• 한국실내디자인학회논문집
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• 제34호
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• pp.10-19
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• 2002

The sublime as one of categories of aesthetics has given a great influence over art. Particularly, painters of Color-field Abstract, which can be considered as the art of the sublime, have tried to sublimate their art to the level of spirituality through expression of sublimity. The purpose of this study is to grasp distinctive peculiarities of sublimity expressed by Rothko, a Color-field painter, in his architectural work, Rothko Chapel, and manifested by Feldman through his musical piece, also titled Rothko Chapel, respectively.In conclusion, it is found that sublimity was expressed in both works through ‘immobile procession’ corresponding to ‘dualism’ of the sublime as Kant defined. More specifically, it is clarified that such immobility was expressed through the attributes of the sublime as suggested by Burke, and they implied dualism.

• 복식
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• 제53권6호
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• pp.101-115
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• 2003

The purpose of this study is to define women's classic tailored suits surviving, despite current millennial impulses tend toward disintegration in style. Through documentary study, the reason which women had chosen the mannish tailored suits instead of sumptuous dresses in the 20th century beginnings is considered carefully. Also, examining the process of transition of women's classic suits makes it possible to infer the aesthetic characteristics of them. According to study, women had began to wear tailored suits acquiring physical comfort and the equality of the sexes. In the early stage, women imitated men's tailored suits in order to show seriousness, intelligent, capability for social success. However, in accordance with the advance of women's social position women modified it to suits themselves to present intrinsic feminity as well as masculine values. By staying the basic form, classic tailored suits have undergone constant internal changes in relation to sexuality. The aesthetic properties of women's classic tailored suits can be inferred as moderation, dualism, and versatility. In conclusion, the credibility with own authority and the evolutionary character inhering in the classic tailored suits could explain the continuity of them.

• 인문언어
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• 제1권1호
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• pp.195-217
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• 2001

According to John Crowe Ransom, "the poem is a loose logical structure with an irrelevant local texture." As is implied in the opposition between "structure" and "texture," Ransom′s is a dualistic, that is, non-organic, theory of poetry, in which the poem′s sound does not have any expressive function while its figurative language always goes beyond the realm of abstract meaning and celebrates the ontological density of the world. His theory relies heavily upon a series of oppositions-poetry and prose, art and science, concrete and universal, artistic and utilitarian, to name only a few-in order to uphold the humanistic value of poetry ("poetry as knowledge"). There is, however, a sense that his theoretical consistency derives from a determined refusal to see the blurry borderline between the oppositions. It is more or less easy to point out where Ransom′s theory falters, but more critical efforts should be made to probe into the personal and cultural significance of his persistent dualistic viewpoint. For Ransom the southerner, life demands the precarious balance between the oppositions as the very precondition for its existence and his dualism represents a way to understand man′s fallen state at the realistic level.

• Journal of Magnetics
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• 제9권3호
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• pp.89-95
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• 2004

Magnetization and electrical resistivity measurements in the wide temperature and field ranges were performed on single crystals of $UGe_2$. The presence of extremely large anisotropy in the temperature dependence of the susceptibility and magnetization has confirmed the previously published results. The dependence of spontaneous magnetization, ${\sigma}_s$, on temperature has been inferred from the Arrot plot and compared to that determined from neutron diffraction data. The earlier transversal and present longitudinal results on the magnetoresistivity are discussed in the terms of possible f-electron dualism in $UGe_2$ and its connection with the occurrence of superconductivity under pressure in this compound.

• 철학연구
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• 제126권
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• pp.25-52
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• 2013

