• 제목/요약/키워드: definition of expression

검색결과 162건 처리시간 0.023초

여과에 의한 케이크 함수량의 한계와 효율적인 여과-압착 조작 조건에 대한 연구 (Study on the Limit of Water Content by Cake Filtration and Effective Operation in Filtration-Expression Process)

  • 임성삼;송연민
    • Korean Chemical Engineering Research
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    • 제43권6호
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    • pp.696-703
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    • 2005
  • 케이크 여과에서 케이크에 대한 정의가 아직 마련되어 있지 않다. 특히 침전된 플럭(floc)의 여과에서는 케이크를 전혀 정의하지 못하였다. 본 연구에서는 '여과-투과(filtration-permeation)' 실험을 사용하여 모든 경우의 케이크를 명확히 정의하였다. 이 케이크의 정의에 대한 고찰을 통해 케이크 여과에 의해 이룩될 수 있는 케이크 함수량의 한계에 대한 연구를 수행하였다. 여과에 의해 형성된 케이크의 수분 함량을 줄이기 위한 압착조작(expression) 과정을 '고액분리 통합이론'으로 계산하고 실제 압착조작 데이터와 비교하였다. 여과와 압착조작 전체를 분석하여, 압착의 중요성을 검토했다. 그리고 회분식으로 조작되는 필터 프레스의 케이크 배출과 세척시간을 포함하여 가장 효율적인 조작조건을 계산하는 방법을 제안하였다.

통합 방식을 이용한 대보표 악보의 XML 스키마 모델 (XML Schema Model of Great Staff Music Score using the Integration Method)

  • 김정희;곽호영
    • 한국정보통신학회논문지
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    • 제7권2호
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    • pp.302-313
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    • 2003
  • 현재 악보에 대한 DTD(Document Type Definition) 정의는 응용에 따라 그 종류가 다양하게 연구되어 왔으며 또한 정의된 DTD를 XML Schema로 자동 변환하는 방법들이 진행되고 있다. 그리고 연구되어온 DTD 정의 구조는 악보 상에 존재하는 음악 정보들이 각각 독려된 형식을 유지하도록 표현하는 데 집중되고 있다. 따라서 본 논문에서는 악보의 기본 구성 요소가 소절(Measure:마디)인 점을 이용하여 소절 단위내 관련된 정보를 일련의 연속 문자열 값으로 표현하는 방법을 제안하고 이를 위한 XML Schema를 모델링 하였다 또한 제안된 방법에 의해 표현된 XML 인스턴스에서 음악 정보를 추출하는 메카니즘을 제시하였다. 그 결과 연속된 문자열 값들을 가지는 XML Schema 정의가 가능했으며, 제안된 방식을 적용한 인스턴스는 기존 방식의 인스턴스들 보다 검색식(XPATH) 표현의 단순화 및 검색 단계를 줄여 그 효율성이 기대된다. 또한 사람에 의한 직접 표현 능력이 가능하며, 인스턴스 크기가 작아짐을 알 수 있었다.

Tsunami (津波)의 한글표현에 대한 소고 (A study on terminological definition of tsunami in Korean)

  • 정태화;손상영
    • 한국수자원학회논문집
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    • 제56권5호
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    • pp.363-371
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    • 2023
  • 본 연구에서는 tsunamii(津波)의 한글표현인 지진해일의 과학적 타당성에 대해 고찰하고 올바르게 활용할 수 있는 방안을 제안하고자 한다. 우선 tsunami의 과학적 정의를 짚어보고 다양한 언어로 표현된 tsunami의 유래를 살펴본다. 이를 바탕으로 현재 우리나라에서 대표적으로 사용되는 tsunami의 한글표현 '지진해일'이 목적에 적합하게 활용되고 있는지에 대해 검토한 후, 타당하게 활용될 수 있는 방안을 제시한다. 결론적으로 본 연구에서는 tsunami의 한글표현에 있어서 영어 및 타 언어들의 경우와 마찬가지로 음을 차용하여 표현한 '쓰나미' 혹은 '쯔나미'로 통일성 있게 사용할 것을 제안한다.

