• 건축역사연구
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• 제9권3호
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• pp.23-36
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• 2000

The bureaucrat-scholars, ruling class of the Choseon Dynasty, used to build small private pavilions for rest and study for themselves. In the early period of the Dynasty, the pavilions had plain shapes with rectangular plan and simple wooden structure without any walls so as to enjoy the surrounding scenery. From the 16th century, the building form began to change into some diverse one by putting in an ondol room, an unique floor heating equipment. The pavilions also began to show regional differences by placing the ondol rooms in the floor. Myonang-jong, a pavilion occupied by a famous bureaucrat-scholar Song Soon, was built at Damyang of the southwest part of the Korean peninsula, so called Honam area, in 1533. At first, the building form followed the ordinary early pavilion shape using simple wooden structure and wooden floor. But when it was rebuilt in 1654 after burning down by war, there happened some changes. An ondol room was put in the center of the floor, of which regarded as a dominant regional characteristic of the Honam area. The change of the building form of Myonang-jong showed that it was the 17th century Honam area got the regional characteristic in the architecture of pavilion.

• 디지털융복합연구
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• 제12권12호
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• pp.513-520
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• 2014

인간은 유사 이래로 자신을 둘러싼 모든 것들을 본능적으로 미메시스(Mimesis)하고 환영(Illusion)을 생산하며 예술과 문화를 계승 발전시켜왔다. 그 대상으로는 단지 지시할 수 있는 객체만이 아닌 객체를 둘러싼 공간 역시 포함되었다. 르네상스 시대에 등장한 원근법은 서구 역사에 있어 공간을 바라보는 지배적인 방식으로서 자리를 잡았고, 근대 시각 체계를 형성하였다. 오랫동안 원근법에 기반 했던 공간의 연출방식은 디지털 미디어 시대에 접어들면서 다층적 구조를 내포한 수평적 데이터 구성이라는 개념으로 재정의 되었다. 이러한 구성적 특성은 보다 효율적이고 합리적인 방식으로 공간의 사실적 재현을 가능하게 만들었다. 공간의 연출방식은 시각 예술 문화에 있어서 하나의 방법론이라는 외피적 범주를 넘어 세상을 바라보는 인간의 가치관을 반영한다는 의미를 지니므로 디지털미디어 기반의 공간 연출방식에 대한 심도 있는 연구의 필요성이 있다.

• 디지털콘텐츠학회 논문지
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• 제18권7호
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• pp.1217-1226
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• 2017

디즈니 스튜디오는 동시대 관객이 보편적으로 수용할 수 있는 의미체계의 애니메이션 스토리텔링을 지향해왔다. 그리고 그와 같은 애니메이션 스토리텔링은 동시대의 주류적인 지배적 신화를 근간으로 하는 미학적 표현이라고 할 수 있다. 이러한 관점에서 볼 때, 디즈니 장편 애니메이션 <겨울왕국>에 나타나는 남성 캐릭터의 남성성 변화는 단순한 미학적 현상이 아니라, 동시대의 문화사회적 흐름을 반영한 애니메이션 스토리텔링의 전략이라고 볼 수 있다. <겨울왕국>에 등장하는 남성 캐릭터들의 젠더 정체성은 기존 디즈니 장편 애니메이션에 대한 고정관념에서 완전하게 벗어나 있으며, 그것은 사회적 가치관의 흐름과 시대적 요구를 반영한 성 역할의 변화를 적극적으로 제시한 것이다.

• 한국정보디스플레이학회:학술대회논문집
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• 한국정보디스플레이학회 2006년도 6th International Meeting on Information Display
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• pp.1360-1363
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• 2006

A borate compound was adopted as new host material for $EU^{3+}$ activator. The $Eu^{3+}-doped\;YCa_3(GaO)_3(BO_3)_4$ (YCGB) phosphors were successfully synthesized. Also, their photoluminescence properties under the excitation of UV ray were measured. In the XRD patterns of the synthesized powders, most peaks were well-matched to a gaudefroyite phase. The emission of $Eu^{3+}$ in YCGB consists of a strong peak centered at 622 nm, which is attributed to $^5D_O-^7F_2$ transition of $Eu^{3+}$ and several weak peaks at near the wavelength. Optimum $Eu^{3+}$ concentration of the red phosphor under the excitation with the wavelength of 395 nm was about 75 mol%. This indicates that the red phosphor has a relatively higher critical concentration than that of the other $Eu^{3+}-doped$ phosphors. The dominant interaction character of $Eu^{3+}$ might be dipole-dipole interaction.