본 논문에서 필자는 칸트 윤리학을 중심으로 근대의 철학적 표현이 윤리학의 영역에서 어떻게 드러나는지를 살펴보면서, 그의 윤리학이 현대의 생태계 위기를 극복할 수 있는 합리적인 이론적 대안으로서 적합한 것인가를 비판적으로 검토하고자 한다. 첫 번째 절에서는 근대의 특성이 무엇인가를 서술한다. 이 절의 목적은 왜 칸트 윤리학이 근대라는 시대규정 속에서 이해되어야만 하는지 그리고 그의 윤리학이 어떤 점에서 근대를 이념적으로 가장 잘 표현하고 있는 것인가 하는 점을 보여주는 것이다(I). 두 번째 절에서는 생태계 위기와의 연관 속에서 칸트 윤리학이 직면하고 있는 도전을 인격(Person)과 물건(Sache)의 이원적 구별이라는 문맥에서 해석한다(II). 마지막 단락에서는 칸트 윤리학의 결함을 동물에 대한 간접적인 의무 이론을 중심으로 검토한다. 더 나아가 유기체 철학 및 동양사상의 비판적 재구성의 맥락에서 칸트 윤리학의 한계를 극복할 수 있는 생태적 공공성 이론의 가능성을 제기한다(III).

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2004년도 춘계 학술발표대회 논문집
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• pp.112-113
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• 2004

• 대한간호
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• 제20권4호통권112호
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• pp.68-73
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• 1981

한국에서의 간호원의 교육과 간호업무 기대간에는 어떤 $lceil$갭$rfloor$이 존재하는 것일까? 만약 존재한다면 이런 $lceil$갭$rfloor$의 본질은 무엇인가?

• 한국의류학회지
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• 제42권2호
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• pp.251-268
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• 2018

This study suggests a fashion design using aesthetic characteristics of works by Kate MccGwire, a modern sculptor paying attention to soft sculpture materials such as feathers. In this research on MccGwire works, their internal meanings may be derived as the dualism of familiarity, movement and consciousness. Works also have aesthetic characteristics of overlapping, fluidity and twist. Using such characteristics, 4 one piece dresses and 2 vest dresses were made. Research findings are as follows. First, aesthetic characteristics of MccGwire works could be expanded into expressive areas of silhouettes and details in fashion. Second, visual flow and concentration could be expressed by gradual coloration of feather colors. Third, dart manipulation could be applied naturally by details and curve silhouettes of fashion design. Fourth, touch of feather material could be expressed fully by leaving the edge of garments raw. Fifth, spatiality of fashion could be implemented partially by applying decorative saddle stitching to costume design details. This study explored a potential of soft sculpture occurred during a transitional process of objet pursued by 20th century's avant-garde artists applicable to fashion design ideas that suggested methods for contemporary creative design.

• 한국주거학회논문집
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• 제21권5호
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• pp.115-124
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• 2010

The trend of abstract expressions has become one of the fundamental causes of the problems relating to a sense of place in modern architecture. This trend began in earnest after the era of modernism, caused by the effect of modern dualism. Before analyzing the problems of the modern trend of abstract expressions and sense of place, a fundamental review of the establishment of human environments is necessary. In this context, this study deals with the principles of the establishment of an environment based on the logic of projection between human beings and milieu, through the concept of mediance by Augustin Berque, and based on this, causes of adverse effects on the establishment of environments in modernism were verified. In addition, the last section covers the conceptual supplements required in order for the concept of mediance to become practical, overcoming its limitation of being simply theoretical. Through this analysis on the concept of mediance, it is realized that a genuine sense of place can be achieved only when architecture moves beyond the individual dimension as a simply physical object, and instead plays a role as a socially sustainable community, embracing the people and unique objects therein.

• 한국생활과학회지
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• 제11권2호
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• pp.177-188
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• 2002

The purpose of this study was to appreciate Japanese clothing and ornament of the men's costume that showed a unique style of Japan as well as a mixture of foreign civilization in Edo period. The data related clothing, ornament and art of Japan were collected from books and slide films that had been studied in Japan, because the data studied in Korea were not enough. The results were as follows: First characteristic is. the dualism. The dualism was shown in the social class, estheticism and originality. In terms of the social class, the feudalism remained through their heraldry or mark of organization even though it was broken down. In terms of estheticism, it showed the coexistence of gorgeousness and plainness. In terms of the originality, it showed the coexistence of original Kosode and Kappa under the influence of Southern barbarians' mode. Second characteristic is the utility. $Ch{\check{o}}nin$ was needed to the functional clothing because of Its social position that had much activity. Therefore, the utility was shown in a simple silhouette of Haori and Hanten and in its way of wearing.