• Korean Architects
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• s.544
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• pp.42-47
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• 2014

• Korean Business Review
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• v.10
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• pp.35-45
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• 1997

• Proceedings of the Costume Culture Conference
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• 2006.09a
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• pp.97-98
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• 2006

• Review of KIISC
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• v.16 no.5
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• pp.5-31
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• 2006

• East Asian mathematical journal
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• v.11 no.2
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• pp.175-185
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• 1995

• Proceedings of the Korean Radioactive Waste Society Conference
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• 2016.05a
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• pp.45-46
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• 2016

• Journal of Fashion Business
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• v.15 no.1
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• pp.171-184
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• 2011

This paper is purposed to clarify that an increase of the matter of concern about men's fashion in the mid-1980s was coincided with rapid change of images for men and diversification within the context of economy, society, culture and to analyze the characteristic of each fashion and the meaning. Findings are as follows: 'New men' played a key role creating and communicating the new male image through the media, as a new masculine appeared in the middle of 1980s. Especially it was spreaded into with British as a center between the generations of young men described as a white-collar worker about the ages from 18 to 35 specifically and appeared by the cultural background in accordance with the spread of consumerism, materialism and post modern feminism and the development of men's fashion. There were 2 types of fashion styles for 'New men' image on the media in the mid-1980s. The First is 'power suit look style' which is self-conscious, including 'corporate formal suit look' and 'soft & sexy suit look'. The Second is 'extravagant body conscious style' which characterize the decolletage and androgynous, including 'tough sports look' and 'sexy skirt look'. Lastly, the 'New men' image means a man as a visible object and a man in the image world.

• Journal of English Language & Literature
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• v.56 no.4
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• pp.617-635
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• 2010

This paper argues that what Edgar Allan Poe pursues in ;The Man of the Crowd" (1840) is not a story that can be told but an active reading that must be mediated. It is not only because the subject of the pursuit, the secret of the flaneur, remains veiled until the end, but also because the story proves itself to be a reading of various kinds of other texts: that is, the contemporary urban texts as well as the city itself. Although the 'man of the crowd' and his double (i.e. the narrator) embrace the figure of a modern flaneur, it is highly questionable whether the image of flaneur in the story fully qualifies itself as that of an ideal stroller, who can represent the free spirit of a detached collector. Rather, the narrator's flaneur reflects a panoptic perspective, systematically hierarchizing the constituents of the city. Still, it should be noted that ;The Man of the Crowd" raises questions about the idea of creation and appropriation, observation and originality, and reading and storytelling by ascertaining the impossibility of reading and through assimilating to the contemporary texts not without subtle acknowledgement. In short, this novella tries a new way of storytelling, of which meaning is not to be found in creation but to be mediated in modern experiences.

• Journal of Sasang Constitutional Medicine
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• v.19 no.3
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• pp.30-50
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• 2007

1. Objectives Facial features are the important personal characteristics. As a study of all the standardization research about the morphology of face and head, this study was carried out to find the differences according to sex, age. 2. Methods We have collected 1140 cases of patients of the Sasang constitutional Department of Kyung-Hee Medical Center and Kangnam Kyung-Hee Oriental Hospital. we took pictures their frontal view, lateral view of face and measured height, breaths and projected length of face with Face Features Measurement Program(FFMP) and analyzed shape differences of face according to sex, age. 3. Results We got the morphologic characteristics of face according to sex, age. And we will upgrade the Sasangin Classification System by this Morphologic study of Head and Face. 4. Conclusions 1) The morphologic characteristics of face according to sex (1) A man's head is longer and wider than a woman's in most measurement. (2) A woman's eye is bigger in height than man's. (3) A woman's face is looked full-filled than man's. (4) A man's polion is higher than pupil but a woman's polion is lower than pupil. 2) The morphologic characteristics of face according to age (1) Young age's forehead is longer and higher than old age's. (2) Young age's eyebrow is wider than old age's (3) Young age's eye is bigger in height than old age's (4) Old age's nose is longer, wider and lower than young age's (5) Old age's ear is longer than young age's (6) Old age's bigonial breath is wider than young age's (7) Old age's low face is extinguished than you age's

• Journal of Korean Medical classics
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• v.12 no.2
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• pp.200-213
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• 1999

The Haeng Chym(行鍼) which is the sixty seventh chapter of the Young Chu(靈樞), predominantly explicates the six kinds of needling reactions. The principle ideas of this thesis can be summarized as following, the Haeng Chym is divided into three parts in this thesis. 1st part: It shows that the six kinds of reactions occur from the excess and deficiency of yin-yang(陰陽) which is due to each different constitution(體質) in the acupuncture. 2nd part: It explains the excessive visceral-qi(臟氣) which is due to congenital constitution and the needling reaction which appears among the man of overabundant yang(重陽之人). It shows needling reaction of the man who has a little yin among the man of overabundant yang. 3rd part: It explains the quick and slow of the reaction whim occurred in the acupuncture, the presence of reaction by the times of acupuncture, abnormal rising of qi, bad needling reaction in the acupuncture and the side effect by frequent acupuncture.