• Journal of Contemporary Eastern Asia
• /
• 제15권2호
• /
• pp.162-176
• /
• 2016

In this study, a part of the social and the economic condition of Nepali women is introduced with a short comparison to the socio-cultural position of the women of Korea. A relative definition of the condition of the past and now: this also briefly introduces the ideas of some of the Nepali women that we have collected through the questionnaire. A comparative literature reviews about the position of women in the past as well as the review of the position of women in present is made. Various articles are used for this as the method of analysis. A quantitative analysis of the status of women (Nepal) taking 24 households through the questionnaire method was done. The answers given by the women are the base for the article. However, the answers to the questionnaire are used to compare the past and the present. Analysis of the received data and their explanation through the tables and graph are done. The charts and tables are followed by a detailed explanation. Conclusively the briefing of the condition of women in both the countries, the changes that are brought or not brought by development; in their life's status and position in society, is mentioned.

• 벤처창업연구
• /
• 제5권1호
• /
• pp.1-18
• /
• 2010

문화산업과 그 산업의 중심을 이루고 있는 문화콘텐츠는 국가 경제에서 차지하는 비중의 증대와 미래 가치의 중요성 강화 등의 이유를 통해 그 관심의 폭이 지속적으로 늘어나고 있는 분야이다. 특히 최근에 국가적으로 관심이 높은 1인 창조기업을 중심으로 창업의 대상이 되고 있는 분야로서 문화콘텐츠 는 중요한 위치를 차지하고 있다. 하지만 이러한 급속한 성장, 그리고 위상 강화에 반해 문화콘텐츠의 정체성에 대한 논란, 그리고 창작 또는 창업 소재의 개발 등 문화콘텐츠 개발에 있어서의 창의성 결여에 대한 비판은 우리나라 문화콘텐츠 계 전반에 걸쳐 중요한 한계라는 인식을 가지고 있는 또한 사실이다. 본 연구는 우리가 용어 적으로 문화산업 또는 문화콘텐츠라고 정의하고 있는 분야가 규정된 용어를 통해 획득하고 있는 인식과 그 인식에 따른 콘텐츠의 결과물의 구성간의 관계에 대해 연구되어 있다. 연구 결과 우리나라의 문화콘텐츠는 '문화'가 가지고 있는 기존의 해석과 같이 문화성이 가장 높은 것으로 나타나 있으며 비교 대상으로 살펴 본 미국의 엔터테인먼트 콘텐츠에서는 엔터테인먼트 요소가, 영국의 크리에이티브 콘텐츠에서는 크리에이티브 요소가 가장 많이 내포되어 있는 것으로 나타났다. 이는 곧 기존에 구조주의적 관점에서 논의되고 있는 언어의 신화적 요소가 해당 분야에 투영되어 있다고 할 수 있는 것이다. 결국 문화콘텐츠라는 개념적 정의에는 기존에 문화가 가지고 있는 장점과 단점을 그대로 투영할 수밖에 없는 구조를 가지고 있다고 할 수 있으며 이러한 한계는 창업의 아이템, 사업성의 확보라는 점에서 분명히 극복되어야 할 점이라고 할 수 있다.

• 보존과학연구
• /
• 통권24호
• /
• pp.61-79
• /
• 2003

The position of each part of the Ten storied pagoda of Gyeongcheonsa has been changed because of illegal dismantlement and assembling throughout the history. There remain carved letters in the part of pagoda, which let us know the incorrect assembling of the parts, however, we still don't know the reasons. The pagoda has been under conservation process by the conservators from Conservation Science Division in the National Research Institute of Cultural Properties. It is one of the main purposes to find an original structure of the pagoda by appropriate assembling. The existence of iconography and carved letters are very useful in the conservation process. Mis-assembled parts are mostly in the pedestal of the Chinese letter('아') and in the bodies up to third floor. The iconography of the pagoda has many similarities to the Ten storied pagoda of Wongaksaji.

