• 한국콘텐츠학회논문지
• /
• 제22권6호
• /
• pp.557-566
• /
• 2022

본 연구는 진푸티 상사와 약사여래 신행 간의 상관성을 파악하고, 약사여래 신행과 관련한 수행법의 개념과 가치를 고찰하는 데 목적이 있다. 이에 따라 진푸티 상사에 관한 광범위한 문헌 자료를 수집해 분석한 결과 진푸티 상사가 약사여래 신행에 기초한 각종 수행법을 중생 제도에 활용한 역사적 근원을 다양하게 포착해 제시할 수 있었다. 아울러 진푸티 상사가 창립한 보리선수 기구를 통해 지역·인종·문화 등을 초월해 세계 각지에서 신체적·정신적 위약함에 빠진 현대인을 대상으로 전수하고 있는 각종 수행법 중 대표적 수행법으로 대광명수지법, 오체투지, 팔괘내공 수행법에 대해 그 개념과 가치를 고찰해 제시하였다. 본 연구가 진푸티 상사와 약사여래 신행의 상관성 고찰 결과를 기초로 삼아 대광명수지법, 오체투지, 팔괘내공 수행법 각각의 개념과 특유의 가치를 명확히 구분해 내어 이를 상세히 밝혔다는 점에서 본 연구는 학술적 의의를 갖는다. 그럼에도 본 연구는 진푸티 상사의 약사여래 신행 관련 수행법이 확장해 가는 과정의 역사적 인과성을 충분히 밝혀내지 못했고, 대광명수지법, 오체투지, 팔괘내공 이 외의 수행법에 대한 개념과 가치까지 고찰하지는 못했다는 한계를 갖고 있다. 이에 대해서는 추후 연구를 위한 구체적 방법을 제언하였다.

• 한국콘텐츠학회논문지
• /
• 제11권7호
• /
• pp.110-120
• /
• 2011

본고는 <센과 치히로의 행방불명>에 나타난 세계관을 분석하는 것을 목적으로 하였다. 2장 '존재 왜곡을 치유하는 휴머니즘'에서는 존재의 원형을 회복시키는 데 기여하는 휴머니즘 사상을 논의하였다. 실명(失名) 위기를 맞은 치히로에 대한 하쿠의 사랑, 귀신 세계에 갇힌 엄마 아빠에 대한 치히로의 사랑, 용으로 변하여 고통스러워하는 하쿠에 대한 치히로의 신뢰 등에서 대가를 바라지 않는 휴머니즘을 읽을 수 있었다. 3장 '공생 공존을 지향하는 금욕주의'에서는 공동체 질서에 기여하는 금욕주의를 논의하였다. 돼지로 변한 치히로의 엄마 아빠의 모습, 직원들을 착취하는 유바바의 모습, 보이는 대로 먹어치우는 가오나시의 모습 등은 지나친 욕망의 폐해를 보여준다. 반대로 순진무구한 치히로, 소박한 제니바의 모습에서 금욕주의적 가능성을 읽을 수 있다. 4장 '근대 문명을 반성하는 생명사상'에서는 자본주의의 모순을 반성하는 생명 사상을 논의하였다. 오물신은 근대 문명에 대한 철저한 반성을 촉구하고 있다. 고향인 강을 떠나온 하쿠의 삶 역시 자연과 생명의 소중함을 일깨워준다.