바이오모픽 건축의 재료 표현특성에 관한 연구 (A Study on the Material Expression Characteristics of Biomorphic Architecture)

  • 김정신
    • 한국실내디자인학회논문집
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    • 제15권5호
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    • pp.289-297
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    • 2006
  • This study was begun on the premise that architecture which has the definite disposition for survival even in the urban, social structure of that uncertainty and constructs specialty is biomorphic architecture. This study was made with the following four specific purposes largely. First, through the theoretical investigation of biomorphic architecture that appears in the tendency that mordern architecture develops into the architecture of do-stereotype and new form, its meaning and definition are examined. Second, the analysis of biomorphic architecture is investigated and the generation causes are applied architecturally and generate biomorphic architecture is made. Third, by analyzing the material expression characteristics of biomorphic architecture, the meaning and possibility of architecture, which expresses the vitality of organism, as the material expression characteristics of biomorphic architecture, are investigated. The material expression characteristics was deduced through the generation background of biomorphic architecture. The material expression characteristics of biomorphic architecture is the various modeling by smart-network and the response system of sensitivity poly-logue.

저작권법의 시각에서 본 연극연출의 창작성과 법적 지위에 관한 연구 (The Study on the Creativity and Legal Status of Directing from Copyright Law Point of View)

  • 정영미
    • 한국연극학
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    • 제40호
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    • pp.401-450
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    • 2010
  • This thesis purposes to suggest that creative stage directors have copyright ownership and we make them create high-quality of theatre direction. Stage directors are sincere creator of the theatre stage today. We have little judicial precedents about stage directors, no artistic examination related directing. Stage directors are performers who have neighboring rights, there is a problem that they won't have the exclusive right of making derivative works in this country. Others will make creation (such as cinemas, animations, novels) based on stage expression without permission, because stage directors don't have exclusive right of making derivative works. Copyright law can't protect the concept of stage directors and building blocks of them which are drama text, actors and theatre space, because copyright law don't protect idea according to idea/expression dichotomy. The expression of stage direction is belong to five fundamentals which are composition, picturization, movement, rhythm, pantomimic dramatization that are come from Dean & Carra's work. Directors' work is to make theatrical works based on literary works. Therefore, theatrical works are derivative works which based on drama texts. Also, theatrical works are able to be joint works. In the case of that stage directors write drama text and create expression on the stage, they have to own authorship of both works. Merger doctrine should not apply theatre directors' works strictly like any other functional works because stage directors usually create noble expression which have been not before. We need shift of the definition of theatrical works which are derivative works or joint works to protect theatre directors' creativity. Hereafter, the special legal section for dramatic(theatrical) works including the flexible legal definition for performing arts should be established, and 'contract form' for stage directors should be made. Acting edition(literary works) should be published to grant creative directors compensation. I emphasize to grant ownership of copyright to creative stage directors, to encourage directors' works. Therefore, copyright law will be the support for development of cultural arts institutionally.

MIM커뮤니케이션에서 이모티콘 활용이 사용자 이미지메이킹과 자기표현 만족감에 미치는 영향 (The Effect of Emoticons on User Image making and Self-expression Satisfaction in MIM Communication)

  • 허진주;고혜영
    • 한국멀티미디어학회논문지
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    • 제20권7호
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    • pp.1136-1147
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    • 2017
  • In this study, we investigated the effect of users' emoticon usage on their satisfaction with image making and self-expression in MIM communication. We defined internal attraction, social appeal, and communication ability as personal image making factors due to the use of emoticons in MIM communication. And we defined the research hypotheses based on the definition of intimacy, openness, and social reality as relational image making factors. In MIM communication, we analyzed the questionnaire about emoticon users. As a result, emoticon usage was found to have a positive and significant effect on self-expression in relation image making rather than personal image making. The study implies that the use of emoticons can lead to image making in MIM communication and satisfy the satisfaction of self expression.

