• 제목/요약/키워드: emperor

검색결과 282건 처리시간 0.028초

황제택경(黃帝宅經)의 문헌적 연구 (A philologicalStudyonHuangdizhaijing(黃帝宅經))

  • 장성규
    • 건축역사연구
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    • 제18권6호
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    • pp.65-84
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    • 2009
  • This study was to analyze the philological character of Huangdizhaijing(黃帝宅經). Huangdizhaijing is a first stage scriptures of YangzhaiFengshui(陽宅風水) which is the firstly mentioned book in Sikuquanshu(四庫全書). Huangdizhaijing is an obligatory book to read to understand the palace of ancient dynasty as well as general housing of people. Huangdizhaijing measured housing conditions divided into Yangzhai(陽宅) and Yinzhai(陰宅). The contents succeeded traditional Yangzhaiguan(陽宅觀) which values direction(方向) and Jiri(吉日). Thatis, classifying Yangzhai into 24 directions based on Qi of YinYang(陰陽之氣) theory, general contents of Huangdizhaijing explains regulatory rules and propitious day in accordance with the Yangzhai mathematical principles and archaeology through Jixiongshenshalun(吉凶神煞論). Huangdizhaijing includes the kernel of understanding the chinese architect system and housing culture because it describes close reciprocal influences between man and house. It seems that the author of Huangdizhaijing is not the emperor but he was represented by descendants who systemized the idea of Huangdizhaijing in Yangzhai shu(陽宅書). Being there many of documents presented by emperor like Huangdineijing(黃帝內徑), It is counted that the reason of the representing emperor is to show off its origin has long and authoritative history. It seems that the preserved period of writing Huangdizhaijing is Tang(唐) dynasty, but counting that various Yangzhaishu prevailed, Huangdizhaijing's contents has much in common with Dunhuangben(敦煌本), and it valued Menfazhidu(門閥制度) of Weijinnanbeichao(魏晉南北朝) dynasty, the many of the contents of Huangdizhaijing should be formed before Tang dynasty. The exiting editions of Huangdizhaijing could be divided into generally 8 kinds:(1) Zhengtongdaocangben(正統道藏本) (2)Yimenguangduben(夷門廣牘本) (3)Jindaimishuben(津逮秘書本) (4)Shuofuben(說?本) (5)Gujintushujichengben(古今圖書集成本) (6) Sikuquanshuben(四庫全書本) (7)Xuejintaoyuanben(學津討原本) (8)Dunhuangben(敦煌本).

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동의보감 부종편의 원문과 인용문헌에 대한 비교고찰 (Consideration of the Comparing the Original Texts with Quotations in Edema Chapter of Dong-Yi-Bo-Gam)

  • 양준석;고형곤;진재호;한웅;정상훈;김호;이동주;이광규
    • 동의생리병리학회지
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    • 제18권4호
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    • pp.943-952
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    • 2004
  • We studied on the purpose of comparing the original texts with quotations in edema chapter of Dong- Yi-Bo-Gam. The research mainly depended on compare and consider these original text and quote. In Pyong Yeol Byong chapter of SoMoon, Su Yeol Hyul chapter of SoMoon, Pyong Yin Ki Sang chapter of SoMoon, Ja Jeol Jin Sae chapter of YoungChu, Emperor's Classic of Internal Medicine(黃帝內經;ECIM), We were able to find that some sentences about edema were quoted. Drug arrangement order that construct herb medicine is disposed depends on drug's weight, and all unit was concorded by Jeon and Pun. Quoted words in Emperor's Classic of Internal Medicine(黃帝內經;ECIM) does not perfectly match with original text. However, edema chapter of Dong- Yi-Bo-Gam is identical with original text, because only few words were deleted or inserted.