• 보존과학회지
• /
• 제35권1호
• /
• pp.91-98
• /
• 2019

The fragments of a wall painting excavated from among the historical remains of Jeseoksa Temple in Iksan. The extent of the damage to the fragments was examined and an analysis of the components of the pigment was conducted. The results of the component analysis of the pigment confirmed that the white pigment consisted of alkali feldspar and mullite. Although the results of the visual inspection revealed differences in color in the red and black pigments, the main component of the two colors was confirmed to be iron oxide. Red and black pigments are found at the same position. Although differences of color is obvious, those are identified as hematite and magnetite of oxidized steel's affiliation. It is judged that Differences of ingredients happened by external environment's factors.

• 영미문화
• /
• 제14권2호
• /
• pp.233-249
• /
• 2014

This essay addresses the missing conversation in Keats studies by showing how an enduring mystery of Romantic writing—the medium of poetic process and the physical conditions of enunciation—remains a central question in the Hyperion fragments. It is my argument that the tropes of material textuality prevalent in the Hyperions represent a bold cultural statement in which Keats reacts to the major premises underlying the Romantic culture's notion of poetry as abstraction: the Romantic notion of literary (re)production as a product of the activity of a mind. Keats's self-conscious, symbolic representation of the mechanics of poetry-making can be read as an investigation of the ways in which the Romantics were aware of and even eager to articulate the instabilities of their position on the relations between words and things. This essay does not focus exclusively on the physical embodiment of Keats's work as such, so much as the second-generation Romantic poet's contribution to the Romantics' self-conscious and critical understanding of the depiction, perception and ideologies of their poetry and its mediation.

• 간호행정학회지
• /
• 제18권1호
• /
• pp.76-86
• /
• 2012

Purpose: As Korea has been rapidly transformed to be a multicultural society, it becomes essential for nurses to develop cultural competency. The purpose of this descriptive study was to assess the cultural competency level of general hospital nurses and to examine its contributing factors adopting ecological model. Method: A convenience sample of 327 nurses from six general hospitals in Seoul metropolitan area was recruited between November 14 to 28, 2011. Cultural competency was measured using the Korean version of the Caffrey Cultural Competence in Healthcare Scale (CCCHS) and Cultural Competence Assessment(CCA). Hierarchical multiple regression analysis was performed to assess the influence of intrapersonal, cultural-experience, and organizational factors on cultural competency. Results: Mean cultural competency in this study was 2.57(${\pm}0.43$). Cultural competency was associated with job position (p=.044) at the intrapersonal level. At the cultural experience level, foreign language classes experience (p=.005), fluency in a foreign language (p=.000), experience of working with foreign health care professionals (p=.000) were associated cultural competency. At the organizational level, training program (p=.000), job description (p=.002), health education materials (p=.016), insufficient job control (p=.000), and interpersonal conflicts (p=.011) showed significant difference. Foreign language class experience, foreign language fluency, experience of working with foreign health care professionals, and job control were the most consistent predictors of cultural competence and explained 20.4% of the total variance in the proposed ecological model. Conclusions: The findings suggest that to enhance cultural competency in general hospital nurses, cultural experience and organizational factors need to be more fully considered than intrapersonal factors.

• 헤리티지:역사와 과학
• /
• 제36권
• /
• pp.335-346
• /
• 2003

With the development of media and computer, Motion Capture system, recently used in the entertainment and computer graphics, is emerging as a new recording method. Motion Capture is a system that records time-varying position of sensors which are attached to a objects and translates it to 3-D coordinate on computer. The motion of object displays the time-varying positions of each sensors that are graphed, or the line connected man-shaped model's movements on the computer monitor. And by adding computer graphic character to it, the various angled images, which are difficult to be perceived on the stage, can be easily recorded. Recently in Japan, Motion Capture system is being actively studied in order to use it in recording and preserving the intangible cultural assets of dance and art. Especially, Warabiza in Tazawako art village at Akita plays the leading role in this area through the project to symbolize and establish the archive of cultural dance, further, Ritsumeikan Univ. is develops the system for coupling the motion capture system to Labanotation. This article introduces the motion capture and it's related studies in Japan, which are being actively studied as a new recording method of intangible cultural assets.

