• Title/Summary/Keyword: boundary tones.

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Design of a Variable Resonator for the Sacred Bell of the Great King Seongdeok (성덕대왕신종을 위한 가변형 명동의 설계)

  • Kim, Seock-Hyun;Jeong, Won-Tae;Kang, Yun-June
    • The Journal of the Acoustical Society of Korea
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    • v.31 no.5
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    • pp.288-297
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    • 2012
  • This study proposes a design model of the variable type resonator which corrects the temperature variance according to the season, in order to maximize the resonance effect in the Sacred bell of the Great King Seongdeok. In the bell, the 1st natural frequency (64 Hz) and the 2nd natural frequency (168 Hz) are the most important partial tones. Resonance conditions of the two components are determined for the internal acoustic cavity system, which consists of bell body cavity, gap and the resonator. Acoustic frequency response characteristics of the internal cavity are determined by the boundary element analysis using SYSNOISE. As an external factor, temperature variance according to the season largely influences the resonance condition and the length of the resonator should be controlled to maximize the resonance effect. As a measure, this study proposes a design model of the variable type resonator for the Sacred Bell of the Great King Seongdeok, which can control the length at the belfry according to the season.

A Unit Selection Methods using Flexible Break in a Japanese TTS (일본어 합성기에서 유동 Break를 이용한 합성단위 선택 방법)

  • Song, Young-Hwan;Na, Deok-Su;Kim, Jong-Kuk;Bae, Myung-Jin;Lee, Jong-Seok
    • The Journal of the Acoustical Society of Korea
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    • v.26 no.8
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    • pp.403-408
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    • 2007
  • In a large corpus-based speech synthesizer, a break, which is a parameter influencing the naturalness and intelligibility, is used as an important feature during a unit selection process. Japanese is a language having intonations, which ate indicated by the relative differences in pitch heights and the APs(Accentual Phrases) are placed according to the changes of the accents while a break occurs on a boundary of the APs. Although a break can be predicted by using J-ToBI(Japanese-Tones and Break Indices), which is a rule-based or statistical approach, it is very difficult to predict a break exactly due to the flexibility. Therefore, in this paper, a method is to conduct a unit search by dividing breaks into two types, such as a fixed break and a flexible break, in order to use the advantages of a large-scale corpus, which includes various types of prosodies. As a result of an experiment, the proposed unit selection method contributed itself to enhance the naturalness of synthesized speeches.

A Prosodic Study of Korean Using a Large Database (대용량 데이터베이스를 이용한 한국어 운율 특성에 관한 연구)

  • Kim Jong-Jin;Lee Sook-Hyang
    • The Journal of the Acoustical Society of Korea
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    • v.24 no.2
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    • pp.117-126
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    • 2005
  • This study investigates the prosodic characteristics of Korean through the analysis of a large database. One female and one male speakers each read 650 sentences and they were segmentally and prosodically labeled. Statistical analyses were done on these utterances regarding the tonal pattern and the size of prosodic units, correlation between the size of higher level prosodic units and the number of lower level prosodic units. and the slope and F0 of the falling and rising contours of an accentual phrase. The results showed that the duration and the number of words and syllables of a prosodic unit were significantly different not only between speakers but also between its positions within a higher level prosodic nit. The munber of a prosodic unit showed a high correlation with the duration and the number of syllables of its higher level units. The slope of the falling contour within an accentual phrase was inversely Proportional to the number of its syllables. The slope was different depending on the first tone type of an accentual phrase, which could be explained with the F0 rising and the different amount of rising between tones when an accentual phrase starts with an H tone. The slope of the falling contour across an accentual phrase boundary showed a constant and larger value compared to one within an accentual phrase. The rising contours in the beginning and end of an accentual Phrase were similar in their slopes but they differ in the amount of F0 change : the former showed a larger amount of change. The slope of the rising contour which forms an accentual Phrase on its own was inversely Proportional to the number of its syllables.