• 제목/요약/키워드: colorful

검색결과 236건 처리시간 0.015초

유아의 채소편식 감소와 정서지능 향상을 위한 컬러푸드 원예활동 (Horticultural Activities Using Colorful Food for the Improvement of Emotional Intelligence and the Reduction of Unbalanced Vegetable Diet of Young Children)

  • 손효정;송종은;손기철
    • 원예과학기술지
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    • 제33권5호
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    • pp.772-783
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    • 2015
  • 본 연구는 컬러푸드 채소류를 활용한 원예활동과 영양교육을 실시하여 채소편식을 감소시키고 정서지능을 향상 시키고자 하였다. 컬러푸드 채소류 원예활동은 유치원 7차 교육과정의 건강생활영역을 기초로 하여 영양교육의 요소들을 적용하였고, 유아의 지속적인 식습관의 개선과 효과를 위해 가정과 연계한 학부모교육 프로그램을 통합 실시하였다. 연구대상은 서울시에 소재한 어린이집의 만 4세반 유아들로 총 70명을 대상으로 실시하였다. 원예활동 영양교육군은 컬러푸드 채소류 원예활동과 영양교육을 실시하였고, 영양교육군은 영양교육만 실시하였으며 대조군은 원예활동과 영양교육 모두를 실시하지 않았다. 연구기간은 2011년 9월부터 12월까지 주 1회 60분씩 총 12회 실시하였다. 유아용 영양지식검사 결과는 대조군에 비해 영양교육군과 원예활동 영양교육군의 영양지식은 향상되었으며, 특히 원예활동 영양교육군에서 더욱 유의하게 향상되었다. 편식행동에서는 대조군에 비해 원예활동 영양교육군에서 유의한 감소를 보였다. 또한 채소선호도에서도 원예활동 영양교육군은 채소류의 선호도 증가에 유의한 향상을 보였다. 정서지능에서는 하위항목인 자기인식, 자기조절, 타인인식, 타인조절에서 자기인식과 타인인식에서는 대조군, 영양교육군과 원예활동 영양교육군 사이에 유의한 차이가 없었다. 반면 자기조절에서 대조군에 비해 영양교육군과 원예활동 영양교육군의 점수가 높았지만, 영양교육군과 원예활동 영양교육군의 사이에서는 유의한 차이가 없었다. 또한, 타인조절에서는 원예활동 영양교육군이 영양교육군 보다 매우 유의하게 향상되었다. 이러한 결과를 볼 때 영양교육만을 실시한 유아들 보다 원예활동을 실시한 유아들이 채소와 과일의 색에 자연스럽게 반응하고 즐거워하는 정서적 감성과 컬러푸드 채소를 직접 키워보는 원예활동을 통해 자발적인 섭취를 하게 되어 채소편식이 감소되는 결과를 알 수 있다. 그러므로 본연구의 컬러푸드 채소류 원예활동은 채소 편식으로 인한 유아의 건강의 불균형 문제점을 해결하는데 효과적인 대안이 될 수 있을 것이라 생각한다.

2000년 이후 패션 디자인에 나타난 라틴 아메리카 문화 (The Latin American Culture in Fashion Designs in 2000's)

  • 최호정
    • 복식
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    • 제57권4호
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    • pp.159-172
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    • 2007
  • For the study on the Latin American culture reflected in fashion designs since 2000, the applications of Latin American culture shown in the four major collections from 2000 S/S to 2005 F/W (110 pieces) and some African designers' collections (157 pieces) have been analyzed and compared in three categories - forms, patterns and accessories. First, in the formal application of traditional clothes, the traditional elements of Indio culture are utilized in both the four major collections (76.8%) and the Latin American designers' collection (77.1%). Quechquemitl, the traditional Indio clothes are utilized in various forms in the four major collections, while the Latin American designers adopt various forms of traditional clothes, such as quechquemitl, camisa and pollera. Second, in the textile design, the patterns from Indio's traditional textile design are utilized in both the four major collections (68.7%) and the Latin American designers's collections (5.6%). The remarkable difference between the Latin American designers and the western designers is that the former like to mix the simple and primitive Indio culture with the colorful Iberian culture, and to utilize various patterns of feather, which is an important symbol in the traditional culture, expressing tradition in the modern touch. On the other hand, the western designers change the primitive and handcraft feel of Indio patterns into colorful ones, or mix the colorful Spanish-style flower patterns with primitive and passionate feel. Third, simple and handcraft feel of Indio accessories are utilized in modern fashion in both the four major collections and the Latin American designers' collections. The most remarkable difference between the two group of designers' collections is that various feather patterns are used in Latin American designers' collection, while the accessories reminding of relics of Maya and Inca are widely used in the four major collections.