• 복식
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• 제57권2호
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• pp.155-171
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• 2007

Exaggerated expressions of contemporary fashion have exceeded historical precedents in volume. The purpose of this study is to understand the aesthetic characteristics of expanded form In contemporary fashion. To take dresses beyond their flat shapes into three-dimensional forms, it was investigated into volume of dresses by using the void and the mass. The void Is rarefied space and the mass is densified space. The void of dresses could be constructed from the boning such as panier and stiff textiles as organza lining. The mass could be constructed from padding. Fold, pleats, twist, and the layering of fabrics show features of both the void and the mass. Contemporary fashion designers relied on the void rather that the mass to make the enormous volume because of the weight of the mass. X-silhouette and the expansion of skirt and sleeve were dominant as the result of accentuating the body with a waistline. However, many of expanded dresses were so voluminous that they obscured the body's outlines. Some forms were strange and shocking. Many designers explored the void and there were a multitude of methods to construct the void: compartments of air, architectural techniques, technical textiles, fold such at origami. The aesthetic consciousness of expanded dresses could be classified into 7 categories, the giant, the dynamic, the deconstructive, the historical, the comedic, the rhythmical, and the technical character.

• Journal of the korean society of oceanography
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• 제32권3호
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• pp.156-161
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• 1997

The biogeochemical cycle of silver has rarely been reviewed, even though the silver ion (Ag$^{\times}$) is extremly toxic to some organisms. Its concentration is still rising sharply because of increased anthropogenic activity, specifically the discharge from the film industry (mainly, silver thiosulfate: Ag (S$_2$O$_3$)${^3-}_2$). Recently, a number of researchers have quantified the major fluxes and reservoirs of silver in the open ocean, bays, and estuaries. A review of the available information for Ag cycling in the open ocean shows that the riverine input (from human activity and weathering processes: 7${\times}$10$^6$ kg/yr and 5${\times}$10$^6$ kg/yr, respectively) is the dominant source of Ag to estuarine and coastal regions. Most of the silver (90% of riverine input silver) is removed in coastal sediments by the physical-chemical character of silver due to its high partitioning with particulate matter. On the other hand, in the open ocean the atmospheric input (wet and dry deposition: 1.48${\times}$10$^6$ kg/yr and 1.94${\times}$ 10$^5$ kg/yr, respectively) becomes more important as a source of silver than riverine input. The residence time of silver calculated from available data is 1250 yrs in the deep ocean below 500 m, but only 3 yrs in the surface ocean.

• Bulletin of the Korean Chemical Society
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• 제11권4호
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• pp.309-313
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• 1990

The rates of solvolysis of trans-$[Co(N-eten)_2Cl_2)$+ (N-eten; N-ethylethylenediamine) have been investigated using spectrophotometric method in binary aqueous mixtures containing methyl alcohol, isopropyl alcohol, t-butyl alcohol, ethylene glycol and glycerol. The values of ${\Delta}H^{\neq}$ and ${\Delta}S^{\neq}$ obtained from temperature effect on the rate constants were $80{\sim}84 kJmol^{-1}$ and $- 28{\sim} - 45 JK^{-1}mol^{-1}.$ Extrema found in the variation of the enthalpy and entropy of activation with solvent composition correlated very well with extrema in the variation of the physical properties of mixture which relate to sharp change in the solvent structure. The reaction mechanism was discussed in terms of correlation diagrams involving the exess molar Gibbs function of mixing for the binary mixtures. The behavior of this cobalt(Ⅲ) complex was compared with that of t-butyl chloride. The application of free energy cycle to the process initial state to transition state in water and in the mixture showed that the solvation of transition state had dominant effect on the rates in the mixtures. It was found that $S_N1$ character was increased with increasing the content of co-solvent in the mixture.

• 한국잠사곤충학회지
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• 제34권1호
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• pp.21-29
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• 1992

누에 품종육성을 위한 기초자료를 얻기 위해 7개 품종을 이면교잡하여 얻은 F1 세대에 대한 유전자의 분포상태, 우성정도, 분산성분과 성분비 등을 분석한 결과를 요약하면 다음과 같다. 1. 8개 형질에서 정방향의 잡종강세를 나타낸 형질은 암견층비율을 제외한 7개 형질이었으며 이 중암전견중, 암용체중은 매우 높은 잡종강세를 나타내었고 부방향의 잡종강세는 암·수견층비율에서 볼 수 있었다. 2. 각 형질에 대한 분산분석의 결과는 세포질의 영향인 모체효과와 정·역간의 효과에서 암견층비율과 암용체중을 제외한 전 형질에서 유의성이 인정되었다. 3. Vr-Wr graph에서 암전견중과 암·수용체중은 초우성을 나타내고 수전견중, 암·수견충중, 암·수견층비율은 불완전우성으로 유전되었다. 4. 유전분산성분에서 수전견중, 암·수견층중, 암·수견층비율은 상가적 효과가 우성효과보다 크게 나타났고, 암전견중은 우성 효과가 상가적 효과보다 크게 표현되었다. 5. 협의의 유전력은 암·수전견중, 암·수견층중, 암·수견층비율에서 0.51 이상으로 높았고, 광의의 유전력은 암용체중을 제외한 전 형질에서 0.77 이상으로 높았다. 6. 우성의 방향은 암견층비율이 부이고, 암·수견층중이 5.22, 6.02로 다소 높았으나 암·수전견중, 수견층비율, 암·수용체중은 정으로 낮았다.

