• 만화애니메이션 연구
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• 통권24호
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• pp.155-172
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• 2011

본 연구는 영화 <아바타>에 등장하는 나비족 유형의 캐릭터를 중심으로 성격에 따른 제스처 특징을 분석하고자 한다. 먼저 시나리오로 토대로 캐릭터의 성격 분류를 하여, 각 캐릭터의 특징적 장면을 추출하였고, 추출한 장면은 에니어그램으로 캐릭터들의 성격을 분석하였다. 다음으로 분석된 캐릭터의 성격과 제스처 분석을 통해 각 캐릭터가 가지는 에니어그램 유형의 특징적 제스처표현 메타포를 살펴보았다. 영상디지털콘텐츠에서 인물 캐릭터 설계 시 캐릭터의 특징과 성격을 최대한 반영하는 비언어적 행위 설정이 필요하다. 따라서 향후 성격유형에 적절한 제스처를 동반한 캐릭터 창조 및 표현방법을 제안하고자 한다.

• ETRI Journal
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• 제35권6호
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• pp.969-979
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• 2013

Various simulation applications for hair, clothing, and makeup of a 3D avatar can provide more useful information to users before they select a hairstyle, clothes, or cosmetics. To enhance their reality, the shapes, textures, and colors of the avatars should be similar to those found in the real world. For a more realistic 3D avatar color reproduction, this paper proposes a spectrum-based color reproduction algorithm and color management process with respect to the implementation of the algorithm. First, a makeup color reproduction model is estimated by analyzing the measured spectral reflectance of the skin samples before and after applying the makeup. To implement the model for a makeup simulation system, the color management process controls all color information of the 3D facial avatar during the 3D scanning, modeling, and rendering stages. During 3D scanning with a multi-camera system, spectrum-based camera calibration and characterization are performed to estimate the spectrum data. During the virtual makeup process, the spectrum data of the 3D facial avatar is modified based on the makeup color reproduction model. Finally, during 3D rendering, the estimated spectrum is converted into RGB data through gamut mapping and display characterization.

• 복식문화연구
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• 제15권2호
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• pp.339-351
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• 2007

Many off-line fashion brands currently has construct hompage in the form of digital contents at the website. The purpose of this study is to confirm that fashion item of avartar can be applicate to react for consumer desires by a process of construction for hompage digital contents of fashion brand, and develop various avartar fashion item to satisfy consumer's wants using the computer graphics. The results of this study are as followings. First, it should be the first to decide whether hompage contents can be used for any purposes. And it will offer initial brand concept, followed by the contents of event, blog, avatar, fashion information. Second, portal sites currently service avatar fashion item, but it just bounds the limit of indirect effect. Many fashion brands face a challenge to differenciate themselves, so avatar fashion item should be planned to coordinate the contents and brand concept. Also it is certainly possible that fashion brand communicates larger consumers with a avartar fashion item that appeal to a consumer's sensibility. Third, this study propose design development and application as 3 of the avartar fashion item using the computer graphics. Avatar Fashion item using the computer graphics was presented by application as promotion through event garment, item coordinate, cellular phone service.

• 복식
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• 제61권9호
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• pp.1-14
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• 2011

The purpose of this study was to understand the relationship between one's social-self image and Online Avatar image. Influence of these virtual images on one's attitude toward real world and commitment to the virtual world was examined. In addition, the gender difference was examined. A structural equation model with social self image as exogenous variable and influence of Avatar as endogenous variable was designed. Real and ideal Avatar images were the mediating variable in the model. Survey questionnaire was developed and data from 425 respondents were analyzed. Results indicated that the conceptual model was a good fit to the data. Respondents who perceived their social self-images importantly were likely to have real images of Avatars. Ideal image and real image had significant on commitment to virtual world and attitudes toward the real world. For male respondents, social self image had stronger influence on real image of Avatar and ideal image had stronger influence on commitment to virtual world than female respondents.

• 한국의류산업학회지
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• 제11권2호
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• pp.308-314
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• 2009

In creating an avatar, consumers can find out for themselves their own sizes to be entered. Also, putting in a face creation main-page menu option enables clients to make up their faces and match them to their bodies. Through this process when purchasing clothes through the internet consumers can enter their own body sizes and create avatars that are identical to their body shape. The uniqueness of developed prototype is that it creates an avatar similar to one's body shape according to body size inputs and demonstrates visually to customers the on-line comfort test which was only available off-line traditionally. The avatar follows the movement of mouse from left to right which enables 3 dimensional visualization. Through maximizing the visual effect this research focuses on enabling consumers to feel subjective parts as if they are off-line. This study seeks to provide a type of prototype of an online shopping mall that meets the demand of the consumers using the 3D avatar.

• International Journal of Fuzzy Logic and Intelligent Systems
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• 제2권3호
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• pp.167-173
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• 2002

In this paper, we propose an interactive genetic algorithm (IGA) to implement an automated 2D avatar synthesis. The IGA technique is capable of expressing user's personality in the avatar synthesis by using the user's response as a candidate for the fitness value. Our suggested IGA method is applied to creating avatars automatically. Unlike the previous works, we introduce the concepts of 'hidden population', as well as 'primitive avatar' and 'simplified genotype', which are used to overcome the shortcomings of IGA such as human fatigue or reliability, and reasonable rates of convergence with a less number of iterations. The procedure of designing avatar models consists of two steps. The first step is to detect the facial feature points and the second step is to create the subjectively optimal avatars with diversity by embedding user's preference, intuition, emotion, psychological aspects, or a more general term, KANSEI. Finally, the combined processes result in human-friendly avatars in terms of both genetic optimality and interactive GUI with reliability.

