• 한국산학기술학회논문지
• /
• 제11권11호
• /
• pp.4161-4166
• /
• 2010

본 연구는 2008년 1월부터 2008년 12월까지 B. 뇌 훈련 센터에 자기조절 능력 및 학업 성취도 향상을 위하여 방문한 내담자 52명(실험군 26명, 대조군 26명)의 뇌파를 검사하여 뉴로피드백 훈련 전과 훈련 후의 뇌 기능과 자기 조절 능력 변화를 보고자 하였다. 자기조절 능력에 영향을 미치는 특정한 뇌 기능의 훈련 전과 후의 결과를 시계열 선형분석으로 비교하였으며, 자기조절 능력 반응 측정 변화를 보기 위하여 5점 척도 설문지를 이용하였다. 연구의 결과로는 자기조절지수, 훈련모드, 최대편차에서 집단 간에 유의미한 차이가 나타났다. 또한 자기조절 능력 반응 설문지에서도 두 집단이 유의미한 차이를 나타냈다. 이는 전전두엽 뉴로피드백의 기술을 적용한 뇌 훈련은 자기 조절지수와 자기조절 능력에 긍정적인 영향을 미친다고 볼 수 있겠다.

• 동양고전연구
• /
• 제49호
• /
• pp.297-323
• /
• 2012

강유위(康有爲)의 신관(神觀)은 유학과 불학의 만물동근(萬物同根)이라는 개념에서의 천(天) 및 상제(上帝)와 기독교의 신관을 아우르고 있다. 그는 신령들의 경중고하(輕重高下)를 인정하고 부인지심(不忍之心)의 근원은 바로 하늘과 땅을 낳은 지상신(至上神)으로서의 상제(上帝)이고, 극단적인 사회개혁을 추진해야만 한다는 당위성의 윤리적인 근거도 상제의 실존에서 찾았다. 그는 영혼불멸을 신봉하였고 사람의 인권은 하늘이 부여한 것이라는 관점에서 개개인이 평등하므로 남녀의 평등은 가장 기본적으로 준수해야 될 대동세의 윤리가 되도록 했다. 천부인권(天賦人權)과 남녀평등은 그의 사회개혁을 이끄는 중심으로서, 그것을 실현하는 것이 바로 하늘을 닮아 난 사람이 지향해야 될 가장 기본적인 도리라고 강조하였다. 하늘을 대신하여 '천민(天民)'을 돌보는 '공정부(公政府)'가 최선의 방책을 다하여 보장하도록 하는 사회개혁안도 이러한 종교적인 성향의 신념으로부터 출발된 것으로, 대동서에 나타난 그의 전체 사상 체계 중에서 종교적 성향은 일관되게 견지하는 바탕이 되었다.

• 사상체질의학회지
• /
• 제26권2호
• /
• pp.133-145
• /
• 2014

Objectives In this study, we tried to examine that Sasang Constitutional differences affect the direction of the treatment of anger by comparing the effect of mindfulness meditation for anger scale in accordance with the difference of the constitution. Methods We analysed 105 college student's Constitution by Questionnaire for the Sasang Constitution Classification II and the effect of mindfulness meditation for anger by State-Trait Anger Expression Inventory Korean version(STAXI-K), Korean Version of the Behavioral Anger Response Questionnaire(K-BARQ). Volunteers who participated in this study were 105 people, except for person that did not properly entered the anger scale and Questionnaire for the Sasang Constitution Classification II, the subjects of analysis for State-Trait Anger Expression Inventory Scale were 45 and for the Behavioral Anger Scale were 49. Results & Conclusions The result of the effects of mindfulness meditation according to Sasang Constitution was as follows. The tendency to try to disperse and avoid the anger was increased through meditation for all subjects. The diffusion of male subjects and the avoidance of female subjects was increased. The effect of meditation on anger did not differ according to Sasang Constitution, constitutional differences did not affect the effects of meditation. The tendency of avoidance of anger was increased in Soyangin, Anger-out was decreased and the tendency of avoidance and diffusion of anger were decreased in Taeeumin through meditation.

• 비교문화연구
• /
• 제29권
• /
• pp.55-84
• /
• 2012

This paper is to study the Tang Dynasty monk poet Ling-yi's poem world and his significance on history of literature. In Chinese literature history, "the monk poets" is a very unique literature creation group. The means of a word "the monk poet", from the literal can see " he is the monk that Can write poems", which is dedicated to professionally writing poetry monk. Buddhism spread to China, from the Wei and Jin Dynasty beginning has been writing poetry of the monks, but the real meaning of "the monk poet" (i.e., professionally poetry monk) appeared to the Mid-Tang Dynasty period. The monk Ling-yi is the pioneer of the monk poets group and Buddist monk creative poem in Mid-tang Dynasty period. Although the Lingyi life is very short, only 35 had died, and his poetry has not been too much, only 44 songs, but he in this life of 35 years and 44 poems, for the development of classical Chinese poetry left noticeable imprinting. He is not just as monk's high practice and by advocating for great Buddhist scholar, also through the daily meditation in poetry creation practice were obtained at that time of many men of literature and writing respected. This paper from the poem monk Ling-yi double identity - the first is a Buddhist monk, the second is addicted to poetry poet to proceed, step by step, in-depth study as the poem monk Ling-yi's poetry creation characteristic and the creative mentality characteristics. This thesis also explores the poem monk by the creation of poetry pursuit, exploration, finally realized "poem" and "Zen" together as one "Zen poetry" creation mechanism.