• Ecology and Resilient Infrastructure
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• 제10권4호
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• pp.237-249
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• 2023

본 연구는 우리나라 고유의 기후와 식생, 그리고 숲의 경관생태적 특성을 기반으로 새로운 식재경관 중심의 정원화 모형을 정립하기 위해 수행되었다. 또한 산림군집의 경관 특성을 기존의 정원 식재유형과의 통합적 접근을 통해 보다 혁신적인 숲정원 모델을 개발하고자 하였다. 일차적으로 우리나라 주요 산림 식생군집을 구성하는 핵심 경관요소를 도출하고, 군집구조의 수직적인 층위와 수평적인 분포양상에 대해 우점종과 표징종 및 식별종 등 진단종과 이들의 성상 및 우점도-군집도를 분석·평가하였다. 이를 기준으로 시각적 우세요소에 따라 주 경관, 부 경관, 세부 경관으로 계층화하여 표준화된 식생경관의 구조와 형식을 개발하였다. 또한 이를 우리나라 온대중북부지역의 대표 식생군락인 낙엽활엽수림을 대상으로 미술사적인 차용의 개념과 범위를 적용하여 숲정원 모델로의 적용성을 검토하였다. 아울러 숲정원의 개념정의 및 유형화, 그리고 숲 식생의 전략적인 접근을 토대로한 통합적인 숲정원 모델을 제안하였다.

• 한국조경학회지
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• 제18권4호
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• pp.45-71
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• 1991

The landscape systems in Korean island settlements can be recognized as results of ingabitants' ecological adptation to the isolated environment with the limited natural resources. Both the fishery dominant industry in island society and ecological nature of its environments seem to have influenced on inhabitants' environmental cognition as well as the physical landscape of island villages such as its location, spatial pattern in each village, housing form and so on. This study was done mainly by both refering to the related documents and direct observations in case study areas, and results of the study can be summarized as follows. 1. In general, the landscape of an individual island seems to take more innate characteristics of island's own, corresponding to the degree of isolation from mainland. That is, while the landscape of island in neighboring waters takes both inland-like and island-innate landscape character at the same time, the one in the open sea far from land takes more innate landscape character of all island's own in the aspects of village location, land use and housing density etc. 2. The convex landform of most islands brings about more centrifugal village allocation than centripetal allocation in most inland villages. And thus most villages in each island face extremely diverse directions different from the south facing preference in most inland rural villages. 3. Most island villages tend to be located along the ecologically transitional strip between land and sea, so called 'line of life', rather than between hilly slope and flat land as being in most inland village locations. So they are located with marine ecology bounded fishing ground ahead and land ecology bounded agricultural site at the back of them. 4. The settlement pattern of the island fishing villages shows more compact spatial structure than that of inland agricultural villages, due to the absolute limits of usable land resources and the adaptation to the marine environment with severe sea winds and waves or for the easy accessability to the fishing grounds. And also the managerial patterns of public owned sea weed catching ground, which take each family as the unit of usership rather than an individual, seem to make the villagescape more compact and the size of Individual residence smaller than that of inland agricultural village. 5. The folk shrine('Dand') systems, in persrective of villagescape, represent innate environmental cognition of island inhabitants above all other cultural landscape elements in the island. Usually the kinds and the meanings of island's communal shrine and its allocative patternsin island villagescape are composed of set with binary opposition, for example 'Upper shrine(representing 'earth', 'mountain' or 'fire')' and 'Lower Shrine(representing 'sea', 'dragon' or 'water') are those. They are usually located at contrary positions in villagescape each other. That is, they are located at 'the virtical center or visual terminus(Upper shrine at hillside behind the village)' and 'the border or entrance(Lower Shrine at seashore in front of the village)'. Each of these shirines' divinity coincides with each subsystem of island's natural eco-system(earth sphere vs marine sphere) and they also contribute to ecological conservation, bonded with the 'Sacred Forest(usually with another function of windbreak)' or 'Sacred Natural Fountain' nearby them, which are representatives of island's natural resources.