• 한국음향학회지
• /
• 제18권3호
• /
• pp.17-26
• /
• 1999

We present the first speech coarticulation database of Korean, English and Konglish/sup 3)/ named "SORIDA"/sup 4)/, which is designed to cover the maximum number of representations of coarticulation in these languages [1]. SORIDA features a compact database which is designed to contain a maximum number of triphones in a minimum number of prompts. SORIDA contains all consonantal triphones and vowel allophones in 682 Korean prompts of word length and in 717 English prompt words, spoken five times by speakers of balanced genders, dialects and ages. Korean prompts are synthesized lexicons which maximize their coarticulation variation disregarding any stress phenomena, while English prompts are natural words that fully reflect their stress effects with respect to the coarticulation variation. The prompts are designed differently because English phonology has stress while Korean does not. An intermediate language, Konglish has also been modeled by two Korean speakers reading 717 English prompt words. Recording was done in a controlled laboratory environment with an AKG Model C-100 microphone and a Fostex D-5 digital-audio-tape (DAT) recorder. The total recording time lasted four hours. SORIDA CD-ROM is available in one disk of 22.05 kHz sampling rate with a 16 bit sample size. SORIDA digital audio-tapes are available in four 124-minute-tapes of 48 kHz sampling rate. SORIDA′s list of phonetically-rich-words is also available in English and Korean.

• 한국수학사학회지
• /
• 제28권2호
• /
• pp.85-102
• /
• 2015

Elliptic curves are a common theme among various fields of mathematics, such as number theory, algebraic geometry, complex analysis, cryptography, and mathematical physics. In the history of elliptic curves, we can find number theoretic problems on the one hand, and complex function theoretic ones on the other. The elliptic curve theory is a synthesis of those two indeed. As an overview of the history of elliptic curves, we survey the Diophantine equations of 3rd degree and the congruent number problem as some of number theoretic trails of elliptic curves. We discuss elliptic integrals and elliptic functions, from which we get a glimpse of idea where the name 'elliptic curve' came from. We explain how the solution of Diophantine equations of 3rd degree and elliptic functions are related. Finally we outline the BSD conjecture, one of the 7 millennium problems proposed by the Clay Math Institute, as an important problem concerning elliptic curves.

• 한국의류학회지
• /
• 제29권6호
• /
• pp.859-867
• /
• 2005

The purpose of this study was to identify the focus of key issues - the view, the trouble, supplementary measures and future divection research, and commercialization${\cdot}$ popularization on natural dyeing. Delphi tests were performed with 36 professional in the academic, the industrial, and the art world. Questionnaire of 1round composed of open-ended question related the view, the trouble, supplementary measures and future divection research and commercialization${\cdot}$popularization. And a 5 point Likert Scale was used to evaluate them in 2 and 3 round. Results of this study and the order of importance in the focus of key issues are as following: The trouble are immoral business ability, using of excessive mordant and lack of standardization. Supplementary measures and future divection research are dyer education, choosing stuff on natural dyeing and consumer education${\cdot}$publicity. And commercialization${\cdot}$popularization are the development of brand, the production of specific goods by regional groups, high-grade articles and the certification system in quality.

• 복식
• /
• 제60권9호
• /
• pp.77-94
• /
• 2010

It was the era, from 1876 to 1910, that some dramatic changes, including an influx of foreign dyes and the beginning of the modern dyeing manufacture, happened in Korea. This paper explores what dyes were sold in the market in this period, who was the main seller of the goods, and how the dyers produced their products. A wide range of natural dye stuffs coexisted with the various kinds of aniline dyes, alizarin dye and synthetic indigo in the market. Coloring materials had been sold by hwapi-jeon, a group of official merchants who acquired a privilege of monopoly from the government. However, the dyes were also traded by sang-jeon and yakguk merchants in the nineteenth century. Most of the synthetic dyes sold in Korea were produced in Germany or in Japan later, and imported in large amount by Chinese, Japanese and German merchants. Yet there also existed Korean merchants and peddlers who sold the goods to the local consumers. Dyers were male and female who belonged to the middle class. They received the orders and payments from the government or merchants. Not only did they dye textiles, threads, cotton, paper and leather, but they also redyed clothes. Indigo dyers were differentiated from other dyers. Modern dyeing manufacture, which was presumably forced to keep pace with the productivity of the weaving process, appeared in the 1900s. It was a branch of the modern weaving manufacture.