• 복식
• /
• 제41권
• /
• pp.207-223
• /
• 1998

The purpose of this study is to abstract the image from black dress, which has been favored by many people regardless of the times and examine it throughout the history of drss and thereby clearly define the images that black limplies in dress. Color image is a visual symbol, an image that forms through a combination of visual stimulus created by color, coupled with all the external factors related to it. Black is a one-dimensional color, of which the impact is subjective to its energy, which depends on light reflected on the object, and its texture. Therefore, black projects different images, depending on its surroundings. In general, black has had negative connotations in the Western culture. In dress, however, it has implied other various images different from the general negative ones. By combining general images of black and those exprssed in dress, major images of black were categorized into dignity, elegance, eroticism, asceticism and tragedy. Dignity is a category similar to the sublime. Dress with dignity has sharp contours and is generally made of velvet or silk which can be characterized by their splendor and voluminous-ness, exaggerating the body of a person wearing it. Such costume is mostly found in powerful countries in history such as Burgundy Court in the 15C, Spain in the 16C. Netherlands in the 17C. Elegance evokes grace and beautifulness. It includes elegance, grace, beauty and dandyism as subcategories or silk. Good examples are dandies' black costume and Ladies black and white dressees in the 19C. Eroticism is an image which expresses sexual attractiveness. Costume with eroticism is made of velvet or silk, which project sumptuousness through reflection. Such costumes expose parts of the body or are tightly tailored in order to emphasizes body contours. Asceticism means restraint from physical and mental desires. Costume with asceticism makes a person wearing it look smaller by covering the whole body. Puritan's black dresses and Bourgeoisie's black suit are good examples. Tragedy is anguish. sorrow. Black costume with grievous feelings such as mourning dresses is made of lusterless textile concealing most of the body except for the face.

• 한국치위생학회지
• /
• 제14권6호
• /
• pp.813-820
• /
• 2014

Objectives: The purpose of the study is to investigate the relationship between professional vocation and ethical inclination in clinical dental hygienists. Methods: A self-reported questionnaire was filled out by 221 clinical dental hygienist in Busan and Kyeongnam from April 1 to 30, 2014. The questionnaire consisted of structured questions including demographic characteristics(9 questions), vocational calling(9 questions), deontology(12 questions), asceticism(13 questions), and utilitarianism(8 questions). Questionnaire was carried out by Likert scale. Data were analyzed using the statistical package SPSS Window 19.0 for frequency, mean and standard deviation analysis, t-test, one-way ANOVA and linear regression. Results: There was a significantly positive correlation between professional vocation and ethical inclination. The deontology was associated with education, dental service career, duty hours, and number of clients in multivariate analysis after adjusting for socio-demographic characteristics and professional vocation. Asceticism was also correlated with education, and utilitarianism was closely associated with vocational calling, work place, number of clients, and monthly income. Conclusions: It is necessary to develop the curricula including vocational calling and ethical inclination in the dental hygiene education. The dental hygienists should learn the ethical and vocational calling as a professional career.

• 한국의류학회지
• /
• 제21권8호
• /
• pp.1353-1364
• /
• 1997

The purpose of this study is to present a theoretical framework for analysis and interpretation of medieval look in fashion by investigating its aesthetic values. Accordingly, it would provide a better understanding of the medieval culture with its composite aspects. Modernism sought to make the Middle Ages in its own image.'New Medievalism' has on the whole tried to avoid reading the Middle Ages onto the modern world. Instead it designates a predisposition about the discipline of medieval studies broadly conceived. Consequently, it has changed the viewpoint of medieval culture from the one-sided angle into the diversified one. As recent studies based on New Medievalism have argued, a close look at the medieval culture revealed the dualistic nature of it, with contradictory aspects such as piety and secularity, ideality and formality coexisting. The characteristics of the medieval culture are categorized to asceticism, naturalism, mysticism and secularism. Asceticism, which is responsible for the melancholic and heavy atmosphere of the medieval culture, is related to christianity and despair of life. It is expressed in medieval dress in forms of body-concealing semi-fitted silhouette, coarse texture and dark color. As a reaction to the extreme splendor and exposure of recent fashion, the ascetic medieval look is attracting attention. The monastic look is characterized by body-concealing silhouettes and minimalized usage of colors and details. Naturalism is the feature seeking for purity of the nature and the human itself. It appears in terms of line as a smooth curve flowing along the body contours, or as a revival style of the Greco-Roman drapery in the medieval dress. Naturalism in the medieval look of the late 20th century fashion is expressed as a pure image with the use of sheer and soft fabric to form a smooth curve flowing along the body contours. Mysticism symbolizes the authority of the Christ and the glory of heaven. It is presented in the medieval dress of the body-concealing straight silhouette made of gorgeous fabrics, brilliant colors and decorations by gems and gold. The insecurity caused by the fin-de-siecle mood is creating a strong interest in religion and it is reflected in fashion as a medieval look reviving the solemn and magnificent style of the medieval dress. Secularism is a reflection of the medieval mind of indulging in the beauty of the mundane world. Heraldry and excessive decorations of the medieval dress are forms of this secularism. These styles of gorgeousness are being refined into a new medieval look of the 1990's. The medieval look of the modern fashion is featured in various styles, reflecting the pluralism of the postmodern society.

