• Title/Summary/Keyword: bi sexuality

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A Study on the Sexuality Expressed in Modern Fashion - Focusing on the Feminism (현대 패션에 나타난 섹슈얼리티에 관한 연구 -페미니즘 이론을 중심으로-)

  • Lee, Ji-Hyoun;Yang, Sook-Hi
    • Journal of the Korean Society of Costume
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    • v.57 no.10
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    • pp.11-23
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    • 2007
  • The purpose of this study is to express the sexuality of feminism in the modern fashion. As for the methods of research, literary research was carried out using reference based on feminism history and sexuality concept and demonstrative analysis was undertaken using 2000's collections photographs. In the results of that, the sexuality of gender resistance feminism is featured by three key words: sado-masochism sexuality, bi sexuality and hetero sexuality. First, sado-masochism sexuality shows fetish look and dominatrix look shown in the strong attitudes. Sado-masochism sexuality is setting fetishes such as mask, whip, chain, metallic materials and tight leather boots. Second, bi sexuality presents mannish look of soft and feminie style's slim pants suit with ruffle, flounce and decorated detail blouse. and fetish look wearing of sexual symbol clothes such as corset and bustier. Third, hetero sexuality represent glamour look which exposure and emphasis of breasts, hips and other sexual symbols.

A Study on the relationship between contemporary fashion and deconstructive architecture (해체주의 건축양식과 현대패션의 관계에 관한 연구)

  • 김혜정
    • Journal of the Korean Home Economics Association
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    • v.35 no.3
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    • pp.89-100
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    • 1997
  • The formal constructions of deconstructive architecture in the contemporary fashion expressed as intertexruality, difference and trace and the working of DIS and DE, and intertextuality in deconstructive has manifested itself as the intertextuality of material, hybridization of items, the blending of modes and the bi-sexuality of sexes. And the difference and trace found in fashion are fantastic and playful and come to exist as historicity. DIS and DE in fashion shows the retrogression of gravity through non-structural silhouette. Their disentring expression emerged as construction through mixture and repetition as well as overlapping of planes or spaces. And their disjuctive representation appeared in the form of mutual juxtaposition and substitution with the double-side of formal construction in fuctional terms.

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