• 국제지역연구
• /
• 제12권4호
• /
• pp.23-65
• /
• 2009

본 논문의 목적은 푸틴 시대의 국가 정체성의 문제를 정치 및 문화 상징의 분석을 통해 살펴보는 것뿐만 아니라, 러시아 국가 정체성 문제 진단을 위한 모델을 창조해 보이는 것이다. 이를 위해 본 논문은 19세기 전제 러시아 시기로부터 현대 포스트-소비에트 시기까지 러시아의 국가 및 문화 정체성이 어떠한 일관되고 반복적인 리듬 구조 속에서 전개되어 왔는지를 제시해 보이고 있다. 삼각형-사각형이란 역학관계 모델을 제시하면서 본 연구가 주목하는 것은 정치 및 문화 상징(물)이 사용되고 있는 구체적인 맥락과, 이것들이 간직하고 있는 정치, 문화적 함의는 무엇인지, 그리고 어떠한 논리 속에서 통시적으로 이러한 상징(물)이 사용되는지를 파악하기 위한 민속 및 허위민속의 배경이다.

• Acta Via Serica
• /
• 제5권1호
• /
• pp.23-56
• /
• 2020

The study of Putin's Russia should be placed in a broad historiographical context, prevailing in the West. While in the beginning of the post-Soviet era, most observers believed that Russia would reach a Fukuyamian "end of history," the situation is quite different now. At present, Western observers see Putin's Russia as the manifestation of authoritarianism. While this assumption is undoubtedly true, it does not provide much insight into the regime's operational model. Here, a comparison with Renaissance and early modern Europe might provide a clue to the operational model of the regime. Similar to early modern European rulers, Putin limits the use of direct and wide use of force, preferring manipulation, corruption, and the targeted killing of his most important enemies. In foreign policy, Putin has tried to avoid wholesale conflicts and broadly uses mercenaries, whose relationships with the Kremlin are downplayed. The similarities between Putin's regime and early modern European regimes do not mean that their destinies will be the same. In Europe, the Renaissance led to centralized states, whereas in Russia, the "Renaissance" could well lead to the country's disintegration.

• Journal of Contemporary Eastern Asia
• /
• 제19권1호
• /
• pp.84-96
• /
• 2020

The Republic of Korea (Korea) and the Russian Federation (Russia) are actualizing the cooperation in the Arctic area. As a result, Korean companies have begun to enjoy real economic benefits. However, since there are some troublesome aspects associated with this cooperation, measures that can lead to sustainable development through the supplementation of relevant norms are critical. Russia is also aware of these problems in obtaining economic benefits in the future; cooperation between the two countries should be extended to sufficiently cover this point. The laws related to the region are vague and do not encompass every field. In addition, when it comes to national interests, many situations arise from areas where international and national laws are not clearly harmonized. Therefore, efforts should be made to reflect the interests of both sides and to maintain economic benefits, in case Korea participates in Russia's development of the area, as well as for the legal foundation to reduce negative issues. The Korea-Russia Free Trade Agreement (FTA) negotiation is on the track for the purpose. The two governments should consider various tasks, such as harmonizing with the former FTAs and dealing with the domestic law in accordance with the new FTA. The two countries also have to conduct researches on the efficient use of the FTA and for the 'Sustainable Arctic Development'.

• 아태비즈니스연구
• /
• 제5권1호
• /
• pp.43-53
• /
• 2014

Social and economic changes in the world, along with changes in the culture of government and structural changes in the relationship between the state, the market and higher education institutions, have resulted in new approaches pursued by states towards higher education (Konstantinov & Philonovich, 2007; Peterka, 2011). Higher education institutions, in its turn, enjoy more freedom in choosing to focus on various tasks and goals to their academic activities. This contributes to the diversity of expectations when it comes to the various roles modern academic institutions take on with regard to their development. Among many existing concepts in the current academic environment, the concept of "entrepreneurial university" is becoming a critically important concept in Russia. In this article, we consider the concept of the Entrepreneurial University as developed in Clark and Etzkowitz's theories, and the ways the concept is being adjusted in the higher education system in Russia. We analyze comparatively both contemporary and prior historical [1990s-mid2000s] state policies pertaining to higher-education institutions in Russia in order to provide an insight into how the national market of knowledge intensive production is being established in the country. As a consequence of these analyses, we present a new model of how universities can take a more systemic and meaningful approach to creating research-based innovation entrepreneurial activities. This approach is also viewed as making universities' innovation activities more sustainable and thus less dependent on the state support.