크리에이티브 디렉터 교체를 통한 남성복 브랜드의 디자인 및 스타일 연구 - 루이비통 브랜드를 중심으로 - (A Study on the Design and Style of Men's Wear Brands through the Replacement of Creative Directors - Focusing on the Louis Vuitton -)

  • 송부영;김윤경;이경희
    • 한국의류산업학회지
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    • 제23권4호
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    • pp.423-438
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    • 2021
  • This study compared and analyzed the direction of Louis Vuitton creative directors Kim Jones and Virgil Abloh. Accordingly, 485 photos(251 Kim Jones, 234 Virgil Abloh) were collected. For data analysis, statistical and content analyses were combined. First, as for the overall design characteristics of creative director Kim Jones, complex colors, colorful barrels, tone-in-tone color schemes, H-line, plain fabrics, soft materials, heterogeneous material combinations, casual style. Second, as for the overall design characteristics of creative director Virgil Abloh, achromatic color, colorful tone, tone-on-tone color scheme, I-line, plain fabric, soft material, similar material combination, casual style. There were significant differences in color, tone, color scheme, silhouette, pattern, material type, material combination, fashion image, detail, trimming, top and bottom that differed in the creative directors' design direction. Therefore, it appears that Kim Jones has been directing the luxurious and unique men's wear through H-line, coat and slim pants, colorful color combination, soft material, heterogeneous material combination, plain fabric, and chic active sensibility. Meanwhile, Virgil Abloh is directing men's wear in a loose and trendy street mood through the I-line, jacket and wide pants, achromatic color, soft material, plain fabric, similar material combinations, and soft and sophisticated modern sensibility.

Can Daily-use Lipstick Make Lips More Fresh and Healthy\ulcorner - A New Lipstick Containing $\alpha$-Glucosyl-hesperidin Can Remove the Dull-color from Lips

  • Iwai, I.;Yamashita, T.;Ochiai, N.;Masuda, Y.;Hosokawa, K.;Kohno, Y.
    • 대한화장품학회:학술대회논문집
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    • 대한화장품학회 2003년도 IFSCC Conference Proceeding Book I
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    • pp.162-177
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    • 2003
  • It has been known that the color of skin reflects the blood flow within. In lips, the capillaries close to the skin surface are numerous; hence lips are redder than the rest of face. However, dermatological research on lips is not as advanced as research on facial or body skin, and little was known about the relationship between relatively dull-colored lips and skin blood flow. The physiological differences between colorful and dull-colored lips were studied by a two-dimensional laser Doppler blood flow analyzer, a spectrometer for the measurement of the degree of oxygen saturation, and a confocal microscope for observing inside lips non-invasively. Dull-colored lips and the corner of lips (dull-colored compared to the center) showed relatively poor blood flow and lower oxygenated hemoglobin. It was found that colorful lips (generally the young) had a blood flow that tended to run straight in parallel with the skin surface. This unique blood-capillary structure can express clear red blood. Those with dull-colored lips had lost this unique structure. Their blood ran perpendicularly from the deep of the skin and down back again into the deep part as like the blood circulation patterns of facial skin. Therefore, the lips of the latter group had fewer blood capillaries near skin surface in the lips than that of the colorful-lips group. A lipstick containing a-glucosyl-hesperidin, which is derived from certain citrus fruits and can enhance blood circulation, was applied for evaluating its effects. Blood flow was increased 30 min after the application. After two weeks of daily application, the lips' condition became noticeably less dull. These findings suggest that the decrease of blood flow in dull-colored lips is caused by the loss of the unique capillary structure and the use of the lipstick to increase blood flow can give a vivid color to lips.

