• 제목/요약/키워드: color pattern decomposition

검색결과 3건 처리시간 0.018초

컬러 패턴의 분해와 가설검정을 이용한 컬러 조작 영역 검출 (Forged Color Region Detection Using Color Pattern Decomposition and Hypothesis Test)

  • 서준륭;엄일규
    • 전자공학회논문지
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    • 제52권7호
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    • pp.77-85
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    • 2015
  • 본 논문에서는 컬러 패턴의 분해와 가설검정 기법을 이용하여 영상에서 조작된 컬러의 영역을 검출하는 새로운 방법을 제시한다. 디모자이킹으로 보간된 화소는 원 화소보다 적은 분산을 가진다는 것에 착안하여, 통계적 검정을 이용하여 분산의 불일치성을 판단하는 방법을 사용한다. 이를 위해, 컬러 패턴을 각각 디모자이킹 패턴에 따라 분해하는 방법을 도입하여 분산을 계산한다. 또한 보간된 화소와 원 화소의 분산의 차이를 크게 하기 위하여 고역통과 필터링을 적용한다. 실험 결과를 통하여 제안 방법이 컬러 조작 영역을 찾는데 매우 유효하며 기존 방법과 비교하여 우수한 검출 성능을 보이는 것을 확인 할 수 있었다.

Content-based image retrieval using a fusion of global and local features

  • Hee Hyung Bu;Nam Chul Kim;Sung Ho Kim
    • ETRI Journal
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    • 제45권3호
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    • pp.505-517
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    • 2023
  • Color, texture, and shape act as important information for images in human recognition. For content-based image retrieval, many studies have combined color, texture, and shape features to improve the retrieval performance. However, there have not been many powerful methods for combining all color, texture, and shape features. This study proposes a content-based image retrieval method that uses the combined local and global features of color, texture, and shape. The color features are extracted from the color autocorrelogram; the texture features are extracted from the magnitude of a complete local binary pattern and the Gabor local correlation revealing local image characteristics; and the shape features are extracted from singular value decomposition that reflects global image characteristics. In this work, an experiment is performed to compare the proposed method with those that use our partial features and some existing techniques. The results show an average precision that is 19.60% higher than those of existing methods and 9.09% higher than those of recent ones. In conclusion, our proposed method is superior over other methods in terms of retrieval performance.

뉴 패러다임을 통해 나타난 현대 패션 동양적 이미지 연구 (A Study on Oriental Images of Modern Fashion in the New Paradigm)

  • 고명신;채금석
    • 한국의류학회지
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    • 제32권5호
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    • pp.704-716
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    • 2008
  • This study aims to explore the creation of fashion design that embraces the diversity of human culture by examining oriental images that appear in the modern fashion with a focus on new paradigms that significantly affect human life as the latest trends, and by reflecting the trends of the times. The results of this study are as follows: First, this study examined that with regard to paradigm, a theoretical frame to view universe, the dichotomous, determinist, mechanism, linear paradigm collapsed to convert to undetermined, exoteric, pluralistic, indeterministic, organic, and holistic paradigm. The new paradigm is identified to have emerged before and after 1950s, and through the new paradigm, the characteristics of postmodernism such as historicality, popularity, locality, folkways and the characteristics of deconstructionism, internally mutual text, post phenomenon, undeterminability and externally exposure, destruction, poverty, decomposition and analysis, were identified. Second, the Orient is defined as the generic term referring to the entire Asian areas east of Turkey. Through the developmental process of oriental images, it was converted from the Oriental image, which mysteriously and romantically represents oriental elements, into the ethnic image that represents long time oriental traditions and indigenous culture together with the characteristics of the new paradigm. Third, the artistic characteristics of the Oriental costumes presented by Korea, China and Japan are expressed in developmental types, T-type plane structure, layered style, asymmetrical adjustment and easy silhouette, and they show indigenous characteristics of each country, for example, Chinese styles in dragon pattern, red and yellow, Japanese styles in flower design and achromatic color. Fourth, the Oriental Image, combined with the postmodernism and deconstructionism through the new paradigm, has two: one Oriental image highlights traditional elements by creating new Oriental image such as natural image, folk image, hybrid image and deconstruction image; and another is undetermined and vague by combining or decomposing Oriental or Western elements. It is expected that fashion designs that reflect these contexts of the times will contribute to the strengthening of international competitiveness.