• 복식문화연구
• /
• 제14권1호
• /
• pp.108-127
• /
• 2006

The purpose of this study is to examine the principles of clothing design and the way of design approach in Lamanova. She caused a revolution in the art of dress and created the foundation for costume design theory. She Addressed Art in everyday life to self-taught dressmakers. The distinguishing feature of the design is simplicity and functionality. In an article "The Russian Style", Lamanova raised the question of the new Soviet costume and traditional costume. In "On Contemporary Costume" she classified the new forms of clothes into everyday and holiday attire, showed the principles of costume, and analyzed in detail the necessity of constructing a costume to suit the individual figure. In "On the Rationality of Costume", she found a basis theory for clothing design which is for whom, from what, and for what purpose. Lamanova's theory was made public in full in 1928 and was presented at the exhibition of Handmade Textiles and Embroidery in Women's Contemporary Costume. The main contents are the costume's purpose, it's material, the figure of its wearer, and its form. She argued that the new costume could be in line with the new life and her theory could be the creed of clothing designers. The principles of Lamanova's theory can still be applied today, not only in Russian traditional and contemporary costume, but in contemporary world fashion.

• Journal of Contemporary Eastern Asia
• /
• 제19권1호
• /
• pp.97-122
• /
• 2020

This paper examines the existence of herd behaviour in fifteen (15) global stock markets, which consist of Developed Markets (Canada, Hong Kong, Japan, Singapore and the United Kingdom), Advanced Emerging Markets (Brazil, Malaysia, Mexico, Poland and South Africa) and Secondary Emerging Markets (Chile, China, Indonesia, the Philippines and Russia) by using Cross Sectional Absolute Deviation (CSAD) method of Chiang and Zheng (2010). It also seeks to explore the impact of social factors such as prosperity, education, ageing society, industry orientation and gender on the existence of market-wide herding. The findings of this paper indicate that herd behaviour exists in Singapore (Developed Market), Mexico, Poland and South Africa (Advanced Emerging Markets) and China and the Philippines (Secondary Emerging Markets). No evidence of herding is observed for Canada, Hong Kong, Japan, United Kingdom, Brazil, Malaysia, Chile, Indonesia and Russia. Ageing society is also found to have significant impact on the existence of herd behaviour. Nonetheless, prosperity, education, industry orientation and gender are found to be insignificant to herding. This study sheds some light on whether social factors determine herding behaviour in the 15 selected stock markets.

• 비교문화연구
• /
• 제46권
• /
• pp.281-296
• /
• 2017

안드레이 아말릭의 희곡들은 70년 소비에트 희곡사에서 전무후무한 독특한 현상이다. 그것은 소비에트 희곡이 20세기 초 러시아 아방가르드의 성과를 고의적으로 망각한 지 반세기가 지난 뒤에, 동시대 서방의 실험적인 연극 실천들로부터 철저하게 고립된 소비에트의 연극 환경 속에서 느닷없이 출현한 괴물 같은 부조리 희곡이었다. 그런데 놀랍게도 아말릭의 희곡들은 현재의 러시아 내에서 뿐만 아니라 외국의 러시아 문학 연구자들 사이에서도 거의 잊혀져가고 있다. 소비에트 체제가 붕괴한 뒤, 러시아에서는 1991년에 아말릭의 수기가 발간된 것 말고는 작품집도 나오지 않았으며 그의 작품 세계에 대한 재평가 움직임도 눈에 뜨이지 않는다. 그러나 아말릭은 반드시 온당한 평가를 받아야 하는 작가이다. 그의 희곡에 대한 연구는 고골, 흘레브니꼬프, 마야코프스키, 오베리우 등으로 이어지는 러시아 그로테스크-부조리 극문학의 혈통을 복원하는 일이다. 이 논문에서는 그 작업의 한 시도로서 아말릭 희곡의 구성 메카니즘에 관해 알아보기로 한다.

