• 복식
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• 제44권
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• pp.144-152
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• 1999

The purposes of this study are to 1) enforce the necessity of liturgical vestments though clarifying the symbolic meaning, function and ritual importance of Christian liturgical vestments of ministers, 2) figure out the process of changes and characteristics of Christian liturgical vestments of ministers. 3) clarify the liturgical year, symbolic patterns and colors of the liturgical vestments, and 4) study on the status of current liturgical vestments worn by protestant ministers. Based on the catholic and the protestant churches, the scope of the study was decided and the study was conducted along with research on documents and materials. The results are as follows: 1) The liturgical vestments of priests in the Old Testament era had to be worn by stipulated rules and, instructions to perform duties. 2) The liturgical vestment of the catholid church are very various in their kinds and has their unique origins and meanings. 3) The symbolic patterns, color and meanings used by liturgical years of christianity. 4) Design on the liturgical gown and stole of christian ministers.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 1998년도 춘계학술발표 논문집
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• pp.17-24
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• 1998

Noweays, The flow of international relations have to competition with product of each nation, a means of this competitoveness is developmennt of goods based on nation culture. That is in need to development of design have color of our country make sure of original design. Now we need a positive opposed to wants of consumers with expaneded market, so as to need of develogment of distinctive design. And then, this stuey have purpose analory of distinctive design as a ilustrate to case of traditional design with on a conjoint analysis, look into the modeling method and meaning of traditional design. At first, it setting up the base of design development, as a present into a investigate to extract course of shape's element for design distinction. And look around about the developing case of domestic company and modeling method, a pattern of traditional design development, As on of distinction's way has doing conjoint analysis for abstract to character of traditional form and have devdloping to product with a present expression elements and design concept for a basis.

• 한국생산제조학회지
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• 제21권1호
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• pp.58-64
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• 2012

Instead of the surface pattern arranged repeatedly in two axial direction on a plane, we propose double patterns superposing two one-axial linear patterns as a reference target for surface encoding. A upper layer of the superposed pattern is the transparent glass with grooves cut in it at a fixed pitch. The position is sensed by detecting a shift of beam due to difference of a refractive index. And a lower layer is the aluminum with color-coated grooves. The amount of beam reflected on the layer varies according to its targeting position and is detected for encoding. For the above reference pattern, we can detect two-axial positions using only the single beam. Furthermore, the pattern size can be expanded with a size of the detector kept constant, meaning that the measured range can be expanded easily. In this paper, we review the existing optical encoding methods for grid pattern, and discuss the hardware implementation of the suggested surface encoding method.

• 영어어문교육
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• 제9권1호
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• pp.189-203
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• 2003

This paper attempts to prove Dickens's hopeful view of the future in his last completed novel Our Mutual Friend. This novel has been usually regarded as one of the "dark" novels, "dark" in the sense of viewing social reality and the future negatively. However, although it has the dark descriptive color of society typical in Dickens's later novels, it still contains some elements that point to a better future. To prove this positive view of future, this paper will disentangle the intricate narrative structure of Our Mutual Friend and find out the true meaning of the dust--money. In addition, it will investigate how people react to dust(-like money). From a close study of several characters' lives, it will testify that the dark world of Our Mutual Friend, in the end, could be a world of regeneration, a world that will lead to a better future.

• Industrial Engineering and Management Systems
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• 제10권4호
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• pp.238-246
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• 2011

Given a directed graph, we can determine how the user's preference moves from one product item to another. In this graph called "preference transition network", each node represents the product item while its edge pointing to the other nodes represents the transition of user's preference. However, with the large number of items make the network become more complex, unclear and difficult to be interpreted. In order to address this problem, this paper proposes a visualization technique in preference transition analysis based on recency and frequency. By adapting these two elements, the semantic meaning of each item and its transition can be clearly identified by its different types of node size, color and edge style. The experiment in a sales data has shown the results of the proposed approach.

