• 교육시설 논문지
• /
• 제19권2호
• /
• pp.13-19
• /
• 2012

Under the WTO, UIA asks professional degree programs such as B.Arch program, practical experience, and an examination to meet the international requirements. In this context, we are started professional degree programs. Following the foundation of KAAB, Korean architectural education sectors have made substantial changes throughout the nation. There was lots of discussions about education system, however, we are lack of discussing about internship program in Korea. Therefore, this research was intended to review the professional practice program in other countries for the purpose of propose our education program. The specific content deals with various issues, like CPD and foreign architect legislations, and the recent korean legislation reform of 'Architect Law' centered upon Professional Training System. The aim is to identify the examples of forms and contents regarding the execution of new Professional Training System in current conditions.

• 한국실내디자인학회논문집
• /
• 제15권2호
• /
• pp.65-72
• /
• 2006

The purpose of this study is to show the development process of space concept by studying on the Louis I. Kahn's painting as pre-architectural thinking. Generally the idea of an architect is represented with lots of mediums, and the architectural thinking is developed through the process. In his early days, he, as an architect, made many travel sketches of Europe. In these clays, painting was the most significant medium to him. Since 1950's, he also left lots of sketches affected by abstract painting in addition to travel sketches. The results of this study were as follows: He found the image of antiquity from his painting and he made this image into abstraction in the facade. And the image of ruins was translated the layered space which was the transitional space. And he presented 'marche' through the series of painting of various view point. The Concept of 'marche' was translated into the connections of repetitive mass in the architectural space.

• 한국해양공학회지
• /
• 제24권4호
• /
• pp.23-31
• /
• 2010

The flow around a remotely-operated vehicle (ROV) has been investigated numerically to improve the resistant performance by modifying the hull form of the ROV. In the case of the base hull form considered in this study, form drag rather than friction drag was the dominant component of total drag. Subsequently, the surfaces that were most susceptible to local pressure effects were modified to give them a more streamlined shape. Eleven different hull forms were chosen to undergo surface modification for drag reduction. In addition, four different boat-tail appendages with different slant angles were installed at the stern to reduce the wake vortices that are induced by the local regions of very low pressure. Consequently, a total of 11 different hull forms for drag reduction were considered. The final hull form, which combined the hull for which surface modification resulted in the lowest drag with a boat-tail appendage with a 15-degree slant angle, resulted in a drag reduction of 20%.

• 한국실내디자인학회논문집
• /
• 제21권2호
• /
• pp.207-214
• /
• 2012

Today, museum exhibition can be divided into two sub-categories: a. informative exhibition with various useful auxiliary media to convey knowledge and b. appreciative exhibition considering aesthetic conveyance and visual/perceptual environment. In addition to this, the concept of memorial exhibition as a field that tangible and intangible memories are transmitted and reproduced is creating another genre of exhibition. As an example of such a memorial exhibition above, the work of de-constructive architect Daniel Libeskind was selected. Jewish Museum and Imperial War Museum North both of which maximized the exhibition space by grafting architectural language to exhibition narrative were analyzed and compared to see if the same architectural language can be displayed differently in another form of exhibition after being drawn into the exhibition space depending on the changes in time and perspective. Therefore, in the narrative display combining the selection of exhibition contents and storytelling, the formative language of space can confirm that exhibition narrative as an ending structure changed into a retelling story with more extended meanings through interactive factors. Eventually, in this formative narrative, when the display of historical facts and exhibition themes is combined with the architectural language in an exhibition hall according to the approach direction, the memorial exhibition can create a formative language stimulating sensibility in the memories of space and a differentiated formative exhibition space where one is truly moved by oneness of contents.

• 건축역사연구
• /
• 제22권3호
• /
• pp.15-26
• /
• 2013

This research takes as its object a body of historical researches by a new generation of French architects in the 1970s, who tried to confront the deep crisis in architecture since the years 1960. The research begins by noting that the ideology of the architect as an autonomous and transcendental subject, an ideology held by the architects of the previous generation, was a main target that young architects wanted to criticize and overcome. From this observation, the research focuses on a antihumanistic project which gave basis for a significant number of historical researches on modern architecture and was the result of a reappropriation of the French structuralism intensively developed in the human and social sciences of that time in France. After a series of textual analyzes, we argue that a new perspective on the city and the relationship of the latter with the architecture on the one hand, and the proposal for an "modest" architect as an alternative figure after rejection of the autonomous and transcendental one on the other hand, have been derived as the outcome of anti-humanist historiographic works. Finally, we assume that these historical adventure gave conceptual basis for postmodern architecture in France, freed from the modern myth of unity of author and that of work of art, but tinted by a moralism requesting modesty to architects.

• 한국해양공학회지
• /
• 제22권6호
• /
• pp.64-74
• /
• 2008

The flaw around a ROV (Remotely Operated Vehicle) has been numerically investigated to improve resistance performance by modifying the hull form of the ROV. For the base hull form considered in this study, the form drag rather than the friction drag is dominant to the total drag Subsequently, the surfaces on which the local pressure highly acts have been modified to produce the streamlined-shape. Based on the surface modification, seven different hull forms have been chosen as candidates for drag reduction. Among the candidates, the semi-sphericalized housing and the streamlined-bow achieved greatest drag reduction comparing with the others. Consequently, the hull form combined with the semi-sphericalized housing and the streamlined-bow gave approximately 17% drag reduction at the design velocity of 3 knots.