• 대한한의학원전학회지
• /
• 제34권4호
• /
• pp.27-64
• /
• 2021

Objectives : This paper examined the Buddhist contents within the text, Bencaoshengyabanji(本草乘雅半偈). Methods : Medicinals that were searched through Buddhist vocabulary were examined. Results & Conclusions : Medicinals that quoted the Lengyanjing were related to the Water-Fire interaction, food and medicine, and karma, while those that quoted the Shidian were related to 無上道, 去惡殺蟲, 樞機滑利, and 生生之氣. Those related to the Great Earth of the Four Elements corrected the body's form based on Metal Qi, while those related to the Great Water were connected to the circulation of water dampness. Those related to the Great Fire were deeply related to Yang Qi, and those related to the Great Wind were connected to Wind control. Of the Four Origins, medicinals that were viviparous lowered Qi, while those that were oviparous were related to communicating Shen, treating diseases of the Conception Vessel, and the closing and opening of day and night. Medicinals originating from dampness were related to urination and fluid management, while those of metamorphosis were related to the process of Qi. Those related to emptiness were related to the communication of the Qi system, while those related to 六根六塵 were connected to calming the Shen and strengthening the will, and smoothing the nine orifices. Medicinals related to 圓通 were used for improving eyesight and hearing and controlling the closing and opening. Lu Zhi-yi's analysis of medicinals through the Lengyanjing is original in that it suggested a new perspective other than previous theories on pharmacology which were based on the Yin-Yang and Five Phases and Rising/Lowering/Floating/Sinking theories, but also pedantic and exaggerated. The Bencaoshengyabanji is a unique text on medicinals which analyzed each medicinal under Buddhist influence. However, it also followed the contexts of other previous texts on medicinals, and influenced Zou shu.

• 대한건축학회논문집:계획계
• /
• 제35권7호
• /
• pp.81-88
• /
• 2019

The purpose of this study is to investigate the relations between brick and stone brick pagodas in all classes of pagoda with their construction and shape. Research objects of this study are brick and stone brick pagodas of National Treasure and Treasure and masonry pagodas that are similar to brick and stone brick pagoda. This study includes checking preceding researches, drawing questions from these preceding researches, and finding answers from these questions. The results of this study are as follows. First, pagoda of Bunhwangsa Temple, the first pagoda in the Silla Dynasty, was built as a masonry pagoda, not a stone brick pagoda. Second, roofs of stone brick pagoda barrows from brick pagoda's techniques for performance of material and ease construction. Third, brick or stone brick pagodas' base have Type II that has low and extensive foundation with soil and stones usually. Forth, Korean pagodas are categorized by their materials, construction methods, and shapes. Wooden pagodas, stone pagodas, and brick pagodas are categorized by materials, post-and lintel pagodas and masonry stone pagodas are categorized by construction methods, and pitched roof pagodas and terraced roof pagodas are categorized by shapes. Fifth, masonry pagodas of Buddhism that have shape of multi-story building were developed from Doltap, traditional stone stack, and they advanced with brick pagodas and stone pagodas to terraced roof stone pagodas and post-and lintel base brick pagodas.

• 동양고전연구
• /
• 제72호
• /
• pp.329-363
• /
• 2018

"석문의범(釋門儀範)"(1935)은 한국불교의례의 근대화라는 측면에서 중요한 위치를 점하고 있는 의례집이다. 이 의례집은 "작법귀감(作法龜鑑)"(1827)을 근간으로 "불자필람(佛子必覽)"(1931)을 거치며 완성된다. 3종의 의례집은 의식집을 사용할 수 있는 범례를 싣고 있다. 이 법례를 분석한 결과는 다음과 같다. "작법귀감"은 사성(四聲)과 여어(儷語)를 활용하여 범패소리를 담으려는 노력이 있었으며, "불자필람" 이후 소리표기가 생략된다. 그리고 예참(禮懺)의 삼보통청(三寶通請)을 예경(禮敬)의 사성례(四聖禮)로 바꾸어 놓는다. 한글과 한문을 동시에 기록한 형식은 누구나 쉽게 불교의례에 참여할 수 있는 대중화의 초석이 된다. 이와 같은 틀을 수용한 "석문의범"은 대중화의 목적은 이루었으나, 범패 또는 염불은 글만이 전해지게 된다. 결국 한국불교의 음악소리를 담아내지 못하는 결과를 낳게 되었다.