$\ll$내경(內經)$\gg$의 월령(月令)(사시(四時))-신체 부위 배속에 대한 역학적(易學的) 해석 (An analysis of systemizing months, seasons, and part of body in "The Yellow Emperor's Internal Classics" with the theory of y$\breve{o}$k(易))

  • 정창현
    • 대한한의학원전학회지
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    • 제12권2호
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    • pp.74-90
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    • 1999
  • There are many chapters in "The Yellow Emperor's Internal Classics(黃帝內經)" regarding systemizing months, seasons, meridians, the internal organs(藏府), and parts of body, However it is very confusing because in every chapter, they have different standards. In "Maek'ae(脈解)" of "Plain Questions(素問)", months are related to three $\breve{U}$m and three Yang(三陰三陽). In "Kuoh'imnon(九鍼論)" of "Miraculous Pivot(靈樞)", parts of body are related to seasons and days. In "$\breve{U}$myanggyeirwol(陰陽繫日月)" of "Miraculous Pivot(靈樞)", 12 meridians are related to the Heavenly Streams & Earthly Branches(干支). In "Chinyogy$\breve{o}$ngjongnon(診要經終論)" of "Plain Questions(素問)", the internal organs(藏府) and the head are related to months. In "K$\breve{u}$mgwejin$\breve{o}$llon(金匱眞言論)" of "Plain Questions(素問)", parts of body are related to four seasons. Following statements can be concluded when analyzed with the theory of y$\breve{o}$k(易). 1. Both in "The Yellow Emperor's Internal Classics(黃帝內經)" and "Chuyok(周易)", $\breve{U}$m and Yang are thought as the basis of everything and every change that occur in this universe is by the fluctuation of Yin and Yang. This rule is also applied to our body. 2. "Maek'ae(脈解)" of "Plain Questions(素問)" is related to the theory of twelve principal divinatory symbols and "Kuoh'imnon(九鍼論)" of "Miraculous Pivot(靈樞)" is closely related to the theory of eight divinatory saymbols-direction.

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한.중.일 3국의 圭.笏에 관한 연구 (A study on the Kuei of the Jade Tablet, Hole of the Ivory Tablet, Ancient Korea and China, Japan)

  • 임명미
    • 복식
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    • 제51권2호
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    • pp.5-25
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    • 2001
  • Jade, which is a kind of stone, with its transparent body, lustrous and bright character, But jade is not the only fair stone. There are three kinds of jade objects 1) tallies used in the court. 2) ceremonial jades. 3) ordinary jade for decoration, for inlaid work and for burial. Among the ceremonial jade, the most important were the "liu jui" and "liu ch′i." The former was supposed to be held by people in the court as symbols of their authority : 1) "then-kuei(鎭圭)" for the emperor. 2) "hang-kuei(恒圭)" for a duke, 3) "hsin-kuei(信圭)" a marquis. 4) "kung-kuei(躬圭)" for an earl, these "kuei" were alike in shape, but differed in size. 4) "ku-pi(穀璧)" for a viscount. 5) "p′u-pi(蒲璧)" for a baron, "pi(璧)" differed in decoration but were alike in shape. "Liu ch′i(六器)" were ceremonial objects used by the emperor in worshipping Heaven, Earth, and the Four Directions : "ts′ang-pi(倉璧)," greenish jade disk, used in worthipping Heaven "huang-tsung(黃琮)," yellow jade cylinder, used in worshipping Earth ; "cuing-kuei,(靑圭)" blue jade tablet. used in worshipping the East : "chih-chang(赤璋)," red jade tablet, used in worshipping the South : "hsuan-huang(玄璜)," black crescent, used in worshipping the North. Five kinds of tallies were "chen-kuei(鎭圭)," "yenkuei(琰圭)," "yuan-kuei(玩圭)," "ku-kuei(穀圭)." They were used to console people during disaster, to subjugate an official who had committed a crime, to reward a prize to an official for his merit or good conduct, to arbitrate disputes between high officials, to marry princess. and to dispatch troops. Since the west wei(西魏), Kuei and Hole were made of Ivory, wood and bamboo, who had ivory for fifth grade and wood and bamboo for under sixth grade. After Eastern Chou, all officials beginning to had kuei hole. symbol of Authority. and his wives. After Dang dynasty, Japan is the same. In korea. After king Bupheung in ancient and South(unification) Silla, North Kingdom Bohai, Koryo, and Chosen dynasty had ceremonial jade, Kuei and Hole.