• 한국멀티미디어학회논문지
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• 제25권11호
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• pp.1601-1612
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• 2022

As human brands, Idols, the central members of K-pop, are actively engaging in various industries based on the support of their fandoms, greatly impacting the national economy. In particular, due to the development of digital devices and technologies, they are active both online and offline, and idol avatars are a significant part of their activities across diverse contexts. Therefore, this study aims to categorize avatars used in various contexts and explore fandoms' perceptions according to each type. Based on case studies and literature review, idol avatar usage was categorized into products, supplier-led content, and interactive content, and accordingly, surveys and in-depth interviews were conducted. As a result, regardless of category, fandom showed a negative perception of idol avatar usage, as shown in the order of interactive content, supplier-led content, and products. Regarding human brand characteristics of idol avatars, attractiveness was evaluated higher than intimacy and likeability. However, the attachment to real-life idols showed a higher correlation with the characteristics of intimacy and likeability than attractiveness. This study is significant as it looked at the future directions of idol avatar usage by analyzing the fandoms' perception of avatar usage in the K-pop industry from a human brand perspective.

• 패션비즈니스
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• 제27권1호
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• pp.36-49
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• 2023

This study investigated effects of metaverse experience on avatar fashion item benefit sought and the impact of fashion item benefit sought on fashion item purchase behavior. An online survey was carried out in the last year targeting male and female consumers aged 15 to 39 years who had purchased avatar fashion items from 'Zepeto'. A total of 363 responses were analyzed in this study. Results are as follows. First, four factors of metaverse experience were derived: 'entertainment experience', 'escape experience', 'adventure experience', and 'relationship experience'. Four factors of avatar fashion item benefit sought were derived: 'trend/brand sought', 'situation suitability sought', 'individuality sought', and 'ideal appearance sought'. Second, all four factors of metaverse experience were found to significantly affect the benefit of trend/brand sought. It was found that entertainment, adventure, and relationship experiences, excluding escape experiences, had significant effects on situational suitability sought. In addition, it was confirmed that entertainment and adventure experiences had significant effects on individuality sought and ideal appearance, respectively. Third, it was found that the trend/brand sought had a significant effect on metaverse usage time and purchase amount and that the situational suitability sought influenced the number of avatar fashion items purchased.

• 한국의류학회지
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• 제47권3호
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• pp.492-510
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• 2023

The metaverse, an expansion of the real world, refers to a three-dimensional virtual world where daily life and economic activities can be conducted through avatars. This study examines the effect of avatar identification on metaverse immersion, vicarious pleasure, and fashion brand item sharing intention by subdividing avatar identification into similarity identification, wishful identification, and embodied presence. In addition, it investigates the difference in the influence relationship between avatar identification, immersion, and vicarious pleasure according to the degree of fashion involvement. The total of 319 participants were analyzed using SPSS 26.0 and AMOS 24.0. The results showed that similarity identification, wishful identification, and embodied presence had significant impacts on immersion and vicarious pleasure, influencing sharing intention. There was also a difference in the effect of avatar identification on consumer responses depending on fashion involvement. This study provides theoretical implications for experiential marketing and presents practical suggestions for developing metaverse marketing strategies.

• 디자인학연구
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• 제17권2호
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• pp.199-208
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• 2004

인터넷이라는 가상의 공간에서 사람들은 공동체를 형성하며 서로 상호작용 한다. 이러한 사이버 공간에서 아바타(Avatar)의 존재는 자신을 표현하는 분신일 뿐만 아니라 가상공간에서 나를 표현하는 '또 하나의 나'로서 의미를 부여한다. 자신의 생각에 따라 표정 짓고 행동하는 아바타를 보며 사용자가 느끼는 현실감은 실로 크다고 할 수 있다. 따라서 아바타 기반 채팅 커뮤니케이션에서 문자 입력만으로 아바타의 표정이 애니메이션 될 수 있다면 사용자간의 커뮤니케이션에 더욱 효과적인 감정 전달이 가능할 것이다. 본 연구는 채팅시 사용자에 의해 입력되는 단어들에 의해 아바타가 스스로 반응하는 시스템을 위해 요구되는 감정 표현 어휘들을 분류 분석하였다. 분류 분석한 결과는 다음과 같다. 첫째, 한국어의 형용사와 자동사에서 추출한 감정 표현 어휘는 25개 그룹 209단어로 분류할 수 있었다. 둘째, 25개의 감정 표현 어휘 그룹 중 긍정적인 표현은 단 2개(좋다, 혹하다)이고 나머지 23개는 모두 부정적인 감정 표현 어휘들이다. 따라서 한국어에는 긍정적인 감정 표현 어휘보다는 부정적인 감정 표현 어휘가 더 발달되어 있다는 것을 알 수 있었다. 셋째, 분류된 25개의 감정 표현 어휘들을 수량화이론III류 분석하여 아바타의 표정을 제작한 결과 감정 표현 어휘들과 아바타 표정이 밀접한 관련성을 지니고 있어 사용자의 감정을 표현하는데 있어 유용하다는 것을 명확히 하였다. 하지만 국어 언어학적 구조 즉, 문맥 전체의 의미를 정량적 관계로 해석해 내지 못하는 등 실험의 한계성을 지니고 있다.