• 동의신경정신과학회지
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• 제24권1호
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• pp.109-122
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• 2013

Objectives : To research the needed Buddhistic ethical beliefs and psychotherapy from representative medical records of oriental medicine. Methods : The baseline data this research used is Myeong-Ui-Lyu-An, Sok-Myeong-Ui-Lyu-An, Ui-Bu-Jeol-Lok and from the variety of medical records; we extracted 22 medical records that refer to Buddhist thoughts. The sequence of medical records is determined by analyzing the contents of all medical records and grouping them by their categories. Results : The representative ethical mind that a doctor needs is the 'mercy thought' from Buddhism. This way, the doctor has 'pity' on patients and expects no reward for what he had done. 'Spells and religious beliefs developed into medical treatment procedures by Buddhism and oriental medicine psychotherapy. Using the belief that everything is made of the mind, which is the point of the 'Hwa-Eum' theory and the realization that the psychotic factors have a big role in the occurrence and progress of sicknesses, we emphasized supportive psychotherapy or more specifically, the suggestive therapy. 'Anguish' is an important point in the occurrence and progress of illnesses. To solve this, we used 'Zen family's 'Zen self-discipline' and ascetic life from Buddhism. According to Buddhism, a human's metal conflict and love or malingering from obsession is the cause of all mind illnesses. To heal these, a doctor must have an insight of the patient's mind more than the symptoms. Conclusions : Buddhistic thoughts suggested clearly the mentality necessary for oriental medical psychotherapist and medical ethics for a doctor.

• 복식
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• 제19권
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• pp.83-103
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• 1992

This thesis researched the ritual dress of Korean new religions such as Suungyo, Mirubulgyo, Taejonggyo and WonBuddhism, According to kind, color, cloth and shape this thesis analyzed the ritual dress of them on the basis of its literatures. I. The results of the ritual dress of them through its literatures are as follows: 1. In case of Suungyo, there are Songwansonbok, Togwandobok, Pulmogwan, Ch'onui, Chap'ae , Yukhwangang, Pobdae, Hakp'yo and Kyonjang in its kind. In its color there are Huk, Cha, Hoe, Chahwang, Hong, Paek, Hwang, ROk, and Nam. Chemical fiber with one layer is used in its cloth. Its shape is made by a comprise between the feature of Korean dress, chuui and that of the existing dress of Confucianim, Buddhism and Taoism. 2. In case of Mirukbulgyo, Inhwag-wan, Chongbok, P'oui, Tae, Moson, Yomju and tanju are systematized in its kind. In its color there are Paek, Huk, ch'ong,Chok, Ok and Rok, Kongdan and chemical fiber with one layer are used in its cloth. Its shape has a symbolic form of Yu'Pul and son based upon Korean dress, Chuui. In its symbol Inhwagwan symbolized Confucianism and Chongbok Taoism and P'oui Buddhism. 3. In case of Taejonggyo, there are Chusabok, Sjhobok, Yewonbok, Chusamo, Yewonmo, Tae and Hwa in its kind. In its color there are Paek(main one), Nam, Huk, Chaju, Chok, Hwang and Hoe. Kongdan with both sides is elaborately used in its cloth. Its shape thken from Korean dress means the succession of the national spirit of the white-clad folk. 4. In case of won Buddhism, there are kybok and Pobrak in its kind. In its color there are Paek, Huk and Hoe---especially, both Hwangt'o and Hwang are used in Pobrak, Anyone can use cloth at his will. In its shape Kyoblk for man is Yangbok and Kyobok for woman is Tongch'ima and Chogori, a style of Korean dress. Pobrak is a form Tanryong worm with Rakja.

• 복식
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• 제57권3호
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• pp.165-175
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• 2007

Religion affects all the dimension of human beings, and at the same time it forms one dimension of human beings. Costume Is considered as a result that reflects the phases of the time and the characteristics of a wearer. Costume, also, has been influenced by religion that has led one's belief, social spirit and culture for a long period of time. The Eastern aesthetics has expanded the area of thoughts with the concepts that originated from Buddhism, Taoism, and Confucianism. Among the concepts, Non-Dualistic Theory is the core idea of Buddhism.'rho theory contains the moaning that one should not lean to one side between existence and nonexistence and should not be obsessed with the center. It was the most powerful Buddhistic idea that had an influence on Asian aesthetics. Korean traditional costume is not an exception. This study has a significance that it was conducted to understand the relation between religious principle and traditional custom through mainly using documentary records. The formative characteristics of Korean traditional costume influenced by Non-Dualistic Theory ran be summarized as non-structure like, indeterminate forms, amorphousness and anti-decoration such as plainness, temperance and achromatic color. Aesthetic value was expressed through 'the aesthetic of emptiness', 'the aesthetic of hiding', and 'the aesthetic of nature'. Although the appearance of a religious symbol can change, an essential element in religion lasts as human society remains. Although our clothing culture has converted to western style, Korean traditional aesthetics is placed deep inside of 'the Koreans' spirit and has a consistent effect on our overall culture of clothing.