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키르기스스탄의 레몬혁명과 동서 패권주의 가능성 연구 (A study on Lemon Revolution in Kyrgyzstan and a Possibility of East-West Hegemony)

  • 황성우
    • 국제지역연구
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    • 제14권2호
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    • pp.477-498
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    • 2010
  • 기존의 장미혁명과 오렌지혁명에서도 나타났듯이, 레몬혁명에서 발생한 미국 및 서방세력의 지역패권 장악 의도는 시민혁명의 선거과정에 직접적으로 개입하거나, 혹은 선거활동을 하는 NGO 단체들을 재정적, 도덕적, 이념적 차원에서 직간접적으로 지원하여 자국에게 유리한 정권을 창출하고자 하는 형태로 나타났다. 비록 NGO 단체들에 의해 지원받은 시민단체들이 순수한 차원에서 시민운동을 조직하였다고도 볼 수 있으나, NGO 단체 역시 정부의 지원을 받아 운영되는 경우가 대부분이기 때문에 정치색이 배제된 순수한 민간단체라고 보기는 어렵다. 따라서 특정한 목적을 가지고 접근하였을 때, 시민단체가 가지는 본연의 목적을 유지하기가 힘들어진다. 장미혁명이나 오렌지혁명, 레몬혁명에서 활동하였던 시민단체들은 모두 서방의 지원을 받는 NGO 단체들이었다. 색깔혁명에서 미국을 비롯한 서방세력과 러시아의 헤게모니 쟁탈전이 직접적으로 발생했다기보다는 색깔혁명을 통해 주변 강대국들의 패권경쟁이 가시화되었다고 보는 것이 더욱 타당할 것이다. 미국이 주도하는 세계질서가 강화되어 포스트 소비에트 공간에서 러시아의 국가이익이 침해받거나, 과거 앞마당이었던 이 지역에서 러시아의 입지가 약화될 경우, 지역패권을 둘러싼 미국 및 서방세력과 러시아의 갈등은 지속될 것이며, 러시아는 서방세계를 견제할 수 있는 SCO, CSTO, EurAsEC과 같은 역내 다자간 협력기구를 통해 중국, 인도 등 주변의 강대국들과 전략적 협력을 추진할 것이다.

제주감태와 양파껍질 추출물을 이용한 유유아(乳幼兒) 천연염색 패션제품 디자인 (Design of Infants Natural Colour Fashion Products Using Eckloinia cava and Onion Shell Extracts)

  • 장현주
    • 한국의류산업학회지
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    • 제21권6호
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    • pp.708-716
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    • 2019
  • This study explored Jeju natural resources with healing function and tried mixed dyeing of Ecklonia cava and onion shell to improve dyeing. The results showed that silk dyed with a mixture of Ecklonia cava powder and onion shells rather than Jeju's individually dyed silk had better color power to develop fashion products. In addition, all friction lightning bolts, dry cleaning and sweat mining levels were excellent as well as excellent UV protection rates. The three baenaet jeogori worn during a birth anniversary and four rest suits that infants and children can wear comfortably maintained the dyeing and functioning of Ecklonia cava and onion shell mixture that was proven through abnormal experiments. For the three baenaet jeogori and two rest suits, the company has developed a fashion product recognized for high value-added merchandise using a variegation dyeing method made in a handmade style for expressing a person's natural sensibility through dyeing fabrics. Based on the results of the above research, it is expected that various fashion product developments will be possible by dyeing a mixture of functional and colorful extracts of the drug and colorful dye.

A Comparison of the Use of Multicolored Stripes in Tibetan Folk Costumes and the Traditional Korean Saekdong

  • Kim, Ji-Soo;Na, Young-Joo
    • 감성과학
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    • 제22권3호
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    • pp.91-102
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    • 2019
  • Tibet has a long history and many traditions that feature colorful costumes. This study analyzes the similarities and differences in the use of multicolored stripes in the Korean Saekdong (색동: stripes of many colors) and Tibetan folk costumes. The analyses were done within the framework of Tibet's cultural and religious background and the characteristics of the region's traditional costumes. For this study, literature and photographs from books and the Internet that record the history of Tibet's traditional costumes were analyzed. The results show that the use of various colorful stripes was common in the Bangjeon (帮典) apron, one of the greatest costumes in Tibetan history. A Bangjeon is made of wool of multiple colors and has horizontal lines as compared with the silk Saekdong's vertical lines. In addition, they have a multicolored striped band on the sleeves which reminds one of the traditional Korean jacket with its Saekdong sleeves. However, these multicolored stripes appear in more parts of the Saekdong (such as the hemline and front collar) when compared with contemporary Korean costumes. Moreover, the multicolored bands are noticeable in several ornaments from the time, which suggests that Tibetans and Koreans were very fond of using multicolored stripes. Costumes from the Goguryeo (高句麗) dynasty indicate that Tibetans, like the Mongols and Manchus, were very similar to Koreans as they had multicolored garments and Paji pants in common.

