humans do not see animals for what they really are but what they project on them. Whereas the gap between man and animal is clearly identified by Derrida's philosophical discourse, the possibility of going beyond the gap can be suggested by fantasy stories in children's literature. Children's literature in Britain arose in the eighteenth century with the revival of traditional fairy tales and growth of literary fairy tales. Romanticism in the early nineteenth century contributed to opening up a new horizon for the concept of the child, in which the child is no longer defined as the object to be tamed and childhood imagination is glorified as a powerful means to reach the higher state, the spiritual origin prior to separation of Man from the 'thing-in-itself.' In The Wind in the Willows, animals talk and behave like humans. The anthropomorphic figuration of animals can be understood as a result of the one-sided projection of anthropocentric perspectives on animals rather than an interaction between humans and animals. Significant contradictions also emerge in this story, however, as traits particular to animals are vividly delineated even as the main didactic theme of good triumphing over evil reflects an anthropocentric projection on animals. An attempt to capture the true characteristics of animals and locate them in the text constitutes a remarkable achievement in The Wind in the Willows. This can be evaluated as an important step toward a more ecopocentric perspective on animals which appears in later children's fantasies like Charlotte's Web.

• 미술이론과 현장
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• 제7호
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• pp.7-36
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• 2009

This paper intends to examine the significance of the "Minjoong Misool(People's art)" of the 1980s emerged in Korea in its social, cultural, and art historical context. This paper also aims to provide an analysis of the meaning and form of the individual artist's works, which have been overlooked under the dominant discourse that has emphasized their political role as a collective group. In particular, this paper scrutinizes the work of "Critical Realists" by examining the way in which they perceived Korean society in the early 1980s and visualized their experiences of the period. The figurative art newly emerged in the early 1980s challenged the formalist Modernism, which was adopted into Korea and translated into monochrome paintings and the work of the conversative academicism of the 1970s. The figurative art encouraged a social communication and moreover it intended to criticize the conflicts in the political, economical, and social domains in Korea. The targets of its critique include the unavoidable results of the unprecedented development of economy, various social phenomena of the post-industrial society, and the growth of the commercialized kitsch culture. Along with Shin, Hak-chul's work that incorporates collage technique since the 1980s, the work of some members of "Reality and Utterance" and "Im- sul-nyun" exemplify their critical interests in disclosing the false dream of wealth and happiness by both referring to and drawing on the utopian fantasy manipulated and distributed by mass media and commercial advertisements. This paper pays particular attention to Nouvelle Figuration emerged in France and Europe during the 1960s, which is comparable to the new figurative art emerged in Korea during the 1980s. Nouvelle Figuration criticized the autonomy in art isolated itself from political and social reality after WWII, in particular the indifference of Informel and abstract art as well as American abstract art. Moreover it became rather politicized around May of 1968. Given that French Nouvelle Figuration was introduced in Korea in 1982 and made a significant contribution to the formation of figurative art in Korea, it should be noted that the new figurative art emerged in the 1980s in Korea cannot be categorized merely in relation to People's Art. This paper intends to critically redress the notion that People's art was formed in the particular political, economical, and cultural context of Korea independent of the contemporary artistic practices outside Korea. It will provide a critical examination and analysis of the content and form of the new figurative art, from which People's Art was germinated, in the global context.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2005년도 추계 학술발표대회 논문집
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• pp.164-165
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• 2005