• 복식
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• 제58권2호
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• pp.93-106
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• 2008

Asia Folk Costumes are certainly different from the Western Costumes. This distinction is based upon the effect of environment, technology, and social structure, and especially, which was generated by religion, ideology, and philosophy. The ideas of fundamental ground of this eastern features are religions such as Buddhism, Taoism, and Confucianism. The religion of the East has determined the form of traditional costumes, affecting the costume up to now. This study aims at the investigation of the effect of religion on the formation of East Asia Traditional Costumes around Korea, China, and Japan and its figurative beauty. Study was carried out by chiefly referring to literatures. Eastern Aesthetics was formed by accepting aesthetic concepts, acquired from the idea of Three Religions. Especially, the ideas of non-duality(不二), emptiness(空), five aggregates(五蘊), mind control(心法), derived by Buddhism, and nature theory(自然論) and creationism(創造論) of Taoism, and abstinence theory(節制論) and decorum(禮法) and the principles of Yin and Yang(陰陽) of confucianism have had great effect on the aesthetics of costume. The figurative features of costume, affected by three religions are described by the factors; First, non structural feature, second, the beauty of abstinence and chastity of ample silhouette, third, the feature of natural color and achromatic color, fourth, the figurative feature of costume by the principles of Yin and Yang, and fifth, bright ornaments. The aesthetic values of the East Asia Costume are 'A Beauty of Vacancy', 'A Beauty of Concealment', 'A Beauty of Nature', and 'A Beauty of Symbolism'. As philosophy, culture, and ethnics itself, the religions of Asia have had effect on the overall culture, which is inclusive of social structure, as well as art and aesthetics, and have decided the style of costume.

• 한국산학기술학회논문지
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• 제16권6호
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• pp.3760-3768
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• 2015

본 연구는 인성과 뇌파의 상관관계를 알아보고자 하는 것이 목적이다. 연구의 대상자로는 기업체에 근무하는 팀장급 40명을 대상으로 인성검사와 뇌파측정을 동시에 진행하고 결과에 대한 상관관계를 분석하였다. 인성검사는 Big 5 검사지를 이용하였고, 뇌파검사는 2-Channel System 뇌파측정기를 이용하여 Fp1과 Fp2에서 측정하였다. 연구결과는 Big 5의 수용성은 BQ의 자기조절지수중 휴식상태 즉, 알파파의 활성화 정도와 정적 상관관계가 있고, 개방성은 자기조절지수중 집중상태 즉, 저베타파와 부적 상관관계가 있다는 것을 알 수 있었다. 이는 사람의 인성이 대뇌피질의 활성화와 관련이 있으며 뇌파분석을 통해서도 알 수 있다는데 의미가 있다.

• 철학연구
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• 제144권
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• pp.1-15
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• 2017

이미 삼천 년 전, 춘추(春秋)시대에 중국 철학자들은 형이상학에 관해 논의했다. 고대 중국 철학자들은 '형이상'의 문제를 '도(道)'라고 하였고, 이와 구분하여 구체적인 사물을 '기(器)'라고 하였다. 그리고 '도'의 의미로서 '길', '법칙', '진리' 등의 의미가 파생되어 나왔다. 이에 중국의 전통문화는 무형적인 이른바 '도' 문화의 특색을 지니게 되었다. 그 중에서 선진(先秦)시대의 유가와 도가의 '도'는 동한(東漢)시대에 고인도(古印度)로부터 전래된 불가의 '도'와 함께 가장 많은 영향을 끼쳤으며, 2천년 동안 절대 다수의 중국인들의 가치관, 도덕표준, 사유형식에 있어서 3가지 무형의 역량을 이루게 되었다. 이 글은 중국 '도' 문화의 형성 과정을 개괄적으로 설명하고, 그 주요 정신이 유가는 자득(自得), 도가는 자연(自然), 불가는 자재(自在)에 있음을 해명하였다.

