• 제목/요약/키워드: bright tone

검색결과 85건 처리시간 0.02초

K-Pop 보이 그룹의 패션디자인 및 스타일 연구 - 방탄소년단, 세븐틴의 음악 방송 프로그램 및 유튜브 영상을 중심으로 - (A Study on the Fashion Design and Style of K-Pop Boy Groups - Focusing on the Music Programs and YouTube Videos of BTS and Seventeen -)

  • 왕롄카이;김윤경;이경희
    • 한국의류산업학회지
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    • 제23권6호
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    • pp.726-743
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    • 2021
  • This study tried to examine the fashion design and style of representative K-Pop boy groups BTS and SEVENTEEN appearing on music shows. The data collection was conducted on 4 music programs(Inkigayo, Music Bank, Show! Music Core, M COUNTDOWN) and YouTube(www.youtube.com) for each boy who worked for 5 years from January 2016 to December 2020. Result analysis utilized the stage scenes and music videos of the title songs of BTS and Seventeen. As for the fashion design and style characteristics of BTS, it was found that overall, the color, pattern, and decoration of the bottom were minimized, and the style was changed mainly by the top of the denim pants. As for Seventeen's fashion design and style characteristics, it was analyzed that plain simple slacks, bright and modest chromatic colors, and geometric and stylistic patterns with street retro sensibility were relatively emphasized, and natural and romantic images appeared a lot. As a result of examining the differences in fashion design and style characteristics between BTS and Seventeen, significant differences were found in color, tone, color scheme, material type, material combination, detail, trimming, pattern, accessories, and fashion image. Overall, it was found that both groups minimized the use of decorative elements such as patterns, details, and trimmings.

플루오레신나트륨의 농도 범위 분석 (Analysis for Concentration Range of Fluorescein Sodium)

  • 이다애;김용재;윤기철;김광기
    • 대한의용생체공학회:의공학회지
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    • 제41권2호
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    • pp.67-74
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    • 2020
  • Brain tumors or gliomas are fatal cancer species with high recurrence rates due to their strong invasiveness. Therefore, the goal of surgery is complete tumor resection. However, the surgery is difficult to distinguish the border because tumors and blood vessels have the same color tone and shape. The fluorescein sodium is used as a fluorescence contrast agent for boundary separation. When the external light source is irradiated, yellow fluorescence is expressed in the tumor, which helps distinguish between blood vessels and tumor boundaries. But, the fluorescence expression of fluorescence sodium depends on the concentration of fluorescein sodium and such analytical data is insufficient. The unclear fluorescence can obscure the boundaries between blood vessels and tumors. In addition, reduce the efficiency of fluorescence sodium use. This paper proposes a protocol of concentration range for fluorescence expression conditions. Fluorescent expression was observed using a near-infrared (NIR) color camera with corresponding dilution using normal saline in 1 ml microtube. The flunoresence emission density range is 1.00 mM to 0.15 mM. The fluorescence emission begin to 1.00 mM and the 0.15 mM discolor. The discolor is difficult to fluorescence emission condition obserbation. Thus, the maximum density range of the bright fluoresecein is 0.15 mM to 0.30 mM. When the concentration range of fluorescein sodium is analyzed based on the gradient of fluorescence expression and the power measurement, the brightest fluorescence is expected to facilitate the complete resection of the tumor. For the concentration range protocol, setting concentration ranges and analyzing fluorescence expression image according to saturation and brightness to find optimal fluorescence concentration are important. Concentration range protocols for fluorescence expression conditions can be used to find optimal concentrations of substances whose expression pattern varies with concentration ranges. This study is expected to be helpful in the boundary classification and resection of brain tumors and glioma.

흡연 부스 디자인의 선호도 조사 연구 (A Study on Preference of Smoking Booth Design)

  • 양근영
    • 한국콘텐츠학회논문지
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    • 제17권1호
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    • pp.183-192
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    • 2017
  • 본 연구는 흡연자와 비흡연자 모두를 위해 담배 연기로 인한 피해를 최소화하고 사용자에게 편안함을 줄 수 있는 흡연 부스를 디자인하기 위함이다. 연구방법으로 첫째, 흡연부스에 대한 의식조사, 둘째 제품 디자인에 대한 선호도조사, 셋째 감성어휘에 의한 흡연부스 감성평가 조사를 하였다. 흡연부스에 대한 의식조사결과, 대부분 모든 사람들이 터미널, 역에 흡연부스가 필요하다고 하였다. 디자인 선호도에 조사결과로 첫째, 외부 흡연자를 위한 디자인부스는 딱딱하고 투박한 이미지 보다는 멀리서도 알기 쉽고 거부감이 들지 않는 형태의 디자인으로 제작되어져야 한다. 둘째, 원색 계열의 색상보다는 화이트와 파스텔 톤의 난색계열 및 밝은 색상을 적용하여 디자인한다. 셋째, 흡연부스이므로 내부 순환 필터 문제가 잘 관리 될 수 있도록 한다. 감성어휘에 의한 감성평가결과 자극물에 대하여 4가지 차원으로 구분하여 인지하고 있었다. 각 인자의 함축 언어로 1인자에 대한 대표 이미지 언어는 '기능적 감정' 2인자의 대표 이미지 언어는 '심리적감정' 3인자의 대표 이미지 언어는 '색상감정' 4인자의 대표 이미지 언어는 '형태감정'으로 정의하였다. 흡연자와 비 흡연자 양쪽 모두를 위해 담배연기로 인한 피해를 최소화 시킬 수 있어야 하며 혼자만의 휴식을 취할 수 있는 사용자 중심의 서비스 디자인이 필요하다.