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중국 민왕조 복식에서 에 관한 연구 (A Study of Ku on the costume of the variant races dynasty in China-based on Khitai, Mongols and Manchus costume-)

  • 정복남
    • 복식
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    • 제26권
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    • pp.163-173
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    • 1995
  • The purpose of this study is to investigate the Ku which was worn by nomadic tribes which was Khitai, Mongols and Manchus. The results of this study can be summarized as follows. 1. The fur clothes were very important clothes that nomadic tribes put on in order to protect them against the cold. The Ku was an outfit for protection against the cold. It was made of ani-mal fur and its style was tight sleeve and long dress. 2. The Ku was worn in all social classes including emperor, nobles and the masses in ancient China and Asia dynasty. After the nomadic tribes estabilished dynasty in China the style of Ku was changed. All kinds of animal fur was used to make the Ku but the volume of fur, kinds and colors were classified severely by their social position. In Khitai dynasty the Ku was worn in same style. But the emperor wore the Ku of silver marten. The noble class wore the Ku of purple, black and blue marten and silver squirrel skin. The masses wore the Ku of the other colors marten, sheep, squirrel and dessert fox skin. In Mongol dynasty, the emperor wore the Ku of purple marten, silver squirrel, silver fox and black fox skin. The nobles wore the Ku of the other colors marten and squirrel. The masses wore the Ku of degraded animal fur. Before the Manchus estabilished the varient races dynasty in China, the rich man preferred the Ku of marten, squirrel, fox, goat furs. But the poorman preferred the Ku of cow, horses, pig, sheep, cat, dog, snake and deer skin. After the manchus conquered the China, the manners of dress were changed. Generally the fur did not appear in right side of garment, but high quality or noble fur appeared outside. Sometimes the inside or outside of Ku was made of silk fabrics and sleeves, neck-band was made of the high quality fur.

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묵은 배추종자의 발아와 생육에 미치는 저선량 ${\gamma}$선 효과 (Influence of the Low Dose ${\gamma}$-ray Radiation on the Old Seed Germination and Growth of Chinese Cabbage)

  • 김재성;이영근;백명화;이영복;박영선
    • 환경생물
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    • 제17권1호
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    • pp.11-15
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    • 1999
  • 저선량 방사선에 의한 식물 유익효과를 구명하기 위하여 2개 종묘회사로부터 4년간 묵은 종자를 분양받아 저수준의 ${\gamma}$선을 조사하여 온실과 포장에서 재배하여 그 생육 상황을 조사하였다. 서울종묘의 한여름배추는 0.5 Gy 조사구를 제외하고는 발아율 증대효과는 없었고 8 Gy와 12 Gy 조사구에서 유묘초장과 생체중이 각각 평균 20%와 40%정도 증가하여 초기생육 촉진효과는 있었으나 포장수량 증가 효과는 볼 수 없었다. 흥농종묘의 tropic emperor 품종에서는 1 Gy 조사에서 발아율이 10% 정도 증가하였고 유묘초장과 생체중은 1 Gy와 12 Gy 조사구에서 평균 20% 정도 증가하였으며 포장수량에서도 0.5 Gy와 4 Gy에서 초장과 생체중이 각각 10%와 20%정도 증가하였다. 결과적으로 저선량 방사선에 의한 배추의 초기생육 촉진효과가 있는 것으로 사료된다.