• 대순사상논총
• /
• 제25_2집
• /
• pp.71-102
• /
• 2015

In this paper, this author studied the realization of Daesoonjinri's Haewon Sangsaeng(解冤相生) in this world, for instance discussed the meaning of Daesoonjinri's Haewon Sangsaeng, a world construction with Haewon Sangsaeng, its practical action for the realization of Haewon Sangsaeng, and so forth. A description of the contents is as follows. Daesoonjinri's Haewon Sangsaeng eliminates the resentment of human destiny, and provides the grounds that we peoples can live with, going to help each other. And then the realization of Daesoonjinri's Haewon Sangsaeng in this world will require us to this society. Really Sangje(上帝) wanted to perform it in this world, and has performed it with a reorganizing in the order of heaven and the earth(天地公事). In response to the deeper sublimest will of Sangje, we humans can not help but do as follows: When Sangje has done a reorganizing in the order of heaven and the earth, we humans should participate in it. This is our response to the will of Sangje who wants to build an ideal society in this world. And in oder to participate in a reorganizing in the order of heaven and the earth, we humans should look up Sangje with Sincerity(誠), Reverence(敬), and should practice the words of Sangje with Faith(信). This kind of thing is a route that we should avoid Jeokwon Sanggeuk(積怨相克) and should perform Haewon Sangsaeng. This Haewon Sangsaeng can be achieved with no Chuck(無慼), an altruistic, no greed(無慾), an execution of asceticism(修道), and the practice of Podeok (布德)·Rehabilitation(敎化). No making of a Chuck, doing an altruistic, no greed, an execution of asceticism would not deceive others, would not murder others, would not blame the transgressions of others, would not discriminate, would not harm others. And Podeok·Rehabilitation should be performed well in practice. When performing Podeok and Rehabilitation, we should not nullify them as unjust words or undue actions, and we must be a true. Because we must make the words of Sangje inform a world wide well, and must convince the words of Sangje to peoples so that they can adhere to them with a faith. That's the way that we humans should participate in a reorganizing in the order of heaven and the earth in this current world, and the way that we should contribute to building the ideal society in the world.

• 대순사상논총
• /
• 제19권
• /
• pp.165-192
• /
• 2005

The purpose of this paper is to make clear the relation of traditional religion with economic ethics and attitude in Japan. I selected Shimhak(心學) of Japanese traditional religions to analyze because it has been said that Shimhak was related to the modern ethics of merchants in Japan. The contents of this paper is composed of two parts. First, the religious character of Shimhak is discussed. I will analyze the relation of Shinto, Buddhism and Confucianism to Shimhak to certify the syncretism of Japanese religion. Second, the economic ethics of Shimhak is discussed. I will make clear the historical significance of Shimhak in modern Japan, and the relation of the economic ethics of Shimhak with the spirit of Japanese capitalism. This paper will be useful to make out the social influence of Japanese traditional religion, to estimate the sustaining mode of traditional value and ethics in Japan in the future.