섬유.패션디자인을 위한 컬러코디네이션 지원모델 개발 (A Study on the Color coordination System to fashion)

  • 정재우;이재정
    • 디자인학연구
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    • 제18권1호
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    • pp.167-174
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    • 2005
  • 본 연구는 컬러 코디네이션 지원모델과 도구를 개발하여 디자이너의 감성적 직관적 의사결정을 객관적으로 지원하는 것을 목적으로 한다. 이를 위해 본 연구의 선행연구인 '섬유컬러 그루핑 체계에 관한 연구'에서 제안된 컬러 그루핑 체계와 대표 어휘를 바탕으로 본 연구에서는 배색 그룹의 설계를 통해 실용적으로 사용할 수 있는 컬러 코디네이션지원 모델을 제작하였다. 본 연구의 결과를 요약하면 다음과 같다. 첫째, 컬러 그룹을 구성하기 위한 기본 컬러 도출을 위해 $1999{\sim}2003$년까지의 5년간 세계 4대 collection, 2002 F/W 2003 S/S 시즌의 Street 패션, 자 그룹별 대표 브랜드에서 총 687개의 컬러를 수집하였다. 둘째, 687개의 수집된 컬러는 비색 그룹을 위한 추출을 위해 3단계의 과정을 거쳐 총 144색의 컬러로 정리하였다. 셋째, 최종 추출된 컬러는 선행전구에서 제안한 그루핑 체계인 브라이트, 파스텔, 딥, 뉴트럴 그룹으로 분류하였고, 4개의 대그룹은 다시 12개의 소그룹으로 분류하였다. 넷째, 제시된 각 그룹 내의 색깔은 그룹 내에서의 코디네이션은 물론, 타 그룹과도 서로 대치 될 수 있는 크로스 오버코디네이션 개념을 도입하여 커러 코디네이션 체계를 구축하였다. 다섯째, 위와 같이 계통 색조별 4개의 대표 그룹(12개의 소그룹)으로 된 배색 체계를 구성하는 총 144개의 컬러를 섬유패션 디자인 산업의 대표 소재라 할 수 있는 면사에 염색하였다. 또한 글로벌 비즈니스로서의 패션 산업적 특성과 연관 디자인 산업분야와의 호환성을 고려해 시스템을 구성하는 각 색상에는 팬 톤 컬러 기호와 CMYK 값을 명시했다. 여섯째, 완성된 면 소재의 얀(yarn)을 크로스 코디네이션이 용이하도록 디자인된 용기에 포장하여 패션 실무자들이 쉽게 활용 할 수 있는 컬러 코디네이션 시스템을 완성하였다.

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스트리트 패션의 발생과 변천 (The Origination and Changes of Street Fashion)

  • 정경희;유태순
    • 패션비즈니스
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    • 제1권1호
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    • pp.71-83
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    • 1997
  • The purpose of this study is to analyze the present fashion phenomenon by considering the types of street fashion, the center of avant-grade modern fashion, that shows the origination background and special feature concretely. The times was defined through the 1980's from World War II that street style originated, so the range of study was the 1990's when the street style was influenced by that of the past and was revived. The ways of study were to analyze the records of ideology, art and music connected with the street style from World War II to the present when it has risen. The summary of result is as follows. (1) In the 1940's, Zooties was the jet of desire suppressed by African-Americans that couldn't receive favors socially and economically and Hipsters pursued reformative bebop that made up of soft Jazz. In the 1950's, Modernists were running after Cool Jazz to the minimum. In the 1970's, Funk appered in the sexual desire and erotic strength, and was surfaced from Negro Getto. In the 1980's B-boys & Flygirls showed the street style by the scribble art of slum in the New York. As mentioned above, In the 1990's, Acid Jazz influenced by the Jazz of Negro has been the fashion added to the tradition of musical form that come from eclecticism of Jazz tended Neo-Jazz. (2) In the 1940's, Western style dreamed the country life because of rapid urbanization. In the 1950's, Beat obtained the feeling of liberation from the dissolute life and activity. In the 1960's, Psychedelics showed the freedom affected by the Pop-art and Op-art, and Hippies pursued the true individuality as 'love & peace' life style and the return to nature. In the 1990's, Grunge look influenced by the above has been fashion that shows the practical use of second-hand clothing or patchwork contrary to elitism. (3) In the 1940's, Caribbean style appered in the typical textile color with the center of West Indies. In the 1960's, Rude boys showed the magnificence and difficulty of Jamaica, and Rastafarians had a tendency to come back to the ancient civilization of America. In the 1970's, Two-tone was the simple clothing for harmonizing among human races. In the 1990's, Jamaica look influenced by the above has been the Lege fashion introduced to a high fashion, appearing in the special bright color, applique, unique hair style, and so on. (4) In the 1950's, Sufers pursued natural rhythm, getting out of everything. In the 1970' s, Skaters enjoyed the speed on the paved road. In the 1980's, Casuals emphasized the spirit of cooperation of young-things. In the 1990's, Casual look Influenced by the above has been the fashion that forms the activity, function and strong spirit of cooperation by pursuing comfortable life and sports in the tension of life and variety of modern society. (5) It was hard for Bikers to adjust themselves in society after the war. In the 1950's, Coffee bar cowboys were the reckless running boys in the leather jacket. In the 1960's, Rockers created the group originality as disobedient outsiders and Greasers imitated Rolling Stones. In the 1980's, Punks resisted the viewpoint of the old generation in offensive fashion. In the 1990's, Cyberpunk influenced by the above has pursued the classless structure, electronic music and metallic clothing that forebodes gloomily as the computer generation of ultra-modern science times. Accordingly, in understanding a complex modern fashion phenomenon, it was analyzed that the street styles of the past, from World War II to the 1980's, were reflected in that of the 1990's dividing into the five types in a word, namely Acid Jazz, Grunge look, Jamaica look, Casual look and Cyberpunk.

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