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조선시대 어보 수강태황제보(壽康太皇帝寶) 서체 형태 연구 (A Study on the Typeface of Font, the Shape Royal Seal of the ex-Emperor Sugang in the Joseon Dynasty)

  • 박윤성;김지수
    • 디지털융복합연구
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    • 제17권11호
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    • pp.493-499
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    • 2019
  • 인장은 개인이나 집단을 증명하는 도구로써 한국을 포함한 주로 동양 문화권에서 많이 나타난다. 한국의 인장문화에서는 국가를 상징하는 인장을 용도에 따라 국새와 어보로 분류한다. 국새와 어보는 서체를 사용하여 이름이나 직위를 나타내며 그 서체는 인장마다 다르고 시대별로 다양하게 변화되어 왔다. 대한민국은 현재 사용하는 국새 이전의 모든 국새와 어보는 한자로 제작되었다. 본 논문은 어보를 통하여 타이포그래피의 구성요소를 분석하며 연구대상은 조선시대의 여러 어보 중 유일하게 8각 보면 어보인 "수강태황제보"이다. 어보의 외형적 형태가 아닌 보면(寶面)에 나타난 보영(寶影)은 각각 아름다운 서체와 비율로 예술적 가치를 갖고 있으며 이는 연구가치가 있다. 본 연구는 한국 인장의 특징에 대해 고증하고 "수강태황제보"의 보영 즉, 글씨를 타이포그래피 관점으로 구성요소에 따라 수치, 구조, 형태의 특징을 분석한다. 이를 통해 우리나라 역사 속 타이포그래피의 아름다운 조형미를 확인한다.

'횡단문화론'의 구조와 '문명천황론'의 문제 (The Structure of Trans-Culture and the 'Emperor of Civilization')

  • 궁건택;전성곤
    • 비교문화연구
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    • 제46권
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    • pp.435-463
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    • 2017
  • 이 글은 오카와 슈메이(大川周明)가 천황주의를 내세우면서 활용한 동서문화융합 방법론적 특징을 '횡단문화'의 시도라고 간주하여, 그 '원리'가 무엇인지를 밝히는데 목적이 있다. 특히 횡단문화론의 원리를 오카쿠라 덴신(岡倉天心)과 와카미야 유노스케(若宮卯之助)와의 관계 속에서 규명했다. 오카쿠라는 직접적인 서구 경험을 통해 서구 문화를 일본인 입장에서 상대화하려는 시점에서 동서문화 융합론을 제시했다. 와카미야의 경우는 서양인 윌리엄 녹스(William Knox)의 번역서를 활용하면서, 서구인이 제시한 동서문화 비교론을 인용하면서 일본문화의 특성을 논했다. 이 둘의 공통점은 중앙아시아가 세계문명의 근원지였고, 그것이 서구라는 지역에서는 하나의 서구적 특성으로 습산(襲産)되어 서구문명이 탄생된 것이라고 여긴 점에 있었다. 이러한 시점은 서구를 하나의 지역으로 간주하는 논리를 갖게 해 주었고, 아시아도 아시아적 문화가 존재한다는 논리를 형성하게 해 주었다. 이를 바탕으로 오카쿠라 덴신은 문화 진화론적 융합론을 제시했고, 와카미야는 문화 본질주의 논리의 입장을 통해 일본문화론을 주창했다. 이것이 바로 구축과 본질의 당김 속에서 나타난 동서문화 횡단론이었다. 오카와 슈메는 이 둘의 논리를 적극적으로 활용하면서, 서구의 문화와 아시아의 문화 횡단으로서 일본문화가 존재한다고 주장할 수 있었다. 동서양의 문화를 횡단한 일본의 천황은 문화가 아니라 문명으로 승격시킬 수 있었다. 그리하여 일본의 천황은 세계적 횡단 문명의 보편성을 갖는 문명천황으로 그 '정통성'을 확보하게 된 것이다. 오카와 슈메이는 동서문화 횡단론이라는 규구(規矩) 속에서 '보편성=일본문명=천황'을 창출해 냈던 것이다.

한국과 중국 곤면제도와 실태 (A Study of Krean and Chinese Kon-myun (Ceremonial royal Robes) as seen in the Relationshio between Regulations and practice in both Traditions.)

