• Journal of the Korean Institute of Landscape Architecture
• /
• v.19 no.1
• /
• pp.99-121
• /
• 1991

A purpose of this study is to identify the concept formation and classify the diverse concepts which related to Kyoung(景) in the Classical Korean Poems(Chong, Chol(鄭澈, 1536-1593), Pak, Inno(朴仁老, 1561-1642), Yun Sondo(尹善道, 1587-1671) on the Yi dynasty period and to construct the direction of the use of that concepts in the future. The results were as follows ; The type of landscape concept was 9 types and had the following frequencies in order ; Kyoung(景)(3), Pung-Kyoung(風景)(2), Kyoung-Chi(景致)(2), Yeo-Kyoung(麗景), Cheong-Kyoung(淸景), Jin-Kyoung(眞景)(1), Mo-Kyoung(暮景)(1), Ka-Kyoung(佳景)(1), Kyoung-Mul(景物). Types of landscape concepts in Yi dynasty period were classified into 9 according to the many characteristics ; personal situations, faith, religion, confucianism in the specific time of Yi dynasty. The most popular type of landscape concepts in general was Kyoung(景). The word, "Pung-Kyoung(風景)" was used in expressing personal thoughts and feelings in one's recollection in terms of landscape elements. The word, "Mo-Kyoung(暮 景)" was used in expressing specific time and the dejection in one's heart in that time. The words, "yeo-Kyoung(麗景)" and "Ka-Kyoung(佳 景)" was used in expressing the landscape elements. The nine concepts had a grest deal to do with defining and perpetuating a personal characteristics, the place and landscape elements, and a society's character in the Yi dynasty period.ty's character in the Yi dynasty period.

• Journal of the Korean Society of Costume
• /
• v.5
• /
• pp.83-101
• /
• 1981

This study is to research and analyse the Musicians' Costumes in Yi dynasty. Each costume for the musicians was, at that time, different in its design and style in accordance with what class the musicians were belonging to and what ceremony they were playing for, and the form and substance of them were changed according to the ages. In the early of Yi dynasty, the musicians wore their costumes imitated from the Song dynasty's. Especially in the 13th year of King Sae-Jong(1431), they divided the costumes into A-ag-Seo Jeon-ag Gwan-bog(雅樂署 典樂冠服) and Jeon-ag-Seo Gwan-bog(典樂署冠服). Meanwhile the musicians had to put on their different kinds of costumes according to the sorts of ceremonies they were playing for since January of the 16th year of king Sae-Jong(1434). It is widely known that confucianism was made a national policy in Yi dynasty. Compared the musicians' costumes for sacrificial rituals, however, with those for every kind of ceremony, one was simpler and shabbier without any strictly established forms than the other. At the same time, the musicians' costumes for ceremonies were, instead, designed in more gorgeous forms; it means that the sacrificial ritual was very lightly dealt at that time. It is very difficult to define, by standard pictures the whole style and form of the musicians' costumes in Yi dynasty in this study. Since we haven't shown any examples of the costumes, this attempt will be keepful.

• Journal of the Korean Society of Costume
• /
• v.5
• /
• pp.207-218
• /
• 1981

This study is the investigation of dressing the deceased Kings and the King's robes in the coffin in the Yi Dynasty of Korea. The Authentic Records of the Yi Dynasty and the Diaries of Sung Jung Won (承政院日記) are mainly referred to as the research materials. The Concrete contents are the robes of the 20th King Kyung long (景宗 : $1720{\sim}1724$) to the 23rd King Soon Cho(純祖 : $1800{\sim}1834) in the Yi Dynasty. As the result of the study, the kinds of the robes in dressing the decreased Kings and the Kings' robes in the coffin are more than forty. The kinds of textile fabrics are about fifty-seven, the kinds of colours of textile fabrics are twenty-nine. All the kinds of costume-from the Kings' ceremonial robes to the Kings' ordinary robes are generally collected, and these kinds of costume are of help for the study of the costume history in the Yi Dynasty. In this study I intend to end in presenting the research materials, and in the later study I have a mind to study each costume in the concrete.

• Journal of Fashion Business
• /
• v.12 no.3
• /
• pp.136-152
• /
• 2008

The purpose of this study was to provide dress forms and jacket blocks for adult males based on the analysis of their somatotypes. As the result of the research conducted for this study that was based on 1290 males of 20 to 54 years-old, the shapes of adult male were 20 and each body shape was classified by size factor, height and chest girth. Also, master sizes were selected considering appearance frequency. XS type (master size: height 165cm and chest circumference 88cm), Yd type (master size: height 170cm and chest circumference 91cm), YI and AD2 types (master size: height 170cm and chest circumference 94cm) were selected to develop dress forms and their jacket blocks in this study. The procedure and results were follows; 1. The dress forms of XS, Yd, YI and AD2 types were produced base on means of 61 body measurements and cross sections of shoulder, chest, waist, hip of subjects belong to each somatotype. 2. New jacket blocks for XS, Yd, YI and AD2 types were developed based on the body surface developments through draping and the results of comparative investigation on the existing jacket blocks by wearing test. Also the drafting methods of new jacket blocks were provided. 3. The sensory evaluation by wearing test showed that the developed jacket blocks were estimated more highly in terms of chest's allowance, the front width's allowance, neck wrinkle, front allowance and overall appearance's fitness items than existing jacket blocks.

