• 말소리와 음성과학
• /
• 제4권3호
• /
• pp.3-12
• /
• 2012

The primary goal of the current study was to examine category solidity of Korean alveolar fricatives in the Busan and Seoul dialects of Korean. Considering the common belief of $/s^h/-/s^*/$ neutralization in Kyungsang speech, plain $/s^h/$ and fortis $/s^*/$ fricatives of Busan speakers were examined against the same fricatives of Seoul speakers. Perceptual distance between Korean $/s^h/$ and $/s^*/$ on the one hand and English /s/ on the other was investigated by use of across-linguistic mapping method. Two experiments of a perceptual mapping task of English /s/ to Korean $/s^h/$ and $/s^*/$ and a $/s^*/$-production task were conducted on users of the Busan and Seoul dialects of Korean. The results from the perception and production experiments suggested that at a micro-level, younger Busan speakers have less solid category stability for Korean $/s^*/$ compared with Seoul speakers, although their production of $/s^h/$ and $/s^*/$ was as highly distinctive from each other as that of Seoul speakers.

• Child Studies in Asia-Pacific Contexts
• /
• 제2권2호
• /
• pp.77-90
• /
• 2012

The present study investigated infants' ability to form a category of a support relation (i.e., "on") when the objects depicting the relation were perceptually simple versus more complex. Twenty Korean infants of 14 months were habituated to dynamic support events with objects that were either simple or more complex in appearance. They were then tested with events that differed from the habituation events in the specific objects, spatial relation, or both. Infants formed a support category whether familiarized to simple or complex objects, looking significantly longer at test events with a novel than familiar relation. The results indicate that at 14 months of age, object features do not impact infants' ability to form a categorical representation of support.

• 한국의류산업학회지
• /
• 제12권2호
• /
• pp.139-148
• /
• 2010

As a designer, Rei Kawakubo had become one of the most influential woman of the 20th century. Comme des Garçons, which means "like boys"-what women in the early 1980s were least supposed to be-expressed criticism of the prevailing social construct of women and, importantly, of the very concept of fashion. The press had a field day with the so-called post Hiroshima look, with its aesthetic of destruction, poverty, and hunger and with its depressing mood engendered by the use of the color black. This research divided the change of design transition on Kawakubo's fashion by the three categories. The first category was experimental pattern, the second category was esthetics of omission and the third category was innovation of body consciousness. The costume messages through these design works of Kawakubo could summarize 5 items, punk sprit, beyond sex, reality, proposal of new body consciousness and representation of black.

• 복식문화연구
• /
• 제6권4호
• /
• pp.1-12
• /
• 1998

The research was done against female workers in public officers to find out the actual conditions and usage of uniforms worn in government and other public offices, to find out the degree of their satisfaction for it's appearance, costs, functions and representation. The research was done by questioning 402 female workers about their uniforms in various government and other public offices and the results analysed from the research are as it follows below. 1. The shape of uniforms in public offices were mostly in three piece(jacket+vest+skirt) shape, many of them in gray color and the material were made of blended fabrics. 2. The satisfactory garde of the uniform couldn't even reach the level of '3 point', in which it is easy to tell that the workers had low satisfaction with their uniforms. The level of satisfaction in it's appearance, functions, costs and representation were below average, the rankings starting with functions, representation, appearance, costs and it was shown that the most satisfied category was in it's functions and the lest in costs.

• 감성과학
• /
• 제11권4호
• /
• pp.501-510
• /
• 2008

규범적 표상은 단어나 주제가 주어졌을 때 자연스럽게 떠오르는 심상이다. 이러한 규범적 표상은 대상의 특징을 가장 잘 드러낼 수 있는 특정한 조망이나 방향으로 떠오르게 된다. 규범적 표상이 측면임을 시사하는 선행 연구를 바탕으로 본 연구에서는 규범적 표상의 방향성을 검토하였다. 규범적 표상을 자연범주와 인공범주로 구분하여 자극의 제시 방향에 따른 차이를 알아보았다. 실험은 그림의 방향성(왼쪽/오른쪽)과 범주(동물, 자연범주/도구, 인공범주)를 두 가지 독립변인으로 하여 설계하였으며 단어-그림 일치 판단과제를 사용하여 정답 반응률과 반응시간을 측정하였다. 그 결과, 정답 반응률은 범주 내에서 방향성에 따른 모든 조건에서 천장효과를 보였으며 아주 근소한 차이만 있었다. 반응시간에서 범주변인의 주효과, 범주와 방향성의 상호작용 효과가 나타났다. 특히 자연범주에 속하는 동물 그림에서 방향성 효과가 관찰되었다. 동물의 머리가 왼쪽으로 향하는 그림이 오른쪽으로 향하는 그림 보다 반응시간이 유의하게 빨랐다. 그러나 인공범주에 속하는 도구 그림에서는 방향성의 효과가 나타나지 않았다. 이러한 결과는 동물의 규범적 표상의 방향성은 왼쪽을 향하는 것임을 시사한다.