  • 김명숙
    • 복식
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    • 제31권
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    • pp.61-73
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    • 1997
  • Kon-myuh was worn by the ancient Chinese and Korean rulers as ceremonial dress during special rituals such as worshipping heaven and ancestors marriage or funerals. kon-myun consists of two major parts-Myun and kon-bok (the main bodypiece) as well as other articles of clothing(skirt footgear etc), There were regulations set in ancient books describing in detail the make of the kon-myun number of ryu and symbol to be used all which applied to each ruler depending on rank and status. This study is aimed at examining the consistency of the korean and Chinese in following the regula-tions as seen in relics which have been recovered from the past. Based on historical findings it seems that Korean Kon-myun came to Korea from China during the Three Kingdoms period. It was also worn in the Koryo and Chosun Dynas-ties and the Taehan Empire. In studying Konmyun in Korea the researcher studied a book from the early Chosun dynasty, Kukjo-oryeuiseory and a book from the late Chosun Dynasty Kukjo-sangrye-bopyun to find the guidelines and rules applying to the Kon-myun tradition. Slight difference were found across time in the supplementary articles of clothing as seen in Uigwe Pokwan-doseols explanations and drawings of Kon-myun. The researcher used uigwes of funerals of kings of the Chosun Dynasty and observed change over this period of time. However there was a clear consist-ency: the king's Kon-myun consisted of 9ryu-myun 9chang-bok while that of the prince consisted of 8ryu-myun 7chang-bok. For the Taechan Empire the researcher used Tae-han Yae-jun which shows the emperor's kon-myun to have consisted of 12ryu-myun 12chang-bok. To study how the regulations were put into practice relics were uncovered from the periods being studied. A portrait of King Ik-Jong remnants from King Ko-jong's Kon-bok and a photograph of Emperor Sun-jong all were in close adherence to the regulations outlined in the books. In China Kon-myun was worn by emperors from the Han to the Ching Dynastices. The researcher investigated Kon-myun es-pecially in the Ming Dynasty. The Kon-myun regulations as read in Tai-ming-hui-chan changed through all four periods. To study the faithfulness of practice to low Ding-ling the tomb of Emperor Shin-jong who ruled during a period of the Ming Dynasty was unearthed and the remains of the Emperor's Kon-myun were analyzed. The Kon-myun consisted of 12ryu-myuh 18chang-bok and there were other differences I color symbols and wearing method when compared to the regulations. It can be concluded that the Chinese Kon-myun tradition was not in strict adher-ence to the regulations established by law books. This is in contrast to the Korean Kon-myun tradition which showed little devi-ation. Further study is needed to understand why there was this difference in tradition and ritual.

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영락(永樂) 내부각본(內府刻本) <사서대전(四書大全)>의 조선(朝鮮) 전래(傳來)와 유포(流布) (A Study on the Import to Chosun and It's Distributions of the Saseodaejeon Published by Yongle Emperor of the Ming Dynasty)

  • 송일기
    • 한국문헌정보학회지
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    • 제48권1호
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    • pp.97-116
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    • 2014
  • 이 연구는 명나라 영락제의 명으로 편찬한 <사서대전>의 유포와 우리나라에 전래 된 이후 복각 간행된 판본에 대해 분석한 것이다. 명나라 영락제가 황위를 찬탈한 이후 태조의 유훈을 받든다는 명분을 들어 호광(胡廣) 등에게 편찬하도록 칙명을 내리자 불과 10개월만인 영락 13(1415)년 9월 완성되었다. 그 후 명나라 내부(內府)에서 간행한 대전본(大全本)은 세종 대에 모두 3차에 걸쳐 전래되었다. 세종은 명나라에서 입수된 제1차 전래본을 저본으로 세종 9-10(1427-1428)년 사이에 경상도, 전라도, 강원도 3도 지방에서 각각 분담하여 판각을 완료하였다. 조선에 전래된 이후 유포 현상을 조사 분석한 결과, 명 전대본(大全本)을 그대로 복각한 판본이 조선에서 대략 18회 이상 간행되었으며, 그 중 현재 50종만이 남아 있다는 사실이 밝혀졌다. 이 현존본 50종을 대상으로 분석한 결과, 대체로 임란으로 서적이 급속도로 망실되었기 때문에 이를 시급히 보충하기 위해 주로 서적의 수요가 시급했던 경기와 경상 지방을 중심으로 집중적으로 간행 보급되었던 것으로 파악하였다.