• Journal of the Institute of Electronics and Information Engineers
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• v.52 no.7
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• pp.77-85
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• 2015

In this paper, we present a new method that can detect forged color region using color pattern decomposition and hypothesis testing approach. On the basis of the fact that the variance of the interpolated pixel is smaller than that of the original pixel, we use a statistical test method to judge the statistical inconsistency of variance. For this, we calculate the variance adopting a color pattern decomposition according to the demosaicking pattern. In addition, we apply high-pass filtering to enlarge the difference between the variances of original and interpolated pixel. Through experimental simulations, we can see that our proposed method can effectively detect forged color regions and shows superior detection performance compared to the conventional method.

• ETRI Journal
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• v.45 no.3
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• pp.505-517
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• 2023

Color, texture, and shape act as important information for images in human recognition. For content-based image retrieval, many studies have combined color, texture, and shape features to improve the retrieval performance. However, there have not been many powerful methods for combining all color, texture, and shape features. This study proposes a content-based image retrieval method that uses the combined local and global features of color, texture, and shape. The color features are extracted from the color autocorrelogram; the texture features are extracted from the magnitude of a complete local binary pattern and the Gabor local correlation revealing local image characteristics; and the shape features are extracted from singular value decomposition that reflects global image characteristics. In this work, an experiment is performed to compare the proposed method with those that use our partial features and some existing techniques. The results show an average precision that is 19.60% higher than those of existing methods and 9.09% higher than those of recent ones. In conclusion, our proposed method is superior over other methods in terms of retrieval performance.

• Journal of the Korean Society of Clothing and Textiles
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• v.32 no.5
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• pp.704-716
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• 2008

This study aims to explore the creation of fashion design that embraces the diversity of human culture by examining oriental images that appear in the modern fashion with a focus on new paradigms that significantly affect human life as the latest trends, and by reflecting the trends of the times. The results of this study are as follows: First, this study examined that with regard to paradigm, a theoretical frame to view universe, the dichotomous, determinist, mechanism, linear paradigm collapsed to convert to undetermined, exoteric, pluralistic, indeterministic, organic, and holistic paradigm. The new paradigm is identified to have emerged before and after 1950s, and through the new paradigm, the characteristics of postmodernism such as historicality, popularity, locality, folkways and the characteristics of deconstructionism, internally mutual text, post phenomenon, undeterminability and externally exposure, destruction, poverty, decomposition and analysis, were identified. Second, the Orient is defined as the generic term referring to the entire Asian areas east of Turkey. Through the developmental process of oriental images, it was converted from the Oriental image, which mysteriously and romantically represents oriental elements, into the ethnic image that represents long time oriental traditions and indigenous culture together with the characteristics of the new paradigm. Third, the artistic characteristics of the Oriental costumes presented by Korea, China and Japan are expressed in developmental types, T-type plane structure, layered style, asymmetrical adjustment and easy silhouette, and they show indigenous characteristics of each country, for example, Chinese styles in dragon pattern, red and yellow, Japanese styles in flower design and achromatic color. Fourth, the Oriental Image, combined with the postmodernism and deconstructionism through the new paradigm, has two: one Oriental image highlights traditional elements by creating new Oriental image such as natural image, folk image, hybrid image and deconstruction image; and another is undetermined and vague by combining or decomposing Oriental or Western elements. It is expected that fashion designs that reflect these contexts of the times will contribute to the strengthening of international competitiveness.