현대 상업공간의 표피에 나타나는 투명성 연출 특성에 관한 연구 (A Study on Meaning and Applications of 'Transparency' in Modern Retail Space)

  • 조미나;박찬일
    • 한국실내디자인학회:학술대회논문집
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    • 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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    • pp.165-170
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    • 2005
  • It is important factor; understand definition and concept, grasp application method and property about transparency for expression of skin in design of retail space. This research do target; clarify the feature of transparency for expression of skin in modern retail space, and it is based in these viewpoint that analyze the feature through an experiment of image estimation(SD method) into object to modern retail space that express transparency of skin.

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현대패션에 표현된 패치워크의 표현특성 (Expressive Characteristics of Patchwork Shown in Modern Fashion)

  • 김선영
    • 대한가정학회지
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    • 제47권3호
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    • pp.1-9
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    • 2009
  • This study was conducted to examine how patchwork was expressed in fashion based on theoretical background on its brief history and expression styles and to show its possibility of creating ways for new expression in modern fashion. This study reviewed literatures on definition, history and styles of patchwork and investigated mainly works, which had been presented in collections home and abroad since 2000, to analyze its expressive characteristics shown in modern fashion. According to analysis on the expression of patchwork, it used various painting techniques such as patterns, colors and surface effect. It included patchwork having patterns provoking elusion of fairy tails; containing painting expression of reproducing works of artists; using colors boldly and contrasting strong primary colors directly to establish purity of painting and to pursuit characteristic expression; and using expression techniques of pure art such as gradation and cutting. Second, it used a compromise expression in materials, methods and substances. Patchwork which had used cloth without a pattern or printed fabric, utilized various materials like vinyl, paper, leather, metal and plastic and had a figurative value showing a solid expression as an objet itself with new techniques and changes of connecting methods. Thirdly, it used tradition patchwork techniques. Pieced patchwork, crazy patchwork and images of traditional odd ends of cloth covering a meal were applied to a whole area or a part of cloth to avoid monotony of design and to use it as a decoration.

상업공간 실내에서 표현되는 비물질적 특성에 관한 연구 - 2000년 이후의 국내 식음공간을 중심으로 - (A Study on Characteristic of Immateriality in Commercial Interior Space - Focused on Restaurant and Bar in Korea since 2000 -)

  • 정선영
    • 한국실내디자인학회논문집
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    • 제13권4호
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    • pp.83-91
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    • 2004
  • This study focuses on defining the new meaning of immateriality in the present times expressed on space. The purposes of this study were to examine the characteristics of immateriality showed in commercial interior design in Korea, based on the definition of immateriality concept and the analysis of the way it is expressed. The result of this study is as follows; it categorized characteristic of material expression, space concept and media. Characteristic elements can be classified into 6: transparency, implication, off-gravitation, ambiguity of boundary, temporality, interactivity. Expression of immateriality in commercial interior space was obtained in many different ways, which are identified: new expression of material by reduction of materiality, leveling of transparency, expression of floating status, changeable image, illusion effect, blurring boundary. Immateriality is deeply associated with the elements such as surface, material, media, light, and movement. So it is being recognized as an important design concept in today's pluralist society and will play an important role within the design paradigms for the future.

Research on The Application and Expression of Mixed media in Oil Painting

  • Su Xinyuan
    • International Journal of Advanced Culture Technology
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    • 제11권2호
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    • pp.162-169
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    • 2023
  • With the diversified development of modern art, the application of mixed media in painting has become increasingly prominent, which not only provides artistic creators with new creative ideas, but also magnifies the creators' emotions and re endows the media with meaning and value. This paper systematically introduces the definition, features and connotation of mixed media painting, and expounds three aspects of the aesthetic function of multimedia in oil painting creation, the embodiment of painting individuality, and the combination and application of materials and technique to demonstrate that mixed media presents different understanding and expression in Chinese oil painting, no longer constrained by traditional oil painting materials, which promotes more development possibilities of the art expression form of Chinese oil painting, enhances its international influence, and bring new vitality to the creation and development of Chinese oil painting.