• Composites Research
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• 제21권2호
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• pp.15-24
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• 2008

본 연구에서는 Kevlar 직물에 전단농화 특성을 갖는 나노 실리카 입자를 함침시켜 저속충격 특성 및 마찰특성 실험을 수행하였다. 나노입자의 크기에 따른 영향력을 평가하기 위해 100nm, 300nm, 500nm 직경크기의 구형 실리카 입자를 충진한 전단농화유체를 제작하였으며 유변물성 시험을 통해 전단담화 현상 및 급격히 점성이 증가하는 전단농화현상을 확인하였다. 전단농화유체를 Kevlar 직물에 함침시켜 저속 낙하 충격시험을 수행한 결과 나노입자 처리를 한 Kevlar 직물에서 우수한 충격흡수 특성을 보였으며 특히 함침된 나노입자의 크기가 작을수록 충격흡수양이 증가하였고 변형의 양도 가장 적게 나타났다. Kevlar 직물 내에서의 얀의 Pull-out 실험과 직물간 마찰력 실험을 통해 나노입자의 크기가 작을수록 전단농화 현상으로 인한 마찰력의 증가가 더욱 크게 나타남을 확인하였다. 이러한 마찰력의 증가가 얀의 Pull-out 에너지를 증가시키게 되어 주요 충격흡수 메커니즘으로 작용하게 되는 것이다.

• 복식
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• 제52권1호
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• pp.129-143
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• 2002

Patterns are something that comes out of necessity in human life, which is closely associated with it. Thus come the SFAA (Seoul Fashion Artists Association) collection which uses patterns varying in form, color, way of expression and material. For this research, I first categorized the patterns the SFAA designers used into: natural patterns, symmetric patterns, traditional patterns, stripe, plaid, dot and abstract patterns. As a result of the process. the designers most favored the natural patterns and symmetric patterns, and dot patterns were rarely used. The designer who most favored patterns in general was Sul Yun-hyoung, and the designer Kim Chul-ung rarely favored the surface effect. The seven kinds of patterns naturally differ according to the designer. as Park Hang-chi liked to use the plaid patterns along with yam dyeing material, whereas Jin Teok expressed stripe patterns using the yarn dyeing fabric. Natural patters were presented in a bizarre way with Lie Sang-bong. who took the motives appearing in Eastern ceramic and paintings into the clothes, using the print method. The symmetric patterns, which the SFAA designers most preferred. was used evenly among designers like Chang Kwang-hyo, Gee Choon-hee. Rubina, and Haneza. In contrast. Lie Sang-bong. who used abstract patterns that do not give out meaning of the actual form of the pattern. rarely used symmetric patterns. The dot patterns were most often used by Park Youn-soo. and traditional patterns were overwhelmingly chosen by Sul Yun-hyoung. Secondly. in expressing the colors, SFAA designers were much more likely to choose achromatic colors. not choosing to show off colors. This is especially apparent in works by Haneza and Lie Sang-bong. In the SFAA collections, numerous methods were used to create. For instance, Sul Yun-hyoung used the oriental embroidery method. and Rubina and Lie Sang-bong used many unique dying methods. In terms of materials, Sul Yun-hyoung preferred silk. due to her methods, and Lie Sang-bong was one of the designers that used a number of different materials such as vinyl. Jacques Mueclier of the Paris Clothes Association in France, who was invited to SFAA collection once, remarked. "While the choice of material and the actual sewing done were excellent, there lacked much difference among the designers, as most of them choose flowing silhouette In terms of composition," which is all too correct. In addition, there were cases in the collection where the inherent feelings of cultural artifacts was expressed without alteration. Summing up, the research aimed to analyze the surface expression methods, forms and color of SFAA designs. and I hope that it can open up ways for new projects in the future.he future.