• 지능정보연구
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• 제27권3호
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• pp.139-156
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• 2021

이미지 분류에서 딥러닝 모형을 사용하는 가장 큰 이유는 이미지의 전체적인 정보에서 각 지역 특징을 추출하여 서로의 관계를 고려할 수 있기 때문이다. 하지만 이미지의 지역 특징이 없는 감정 이미지 데이터는 CNN 모델이 적합하지 않을 수 있다. 이러한 감정 이미지 분류의 어려움을 해결하기 위하여 매년 많은 연구자들이 감정 이미지에 적합한 CNN기반 아키텍처를 제시하고 있다. 색깔과 사람 감정간의 관계에 대한 연구들도 수행되었으며, 색깔에 따라 다른 감정이 유도된다는 결과들이 도출되었다. 딥러닝을 활용한 연구에서도 색깔정보를 활용하여 이미지 감성분류에 적용하는 연구들이 있어왔으며, 이미지만을 가지고 분류 모형을 학습한 경우보다 이미지의 색깔 정보를 추가로 활용한 경우가 이미지 감성 분류 정확도를 더 높일 수 있었다. 본 연구는 사람이 이미지의 감정을 분류하는 기준 중 많은 부분을 차지하는 색감을 이용하여 이미지 감성 분류 정확도를 향상시키는 방안을 제안한다. 이미지의 RGB 값에 K 평균 군집화 방안을 적용하여 이미지를 대표하는 색을 추출하여, 각 감성 클래스 별 해당 색깔이 나올 확률을 가중치 식으로 변형 후 CNN 모델의 최종 Layer에 적용하는 이-단계 학습방안을 구현하였다. 이미지 데이터는 6가지 감정으로 분류되는 Emotion6와 8가지 감정으로 분류되는 Artphoto를 사용하였다. 학습에 사용한 CNN 모델은 Densenet169, Mnasnet, Resnet101, Resnet152, Vgg19를 사용하였으며, 성능 평가는 5겹 교차검증으로 CNN 모델에 이-단계 학습 방안을 적용하여 전후 성과를 비교하였다. CNN 아키텍처만을 활용한 경우보다 색 속성에서 추출한 정보를 함께 사용하였을 때 더 좋은 분류 정확도를 보였다.

• 한국자원식물학회지
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• 제21권1호
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• pp.23-27
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• 2008

전래적으로 숙주나물은 저장성을 높이기 위하여 세척하지 않고 탈수시켜 이용하여 왔다. 본 연구는 생산된 숙주나물의 수분 함량과 관련된 세척이 제품의 저장성에 미치는 영향을 파악하기 위하여 포장하기 직전 물에 씻거나 씻지 않는 세척 유무가 5일간 저장중 숙주나물의 형태 및 무게에 미치는 영향을 조사한 결과를 요약하면 다음과 같다. 1. 무세척 숙주나물에 비하여 세척시킨 숙주나물은 저장 4일 후까지 수분 함량이 높은 것으로 나타났다. 2. 무세척 숙주나물은 세척시킨 숙주나물에 비하여 저장중 형성된 개체당 세근수가 많았던 반면, 하배축과 뿌리 길이, 하배축 중간과 hook 부분의 직경, 각부위 및 전체 생체중과 건물중에서는 세척 유무간에 차이가 없었다. 3. 무세척 숙주나물은 세척시킨 숙주나물에 비하여 하배축 및 뿌리의 탁도, 하배축의 전단력이 높았던 반면, 색도 a와 b에서 세척 유무간 차이가 없어 저장중 무세척 숙주나물의 품질 저하가 적은 것으로 나타났다. 4. 무세척 숙주나물에서 세근수, 하배축 길이, 하배축 중간부분의 직경, 하배축과 전체 생체중 및 건물중은 저장 후 3일까지 변화가 없었으나 그 이후 감소하는 경향을 보였다. 5. 무세척 숙주나물에서 하배축의 전단력은 저장 4일 후부터, 하배축의 명도와 색도 b는 저장기간이 길어질수록 감소하는 경향을 보였다.