• Archives of Pharmacal Research
• /
• 제19권2호
• /
• pp.163-167
• /
• 1996

Aloe plants have been used as herbal medicine for centuries and the name aloe means the dried exudate from the cut leaves of Aloe ferox Mill. (Cape aloe, Liliaceae), Aloe ferryi Baker. (Socotrine aloe), A. bainesii Th. Dyer. (Natal aloe) and Aloe vera L. (Curacao aloe) (Namba, 1986). Among them, Aloe vera has not only been one of the most used natural drug well known for its cathartic properties, but also has been widely used as raw materials of cosmetics and health foods (Leung, 1978, Hoffenberg, 1979). Although previous investigations showed that the leaves of A. vera contain a number of anthracene and chromone derivatives such as aloin A, aloin B, 1, 3, 6, 8-tetra-nitro-4,5-dihydroxy-2-hydroxymethyl anthraquinone and 7-hydroxy-aloin, its chemical composition is far from being completely investigated (Hoffenberg, 1979, Rauwald and Voetig, 1982). As a part of our chemical investigations on the constituents of aloe, we report chemical investigation of the freeze dried ground leaves of A. vera which is led to the isolation of five compounds from the ethyl acetate soluble fraction of the methanolic extract.

• 한국염색가공학회지
• /
• 제21권1호
• /
• pp.10-20
• /
• 2009

The objective of this study is to investigate the efficacy of leaf powder colorants as substitutes for traditional fresh juice extract dyeing. Three kinds of leaf powder colorants were prepared by freeze drying method with or without deep freezing as pre-treatment: one powder colorant from fresh leaf juice with deep freezing; two kinds of powder colorant from fresh leaves with and without deep freezing. Their dyeing properties and storage stabilities were studied and compared with the traditional fresh juice extract dyeing. The presence of indigo in the powder colorants was confirmed by UV/Visible absorption spectra. They showed absorption peak at 602nm which was same with indigo absorption peak. Dyeing was done at low temperature around 6$^{\circ}C$. All three powder colorants produced B colors on silk fabrics, showing similar color to the one dyed traditionally with fresh juice extract. The powder colorants from leaves gave higher color strength than the powder from leaf juice. The powder colorant prepared from leaves with deep freezing was the most stable for long term storage as its color and color strength were not changed after 360 days. So, this was used for further dyeing to study the effects of concentration and repeat dyeing on color strength and colorfastness. Fastnesses to dry cleaning and rubbing were fairly good above 4 rating. Further study is needed to improve light fastness. It was concluded that the leaf powder colorant with deep freezing could be used as a substitute for traditional juice extract dyeing at all seasons.

• 한국염색가공학회지
• /
• 제21권4호
• /
• pp.23-32
• /
• 2009

The objective of this study is to investigate the efficacy of leaf powder colorants as substitutes for traditional indigo dyeing. Leaf powder colorants were prepared by hot air($50^{\circ}C$) and room temperanrre($25^{\circ}C$) drying methods from fresh leaves. The presence of indigo in the leaf powder colorants was confirmed by UV/Visible absorption spectra. All the powder colorants showed broad absorption at 602 nm as same as synthetic indigo. Dyeing was done by reduction method with sodium hydrosulfite and sodium hydroxide. Leaf powder colorants produced blue color on silk fabrics, showing similar color to the one dyed traditionally with fresh juice extract. The powder colorants prepared at room temperature drying were more stable for long term storage than that prepared by hot air drying. Thus, the powder colorants prepared by room temperature drying was reduced and dyed in one-step process without sodium hydroxide in the dyebath for further investigate dyeing properties. K/S value of the fabric dyed without sodium hydroxide was much higher than one dyed with sodium hydroxide. Regardless of the addition of sodium hydroxide, rubbing fastness was fairly good showing above 4 rating. Fastness to dry cleaning and light of the fabrics dyed without sodium hydroxide were mote higher than that dyed in alkaline condition.