• 건축역사연구
• /
• 제1권1호
• /
• pp.117-128
• /
• 1992

The purpose of this paper is to clarify the introduction of foreigner's architectural engineering such as building materials techniques engineers, focused on the Late Yi-dynasty. Such all kind of building materials as timber brick tile cement lime glass window furniture and so on was imported from the foreign company in opening period of ports in Cho-son. The timer of these materials was imported from Japan, the brick tile from China, and others directly from Western counteries indirectly from Japan China. As it was active in an inflow of building materials and machines about 1890's, the modern building techniques were introduced and elementarily mastered such as timber sewing, manufacturing baking of brick glass, and masonry, The above modern techniques became the direct background in the formation of Korean modern architecture. Building engineers can be divided into three classes : architect engineer apprentice. But It could be apparently not divided the relation between architect and engineer at that time. They could be classified into job-architects who were engaged by the Korean government and leaded an active life in their settlement, and missonaries, They introduced the construction and style of modern architecture in our country, And so many skilled laborers and laborers participated in the construction of their settlement.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2002년도 춘계학술발표대회 논문집
• /
• pp.159-162
• /
• 2002

In the middle of 1940s, Hassan Fathy, a great Islamic contemporary architect, built cheap multifamily houses, schools, mosques and public market in the village of Gourna, near Luxor, Egypt for the poor Egyptian. At that time the western style houses made of concrete materials were so expensive for the Egyptian people in the rural area, that Hassan Fathy, a young architect, challenged to build the houses for them. He considered seriously the expenses that the lower-class Egyptians in the rural area could pay for building houses. He built up gorges arch-style building and done-style building by using traditional materials, which consisted of reeds, roues and mud brick for adobe. He made the design of houses cool in summer and warm in winter. The houses in the Gourna village were, afterwards, highly evaluated, in the sense that they represented the Islamic uniqueness of architecture and its beauty. As a result, the Gourna village made him receive many of awards including the Aga Khan Award. This study tries to focus on the reviewing of modern Islamic architecture by analyzing Hassan Fathy's architectural art, on the investigation of traditional materials used for building the Gourna village, and finally on the contribution for the research of Islamic architecture

• 한국실내디자인학회논문집
• /
• 제14권4호
• /
• pp.3-10
• /
• 2005

German architect Hans Scharoun (1893-1972) has long been known as an Expressionist Architect, but recent scholarships reveal that his architectural pieces represent a profound idea of modern functional building. In this context, his architectural tendency can be constructed as an advanced functionalism. In the early twentieth century Germany, many young architects were not given chances to build due to economic hardship after World War I, and they were naturally led to imagery sketch designs for future architecture. Scharoun began with utopian fantasies as one might easily notice through his watercolor paintings in the Glass Chain period, but further developed his vision into a more concrete idea on organic building which he believed to be a modem functionalism. This paper intends to exemplify Scharoun's modern functionalism through a detailed analysis of his design of Weissenhofhaus presented at Stuttgart Deutscher Werkbund Exhibition in 1927. Weissenhofhaus is often rebuked for its expressionist qualifies by famous critics such as Sigfried Giedion and Nikolaus Pevsner, but the house also suggests other possibilities within the Modern Movement in Architecture. In particular, Weissenhofhaus is chosen for its historical importance linking two world war eras in German modern architecture.

• 한국조경학회지
• /
• 제52권3호
• /
• pp.1-17
• /
• 2024

본 연구는 한국 조경을 살펴보기 위해 조경가 정영선에 집중하였다. 이를 위해 2014년까지의 작가의 사고, 정영선과 서안 작품, 관련 담론(조경가, 조경작품, 조경담론) 등을 대상으로, 조경설계안, 조경작품, 조경가의 사고 및 그것의 조경이론화 과정, 조경작품과 조경가의 설계사고 사이의 관계 등을 살펴보고 인터뷰(정영선 및 관련 인사), 문헌조사, 설계작품 분석 등의 방법으로 접근하였다. 자료를 종합한 결과 정영선 조경을 구분하여 볼 때, 조경을 처음 접하고 이를 수련하며 실무에 뛰어든 시기부터 독립 사무실을 운영하며 설계의 경향과 설계사고의 깊이를 달리하며 보이는 네 가지의 변곡 지점이 나타난다. 이 과정에서 초기 조경에 대한 학습기를 제외하면 정영선 조경의 범주는 현대 조경, 정원, 전통 조경의 세 가지로 나타났다. 이 세 가지 범주의 조경 활동을 통해 현대 조경의 수입과 내재화(현대조경론), 독자적 정원론의 성립과 그 실천(정원론), 전통 컴플렉스의 극복과 창의적 계승(전통조경론) 등의 세 가지 성취를 보여준다. 종합적으로 볼 때 정영선 조경은 지역주의적 사고와 작가주의적 사고의 실천이라 요약할 수 있다.