• 보존과학연구
• /
• 통권22호
• /
• pp.81-92
• /
• 2001

The replica experiment of golden bell excavated from the East Three-Story Pagoda at the Gamunsa temple was carried out in order to know the handiwork technique of ancient granule. The size of 0.3mm granule was attached to the golden bell which was 3.4mm bell body by soldering. When we tried to attach the granule by a modern metalwork, we could know that this technique was hard to make the replica bell. We could prove how to adhere strongly to the golden granule by tension testing. First of all, we made the soldering of the same composition as the golden bell excavated from the Gamunsa temple and then prepared specimens for testing to measure the tension strength. It showed that the broken position was not a soldering part. This result showed how the ancient granule could maintain without a break for a long time.

• Acta Via Serica
• /
• 제9권1호
• /
• pp.67-90
• /
• 2024

India, Southeast Asia in general, and Siam in particular share a long history of cultural and commercial relations. Located in each other's extended neighbourhood, India and Thailand have a shared maritime boundary in the Andaman Sea. Situated in the strategic position, midway between West Asia on the one hand and East Asia on the other, India and Siam combined played a significant role in the maritime transactions in Asia and beyond. The geographical proximity between India and Siam led to multifaceted maritime interactions and exchanges. Siam was in the Indian sphere of cultural, religious, philosophical, technical, and linguistic influence much before the Common Era. The cultural and mercantile networks between India and Siam are well-attested by archaeological and literary sources. The archaeological findings in Siam and other Southeast Asian countries have revealed the dynamic trade and cultural exchange between India and Southeast Asia since the pre-Common Era. The Takola (modern Takua Pa) area served as a more suitable landing place for Indian merchants and there existed the settlement of the Indian mercantile community. Ligor (Nakhon Si Thammarat), Jaya (Chaiya), Patalung (Phatalung), U Thong, Ban Don Tha Pet, Ban U Taphao, Khao Sam Kaeo, and many other sites in Siam have brought to light a large variety of objects which demonstrate that ancient Siam had close mercantile contact with India as well as the Mediterranean world and China. The paper discusses in detail the cultural and trade links between India and Siam and their impact on the Maritime Silk Road.

• 대한지리학회지
• /
• 제42권5호
• /
• pp.728-744
• /
• 2007

동아시아의 지역적 정체성은 역사-지리적 실재에 근거할 때 비로소 더욱 성공적으로 대중적 동의를 얻을 것으로 기대된다. 본 연구는 최근에 확대된 장소 개념을 이용하여 동아시아 문화지역의 역사-지리적 설정을 시도하고자 한다. 동아시아 문화지역에 일체성을 부여하는 것은 복수적 장소들이 공유하는 문화적 동질성이 아니라 다양한 공간 규모를 가지는 단일한 장소 내부의 문화적 혼합이다. 문화적 혼합은 지배가 아니면 저항, 그리고 때로는 뒤엉킴의 형태로 표현되는 것이다. "경합 장소로서의 산악"이라는 개념은 동아시아 내부의 문화적 동일성을 탐구하기 위한 실험적 노력의 일환으로 제안되었다. 이러한 장소 개념은 산악을 제외한 다른 공간적 단위-가옥, 정원, 촌락, 도시 등-에 대한 연구들로 확대되어 적용될 필요가 있다. 왜냐하면 이러한 연구들이 축적되면 결국 동아시아가 역사-지리적으로 특정한 문화적 동일성을 가진 장소라는 정의가 구체적으로 가능해질 것이기 때문이다.