휴대용 전자기기 소재에 나타난 칼라 트렌드 현황 및 예측 -플라스틱 소재를 중심으로- (Color Trends Prediction Relating to the Handy Electronic Product Materials -Focused on the Plastics Materials-)

  • 최우석
    • 디자인학연구
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    • 제15권2호
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    • pp.169-176
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    • 2002
  • 본 연구의 목적은 디자인경영 개념을 도입하여 플라스틱 소재를 중심으로 휴대용 전자기기 소재에 나타난 칼라 트렌드를 우리나라와 일본지역 실지조사를 통해서 칼라 트렌드의 현황및 예측하는데 있다. 경영의 개념을 디자인에 결합, 도입시킴으로서 우리나라 기업들이 보다 더 합리적이고 체계적인 디자인 프로세스 관리에 대한 사고의 전환을 시도하였고, 또한 디자인 지식공유시스템을 통한 중소기업, 가전업체, 전문기관 및 관련단체와의 지식 공유화 방안을 제시하고자 하였다. 플라스틱 소재에 나타난 칼라 트렌드 조사 결과, Cybertic, Purity 및 Colorful 경향 등 3가지 경향을 보여주고 있으며, 감성마케팅 전략으로서의 칼라 및 표면처리 추진방향은 고급화, 다양화, 그리고 차별화 등에 초점을 두고 있는 것으로 나타났다. 마지막으로, 칼라 트렌드 DB 구축방안을 제시하였다.

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19세기 왕정복고시대 헝가리 여성복식에 나타난 민족주의 특성 (A Study on the Nationalism Characteristics of the Hungarian Women's Costumes in the Restoration of the 19th Century)

  • 조현진
    • 한국의류산업학회지
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    • 제17권1호
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    • pp.64-73
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    • 2015
  • This paper examines the characteristics of Hungarian women's costumes under the Reign of the Habsburg Empire in the $19^{th}$ Century. Since the beginning of the $19^{th}$ century, the Habsburg Empire inflicted strong oppression on Hungary. Under the influence of the European upper class, exaggerated and sumptuous costumes were fashionable in the Hungarian Aristocracy. They preferred blouses decorated with colorful embroidery, pleated sleeves, gorgeous beads and lace, long pleated skirts with velvet borders, corsets decorated with delicate embroidery, coats adorned with lace, and capes. However, Hungarian nationalists protested against the Habsburg Empire's oppression; consequently, Hungarian national costumes expressed a sense of resistance and solidarity. The results of the study are as follows. The Hungarian women's costumes were different from women's costumes of the Habsburg Empire in regards to headdress, bodice, apron, pattern and shoes. The Hungarian women's headdress consists of the parta and veil. The bodice is richly adorned with colorful embroidery and differs from skirts in color and material. The Hungarian women's apron is distinct from the Habsburg Empire as a unique Hungarian item. Finally, Hungarian costumes are characterized by the Oriental pattern and short boots with metal heels.

복식에 표현된 한.중 박쥐문양의 형태적 비교 (A Comparative Study of Bat Patterns in Clothes and Personal Ornaments of China and Korea)

  • 김순열;박춘순
    • 한국생활과학회지
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    • 제15권3호
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    • pp.405-416
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    • 2006
  • We, in this thesis, examined the similarities and differences of bat patterns in China and Korea, along with a consideration of how two peoples understood bats and how their understanding of bats developed and also influenced the bat patterns. As for research period, the Ming(明) dynasty and the Qing(淸) dynasty in China and the Chosun dynasty in Korea were considered. The subjects of this study included clothes, personal ornaments, and embroidery. This research was done by comparing and analyzing the similarities and differences of two countries' bat patterns. The results of comparing and analyzing Chinese and Korean bat patterns were as follows: In terms of similarity, people of two countries understood bat patterns as the symbol of happiness. Therefore, they were used in clothes, personal ornaments, and daily necessities. In terms of difference, bat patterns of two countries had different shapes. In China, colorful and realistic single bat patterns were shown as intensive composition, whereas in Korea plain and simple bat patterns were used. These differences resulted from different way of understanding of bat patterns. It can be concluded that the bat patterns can be a great cultural commodity with high commercial values, if the traditional pattern is used as a unique element of the Oriental designs and altered and developed to attract consumers' attention.

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