• 철학연구
• /
• 제123호
• /
• pp.61-89
• /
• 2018

본 논문의 목적은 고대 후기 로마 제국의 황제이자 신플라톤주의자였던 율리아누스의 견유주의 수용의 특징과 그 한계를 규명하는 것이다. 율리아누스는 당대의 퇴락한 견유들을 질타하면서 진정한 견유주의의 회복을 촉구한다. 이를 위해 그는 디오게네스를 진짜 견유의 모범으로 이상화한다. 우리는 율리아누스가 디오게네스를 이상화하는 방식에 주목할 것이다. 우선, 우리는 디오게네스에 초점을 맞추어 견유주의의 기본 특징을 소개할 것이다. 디오게네스는 소크라테스로부터 행복의 윤리학을 계승하여, 관습으로부터의 자유, 허욕에 대립되는 자족, 안락을 거부한 금욕적인 수행을 핵심으로 하는 견유주의적 실천을 행복의 지름길로 제시했지만, '파렴치'로 대표되는 그의 파격적인 언행으로 인해 '미친 소크라테스'로 불리게 된다. 다음으로 우리는 이러한 디오게네스의 모습에 견주어 율리아누스가 묘사한 진짜 견유의 특징을 검토할 것이다. 율리아누스의 진짜 견유는 디오게네스처럼 엄격한 금욕주의자이지만, 염치를 아는 디오게네스이고, 소크라테스처럼 통념에 비판적인 지성인이다. 그는 지상의 특정 국가에 예속되지 않은 자유인이지만, 우주시민으로서 신성한 도덕법을 수호하는 경건한 철학자로 드러날 것이다. 결국, 율리아누스는 견유주의를 소크라테스의 이성주의적 도덕주의 전통에 포섭되는 한에서 수용했음을 보일 것이다. 마지막으로, 율리아누스의 견유주의 수용의 의의를 기독교에 대항한 이교 철학 전통의 대통합 시도의 관점에서 간략히 재조명할 것이다.

• 대한한의학원전학회지
• /
• 제23권5호
• /
• pp.1-9
• /
• 2010

Chuneunja(天隱子) was publication that described the life nurturing(養生) of Taoism, consisted of 8 chapters. It was comparative primary writing and contained important contents in related to the life nurturing of Taoism. It belonged to the life nurturing of Taoism that influenced by Confucianism and Buddhism. It emphasized on the practical and rational thought that mastered morality by performing gradually. It showed the concrete asceticism method like to the basic regimen training of Taoism, for example mind control(調心), flesh control(調身), breath control(調息), conduction exercise(導引), raping teeth (叩齒法) and swallowing saliva(嚥津法). Oriental traditional regimen focused on realizing balanced human character by practicing human mind and body. It may show the direction to modern person that are troubled with harmful effect of modern civilization. If we throw away superstitious and unreal part in the traditional regimen and apply regimen in one's life, we may consider that regimen contribute to human health. Therefore, we require clear understanding for the classic data inherited from predecessors.

• 한국의류학회지
• /
• 제39권1호
• /
• pp.121-132
• /
• 2015

All aspects of clothing, including color, are a visible form of expression that carries invisible value. The purpose of this work is to study the expression of resistance in the white Hanbok in modern culture, specifically after the 1980s. Koreans have traditionally revered white color and enjoyed wearing white clothes. In Korea, white represents simplicity, asceticism, sadness, resistance against corruption, and the pursuit of innocence. This paper looks at: (i) the universal and traditional values of the color white, (ii) the significance of traditional white Korean clothing, (iii) the resistance characteristics of white in traditional Korean clothes, and (iv) the aesthetic values of white Hanbok. The white Hanbok often connotes resistance when it is worn in modern Korea. It is worn in folk plays, worn by shamans as a shamanist costume, worn by protestors for anti-establishment movements, and worn by social activists or progressive politicians. The fact that the white Hanbok has lost its position as an everyday dress in South Korea (instead symbolizing resistance when it is worn) is an unusual phenomenon. It shows that the white Hanbok, as a type of costume, is being used as a strong means of expression, following a change in the value of traditional costumes as it take on an expressive function.