• (The)Study of the Eastern Classic
• /
• no.50
• /
• pp.211-232
• /
• 2013

Jia yi had a critical mind on the gap between the rich and the poor, sumptuous moods, reducement of agriculture productive population in West Han Dynasty period. It is to the collapse of social economic order, the moral degeneracy and the fiscal drain in West Han Dynasty. Jia yi analyzed the social problem of West Han Dynasty, suggested economic policy at one's own perspective. To solve the problem of the permissive policy of the Han Dynasty, He suggested a economic reform of phvsiocracy & business repression. And he was concerned about a reform monetary system. His reform policy was theoretical basis of Economic Thought of Jia yi. This paper focused his reform policy around phvsiocracy & business repression & private mintage prohibition policy.

• The Research Journal of the Costume Culture
• /
• v.3 no.1
• /
• pp.157-190
• /
• 1995

This report aims at studying on marriage extravagancies in Yi Dynasty and modern time in Korea. The author argues that we have to do the reform of consciousness and our reflection, with regard to the marriage extravagancies in Yi dynasty and modern times in Korea. In the way, we have to be illuminated by the seminar for the house wives of high class, by the discussion on marriage extravagancies or on the prohibition law of that which can keep.

• YAKHAK HOEJI
• /
• v.40 no.2
• /
• pp.126-130
• /
• 1996

Han Jung Pyeong Yi San is a Chinese Patent medicine, which is used for stomachic disorder, acute and chronic indigestion, dyspepsia and diarrhea in Korea. This medicine consisit of 16 kinds of powdered crude drugs. For the identification of individual ingredients in such powdery mixtures, microscopic method may advantageously be used as it requires only a small amount of specimens. In this paper, the effectiveness of this method is exemplified by the identification of the ingredients in Han Jung Pyeong Yi San which contains 16 powdered crude drug ingredients.

• Journal of Korean Library and Information Science Society
• /
• v.21
• /
• pp.431-457
• /
• 1994

The aim of this thesis is to attempt a bibliographical analysis of mathematical materials that were published during Yi-Dynasty. In this study, matters that were treated concretely are the same as follows: 1. Formulation of a system about mathematical materials that were published from Three Kingdoms to Yi-Dynasty. 2. Background of each period about compilation and publication of mathematical materials. 3. Investigation to transition, block book and domain of subject of mathematical materials through analysis on each period of publication. But it was not easy to contrast materials on each catalogue with existed books one by one. In further, we must a new chance for better a n.0, ppreciation about Yi-Dynasty's mathematical materials through continuous studies to this field.

• Journal of Korean Library and Information Science Society
• /
• v.22
• /
• pp.299-325
• /
• 1995

The aim of this thesis is to attempt a bibliographical analysis of Gu Geub Eui Seo that were published during Yi-Dynasty. In this study maters that were treated concretely are the same as follows: 1. Formulation of a system about Gu Geub Eui Seo that were published from Three Kingdoms to Yi-Dynasty. 2. Background of each period about compilation ad publication of mathematical materials. 3. Investigation to transition, block book and domain of subject of Gu Geub Eui Seo through analysis on each period of publication. But it was not easy to contrast materials on each catalogue with existed books one by one. In further, we must a new chance for better a n.0, ppreciation about Yi-Dynasty's Gu Geub Eui Seo through continuous studies to this field.

• Journal of the Korean Society of Clothing and Textiles
• /
• v.2 no.2
• /
• pp.277-286
• /
• 1978

The history of the women's veil which was used to hide their face in Yi-Dynasty was discussed. The similar fashion of wearing veil was popular in T'ang China as Myok-li and Yoo-Mo, then it might have influenced the fashion of the women's dress of the Silla Dynasty. It was also found out that the custom was most popular in Koryo and then continued to Yi-Dynasty. The confucianism of Yi-Dynasty requested very strict moral obligation toward women that veil had to be worn by them whenever going out. It might not be their popular fashion but obligation. There were several types of veil so called; Neoul(라원) Jangott(장의) Suege-China(쓰개치마) Chun-eue(천의) Sak-kat(삿갓) Chun-mo(천모)etc., which were used as a part of formal dress for women. From the late 1930, when the new society started to accept women's activities, the customs of wearing veil had been vanishing from the women's dress.