• 비교문화연구
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• 제47권
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• pp.101-129
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• 2017

본고는 관우(關羽) 신격화(神格化)가 일종의 문화현상으로 발전하게 된 것은 역사상 관우의 충의무용(忠義武勇)과 함께 민중들이 갈망하는 영웅출현의 심리작용, 그리고 그것을 적극적으로 활용한 종교계의 활동과 긴밀하게 연관되었음을 전제로 한다. 이를 토대로 본고는 유(儒) 불(佛) 도(道) 삼교가 관우 신격화 과정에서 어떻게 종교적으로 활용하고 있는 지 그 양상을 살피는 것을 목적으로 하고 있다. 관우신(關羽神)은 유 불 도교에 있어서 독특한 경로를 밟으며 뿌리를 내렸다. 즉, 불교(佛敎)에서는 사찰(寺刹)을 지키는 '가람신(伽藍神)'으로 격상시키면서 토착화에 성공하였고, 도교(道敎)에서는 악마를 쫓고 재난과 고통에서 벗어나게 해주는 '삼계복마대제(三界伏魔大帝)'의 만능수호신(萬能守護神)으로 활용되었으며, 유교(儒敎)에서는 '유장(儒將)' 관우 이미지를 공자의 춘추대의(春秋大義)와 연결하여 '존왕양이(尊王攘夷)'라는 시대정신으로 재창조하였다. 즉 나라를 수호하는 충의(忠義)의 무신(武神)으로 삼아 이를 국가 통치 질서 확립의 수단으로 삼았음을 확인할 수 있었다.

• 철학연구
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• 제130권
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• pp.161-186
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• 2014

웰빙'(well being)과 함께 최근 '웰다잉'(well dying)에 대한 사회적 관심이 '안락사'(安樂死) 문제를 계기로 촉발되어 인간 죽음의 존엄성에 대한 중요한 담론으로 대두되고 있다. '웰다잉'(well dying)은 그 어의대로 '좋은 죽음'을 의미하며, 이런 의미적 맥락의 연장선상에서 통상적으로 '준비된 죽음', '품위 있는 죽음', '아름다운 죽음'을 지칭한다. 본고에서 논자는 '죽음'을 교학의 출발점으로, 그리고 '죽음의 극복'을 교학의 종착점으로 삼고 있는 불교의 죽음관이 웰다잉에 대한 담론에 어떠한 기여를 할 수 있는지 면밀히 고찰하였다. 불교의 죽음에 대한 태도와 해석, 그리고 그 극복의 과정은 웰다잉에 대한 보다 풍부한 담론을 형성하는 단초가 되며, 특히 죽음의 극복을 육체적 생리적 영생으로서가 아닌 정신적 심리적 현상으로 해석하고 이러한 정신적 심리적 변화를 통한 사물의 진실상(眞實相)에 대한 깨달음[정각(正覺)]을 통해서 죽음을 극복하는 불교의 견해는 죽음불안의 극복 및 죽음교육에 많은 기여를 할 수 있다.

• 대한지리학회지
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• 제40권5호
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• pp.553-570
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• 2005

계룡산에는 상이한 종교(또는 이념) 집단들이 다양한 의미와 가치를 부여하며 이용해 온 공간과 장소들이 있다. 불교와 유교 그리고 무속을 포함하는 민간 신앙들은 자기 고유의 영역과 정체성을 생산하고 관리하기 위하여 제각기 다른 이념(또는 세력)을 구현하여 왔다. 무속을 중심으로 하는 저항의 지리는 계룡산 전역에 걸쳐 불연속적인 영역을 기반으로 진행되어 왔다. 이러한 저항의 지리가 가장 뚜렷하게 확인되는 지점은 삼불봉, 암용추, 숫용추 등이다. 지금까지 무속과 불교의 공간적이고 시간적인 뒤엉킴을 통하여 피지배 세력인 무속이 생존하여 왔던 것이다.

• 한국생활과학회지
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• 제12권4호
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• pp.509-518
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• 2003

Gasa was a surplice of Buddhist monk. It was usually worn in the religious ceremony. Gasa was such a religious cloth that was ruled strongly by Buddha's Commandments, and a kind of cloth that was also reflected by historical, cultural, and ideological factors of each nation. Korean Gasa had various features comparing to the Original Gasa or to that of South Asia which is the birthplace of Buddhism. One of them was 天 王 embroideries that we could find upon the regular square base in the four comers of Korean Gasa. These figures symbolized the Four Devas which were believed guarding Buddhist sanctum. These Devas appeared from the era of the Three Kingdoms when Buddhism imported. Buddhism as a alien religion had been developed through conflicting and fusing with Korean traditional religious characteristics into type of 'Faith to Three Treasures' (Buddha, Buddhist Commandments, Buddhist monk). They believed that embroidering 天 王 figures upon the regular square bases in the four corners were able to protect Buddhist monk by the help of Four Devas. We might say this as a kind of Faith to Buddhist monk.