• Journal of Contemporary Eastern Asia
• /
• 제20권2호
• /
• pp.138-156
• /
• 2021

The aim of this article is to describe direction of Sino-Russian relations toward a new epoch - as the decision-making centers of both countries define them - indicating the commitment to building the future international order. It includes the synthesis of evolution of relations, descriptions of cooperation building of mutual confidence by both sides in variety of institutions; analyses of geo-economic relations emphasizing their geostrategic dimension and finally dynamics showing how two great powers want to achieve new areas of cooperation focused on building multipolar world order which is the essence of "new epoch". The argument goes towards recognizing the relationship as a "hhybrid alliance". This hybridity is a structural factor that can constrain the use of new dimensions of asymmetric interdependence as political leverage especially by United States against the two non-western powers but also facilitate to use it against West.

• 비교문화연구
• /
• 제43권
• /
• pp.51-77
• /
• 2016

2012년, 모스크바의 구세주성당에서 '펑크기도'라는 이름의 게릴라식 공연을 벌인 후 2년형을 선고받은 러시아의 페미니스트 록 그룹 '푸시 라이어트' 사건은 러시아뿐 아니라 서구에서도 엄청난 반향을 불러일으켰다. 세계를 떠들썩하게 만든 이 사건은 소위 말하는 신냉전 시대 러시아와 서구의 상호이해, 현대 러시아 사회 안에 내장된 소비에트와 포스트소비에트의 기억들을 드러내며, '남성중심적 민족주의'로 요약될 수 있을 현대 러시아 젠더담론의 복잡한 지형을 흥미로운 방식으로 조명해주었다. 이 글은 '푸시 라이어트'의 '펑크키도' 공연의 배경과 성격, 그리고 멤버들의 체포와 재판의 과정을 소개하고, 이어 러시아와 서구의 언론이 이 사건을 어떻게 서로 다른 방식으로 이해했지 살핀 후, 소비에트와 포스트소비에트의 젠더담론, 그리고 이러한 과거의 기억들 위에 세워진 현재 푸틴 러시아 젠더 담론의 지형을 짚어 보고자 한다.

• 복식
• /
• 제20권
• /
• pp.137-150
• /
• 1993

Sonia Delaunay was among the group of avant-garde artists drawn to Paris in the early part of this century who were exploring concepts of art that were felt to capture best the speed and me chanization of the modern world. She believed modernity-and her own attitude toward modern life-could be expressed through the primacy of color in art the dynamic inter-play of its dissonances and harmonies. The metap-hysical implications Delauny felt inherent in this idea made it applicable to all surfaces, and she was compelled to transform the world around her ac-cording to it. She set up a dialogue between fine art and everyday objects and accompplished the transition from representation work to her color theory through her investigation in embroidery and collage. This study is for Sonia Delaunay's field fo work which is close to fine and applied arts. To study Sonia Delaunay's work, I can find some points of her fashion designs. First, Simultaneous, which is to use collage tec-henics such as simultaneous and meterial to com-binate of variety meterial. Seound, Durability which is restoration of mor-dern fashion, Eventhough her work is 60 years old still it is foward to the furture. Imitation of textile which is devdloped by her, always looks new and fresh. Third, The elements of Folklore. Her elements of Russia, it appears on variety colors. Sepecially contemporary cloths has elements of folklore, we should use it and made it to suituble to contem-porary fashion of our country. For the furture, we need more study how to apply pictorial meterial of art into fashion design.