• 한국응용곤충학회지
• /
• 제14권4호
• /
• pp.215-219
• /
• 1975

배나무 줄기벌의 유충을 수체내에서 채집하여 두폭을 측정하여 영기를 판정함과 동시에 성충비를 알아본 바 다음과 같다. 1) 유충의 두폭의 변이곡선은 구분된 6개의 계곡으로 나타나는데 이것은 5회의 탈피를 하여 6영을 지내는 것으로 추정된다. 2) 두폭의 표준편차는 1영과 2영이외에는 영이 커짐에 따라 커졌으며, 변이계수는 영이 커짐에 따라 줄어지는 경향이었다. 그리고 성장비는 1-2영시는 크고, 영이 높아짐에 따라 적어졌다. 3) 배나무 줄기벌 유충의 두폭성장 추정에는 Dyar식 보다 Gains와 Campbell식이 더욱 적합하였다. 4) 유충 영기는 피해 정도로 보아서 다음과 같이 추정된다. 즉 2-4영의 유충 피해는 극히 적으며 피해증상이 나타나지 않으나 5-6영시 피해는 급진적이며 외형으로 피해가 나타난다.

• 비교문화연구
• /
• 제36권
• /
• pp.123-147
• /
• 2014

The purpose of this essay is three-fold: to trace the genealogy of the Korean musical, which ever since its inception in the 1960s has been seeking to modernize Korean theater with Broadway as a constant role model; to investigate how the national and the global conflict and are conflated in the form of the Korean musical in the process of its (dis)identification with Broadway; and to examine how its intercultural translations reveal and reflect the dilemma and ambivalence posed by globalization in our era. Drawing on Richard Dyer's signature article Entertainment and Utopia, I analyze how the Korean musical manifests and conduits competing utopian impulses of Korean/Global audiences. I also attempt to problematize the formulaic notion of Broadway musicalsthe Superior Other!which implies a global hegemony that does not, in fact, exist because the boundary between the global and the local as well as the power dynamics of global culture are not fixed but constantly moving and changing. Today's musical scene in Korea shows interesting reversals from the 1990s, when Korean producers were eager to debut on Broadway and impress American audiences. Korean producers no longer look up to Broadway as a final destination; instead they want to make Seoul a new Broadway. They import Broadway musicals and turn them into Korean shows. The glamor of Broadway is no longer the main attraction of musicals in Korea. What young audiences look for most is the glamor of K-pop idols and utopian feelings of abundance, energy, intensity, transparency and community, which they can experience live in the musical with their favorite stars right in front of their eyes. In conclusion, I delve into the complex dynamics of recent Korean musicals with Thomas Friedman's theory of Globalization 3.0 as reference. The binary formula of Global/America versus Local/Korea cannot be applied to the dynamic and intercultural musical scene of today. Globalization is not a uniform phenomenon but rather a twofold (multifold) process of global domination and dissemination, in which the global and the local conflict and are conflated constantly. As this study tries to illuminate, the Korean musical has evolved in a huge net of interdependences between the global and the local with a range of sources, powers and influences.

• 한국의류학회지
• /
• 제32권12호
• /
• pp.1963-1970
• /
• 2008

전통적인 니남쪽염료 제조법을 기준으로 굴껍질가루 대신 칼슘하이드록사이드를 사용하여 천연인디고분말염료를 만들었다. 제조한 인디고분말염료에 대한 텐셀의 염색성을 몇 가지 실험조건에서 조사하였으며 염색견뢰도를 측정하였다. 제조한 인디고분말염료는 약 15.5%의 인디고 성분과 0.757%의 인디루빈 성분을 함유하는 것으로 분석되었다. 환원과 염색을 자동염색기로 one-step으로 하였으며 환원제로 소디움하이드로설파이트를 사용하였다. 최대염착량은 $60^{\circ}C$에서 얻었으며 초기 20분 동안에 염착이 거의 이루어졌다. 본 연구의 실험조건 범위에서는 염료농도 4g/L까지는 2g/L의 환원제 농도에서, 염료농도 8g/L에서는 3g/L의 환원제 농도에서 최대염착량을 보였다. 텐셀은 염욕에 가성 소다를 넣지 않고 pH 5.75에서 염색할 때 훨씬 높은 염착량을 나타냈다. 염색견뢰도는 4/5-5등급으로 대체로 우수하였으며, 염착량이 낮을수록 더 높은 광퇴색을 보였다.