• 농촌계획
• /
• 제25권4호
• /
• pp.129-149
• /
• 2019

This study is to give a three-dimensional view of the concept of rurality and ruralness in terms of time-span, perceived object and awareness level. In the precedent studies ruralness or rurality has been approached as the category of usefulness resources called amenity. This overlooked the perceived representation, institutional reference and rurality of ideological values. Rurality appears as a cumulative representation of being rural from the past to the present, but ruralness exists as a desirable form or value for the future. Through this study, it has been analyzed that ruralness consists of six realms such as environment, community, self-reliance, aesthetics, enjoyable amenity and settlement, and of three or four sub-realms by each amounting to 20 in total. According to the vocabulary listing by the survey to 30 experts, rurality for the past-present is mainly imagined as of natural environment, agriculture, landscape, and community history, while ruralness for the future is frequently described as of communities, settlement and self-reliance by number of references. Through the vocabulary extraction, 17 words in the level of mid-conception are induced including ecology, comfort, history, agriculture, landscape, place, culture, convenience, etc. In conclusion the concept of ruralness along with rurality could be organized into three different layers of perception consisting of representation, norms and usefulness.

• 한국초등과학교육학회지:초등과학교육
• /
• 제39권1호
• /
• pp.26-39
• /
• 2020

Visual Representation Competence Taxonomy (VRC-T) was developed in previous study(Yoon, 2018) to provide a framework conducive to assess visual representation competence and to devise appropriate educational activities for it. This study is an extension of the previous study. It aimed to explore the usefulness of VRC-T and revise it by analyzing the patterns of visual representation use in science lessons. The researcher collected lesson plans on shadow principle from 11 pre-service and 13 in-service elementary teachers and conducted individual interviews regarding what visual representations they considered and how they tried to use them in science lessons. VRC-T was used as an analytical framework to examine the types and cognitive processes of visual representations. As a result, new categories were added and the revised VRC-T was completed (VRC-TR). It was also found that both pre- and in-service teachers mainly focused on 'interpreting' the 'descriptive representation' while designing their lesson plans. Additionally, in-service teachers showed more limited use of visual representations compared to pre-service teachers. In-service teachers largely relied on the national science textbooks, while pre-service teachers reflected their own learning experiences in their teacher-training program. These results showed that teachers' use of visual representations heavily relied on their prior learning and teaching experiences. The VRC-TR presented in this study and examples of class activities in each category can be helpful for teachers and researchers who want to use visual representations more effectively.

• Asia Marketing Journal
• /
• 제25권2호
• /
• pp.45-60
• /
• 2023

The present study examines the role of the script used for the graphical representation of a brand name in creating brand meaning. The study results demonstrate that each script contributes to forming different aspects of the brand meaning in multi-script environments. However, the process of meaning transfer is also influenced by the context of the product category, which can impact some of the aspects of meaning related to norms and familiarity. Furthermore, the study indicates that if the brand meaning aligns with the product category schema, it positively impacts brand attitude. This study adds to the branding literature by introducing the script concept as a brand name characteristic and demonstrating its significant effect on brand meaning.

• 대한수학회지
• /
• 제60권6호
• /
• pp.1255-1302
• /
• 2023

We study various aspects of the structure and representation theory of singular Artin monoids. This includes a number of generalizations of the desingularization map and explicit presentations for certain finite quotient monoids of diagrammatic nature. The main result is a categorification of the classical desingularization map for singular Artin monoids associated to finite Weyl groups using BGG category 𝒪.

• 영미문화
• /
• 제14권1호
• /
• pp.269-286
• /
• 2014

The Pre-Raphaelite oeuvre abounds in the image of women, which indicates the impact of gender question on contemporary visual culture. The representation of women in their art tends to evince the entrenched myth of womanhood, marked by a stereotyped dichotomy in the apprehension of femininity. Yet there are a significant number of pictures which attest to the point that their iconography of womanhood cannot be fully elucidated by exploring the dichotomy alone. They falsify the dyadic model, defying the attempt to accommodate them in a clean-cut category. The curious blend of the mystical, the sensual, and the domestic that characterizes these images suggests that they are open to multiple interpretations. In sum, the Pre-Raphaelite representation of women both endorses and challenges the ideal of femininity, indicating that it was shaped by and shaped contemporary perceptions of women at a time when gender relations were shifting and the traditional institution of patriarchy revealed a sign of strain.