• 한국작물학회지
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• 제53권1호
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• pp.28-33
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• 2008

전래적으로 자가 소비용 숙주나물은 저장기간을 늘이기 위하여 탈수시켜 왔다. 본 연구는 생산된 숙주나물의 수분함량과 밀접하게 연관된 수확당일의 관수가 제품의 저장성에 미치는 영향을 파악하고자 수확 12시간 전부터 관수를 중단하거나 계속 관수하는 방법으로 생산된 숙주나물을 5일간의 저장중에 일어나는 형태 및 무게의 변화를 조사한 결과를 요약하면 다음과 같다. 1. 관수하지 않은 것에 비하여 계속 관수하여 재배한 숙주나물은 저장 3일 후까지 수분 함량이 높은 것으로 나타났다. 2. 수확당일 관수 유무에 관계없이 개체당 형성된 세근수, 하배축 및 뿌리 길이, 건물중은 차이가 없었던 반면, 관수하지 않은 것에 비하여 관수할 경우 하배축 중간부분은 굵었으나, 개체당 자엽과 하배축의 무게 증가로 전체 생체중은 많았다. 3. 하배축과 뿌리의 명도 및 색도 a, 하배축의 전단력은 수확당일 관수 유무간에 차이가 없었던 반면, 하배축 색도 b만 관수를 하지 않을 경우 높았다. 4. 수확당일 관수하지 않을 경우 저장 후 3일부터는 개체당 세근수가 감소하였으며, 하배축과 뿌리 길이, 하배축 직경, 각부위 및 전체 생체중도 개체당 세근수와 유사한 경향을 보였다. 5. 수확당일 관수하지 않을 경우 하배축의 전단력은 저장 5일차부터, 하배축과 뿌리의 명도는 저장기간이 길어질수록 감소하였다.

• 한국의상디자인학회지
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• 제8권3호
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• pp.129-143
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• 2006

This study is to review the printed cotton textile industry of Europe in 17th-l8th century, and specially investigate the development of the Toile do Jouy, printed French fabrics around the 18th century. Generally, the Toile de Jouy has two different meanings. The first meaning is the popular printed cotton textiles producted by wood block printing, copper plate printing and roller printing techniques at Jouy on Joas factory in France, around 18th century. The second meaning is the monochromatic upholstery fabrics printed by copper plate. Actually, this monochromatic printed textiles were the most popular printed cotton fabrics with large scale scenic designs with people, trees, birds, buildings, mythical heroes, protagonists of novel and country scenes of shepherds, sheep and other animals manufactured by Jouy on Joas factory. Main issue of this paper is to propose features of pattern, color and classify types of patterns expressed on the Toile de Jouy fabrics according to printing techniques such as wood block printing, copper plate printing and copper roller printing. And this study is also to analyze on origins of the variety of names called the printed cotton textiles in those days. The results of this study can help to understand the knowledge of printed cotton textiles in Europe and be effectively applied to develop printed fabric design in the textile industry.

• 복식
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• 제24권
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• pp.157-176
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• 1995

The purpose of this treatise is to study external form and internal meaning of minimal expression fashion which appeared as a major stream in modern fashion trends to understand one aspect of modernism in fashion and also to gain insight into internal value of human beings through fashion. The results can be summarized as follows : Firstly , minimalism is a trend in art attempting to seek essence of the object by presenting simple and disciplined expressions by minimal formative means and minimal production process. Secondly, minimal expression in fashion means seeking simplicity an dpurity by using minimum design elements and minimal productive process. Thirdly, external from of minimal expression fashion can be created through application of following minimal expression techniques. 1. Minimal expression techniques in terms of line mean smooth curve flowing along body contours, straight lines of diagonal lines into desciplined silhouette or rendering internal contour lines. 2. Minimum expression techniques in terms of forms mean forms of smooth curves flowing along boyd or forms with simple geometric forms from qualitative aspects, In terms of volume it means quest for essence of pure body itself by revealing body as it is by minimizing the size of dress or its area and herein is contained using simple geometric pattern or utilizing textiles without any patterns.3. Minimal expression techniques by colors mean simple colors such as primary colors, colors without clear distinctions or natural colors and in terms of quantity it means quest for one color within one item of dress or combination of each items when getting dressed. 4. Minimal expression techniques in terms of fabrics mean fabrics with simple surfaced. In terms of quantity it means quest for essence of tight fitting thin textiles to human body or using transparent materials to human body thus exposing body contours as it is. 5. Minimal expression techniques in terms of productive process mean minimizing process of tailoring , sewing or ornamenting and seeking for simplicity and purity. 6. Minimal expression techniques in terms of manufacturing process mean selection of technique conveying simple image with disciplined simple image. Fourthly, minimal expression fashion with external expression as mentioned in the above lay body-priority style and its internal meaning can be asummed as quest for essence and purity of human body.