• Title/Summary/Keyword: color afterimage

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The additive mixture of induced colors by background colors in the afterimage (색채 잔상 지각에서 배경 색에 의해 유도된 색의 가산 혼합 현상 탐구)

  • Kim Sun Ah;Chung Chan-Sup
    • Korean Journal of Cognitive Science
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    • v.15 no.4
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    • pp.21-30
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    • 2004
  • Additive color mixture of two different background colors appeared in the afterimage of a gray circle centered on an isoluminant bichromatic background (red/green, blue/green, or blue/yellow background). The chromatic mixture still appeared in the afterimage of a gray circle on a bichromatic background at different luminance levels, and also appeared in a large test field. The saturation of the induced color was observed to increase as the overall luminance of adaptation background stimulus increase of the size of test field decreases. It was found that the chromatic mixture does not appear with a chromatic or achromatic boundary inserted on the center of the test field. The boundary seems to prevent the induced color on each side of test field from spreading to the other side so that the induced color does not appear mixed but divided into two different colors. Without a boundary on the test stimulus, the color information induced in the afterimage seems to be too weak to create a subjective boundary between the two colors and consequently propagate inward appearing mixed.

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Thee contour extraction algorithm of the moving Object using the CCD camera (CCD Camera를 이용한 이동체의 궤적 추출 알고리즘)

  • Lim Cheong;Kim Yong-Deak
    • Journal of the Institute of Electronics Engineers of Korea SP
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    • v.42 no.2 s.302
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    • pp.81-86
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    • 2005
  • It is not easy to find and extract a moving object from its background. The extraction method is specific as what it is and how its environment is. So recently the more general method which is less affected by its environmental elements is required. So, In this paper we report on the moving object extraction algorithm using the features of the interlaced-image-capturing method which is adopted in the CCD Camera, an afterimage for exposing time and the fact that an afterimage has same color level. Unlike much of existing algorithms it is use oかy one stationary picture to apply this algorithm.