• 영어영문학
• /
• 제57권4호
• /
• pp.529-552
• /
• 2011

My essay aims at reading Ginsberg's "Howl" and "Kaddish" with the concept of 'shaman-prophet-poet' to illustrate the dynamic relationship between his poetics and radical politics. Throughout his widely-ranging career, Ginsberg represents himself as a poet-prophet and commands a typical rhetoric of revelation as a way of decentering Cold War orthodoxies. While well aware of the oppressive and pervasive power of the dominant post-war ideologies, he adopts 'madness' to oppose conventional political, social, and religious institutions; by way of entering into the madness of this world and actively engaging himself as a victim, he can finally heal both himself and the world. This dual function of poet characterizes his rhetoric of revelation, but it doesn't appeal to the mainstream of American critical ideology where the post-structural approach to language and subject gives a skeptical look at any account of active human agency and humanistic belief in the possibility of language. In "Howl" and "Kaddish," Ginsburg persuades the reader of the truth of his own vision through the convincing and realistic portraits of his contemporaries as well as his own mother and family. Different from his visionary predecessors such as Emerson and Whitman, Ginsberg knew the difficulty of a negotiation between history and divine vision, and attempted to imbricate his family, friends, and even the larger social and political units within his visionary experience in order to avoid naive idealism, escapism, or solipsism. Furthermore, he deconstructs the Logos of Western prophecy and replaces it with the groundless identity and the nontheistic epistemology of Buddhism, which, in turn, leads to emptying his powerful language of absolutist meaning and prevents his prophecy from becoming re-reified as divine essentialism. Ginsberg's idea of poet and poem revitalizes the skeptical view on language and literary representation of our contemporary critical community which is unwilling to engage the experimental scope of his radical prophecy.

• 대순사상논총
• /
• 제37집
• /
• pp.357-384
• /
• 2021

大巡伦理思想以"一道""二山""三界"为信仰要素, 建构一套生命宗教的新型伦理形态。其中, "一道"即姜甑山"大巡"天下所传"真理", 亦即大巡伦理思想之基本道德原则, 内容为"阴阳合德, 神人调化, 解冤相生, 道通真境" ; "二山"为大巡真理会之信仰对象, 即"教主"姜甑山和"道主"赵鼎山 ; "三界"为大巡道德关怀的涵括天地人在内的生命视域。围绕其宗教道德原则, 大巡真理会以"诚, 敬, 信"为"三要谛", 以"安心, 安身, 敬天, 修道"为"四纲领", 将其"一道"的伦理要旨, 转化为终极信仰的道德要求与人伦日用的行为规范, 进而对道人之身心修行工夫与神明交互感应做出宗教礼仪规制, 再从个人修道之"道通真境", 人神皆尊协同, 以及道信众生共建"地上仙境"道出其伦理价值理想。大巡伦理思想与佛, 耶, 道诸教相较, 具有三大精神特质 : "三界相生"的整体性, "人神皆尊"的协同性, 以及"地上天国"的入世性。

• Acta Via Serica
• /
• 제7권2호
• /
• pp.153-178
• /
• 2022

This study analyzes the traces of East-West cultural exchange focusing on the palmette pattern expressed on Sassanid Persian and Silla Korean carpets. The results of the study are as follows. The palmette, which originated in ancient Egypt, is an imaginary flower made up of the transformation of a lotus, which combined with the Mesopotamian quadrant (四分法) and expanded to a four-leaf palmette and further to an eight-leaf palmette by applying the octant (八分法). The palmette, which was brought to Assyria, Achaemenid Persia, Parthia, Greece, and Rome, can be seen lavishly decorated with plant motifs characteristic of the region. Sassanid Persia inherited the tradition of the palmette pattern, which applied the quadrant and octant seen in several previous dynasties. On the one hand, it has evolved more splendidly by combining the twenty or twenty-one-leaf palmette and the traditional pearl-rounded pattern decoration of Sassanid Persia. These Sassanid Persian palmette patterns can be found through the palmette patterns depicted on the ceilings of the Dunhuang Grottoes located on the Silk Road. The palmette pattern of the Dunhuang Grottoes was expressed in the form of a fusion of Persian Zoroastrianism, Indian Buddhism, and indigenous religions. In the Tang Dynasty, it shows the typical palmette pattern of four and eight leaves in the medallion composition, which were mainly seen in Persian palmettes. The palmette pattern handed down to Silla can be found on a Silla carpet, estimated to be from around the 8th century, in the collection of Shoso-in (正倉院), Japan. The Silla carpet shows a unique Silla style using motifs such as peonies and young monks, which were popular in Silla while following the overall design of the Persian medallion.